Drum kit

A drum kit (primarily American), drum set (primarily British/Australian),trap set, or just drums is a collection of drums and other percussion instruments, typically cymbals, which are set up on stands to be played by a single player with drumsticks held in both hands and the feet operating pedals that control the hi-hat cymbal and the beater for the bass drum. A drum kit consists of a mix of drums (categorized classically as membranophones, Hornbostel-Sachs high-level classification 2) and idiophones most significantly cymbals but also including the woodblock and cowbell (classified as Hornbostel-Sachs high-level classification 1). In the 2000s, some kits also include electronic instruments (Hornbostel-Sachs classification 53) and both hybrid and entirely electronic kits are used.

A standard modern kit (for a right-handed player), as used in popular music and taught in music schools, contains:

Drum

The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a drum stick, to produce sound. There is usually a resonance head on the underside of the drum, typically tuned to a slightly lower pitch than the top drumhead. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years.

Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit.

Kit

Kit may refer to:

Animals

Places

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Personal name

Other uses

Mike Portnoy

Michael Stephen "Mike" Portnoy (born April 20, 1967) is an American drummer primarily known as the former drummer, backing vocalist, and a co-founder of the progressive metal/rock band Dream Theater. Known for his technical skill as a drummer, Portnoy has won 30 awards from the Modern Drummer magazine. He co-produced six Dream Theater albums with guitarist John Petrucci, starting from Metropolis Pt. 2: Scenes from a Memory through Black Clouds and Silver Linings. From A Change of Seasons onwards, Portnoy had been writing a significant amount of Dream Theater's lyrics. He is the second youngest person (after Neil Peart) to be inducted into the Modern Drummer's Hall of Fame (at 37 years of age).

Besides his work with Dream Theater, Portnoy is known for his many side projects and tribute bands. He is a founding member of Liquid Tension Experiment, an instrumental progressive rock band featuring fellow Dream Theater members John Petrucci and Jordan Rudess along with bassist Tony Levin. He is also a founding member of Transatlantic, a progressive rock "super-group" featuring former Spock's Beard keyboardist/vocalist Neal Morse, Flower Kings guitarist Roine Stolt and Marillion bassist Pete Trewavas. Portnoy has also recorded and/or toured/performed live with Neal Morse, OSI, Hail!, Stone Sour, Fates Warning, Overkill, G3 and played on Avenged Sevenfold's album Nightmare in place of their late drummer, The Rev. Over the years, Portnoy has also created tribute bands to The Beatles, Led Zeppelin, Rush, and The Who, which has allowed him to perform the music of his four favorite drummers.

Name That Tune

Name That Tune is an American television game show that put two contestants against each other to test their knowledge of songs. Premiering in the United States on NBC Radio in 1952, the show was created and produced by Harry Salter and his wife Roberta.

Name That Tune ran from 1953–59 on NBC and CBS in prime time. The first hosts were Red Benson and later Bill Cullen, but George DeWitt became most identified with the show. The series finished at #30 in the Nielsen ratings for the 1956-1957 season.

Richard Hayes also emceed a local edition from 1970–71, which ran for 26 weeks in a small number of markets. However, the best-remembered syndicated Name That Tune aired once a week (expanded to twice a week for its final season) from 1974–81 with host Tom Kennedy. John Harlan was the show's announcer. This series was a Ralph Edwards production in association with Sandy Frank Productions, who distributed the series.

The centerpiece of each Name That Tune series was an orchestra, which would play the songs for the contestants to guess. Bob Alberti was the conductor of the orchestra for the first season, with Tommy Oliver replacing him in 1975 and Stan Worth replacing Oliver in 1978. The orchestra also featured a vocalist for the show's entire run. Originally the position was held by Kathie Lee Gifford, then known as Kathie Lee Johnson, who performed until 1978. She was replaced by Monica Burruss during the 1977-78 season, and Burruss remained with the series until its 1981 cancellation.