The choice dish: Folger’s ‘As You Like It.’
The fashion label Opening Ceremony never disappoints when it comes to finding inventive ways to present its wares at New York Fashion Week. It has shown its clothes next to a wall oozing chocolate. It has sent models deliberately pratfalling down the runway. It has presented full theatrical productions.
With fouettes as liberation and Odette as action hero, American Ballet Theatre’s staging is right for these times.
Alexei Ratmansky on storytelling through dance in “The Little Humpbacked Horse.”
Arena Stage has reopened the case for the radical writer with a festival of her plays.
The “Goodbye Girl” star has tackled Hollywood, auto racing and a Lillian Hellman drama.
With such heavy musicals as “Caroline, or Change” and “Sweeney Todd.” Winter, y’all.
“Ella Enchanted,” “The Freshest Snow Whyte” and “Hamlette” put a 2017 spin on very old tales.
Stars turn out for a New York concert that proves a rousing counterpoint to Inauguration Day in Washington
“The Tin Woman,” Ken and Brad Kolodner, Substantial album release party and more.
The million-dollar issue gets new initiatives and funding to bring about change.
Last call for ‘The Gabriels: Election Year in the Life of One Family.’
“Roe” tells the story of one of the most contentious Supreme Court rulings of modern times.
The show ‘Ephemeral Architectures’ premiered at the 2015 London International Mime Festival.
Elsewhere, “Cymbeline” gets rewritten as a lesbian love story by Theatre Prometheus.
REVIEW|| "Harry Potter and the Cursed Child," which comes to Broadway next year, slakes the thirst of any Potter-holic.
Tony Award-winner James Monroe Iglehart is trading in his genie bottle for a place in American history onstage.
Science’s unresolved mind-body issue, muddied by money and love.
Richard Nelson, playwright-director of “The Gabriels,” talks about the creation of his trilogy.
Revival of Michael Frayn’s Tony-winning play lacks a powerful sense of intrigue.
