New Left Review I/143, January-February 1984

Paul Coates

The Story of the Lost Reflection

The feeling of strangeness that overcomes the actor before the camera, as Pirandello describes it, is basically of the same kind as the estrangement felt before one’s own image in the mirror. But now the reflected image has become separable, transportable. And where is it transported? Before the public.

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By the same author:

• Pynchon's Aesthetic Radicalism