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2021 Amos Vogel Lecture by Albert Serra | NYFF59
2021 marks the birth centenary of Amos Vogel, the pioneering film programmer, author, and co-founder of the New York Film Festival. As part of its centenary celebrations this fall, the NYFF inaugurated the Amos Vogel Lecture, to be delivered annually by an artist or thinker who embodies the spirit of Vogel’s cinephilia and brings it into conversation with the present and future of cinema.
For the first edition, NYFF welcomed filmmaker Albert Serra, known for singular and transgressive films like The Death of Louis XIV and Liberté. An avowed fan of Vogel, Serra also wrote the foreword for the French edition of Film as a Subversive Art. Serra’s original lecture was followed by a conversation with NYFF Director of Programming Dennis Lim.
Follow Film Comment's Amos Vogel Centenary coverage:...
published: 18 Nov 2021
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Amos Vogel Remembered @ YBCA
Amos Vogel and Film as a Subversive Art Remembered: L'Age d'Or (The Age of Gold)
By Luis Buñuel
Thu, Sep 6 • 7:30 pm & Sun, Sep 9 • 2 pm
Screening Room
Admission per screening: $10 regular/ $8 YBCA Member, senior, student, teacher
FREE for YBCA:You
Founder of the legendary Cinema 16 film society as well as the New York Film Festival, Amos Vogel died at the age of 91 in April. He is best remembered by some for his seminal book Film as a Subversive Art. This amazing text illustrated the power of cinema to challenge aesthetic, political, sexual, and ideological ideas. In tribute, we present Luis Buñuel's rarely screened classic L'Age d'Or, co-written by Salvador Dali. Vogel wrote this about the film: "In accord with surrealist ideology, only love—wild, anarchic, irrational love—is acceptable...
published: 15 Aug 2012
-
Amos Vogel "Film as Art" (1980)
Amos Vogel's talk "Film as Art"
7 November 1980
Port Washington Public Library
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six months after the Nazis had annexed the country, Vogel and his parents left Austria for the United States. In preparation for his planned move to Palestine, he accepted a scholarship in agricultural training from the National Youth Administration and took classes at the University of Georgia in agricultural sciences.
After deciding to remain in America, Vogel took a degree in economics from the New School for Social Research in New York. From 1947 until 1963, he and his wife Marcia ran Cinema 16, the most successful and influential membership film society i...
published: 18 Dec 2013
-
Interview with Amos Vogel, 4 June 1996
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six months after the Nazis had annexed the country, Vogel and his parents left Austria for the United States. In preparation for his planned move to Palestine, he accepted a scholarship in agricultural training from the National Youth Administration and took classes at the University of Georgia in agricultural sciences.
After deciding to remain in America, Vogel took a degree in economics from the New School for Social Research in New York. From 1947 until 1963, he and his wife Marcia ran Cinema 16, the most successful and influential membership film society in North American history, at its height boasting seven thousand members. Cinema ...
published: 19 Dec 2013
-
Why People Object to Avantgarde Cinema? (Amos Vogel)
A scene from the documentary "Film as a Subversive Art: Amos Vogel and Cinema 16" in which Amos tell us why many people does not like surreal, experimental, avantgarde, unusual films http://en.wikipedia.org/wiki/Amos_Vogel
published: 27 Mar 2014
-
2022 Amos Vogel Lecture by Cauleen Smith | NYFF60
2021 marked the birth centenary of Amos Vogel, the pioneering film programmer, author, and co-founder of the New York Film Festival. To mark this occasion and honor Vogel’s path-blazing legacy, last year the festival inaugurated the Amos Vogel Lecture, to be delivered annually by an artist or thinker who embodies the spirit of Vogel’s cinephilia and brings it into conversation with the present and future of cinema.
For this second edition of the Amos Vogel Lecture, we were proud to welcome the filmmaker and artist Cauleen Smith, whose landmark 1998 debut feature, Drylongso, screened in a new restoration in the Revivals section of NYFF60. Known for the political rigor and intrepid formal experimentation of her film and multimedia practice, Smith epitomizes both the ethics of care and the ...
published: 11 Nov 2022
-
Reel Philadelphia #5 (2 February 1981) with Amos Vogel
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six months after the Nazis had annexed the country, Vogel and his parents left Austria for the United States. In preparation for his planned move to Palestine, he accepted a scholarship in agricultural training from the National Youth Administration and took classes at the University of Georgia in agricultural sciences.
After deciding to remain in America, Vogel took a degree in economics from the New School for Social Research in New York. From 1947 until 1963, he and his wife Marcia ran Cinema 16, the most successful and influential membership film society in North American history, at its height boasting seven thousand members. Cinema ...
published: 09 Nov 2012
-
Amos Vogel, New York (1) (2003)
www.amosvogel.com
Footage from the shoot of
FILM AS A SUBVERSIVE ART: AMOS VOGEL AND CINEMA 16
published: 07 Mar 2008
-
Amos and Marcia Vogel, New York (2003)
www.amosvogel.com
Footage from the shoot of
FILM AS A SUBVERSIVE ART: AMOS VOGEL AND CINEMA 16
published: 08 Mar 2008
-
Interview with Amos Vogel, 20 November 1974
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six months after the Nazis had annexed the country, Vogel and his parents left Austria for the United States. In preparation for his planned move to Palestine, he accepted a scholarship in agricultural training from the National Youth Administration and took classes at the University of Georgia in agricultural sciences.
After deciding to remain in America, Vogel took a degree in economics from the New School for Social Research in New York. From 1947 until 1963, he and his wife Marcia ran Cinema 16, the most successful and influential membership film society in North American history, at its height boasting seven thousand members. Cinema ...
published: 19 Dec 2013
1:17:05
2021 Amos Vogel Lecture by Albert Serra | NYFF59
2021 marks the birth centenary of Amos Vogel, the pioneering film programmer, author, and co-founder of the New York Film Festival. As part of its centenary cel...
2021 marks the birth centenary of Amos Vogel, the pioneering film programmer, author, and co-founder of the New York Film Festival. As part of its centenary celebrations this fall, the NYFF inaugurated the Amos Vogel Lecture, to be delivered annually by an artist or thinker who embodies the spirit of Vogel’s cinephilia and brings it into conversation with the present and future of cinema.
For the first edition, NYFF welcomed filmmaker Albert Serra, known for singular and transgressive films like The Death of Louis XIV and Liberté. An avowed fan of Vogel, Serra also wrote the foreword for the French edition of Film as a Subversive Art. Serra’s original lecture was followed by a conversation with NYFF Director of Programming Dennis Lim.
Follow Film Comment's Amos Vogel Centenary coverage: https://www.filmcomment.com/blog/category/amos-vogel-centenary/
More info: http://filmlinc.org
Subscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcom
Like on Facebook: http://facebook.com/filmlinc
Follow on Twitter: http://twitter.com/filmlinc
Follow on Instagram: http://instagram.com/filmlinc
https://wn.com/2021_Amos_Vogel_Lecture_By_Albert_Serra_|_Nyff59
2021 marks the birth centenary of Amos Vogel, the pioneering film programmer, author, and co-founder of the New York Film Festival. As part of its centenary celebrations this fall, the NYFF inaugurated the Amos Vogel Lecture, to be delivered annually by an artist or thinker who embodies the spirit of Vogel’s cinephilia and brings it into conversation with the present and future of cinema.
For the first edition, NYFF welcomed filmmaker Albert Serra, known for singular and transgressive films like The Death of Louis XIV and Liberté. An avowed fan of Vogel, Serra also wrote the foreword for the French edition of Film as a Subversive Art. Serra’s original lecture was followed by a conversation with NYFF Director of Programming Dennis Lim.
Follow Film Comment's Amos Vogel Centenary coverage: https://www.filmcomment.com/blog/category/amos-vogel-centenary/
More info: http://filmlinc.org
Subscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcom
Like on Facebook: http://facebook.com/filmlinc
Follow on Twitter: http://twitter.com/filmlinc
Follow on Instagram: http://instagram.com/filmlinc
- published: 18 Nov 2021
- views: 4088
1:07
Amos Vogel Remembered @ YBCA
Amos Vogel and Film as a Subversive Art Remembered: L'Age d'Or (The Age of Gold)
By Luis Buñuel
Thu, Sep 6 • 7:30 pm & Sun, Sep 9 • 2 pm
Screening Room
Admissio...
Amos Vogel and Film as a Subversive Art Remembered: L'Age d'Or (The Age of Gold)
By Luis Buñuel
Thu, Sep 6 • 7:30 pm & Sun, Sep 9 • 2 pm
Screening Room
Admission per screening: $10 regular/ $8 YBCA Member, senior, student, teacher
FREE for YBCA:You
Founder of the legendary Cinema 16 film society as well as the New York Film Festival, Amos Vogel died at the age of 91 in April. He is best remembered by some for his seminal book Film as a Subversive Art. This amazing text illustrated the power of cinema to challenge aesthetic, political, sexual, and ideological ideas. In tribute, we present Luis Buñuel's rarely screened classic L'Age d'Or, co-written by Salvador Dali. Vogel wrote this about the film: "In accord with surrealist ideology, only love—wild, anarchic, irrational love—is acceptable. Everything else is subverted; the rich, the church, the state, the military, as well as those pervasive bourgeois vices of sentimentality and romanticism..." (1930, 63 min, 35mm). Preceded by the unhinged Laurel and Hardy short Big Business, directed by James W. Horne and Leo McCarey (1929, 19 min, 35mm).
https://wn.com/Amos_Vogel_Remembered_Ybca
Amos Vogel and Film as a Subversive Art Remembered: L'Age d'Or (The Age of Gold)
By Luis Buñuel
Thu, Sep 6 • 7:30 pm & Sun, Sep 9 • 2 pm
Screening Room
Admission per screening: $10 regular/ $8 YBCA Member, senior, student, teacher
FREE for YBCA:You
Founder of the legendary Cinema 16 film society as well as the New York Film Festival, Amos Vogel died at the age of 91 in April. He is best remembered by some for his seminal book Film as a Subversive Art. This amazing text illustrated the power of cinema to challenge aesthetic, political, sexual, and ideological ideas. In tribute, we present Luis Buñuel's rarely screened classic L'Age d'Or, co-written by Salvador Dali. Vogel wrote this about the film: "In accord with surrealist ideology, only love—wild, anarchic, irrational love—is acceptable. Everything else is subverted; the rich, the church, the state, the military, as well as those pervasive bourgeois vices of sentimentality and romanticism..." (1930, 63 min, 35mm). Preceded by the unhinged Laurel and Hardy short Big Business, directed by James W. Horne and Leo McCarey (1929, 19 min, 35mm).
- published: 15 Aug 2012
- views: 740
54:46
Amos Vogel "Film as Art" (1980)
Amos Vogel's talk "Film as Art"
7 November 1980
Port Washington Public Library
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to ...
Amos Vogel's talk "Film as Art"
7 November 1980
Port Washington Public Library
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six months after the Nazis had annexed the country, Vogel and his parents left Austria for the United States. In preparation for his planned move to Palestine, he accepted a scholarship in agricultural training from the National Youth Administration and took classes at the University of Georgia in agricultural sciences.
After deciding to remain in America, Vogel took a degree in economics from the New School for Social Research in New York. From 1947 until 1963, he and his wife Marcia ran Cinema 16, the most successful and influential membership film society in North American history, at its height boasting seven thousand members. Cinema 16 also became the most important distributor of non-mainstream cinema in the United States.
After the demise of Cinema 16, Vogel founded the Lincoln Center Film Department and was co-founder of the New York Film Festival, of which he became the first director where he programmed until 1968. In 1963 he published the children's book How Little Lori Visited Times Square, with illustrations by Maurice Sendak. His 1974 book Film as a Subversive Art details the "accelerating world-wide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored."
Vogel worked a film consultant to Grove Press and National Educational Television, a program director of the National Public Television Conference, and served as Chairman of the American Selection Committee for the Cannes, Moscow, Berlin and Venice film festivals. He taught at Harvard University, the New School for Social Research, New York University, and for several years at the University of Pennsylvania's Annenberg School.
Amos Vogel died in his Greenwich Village apartment, where he had lived with his family for several decades, on 24 April 2012.
https://wn.com/Amos_Vogel_Film_As_Art_(1980)
Amos Vogel's talk "Film as Art"
7 November 1980
Port Washington Public Library
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six months after the Nazis had annexed the country, Vogel and his parents left Austria for the United States. In preparation for his planned move to Palestine, he accepted a scholarship in agricultural training from the National Youth Administration and took classes at the University of Georgia in agricultural sciences.
After deciding to remain in America, Vogel took a degree in economics from the New School for Social Research in New York. From 1947 until 1963, he and his wife Marcia ran Cinema 16, the most successful and influential membership film society in North American history, at its height boasting seven thousand members. Cinema 16 also became the most important distributor of non-mainstream cinema in the United States.
After the demise of Cinema 16, Vogel founded the Lincoln Center Film Department and was co-founder of the New York Film Festival, of which he became the first director where he programmed until 1968. In 1963 he published the children's book How Little Lori Visited Times Square, with illustrations by Maurice Sendak. His 1974 book Film as a Subversive Art details the "accelerating world-wide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored."
Vogel worked a film consultant to Grove Press and National Educational Television, a program director of the National Public Television Conference, and served as Chairman of the American Selection Committee for the Cannes, Moscow, Berlin and Venice film festivals. He taught at Harvard University, the New School for Social Research, New York University, and for several years at the University of Pennsylvania's Annenberg School.
Amos Vogel died in his Greenwich Village apartment, where he had lived with his family for several decades, on 24 April 2012.
- published: 18 Dec 2013
- views: 4013
1:00:06
Interview with Amos Vogel, 4 June 1996
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six mon...
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six months after the Nazis had annexed the country, Vogel and his parents left Austria for the United States. In preparation for his planned move to Palestine, he accepted a scholarship in agricultural training from the National Youth Administration and took classes at the University of Georgia in agricultural sciences.
After deciding to remain in America, Vogel took a degree in economics from the New School for Social Research in New York. From 1947 until 1963, he and his wife Marcia ran Cinema 16, the most successful and influential membership film society in North American history, at its height boasting seven thousand members. Cinema 16 also became the most important distributor of non-mainstream cinema in the United States.
After the demise of Cinema 16, Vogel founded the Lincoln Center Film Department and was co-founder of the New York Film Festival, of which he became the first director where he programmed until 1968. In 1963 he published the children's book How Little Lori Visited Times Square, with illustrations by Maurice Sendak. His 1974 book Film as a Subversive Art details the "accelerating world-wide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored."
Vogel worked a film consultant to Grove Press and National Educational Television, a program director of the National Public Television Conference, and served as Chairman of the American Selection Committee for the Cannes, Moscow, Berlin and Venice film festivals. He taught at Harvard University, the New School for Social Research, New York University, and for several years at the University of Pennsylvania's Annenberg School.
Amos Vogel died in his Greenwich Village apartment, where he had lived with his family for several decades, on 24 April 2012.
https://wn.com/Interview_With_Amos_Vogel,_4_June_1996
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six months after the Nazis had annexed the country, Vogel and his parents left Austria for the United States. In preparation for his planned move to Palestine, he accepted a scholarship in agricultural training from the National Youth Administration and took classes at the University of Georgia in agricultural sciences.
After deciding to remain in America, Vogel took a degree in economics from the New School for Social Research in New York. From 1947 until 1963, he and his wife Marcia ran Cinema 16, the most successful and influential membership film society in North American history, at its height boasting seven thousand members. Cinema 16 also became the most important distributor of non-mainstream cinema in the United States.
After the demise of Cinema 16, Vogel founded the Lincoln Center Film Department and was co-founder of the New York Film Festival, of which he became the first director where he programmed until 1968. In 1963 he published the children's book How Little Lori Visited Times Square, with illustrations by Maurice Sendak. His 1974 book Film as a Subversive Art details the "accelerating world-wide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored."
Vogel worked a film consultant to Grove Press and National Educational Television, a program director of the National Public Television Conference, and served as Chairman of the American Selection Committee for the Cannes, Moscow, Berlin and Venice film festivals. He taught at Harvard University, the New School for Social Research, New York University, and for several years at the University of Pennsylvania's Annenberg School.
Amos Vogel died in his Greenwich Village apartment, where he had lived with his family for several decades, on 24 April 2012.
- published: 19 Dec 2013
- views: 427
1:36
Why People Object to Avantgarde Cinema? (Amos Vogel)
A scene from the documentary "Film as a Subversive Art: Amos Vogel and Cinema 16" in which Amos tell us why many people does not like surreal, experimental, ava...
A scene from the documentary "Film as a Subversive Art: Amos Vogel and Cinema 16" in which Amos tell us why many people does not like surreal, experimental, avantgarde, unusual films http://en.wikipedia.org/wiki/Amos_Vogel
https://wn.com/Why_People_Object_To_Avantgarde_Cinema_(Amos_Vogel)
A scene from the documentary "Film as a Subversive Art: Amos Vogel and Cinema 16" in which Amos tell us why many people does not like surreal, experimental, avantgarde, unusual films http://en.wikipedia.org/wiki/Amos_Vogel
- published: 27 Mar 2014
- views: 5436
1:03:43
2022 Amos Vogel Lecture by Cauleen Smith | NYFF60
2021 marked the birth centenary of Amos Vogel, the pioneering film programmer, author, and co-founder of the New York Film Festival. To mark this occasion and h...
2021 marked the birth centenary of Amos Vogel, the pioneering film programmer, author, and co-founder of the New York Film Festival. To mark this occasion and honor Vogel’s path-blazing legacy, last year the festival inaugurated the Amos Vogel Lecture, to be delivered annually by an artist or thinker who embodies the spirit of Vogel’s cinephilia and brings it into conversation with the present and future of cinema.
For this second edition of the Amos Vogel Lecture, we were proud to welcome the filmmaker and artist Cauleen Smith, whose landmark 1998 debut feature, Drylongso, screened in a new restoration in the Revivals section of NYFF60. Known for the political rigor and intrepid formal experimentation of her film and multimedia practice, Smith epitomizes both the ethics of care and the commitment to subversion that guided Vogel’s mission—and which continue to guide the New York Film Festival 60 years after its founding. Smith’s lecture was followed by a Q&A; with Jacqueline Stewart, the director and president of the Academy Museum of Motion Pictures and a Turner Classic Movies host.
The 2022 Amos Vogel Lecture is sponsored by Turner Classic Movies. NYFF60 Talks are presented by HBO.
More info: http://filmlinc.org
Subscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcom
Like on Facebook: http://facebook.com/filmlinc
Follow on Twitter: http://twitter.com/filmlinc
Follow on Instagram: http://instagram.com/filmlinc
https://wn.com/2022_Amos_Vogel_Lecture_By_Cauleen_Smith_|_Nyff60
2021 marked the birth centenary of Amos Vogel, the pioneering film programmer, author, and co-founder of the New York Film Festival. To mark this occasion and honor Vogel’s path-blazing legacy, last year the festival inaugurated the Amos Vogel Lecture, to be delivered annually by an artist or thinker who embodies the spirit of Vogel’s cinephilia and brings it into conversation with the present and future of cinema.
For this second edition of the Amos Vogel Lecture, we were proud to welcome the filmmaker and artist Cauleen Smith, whose landmark 1998 debut feature, Drylongso, screened in a new restoration in the Revivals section of NYFF60. Known for the political rigor and intrepid formal experimentation of her film and multimedia practice, Smith epitomizes both the ethics of care and the commitment to subversion that guided Vogel’s mission—and which continue to guide the New York Film Festival 60 years after its founding. Smith’s lecture was followed by a Q&A; with Jacqueline Stewart, the director and president of the Academy Museum of Motion Pictures and a Turner Classic Movies host.
The 2022 Amos Vogel Lecture is sponsored by Turner Classic Movies. NYFF60 Talks are presented by HBO.
More info: http://filmlinc.org
Subscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcom
Like on Facebook: http://facebook.com/filmlinc
Follow on Twitter: http://twitter.com/filmlinc
Follow on Instagram: http://instagram.com/filmlinc
- published: 11 Nov 2022
- views: 746
1:01:44
Reel Philadelphia #5 (2 February 1981) with Amos Vogel
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six mon...
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six months after the Nazis had annexed the country, Vogel and his parents left Austria for the United States. In preparation for his planned move to Palestine, he accepted a scholarship in agricultural training from the National Youth Administration and took classes at the University of Georgia in agricultural sciences.
After deciding to remain in America, Vogel took a degree in economics from the New School for Social Research in New York. From 1947 until 1963, he and his wife Marcia ran Cinema 16, the most successful and influential membership film society in North American history, at its height boasting seven thousand members. Cinema 16 also became the most important distributor of non-mainstream cinema in the United States.
After the demise of Cinema 16, Vogel founded the Lincoln Center Film Department and was co-founder of the New York Film Festival, of which he became the first director where he programmed until 1968. In 1963 he published the children's book How Little Lori Visited Times Square, with illustrations by Maurice Sendak. His 1974 book Film as a Subversive Art details the "accelerating world-wide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored."
Vogel worked a film consultant to Grove Press and National Educational Television, a program director of the National Public Television Conference, and served as Chairman of the American Selection Committee for the Cannes, Moscow, Berlin and Venice film festivals. He taught at Harvard University, the New School for Social Research, New York University, and for several years at the University of Pennsylvania's Annenberg School.
Amos Vogel died in his Greenwich Village apartment, where he had lived with his family for several decades, on 24 April 2012.
https://wn.com/Reel_Philadelphia_5_(2_February_1981)_With_Amos_Vogel
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six months after the Nazis had annexed the country, Vogel and his parents left Austria for the United States. In preparation for his planned move to Palestine, he accepted a scholarship in agricultural training from the National Youth Administration and took classes at the University of Georgia in agricultural sciences.
After deciding to remain in America, Vogel took a degree in economics from the New School for Social Research in New York. From 1947 until 1963, he and his wife Marcia ran Cinema 16, the most successful and influential membership film society in North American history, at its height boasting seven thousand members. Cinema 16 also became the most important distributor of non-mainstream cinema in the United States.
After the demise of Cinema 16, Vogel founded the Lincoln Center Film Department and was co-founder of the New York Film Festival, of which he became the first director where he programmed until 1968. In 1963 he published the children's book How Little Lori Visited Times Square, with illustrations by Maurice Sendak. His 1974 book Film as a Subversive Art details the "accelerating world-wide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored."
Vogel worked a film consultant to Grove Press and National Educational Television, a program director of the National Public Television Conference, and served as Chairman of the American Selection Committee for the Cannes, Moscow, Berlin and Venice film festivals. He taught at Harvard University, the New School for Social Research, New York University, and for several years at the University of Pennsylvania's Annenberg School.
Amos Vogel died in his Greenwich Village apartment, where he had lived with his family for several decades, on 24 April 2012.
- published: 09 Nov 2012
- views: 448
9:42
Amos Vogel, New York (1) (2003)
www.amosvogel.com
Footage from the shoot of
FILM AS A SUBVERSIVE ART: AMOS VOGEL AND CINEMA 16
www.amosvogel.com
Footage from the shoot of
FILM AS A SUBVERSIVE ART: AMOS VOGEL AND CINEMA 16
https://wn.com/Amos_Vogel,_New_York_(1)_(2003)
www.amosvogel.com
Footage from the shoot of
FILM AS A SUBVERSIVE ART: AMOS VOGEL AND CINEMA 16
- published: 07 Mar 2008
- views: 2524
2:32
Amos and Marcia Vogel, New York (2003)
www.amosvogel.com
Footage from the shoot of
FILM AS A SUBVERSIVE ART: AMOS VOGEL AND CINEMA 16
www.amosvogel.com
Footage from the shoot of
FILM AS A SUBVERSIVE ART: AMOS VOGEL AND CINEMA 16
https://wn.com/Amos_And_Marcia_Vogel,_New_York_(2003)
www.amosvogel.com
Footage from the shoot of
FILM AS A SUBVERSIVE ART: AMOS VOGEL AND CINEMA 16
- published: 08 Mar 2008
- views: 826
22:40
Interview with Amos Vogel, 20 November 1974
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six mon...
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six months after the Nazis had annexed the country, Vogel and his parents left Austria for the United States. In preparation for his planned move to Palestine, he accepted a scholarship in agricultural training from the National Youth Administration and took classes at the University of Georgia in agricultural sciences.
After deciding to remain in America, Vogel took a degree in economics from the New School for Social Research in New York. From 1947 until 1963, he and his wife Marcia ran Cinema 16, the most successful and influential membership film society in North American history, at its height boasting seven thousand members. Cinema 16 also became the most important distributor of non-mainstream cinema in the United States.
After the demise of Cinema 16, Vogel founded the Lincoln Center Film Department and was co-founder of the New York Film Festival, of which he became the first director where he programmed until 1968. In 1963 he published the children's book How Little Lori Visited Times Square, with illustrations by Maurice Sendak. His 1974 book Film as a Subversive Art details the "accelerating world-wide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored."
Vogel worked a film consultant to Grove Press and National Educational Television, a program director of the National Public Television Conference, and served as Chairman of the American Selection Committee for the Cannes, Moscow, Berlin and Venice film festivals. He taught at Harvard University, the New School for Social Research, New York University, and for several years at the University of Pennsylvania's Annenberg School.
Amos Vogel died in his Greenwich Village apartment, where he had lived with his family for several decades, on 24 April 2012.
https://wn.com/Interview_With_Amos_Vogel,_20_November_1974
www.amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six months after the Nazis had annexed the country, Vogel and his parents left Austria for the United States. In preparation for his planned move to Palestine, he accepted a scholarship in agricultural training from the National Youth Administration and took classes at the University of Georgia in agricultural sciences.
After deciding to remain in America, Vogel took a degree in economics from the New School for Social Research in New York. From 1947 until 1963, he and his wife Marcia ran Cinema 16, the most successful and influential membership film society in North American history, at its height boasting seven thousand members. Cinema 16 also became the most important distributor of non-mainstream cinema in the United States.
After the demise of Cinema 16, Vogel founded the Lincoln Center Film Department and was co-founder of the New York Film Festival, of which he became the first director where he programmed until 1968. In 1963 he published the children's book How Little Lori Visited Times Square, with illustrations by Maurice Sendak. His 1974 book Film as a Subversive Art details the "accelerating world-wide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored."
Vogel worked a film consultant to Grove Press and National Educational Television, a program director of the National Public Television Conference, and served as Chairman of the American Selection Committee for the Cannes, Moscow, Berlin and Venice film festivals. He taught at Harvard University, the New School for Social Research, New York University, and for several years at the University of Pennsylvania's Annenberg School.
Amos Vogel died in his Greenwich Village apartment, where he had lived with his family for several decades, on 24 April 2012.
- published: 19 Dec 2013
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