Hell Below

Hell Below is a 1933 American MGM Pre-Code film set in the Adriatic during World War I about submarine warfare based on Commander Edward Ellsberg's novel Pigboats, starring Robert Montgomery, Walter Huston, Robert Young, Madge Evans, and Jimmy Durante.

Plot

When the commander of the United States Navy submarine AL-14 is wounded on its last cruise, Lieutenant Thomas Knowlton (Robert Montgomery), the second in command, hopes to be promoted and take his place. However, Lieutenant Commander T. J. Toler (Walter Huston) shows up and takes over.

Toler orders his officers to attend a ball. The young men dread having to dance with the wives of admirals, but Knowlton and his close friend and shipmate, Lieutenant Ed "Brick" Walters (Robert Young), are pleasantly surprised to discover the beautiful Joan Standish (Madge Evans) among the attendees. When an enemy air raid forces everyone to take shelter, Knowlton takes Joan to his apartment. Though she insists on leaving, he can tell she is attracted to him. However, before anything can happen, Toler shows up to collect his daughter.

Hell

In many mythological, folklore and religious traditions, hell is a place of torment and punishment in an afterlife. It is viewed by most Abrahamic traditions as punishment.Religions with a linear divine history often depict hells as eternal destinations. Religions with a cyclic history often depict a hell as an intermediary period between incarnations. Typically these traditions locate hell in another dimension or under the Earth's surface and often include entrances to Hell from the land of the living. Other afterlife destinations include Heaven, Purgatory, Paradise, and Limbo.

Other traditions, which do not conceive of the afterlife as a place of punishment or reward, merely describe hell as an abode of the dead, the grave, a neutral place located under the surface of Earth (for example, see sheol and Hades). Hell is sometimes portrayed as populated with demons who torment those dwelling there. Many are ruled by a death god such as Nergal, Hades, Hel, Enma or the Devil.

Etymology and Germanic mythology

Below

Below may refer to:

People with the surname

Other uses

See also

Curtis Mayfield

Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) was an American soul, R&B, and funk singer-songwriter, guitarist, and record producer, who was one of the most influential musicians behind soul and politically conscious African-American music. He first achieved success and recognition with The Impressions during the Civil Rights Movement of the late 1950s and 1960s, and later worked as a solo artist.

Born in Chicago, Illinois, Mayfield started his musical career in a gospel choir. Moving to Chicago's North Side he met Jerry Butler in 1956 at the age of 14, and joined vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote "People Get Ready" for The Impressions, which displayed his more politically charged songwriting. Ranked at no. 24 on Rolling Stone's list of the 500 Greatest Songs of All Time, the song received numerous other awards, and was included in the Rock and Roll Hall of Fame 500 Songs that Shaped Rock and Roll, as well as being inducted into the Grammy Hall of Fame in 1998.

Going-to future

The going-to future is a grammatical construction used in English to refer to various types of future occurrences. It is made using appropriate forms of the expression to be going to. It is an alternative to other ways of referring to the future in English, such as the future construction formed with will (or shall) – in some contexts the different constructions are interchangeable, while in others they carry somewhat different implications.

Constructions analogous to the English going-to future are found in some other languages, including French and Spanish.

Origin

The going-to future originated by the extension of the spatial sense of the verb go to a temporal sense (a common change, the same phenomenon can be seen in the preposition before). The original construction involved physical movement with an intention, such as "I am going [outside] to harvest the crop." The location later became unnecessary, and the expression was reinterpreted to represent a near future.

The colloquial form gonna and the other variations of it as mentioned in the following section result from a relaxed pronunciation of going to. They can provide a distinction between the spatial and temporal senses of the expression: "I'm gonna swim" clearly carries the temporal meaning of futurity, as opposed to the spatial meaning of "I'm going [in order] to swim".