Australian politics, society & culture

Film

Batman v. Superman
‘Batman v. Superman’ v. the internet
By Waleed Aly and Scott Stephens
Still from Sherpa
The economics of Everest in Jennifer Peedom’s ‘Sherpa’
By Luke Davies
Trumbo image
Doing the right thing in Jay Roach’s ‘Trumbo’ and László Nemes’ ‘Son of Saul’
By Luke Davies
Survival tactics in ‘The Revenant’ and ‘The Big Short’
By Luke Davies
Still from The End of the Tour.
Five days with David Foster Wallace in ‘The End of the Tour’
By Luke Davies
Vanuatu’s Yakel people make their screen debut in Bentley Dean and Martin Butler’s ‘Tanna’
By Luke Davies
What makes a Bond theme song great?
By Anwen Crawford
Corruption and collusion in Scott Cooper’s ‘Black Mass’
By Luke Davies
Snowtown director Justin Kurzel takes on ‘Macbeth’
By Peter Conrad
Brian & Karl make films that speak their own languages
By Sam Twyford-Moore
Bringing Timothy Conigrave’s ‘Holding the Man’ to the screen
By Steve Dow
Musicians on film in Asif Kapadia’s ‘Amy’, Bill Pohlad’s ‘Love & Mercy’ and Mia Hansen-Løve’s ‘Eden’
By Luke Davies
George Miller and the evolution of Mad Max
By Shane Danielsen
A fresh take on horror in David Robert Mitchell’s ‘It Follows’
By Luke Davies
Xavier Dolan’s ‘Mommy’
By Luke Davies
The star of Two Days, One Night, Marion Cotillard, discusses how its directors, Jean-Pierre and Luc Dardenne, work.
Marion Cotillard discusses playing the role of Sandra in the Dardenne brothers’ film Two Days, One Night.
Actress Marion Cotillard describes how she lost her French Parisian accent for Two Days, One Night.

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