- published: 24 Feb 2023
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In music, a radio edit is a modification, typically truncated, to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version. However, not all "radio edit" tracks are played on radio.
Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. Another example is B.o.B's song, "Nothin' On You" featuring Bruno Mars, whose radio edit skips the first 5 seconds & starts with the 6th second in which Bruno Mars starts singing the first chorus. The second half of the first chorus is sometimes skipped, along with the last 24 seconds which is the normal fade-out part in which B.o.B says, "Yeah, and that's just how we do it/And I'ma let this ride/B.o.B and Bruno Mars", and the radio edit ends with the fourth and last chorus with an earlier fade-out. A 3rd example would be the song, "The Man" by Aloe Blacc, in which the radio edit skips the "I'm the man/Go ahead & tell everybody/What I'm saying ya all" part & the first 10 seconds. Also, the 3rd chorus of the song is shortened. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse. Another example for this case is Justin Timberlake's "Mirrors", where the radio edit cuts the entire "You are the love of my life" part.
"Again" is a popular song with music by Lionel Newman and words by Dorcas Cochran. It first appeared in the movie Road House (1948), sung by Ida Lupino An instrumental rendition was used in the movie "Pickup on South Street" (1953). By 1949, versions by Vic Damone, Doris Day, Tommy Dorsey, Gordon Jenkins, Vera Lynn, Art Mooney, and Mel Tormé all made the Billboard charts.
The recording by Doris Day was recorded in February 1949 and released by Columbia Records as catalog number 38467. The flip side was "Everywhere You Go". It first reached the Billboard magazine Best Seller chart on May 13, 1949 and lasted 19 weeks on the chart, peaking at #2.
The recording by Vic Damone was recorded in February 1949 and released by Mercury Records as catalog number 5261. The flip side was "I Love You So Much It Hurts". It first reached the Billboard magazine Best Seller chart on April 8, 1949 and lasted 15 weeks on the chart, peaking at #11. Other sources give the highest chart position as #6.
17 Again is a 2009 American comedy film directed by Burr Steers. The film follows 37-year-old Mike (Matthew Perry) who becomes a 17-year-old high school student (Zac Efron) after a chance accident. The film also features Leslie Mann, Thomas Lennon and Michelle Trachtenberg in supporting roles. The film was released in the United States on April 17, 2009.
In 1989, seventeen-year-old Mike O'Donnell (Zac Efron) learns during the start of his high school championship basketball game that his girlfriend Scarlet Porter (Allison Miller) is pregnant. Moments after the game begins, he leaves the game and goes after Scarlet, abandoning his hopes of going to college and becoming a professional basketball player.
In 2009, Mike (Matthew Perry), now thirty-seven years old, finds his life stalled. Scarlet (Leslie Mann), now his wife and mother of their two children, has separated from him due to his blaming her for his regrets about abandoning his future, forcing him to move in with his geeky, yet extremely wealthy, best friend since high school, Ned Gold (Thomas Lennon). At his job, we see another reason for his frustration: due to his lack of higher education and since he is significantly older than most of his co-workers, he is passed over for a promotion he deserves in favor of a much younger worker. He quits his job and his high school-age children, Maggie (Michelle Trachtenberg) and Alex (Sterling Knight) want nothing to do with him. Later, while visiting his high school to reminisce, an encounter with a mysterious janitor (Brian Doyle-Murray) transforms Mike back into his seventeen-year-old self.
The TeachText application is a simple text editor made by Apple Computer bundled with System 7.1 and earlier. It was created by Apple programmer Bryan Stearns with later versions created by Stearns and Francis Stanbach. TeachText was one of the only applications included with the Mac system software, leading to its frequent role as the application to open "ReadMe" files. It was named "TeachText" as a nod to this role in tutorials and other introductory materials.
TeachText was derived from the Edit application, which was a simple text editor for the early pre-System 6 Apple Macintosh computers. Edit was included with early versions of the basic system software to demonstrate the use of the Macintosh user interface. While Edit was a demonstration program for developers, TeachText was used mainly by users to display Read Me documents.
Since the first Macintosh models came with a full-featured word processor, MacWrite, software publishers commonly shipped documentation in its native format. When Apple stopped bundling MacWrite, ownership was transferred to Claris, so developers could not distribute it on their programs' installation floppy disks. With no text program present on the disks, owners without a second floppy disk drive or hard disk could be left with no way to view documentation or installation instructions. Apple supplied TeachText as a small, freely-distributable program to address this need.
Bailey may refer to:
Leonard Bailey (1825-05-08 in Hollis, New Hampshire – 1905-02-05 in New York City) was a toolmaker/inventor from Massachusetts, USA, who in the mid-to-late nineteenth century patented several features of woodworking equipment. Most prominent of those patents were the planes manufactured by the Stanley Rule & Level Co. (now Stanley Works) of New Britain, Connecticut.
Commonly known as Stanley/Bailey planes, these planes were prized by woodworkers of the late 19th and early 20th centuries, and remain popular by today's wood craftsman. A type study of his patented planes and the rest of the Stanley line may be found at Patrick Leach's "Blood and Gore".
Bailey's design ideas are still utilized by Stanley and other plane manufacturers to this day.
An outer bailey or outer ward is the defended outer enclosure of a castle. It protects the inner bailey and usually contains those ancillary buildings used for the management of the castle or the supply of its occupants. These domestic buildings could include workshops, livestock stalls and stables; storage facilities such as barns, sheds and granaries, as well as quarters for servants such as maids, farm workers, and even the castle governors or castellans. In many cases there was also a brewery, a bakehouse and a kitchen, if the latter was not located in the hall or palas. An outer bailey was often called a base court in England. Depending on topography it could also be referred to as a lower bailey or lower ward, the keep being in the upper bailey or ward. Chepstow Castle has lower, middle and upper baileys.
The domestic buildings of the continental schloss, often a stately home or palace, may also be referred to as an outer ward (German: Vorburg). These frequently contained a carriage house or so-called cavalier house, buildings that were not common in medieval castles. Large castles often have more than one bailey; examples include Monschau and Bürresheim. At some larger castles, markets were held in the outer bailey (c.f. suburbium).
Morgan Wallen performing "Last Night" from the new album "One Thing At a Time". Pre-order and pre-save the new album “One Thing At A Time” now: https://MorganWallen.lnk.to/onethingatatime Stay connected for exclusive updates: ▸Mailing List: https://bit.ly/2FRP7LK ▸Text: 865-351-6290 ▸Website: https://morganwallen.com/ ▸ Shop Merch: https://morganwallen.lnk.to/shop Follow Morgan: ▸Instagram: https://instagram.com/morganwallen/ ▸Twitter: https://twitter.com/morganwallen/ ▸TikTok: https://www.tiktok.com/@morganwallen ▸Facebook: https://facebook.com/morgancwallen Lyrics: Last night we let the liquor talk I can't remember everything we said but we said it all You told me that you wish I was somebody you never met But baby, baby somethin's tellin' me this ain't over yet No way it was our l...
It'll be fine by dusk light I'm telling you baby, These things eat at your bones and drive your young mind crazy, But when you place your head between my collar and jaw, I don't know much but there's no weight at all, And I'm damned if I do and I'm damned if I don't, 'Cause if I say I miss you I know that you won't, But I miss you in the mornings when I see the sun, Something in the orange tells me we're not done, To you I'm just a man, to me you're all I am, Where the hell am I 'supposed to go? I poisoned myself again, Something in the orange tells me you're never coming home, If you leave today I’ll just stare at the way, The orange touches all things around, The grass trees and dew, how I just hate you, Please turn those headlights around, I need to hear you say you've been wa...
“For That Beautiful Feeling” - the new album coming September 8th! https://thechemicalbrothers.lnk.to/FTBF Limited edition “We Are the Night” vinyl available now: http://smarturl.it/ChemsVinylASWnews?IQid=YT.doitagain Download on iTunes: http://smarturl.it/chembrosfurther Sign-up to the mailing list: https://thechemicalbrothers.lnk.to/YTSU Join The Chems online: https://thechemicalbrothers.lnk.to/FacebookID https://thechemicalbrothers.lnk.to/InstagramID https://thechemicalbrothers.lnk.to/TwitterID https://thechemicalbrothers.lnk.to/TikTokID https://thechemicalbrothers.lnk.to/CompleteID https://thechemicalbrothers.lnk.to/SignuphereID https://thechemicalbrothers.lnk.to/WebsiteHomeID Explore more music from The Chemical Brothers https://ChemicalBrothers.lnk.to/EssentialsID Welcome to the...
Music video by M People performing Don't Look Any Further. (C) 1993 Sony Music Entertainment UK Limited
Listen to the new album “Happier Than Ever”, out now: https://BillieEilish.lnk.to/HappierTh... Directed by Billie Eilish Follow Billie Eilish: Facebook: https://BillieEilish.lnk.to/Facebook Instagram: https://BillieEilish.lnk.to/Instagram Twitter: https://BillieEilish.lnk.to/Twitter TikTok: https://BillieEilish.lnk.to/TikTok YouTube: https://youtube.com/billieeilish Email: https://smarturl.it/BillieEilishEmail Store: https://smarturl.it/BillieEilishStore Lyrics: When I'm away from you, I'm happier than ever Wish I could explain it better I wish it wasn't true Give me a day or two to think of something clever To write myself a letter To tell me what to do, mm-mmm Do you read my interviews? Or do you skip my avenue? (My avenue) When you (when you) said you were passing through Was I e...
Music video by Florida Georgia Line performing This Is How We Roll. (C) 2014 Universal Republic Nashville Records
Music video by Corinne Bailey Rae performing Like A Star (New Version). (C) 2006 EMI Records Ltd
Listen Run (Lost Frequencies Radio Edit) on Spotify: http://smarturl.it/emmabalerunlfrmxsp Listen Run (Lost Frequencies Radio Edit) on Apple Music: http://smarturl.it/emmabalerunlfrmxam Buy Run (Lost Frequencies Radio Edit) on iTunes: http://smarturl.it/itemmabalerunlfrmx Follow Emma Bale on: www.facebook.com/EmmaBaleMusic www.instagram.com/emmabalemusic www.twitter.com/emmabalemusic www.emmabale.be Production: Back2Back Productions & Doogle Productions Director: Milan Amzic DoP: BasAndries Producer: Friso de Ronden Line Producer Brazil: Miriam Gerber - Five Corners Video & Film #EmmaBale #Run #Vevo #Pop #VevoOfficial #LostFrequenciesRadioEdit #OfficialMusicVideo
Music video by Sugarland performing Stay. (C) 2007 Mercury Records, a Division of UMG Recordings, Inc. #Sugarland #Stay #Vevo
Listen to USHER’s “Boyfriend”: https://vydia.lnk.to/Boyfriend Follow USHER TikTok https://www.tiktok.com/@usher Instagram https://www.instagram.com/usher/ Twitter https://twitter.com/usher Facebook https://www.facebook.com/usher Youtube https://www.youtube.com/usher See USHER Live: https://www.ticketmaster.com/artist/766722 Credits: Directed by Ricky Alvarez Starring Keke Palmer Executive Producer Tara Razavi Produced by Miranda Sarah Einy Line Producer Julio Mata Jr. Choreography by Rosero McCoy & Amy Allen A HAPPY PLACE PRODUCTION Filmed in Las Vegas, NV Lyrics: Somebody said that your boyfriend’s looking for me, oh that’s cool, that’s cool Well he should know I’m pretty easy to find Just look for me wherever he sees you I go wherever you go, oh I go wherever you go, oh ...
In music, a radio edit is a modification, typically truncated, to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version. However, not all "radio edit" tracks are played on radio.
Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. Another example is B.o.B's song, "Nothin' On You" featuring Bruno Mars, whose radio edit skips the first 5 seconds & starts with the 6th second in which Bruno Mars starts singing the first chorus. The second half of the first chorus is sometimes skipped, along with the last 24 seconds which is the normal fade-out part in which B.o.B says, "Yeah, and that's just how we do it/And I'ma let this ride/B.o.B and Bruno Mars", and the radio edit ends with the fourth and last chorus with an earlier fade-out. A 3rd example would be the song, "The Man" by Aloe Blacc, in which the radio edit skips the "I'm the man/Go ahead & tell everybody/What I'm saying ya all" part & the first 10 seconds. Also, the 3rd chorus of the song is shortened. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse. Another example for this case is Justin Timberlake's "Mirrors", where the radio edit cuts the entire "You are the love of my life" part.
Hey girl, is he everything you wanted in a man
You know I gave you the world
You had me in the palm of your hand
So why your love went away
I just can't seem to understand
Thought it was me and you babe
Me and you until the end
But I guess I was wrong
Don't want to think about her
Don't want to talk about her
I'm just so sick about her
Can't believe it's ending this way
Just so confused about her
Feeling the blues about her
I just can't do without ya
Tell me is this fair?
Is this the way it's really going down?
Is this how we say goodbye?
Should've known better when you came around
That you were gonna make me cry
It's breaking my heart to watch you run around
'Cause I know that you're living a lie
That's okay baby 'cause in time you will find...
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
Now girl, I remember everything that you claimed
You said that you were moving on now
And maybe I should do the same
Funny thing about that is
I was ready to give you my name
Thought it was me and you, babe
And now, it's all just a shame
And I guess I was wrong
Don't want to think about her
Don't want to talk about her
I'm just so sick about her
Can't believe it's ending this way
Just so confused about her
Feeling the blues about her
I just can't do without ya
Can you tell me is this fair?
Is this the way its really going down?
Is this how we say goodbye?
Should've known better when you came around (should've known better that you were gonna make me cry)
That you were going to make me cry
Now it's breaking my heart to watch you run around
'Cause I know that you're living a lie
That's okay baby 'cause in time you will find
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around comes around
Yeah
What goes around comes around
You should know that
What goes around comes around
Yeah
What goes around comes around
You should know that
Don't want to think about it (no)
Don't want to talk about it
I'm just so sick about it
Can't believe it's ending this way
Just so confused about it
Feeling the blues about it (yeah)
I just can't do without ya
Tell me is this fair?
Is this the way things are going down?
Is this how we say goodbye?
Should've known better when you came around (should've known better that you were gonna make me cry)
That you were going to make me cry
Now it's breaking my heart to watch you run around
'Cause I know that you're living a lie
But that's okay baby 'cause in time you will find
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
[Comes Around interlude:]
Let me paint this picture for you, baby
You spend your nights alone
And he never comes home
And every time you call him
All you get's a busy tone
I heard you found out
That he's doing to you
What you did to me
Ain't that the way it goes
When You cheated girl
My heart bleeded girl
So it goes without saying that you left me feeling hurt
Just a classic case
A scenario
Tale as old as time
Girl you got what you deserved
And now you want somebody
To cure the lonely nights
You wish you had somebody
That could come and make it right
But girl I ain't somebody with a lot of sympathy
You'll see
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
See?
You should've listened to me, baby
Yeah, yeah, yeah, yeah
Because
(What goes around comes back around)