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The Brandenburg Concertos by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). They are widely regarded as some of the best orchestral compositions of the Baroque era.
Bach wrote out the music himself for presentation to the Margrave rather than leaving it to a copyist. While he took the opportunity to revise the music, most likely, it was not freshly composed. He appears to have selected the six pieces from concertos he had composed over a number of years while Kapellmeister at Köthen, and possibly extending back to his employment at Weimar (1708–17).
Bach's dedication to the Margrave was dated 24 March 1721. Translated from the original French, the first sentence of Bach's dedication reads:
Bach's reference to his scoring the concertos for "several instruments" (Concerts avec plusieurs instruments) is an understatement. Bach used the "widest spectrum of orchestral instruments … in daring combinations," as Christoph Wolff has commented. "Every one of the six concertos set a precedent in scoring, and every one was to remain without parallel." Heinrich Besseler has noted that the overall forces required (leaving aside the first concerto, which was rewritten for a special occasion) tallies exactly with the 17 players Bach had at his disposal in Köthen.
No. 6 is a nine-volume novel series written by Atsuko Asano and published by Kodansha between October 2003 and June 2011. A manga adaptation drawn by Hinoki Kino began serialization in the March 2011 issue of Kodansha's Aria magazine. An anime TV series adaptation by Bones began airing in Japan in July 2011.
The story takes place in the "ideal" and perfect city known as "No.6". Shion, a boy raised in the elite and privileged environment of his home, gives shelter to another boy, who only gives his name as "Rat" on the former's 12th birthday. What Shion soon discovers is how drastically life will change after meeting with the mysterious Rat, whom he had saved one unforgettable, stormy night.
B-flat or B♭ may refer to:
The B♭ (B-flat) major scale consists of the pitches B♭, C, D, E♭, F, G, and A. Its key signature has two flats.
Its relative minor is G minor, and its parallel minor is B♭ minor.
Many transposing instruments are pitched in B-flat major, including the clarinet, trumpet, tenor saxophone, and soprano saxophone. As a result, B-flat major is a popular key for concert band compositions.
Joseph Haydn's Symphony No. 98 is credited as the first symphony he (or anyone else) wrote in that key in which he included trumpet and timpani parts. Actually, his brother Michael Haydn had written one such symphony earlier, No. 36, though Joseph Haydn still gets credit for writing the timpani part at actual pitch with an F major key signature (instead of transposing with a C major key signature), a procedure that made sense since he limited that instrument to the tonic and dominant pitches. Many editions of the work, however, use no key signature and specify the instrument as "Timpani in B-flat–F".
Brandenburg ( listen ; Low German: Brannenborg, Lower Sorbian: Bramborska is one of the sixteen federated states of Germany. It lies in the northeast of the country covering an area of 29,478 square kilometers and has 2.45 million inhabitants. The capital and largest city is Potsdam. Brandenburg surrounds but does not include the national capital and city-state Berlin forming a metropolitan area.
Originating in the medieval Northern March, the Margraviate of Brandenburg grew to become the core of the Kingdom of Prussia, which would later become the Free State of Prussia. Brandenburg is one of the federal states that was re-created in 1990 upon the reunification of the former East Germany and West Germany.
In late medieval and early modern times, Brandenburg was one of seven electoral states of the Holy Roman Empire, and, along with Prussia, formed the original core of the German Empire, the first unified German state. Governed by the Hohenzollern dynasty from 1415, it contained the future German capital Berlin. After 1618 the Margraviate of Brandenburg and the Duchy of Prussia were combined to form Brandenburg-Prussia, which was ruled by the same branch of the House of Hohenzollern. In 1701 the state was elevated as the Kingdom of Prussia. Franconian Nuremberg and Ansbach, Swabian Hohenzollern, the eastern European connections of Berlin, and the status of Brandenburg's ruler as prince-elector together were instrumental in the rise of that state.
From the Teatro Municipale Romolo Valli, Reggio Emilia, 21 April 2007 Orchestra Mozart Claudio Abbado 0:00 I. Allegro 5:54 II. Adagio ma non tanto 10:43 III. Allegro Compare this performance of the Brandenburg Concertos to the one performed by the Freiburger Barockorchestra: http://www.youtube.com/watch?v=CexJQ8VWJfY&list;=PLBjoEdEVMABJi8KW-XGf1yUtfZxv_qAYJ&index;=6 *** Prinicipal Violin - Guiliano Camignola Harpsichord - Ottavio Dantone 1st and 2nd Violins - Raphael Christ, Lorenza Borrani, Yunna Shevchenko, Timoti Fregni, Etienne Abelin, Manuel Kastl, Jana Kuhlmann Violas - Danusha Waskiewicz, Simone Jandl, Behrang Rasskhi, Raphael Sachs Violas da gamba - Rainer Zipperling, Sabina Colonna Preti Cellos - Mario Brunello, Enrico Bronzi, Benoit Grenet Violine - Alois Posch Flute - Jacques...
From the "Spiegelsaal" Castle Cöthen (Schloß Köthen) Freiburger Barockorchester 0:13 I. Allegro 5:40 II. Adagio ma non tanto 10:07 III. Allegro Want to learn more about the Brandenburg Concertos? Don't miss this documentary with the internationally acclaimed pianist and Bach expert Robert Levin providing additional knowledge about the Brandenburg Concertos: http://www.youtube.com/watch?v=aMWbN3nQg0A Soloists / Solisten: Christian Goosses - 1st Viola / 1. Viola Annette Schmidt - 2nd Viola / 2. Viola Recorded at the Hall of Mirrors, Palace of Cöthen, 23-26 March 2000 Directed by Hans Hadulla, Produced by Isabel Iturriagagoitia Executive Producers: Paul Smaczny & Bernd Hellthaler
Herbert Blendinger, viola Ingo Sinnhofer, viola Oswald Uhl, viola da gamba Hans Dieter Kruse, viola da gamba Peter Steiner, cello Franz Ortner, double bass Karl Richter, Münchener Bach Orchester
Johann Sebastian Bach (1685 - 1750) Brandenburg Concerto No. 6 in B flat major for two viola da braccio, two viola da gamba, cello, violone and harpsichord I. [no tempo marking] - (0:00) II. Adagio ma non tanto - (5:37) III. Allegro - (10:22) Performed by Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) Historically Informed Performance on Period Instruments
Christian Goosses, viola Ulrike Kauffmann, viola Freiburg Baroque Orchestra
Herbert Blendinger, viola Ingo Sinnhofer, viola Oswald Uhl, viola da gamba Hans Dieter Kruse, viola da gamba Peter Steiner, cello Franz Ortner, double bass Karl Richter, Münchener Bach Orchester
First part of a project. We used an arrangement by Joseba Berrocal, but arranged that again for harpsichord and viol and I also play a cello part on harpsichord. Simone Stella - harpsichord stsulpice http://www.youtube.com/user/stsulpice http://icking-music-archive.org/scores/bach/bwv1051/ ernst stolz viol
JOHANN SEBASTIAN BACH SIX CONCERTS À PLUSIEURS INSTRUMENTS (1721) dedicated to: Christian Ludwig, margrave of Brandenburg-Schwedt CONCERTO 6TO À DUE VIOLE DA BRACCIO, DUE VIOLE DA GAMBA, VIOLONCELLO VIOLONE E CEMBALO [Concerto for two violas, two violas da gamba, violoncello, violone and harpsichord in B flat major (BWV 1051)] I. Allegro moderato - 0:05 II. Adagio ma non tanto - 6:16 Jan Schlapp (solo viola I) Trevor Jones (solo viola II) Christophe Coin (solo viola da gamba I) Sarah Cunningham (solo viola da gamba II) Jaap ter Linden (violoncello) Ton Koopman (harpsichord) Baroque Orchestra of Amsterdam / Ton Koopman (conductor) 2002 Erato LC0200 - DDD http://www.warnerclassicsandjazz.com/ [on authentic instruments]