Odd Man Out is confronting, funny depiction of Asperger syndrome
Justin Stewart Cotta is gripping as a man with Asperger syndrome
Justin Stewart Cotta is gripping as a man with Asperger syndrome
Men have wept and quit their jobs after experiencing a new show.
It was a big night for Leah Purcell, Marta Dusseldorp and - surprisingly - Jimmy Barnes.
Little Ones Theatre has reimagined the Oscar Wilde classic to great success.
Charming, clever and joyful, these finely devised air sculptures and amusing antics live up to their promise of appealing to all ages.
This play about three underclass women hits like a slap in the face.
Author Colm Toibin has words of advice for the Sydney Theatre Company: "You need to look after your actress."
Camel proves a turn-off in this celebration of Middle Eastern food and storytelling
This play about paranoia over terrorism is likely to generate a visceral response.
Muttonbird harvesting is a family affair for the Duncans, but this year more so than usual.
Gothic-vaudeville show Nosferatutu at Griffin Theatre is Bram Stoker's Dracula meets Weekend at Bernie's and Black Swan.
Are you serious? Canada's Gabriel Dharmoo goes to the ends of the earth for the weirdest sounds imaginable.
New technology allows storytelling to become an immersive experience in a game played out in Melbourne.
There is a discernable Canadian accent to the Sydney Festival 2017 program and it’s no accident. Wesley Enoch, the festival’s director, has developed a bit of a thing for our Commonwealth cousin while on his international shopping trips for content.
The Wind in the Willows thrives on a tried and true mix of charming songs and terrible puns, cartoonish performances and interactive play.
Any boxing story is a dance with genre cliches and Prize Fighter, by the emerging Congolese-Australian writer Future D. Fidel, is no different.
This musical adaptation of the classic play about a boy who didn't want to grow up is an excellent introduction to the ageless fantasy.
Ladies in Black is at the soft end of Sydney Festival programming but you'd have to have a heart of stone not to enjoy it
Delightful production balances theatre and song, expanding the age appeal of the original children's book.
Some parts are a little bit hokey but overall it's a tremendous showcase of people engaging in stupendous feats.
From a punk-rock take on Hamlet to a bathtub philosopher, this offers something different for the adventurous.
This year's Sydney Festival is served with an abundance of circus and physical theatre.
The sister of Daniel O'Keeffe, whose disappearance prompted a nationwide social media campaign, is staging a one-woman show about her sibling, whose death was confirmed in March.
It starts small, with a feather blowing gently in the breeze. Before you know it, a storm is brewing; vast swathes of bright silk and household umbrellas cascade through the air.
In this environment of uncertainty, it's a singular irony that homegrown commercial theatre has been one of the great success stories of 2016.
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Justin Stewart Cotta is gripping as a man with Asperger syndrome
Men have wept and quit their jobs after experiencing a new show.
It was a big night for Leah Purcell, Marta Dusseldorp and - surprisingly - Jimmy Barnes.
Little Ones Theatre has reimagined the Oscar Wilde classic to great success.
Charming, clever and joyful, these finely devised air sculptures and amusing antics live up to their promise of appealing to all ages.
This play about three underclass women hits like a slap in the face.
Author Colm Toibin has words of advice for the Sydney Theatre Company: "You need to look after your actress."
Camel proves a turn-off in this celebration of Middle Eastern food and storytelling
This play about paranoia over terrorism is likely to generate a visceral response.
Muttonbird harvesting is a family affair for the Duncans, but this year more so than usual.
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