Thomas Tomkins - Sad Pavan for these distracted times' -- In memory of Gustav Leonhardt Harpsichord

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• published: 27 Jan 2012
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In memory of Gustav Leonhardt + 1928 - 2012 Tomkins was born in St David's in Pembrokeshire in 1572. His father, also Thomas, who had moved there in 1565 from the family home of Lostwithiel in Cornwall, was a vicar choral of St David's Cathedral and organist there. Three of Thomas junior's half-brothers, John, Giles and Robert, also became eminent musicians, but none quite attained the fame of Thomas. By 1594, but possibly as early as 1586, Thomas and his family had moved to Gloucester, where his father was employed as a minor canon at the cathedral. Thomas almost certainly studied under William Byrd for a time, for one of his songs bears the inscription: To my ancient, and much reverenced Master, William Byrd, and it may have been at this period of his career, since Byrd leased property at Longney, near Gloucester. Although documentary proof is lacking, it is also possible that Byrd was instrumental in finding young Thomas a place as chorister in the Chapel Royal. In any case, all former Chapel Royal choristers were required to be found a place at university, and Tomkins was affiliated to Magdalena College, Oxford in 1607. Already in 1596 he had been appointed organist and master of the choristers at Worcester Cathedral. The next year he married Alice Patrick, a widow nine years his senior, whose husband Nathaniel, who died in 1595, had been Tomkins' predecessor at Worcester. Thomas's only son, Nathaniel, was born in Worcester in 1599, where he was to spend the rest of his life and become a respected musician. Tomkins was doubtless acquainted with Thomas Morley, also a pupil of Byrd's, for his signed copy of Morley's publication Plaine and Easie Introduction to Practical Musicke (1597) has been preserved, together with Thomas's many annotations and in 1601 Morley included one of Tomkins' madrigals in his important collection The Triumphs of Oriana. In 1612 Tomkins oversaw the construction in Worcester cathedral of a magnificent new organ by Thomas Dallam, the foremost organ-builder of the day. He continued writing verse anthems, and his collection of 28 madrigals, the Songs of 3, 4, 5 and 6 parts was finally published in 1622 with a dedicatory poem by his half-brother John Tomkins (circa 1587-1638), now organist of King's College, Cambridge (later of St Paul's and of the Chapel Royal, with whom Thomas maintained an intimate and loving relationship. Probably by about 1603 Thomas was appointed a Gentleman Extraordinary of the Chapel Royal. This was an honorary post, but in 1621 he became a Gentleman Ordinary and organist under his friend and senior organist, Orlando Gibbons. The duties connected with this post included regular journeys between Worcester and London, which Tomkins performed until about 1639. Tomkins' devoted wife Alice died in 1642, the year civil war broke out. Worcester was one of the first casualties: the cathedral was desecrated, and Tomkins' organ badly damaged by the Parliamentarians. The following year Tomkins' house near the cathedral suffered a direct hit by cannon shot, making it uninhabitable for a long period, and destroying most of his household goods and probably a number of his musical manuscripts. About this time Tomkins married his second wife Martha Browne, widow of a Worcester Cathedral lay clerk. Further conflict and a siege in 1646 caused untold damage to the city. With the choir disbanded and the cathedral closed, Tomkins turned his genius to the composition of some of his finest keyboard and consort music; in 1647, a belated tombeau or tribute to Thomas Wentworth, 1st Earl of Strafford, and a further one to the memory of William Laud, Archbishop of Canterbury, both beheaded in 1641, and both admired by Tomkins. Charles I was executed in 1649, and a few days later Tomkins, always a royalist, composed his superb Sad Pavan: for these distracted times. His second wife Martha died around 1653, and deprived of his living, Tomkins, now 81, was in serious financial difficulties. In 1654 his son Nathaniel married Isabella Folliott, a wealthy widow, and Thomas went to live with them in Martin Hussingtree, some four miles from Worcester. He expressed his gratitude by composing his Galliard, The Lady Folliot's in her honour. Two years later he died and was buried in the churchyard of Martin Hussingtree on 9 June 1656. Performer: Gustav Leonhardt (1928 to +16.01.2012) Amsterdam NL.