- published: 02 Mar 2018
- views: 5039493
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James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 - Début du concert
01:19 - I. Introïtus
02:00 - Requiem
05:46 - II. Kyrie
08:13 - III. Sequentia. Dies Irae
10:09 - Tuba mirum
13:29 - Rex tremendae
15:31 - Recordare
20:27 - Confutatis
22:49 - Lacrimosa
25:52 - IV. Offertorium Domine Jesu Hostias
32:52 - V. Sanctus
34:30 - VI. Benedictus
38:52 - VII. Agnus Dei
41:45 - VIII. Communio - Lux Aeterna
A propos de l’œuvre :
Mozart croule sous les problèmes quand il entreprend l’écriture de son Requiem en 1791. Accablé par les dettes, le maestro viennois est aussi gravement malade. Pour ajouter à son malheur, sa musique ne séduit plus, la fréquentation de ses concerts diminue.
On ne compte plus les légendes qui entourent le contexte de création de l’œuvre. Mais parmi elles, une vérité se dessine. Le commanditaire de l’œuvre serait le comte von Walsegg, désireux d’obtenir une messe des morts pour célébrer le souvenir de son épouse, tout juste disparue. La demande est faite à Mozart de manière anonyme. Le comte souhaitait en effet se faire passer pour l'auteur de l’œuvre, une supercherie dont il était familier !
Épuisé, Mozart s’éteint le 5 décembre 1791 à l'âge de 35 ans. S’il a probablement composé entièrement les deux premières parties de l’œuvre, l’Introïtus et le Kyrie, le reste a été repris en main par l’un de ses élèves, Franz-Xaver Süssmayr, à partir d’esquisses plus ou moins détaillées.
Distribution :
Marita Solberg, soprano
Karine Deshayes, mezzo-soprano
Joseph Kaiser, ténor
Alexander Vinogradov, basse
Chœur de Radio France,
Nicolas Fink, chef de chœur
Orchestre National de France,
James Gaffigan, direction
A propos du compositeur Wolfgang Amadeus Mozart (1756 - 1791) :
Wolfgang Amadeus Mozart est l’un des compositeurs les plus importants de l’histoire de la musique occidentale, et la figure majeure de la période du classicisme. Il fait partie avec Haydn et Beethoven de la « triade classique viennoise », incarnant l’un des trois maîtres dont l’influence a été la plus considérable sur les générations suivantes de compositeurs. Virtuose du clavecin et du violon, il connaît un succès précoce et une carrière fulgurante, en portant toutes les formes musicales existantes à un état d’accomplissement inégalé.
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Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine on them.
You are praised, God, in Zion,
and homage will be paid to You in Jerusalem.
Hear my prayer,
to You all flesh will come.
Grant them eternal rest, Lord,
and let perpetual light shine on them.
Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.
Day of wrath, day of anger
will dissolve the world in ashes,
as foretold by David and the Sibyl.
Great trembling there will be
when the Judge descends from heaven
to examine all things closely.
The trumpet will send its wondrous sound
throughout earth's sepulchres
and gather all before the throne.
Death and nature will be astounded,
when all creation rises again,
to answer the judgment.
A book will be brought forth,
in which all will be written,
by which the world will be judged.
When the judge takes his place,
what is hidden will be revealed,
nothing will remain unavenged.
What shall a wretch like me say?
Who shall intercede for me,
when the just ones need mercy?
King of tremendous majesty,
who freely saves those worthy ones,
save me, source of mercy.
Remember, kind Jesus,
my salvation caused your suffering;
do not forsake me on that day.
Faint and weary you have sought me,
redeemed me, suffering on the cross;
may such great effort not be in vain.
Righteous judge of vengeance,
grant me the gift of absolution
before the day of retribution.
I moan as one who is guilty:
owning my shame with a red face;
suppliant before you, Lord.
You, who absolved Mary,
and listened to the thief,
give me hope also.
My prayers are unworthy,
but, good Lord, have mercy,
and rescue me from eternal fire.
Provide me a place among the sheep,
and separate me from the goats,
guiding me to Your right hand.
When the accused are confounded,
and doomed to flames of woe,
call me among the blessed.
I kneel with submissive heart,
my contrition is like ashes,
help me in my final condition.
That day of tears and mourning,
when from the ashes shall arise,
all humanity to be judged.
Spare us by your mercy, Lord,
gentle Lord Jesus,
grant them eternal rest. Amen.
Lord Jesus Christ, King of glory,
liberate the souls of the faithful,
departed from the pains of hell
and from the bottomless pit.
Deliver them from the lion's mouth,
lest hell swallow them up,
lest they fall into darkness.
Let the standard-bearer, holy Michael,
bring them into holy light.
Which was promised to Abraham
and his descendants.
Sacrifices and prayers of praise, Lord,
we offer to You.
Receive them in behalf of those souls
we commemorate today.
And let them, Lord,
pass from death to life,
which was promised to Abraham
and his descendants.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
Grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest forever.
Let eternal light shine on them, Lord,
as with Your saints in eternity,
because You are merciful.
Grant them eternal rest, Lord,
and let perpetual light shine on them,
as with Your saints in eternity,
because You are merciful.
- published: 05 Mar 2009
- views: 101367222
Wolfgang Amadeus Mozart's Requiem in D minor KV 626.
Herbert von Karajan , Berlin Philharmonic Orchestra.
Agnes Baltsa, alt/contralto.
Anna Tomowa-Sintow, soprano.
Werner Krenn, tenor.
José van Dam, bass.
Wiener Singverein.
Rudolf Scholz, organ.
Lyrics
INTROITUS
00:00 1.- Requiem aeternam
(coro)
Requiem aeternam dona eis, Domine
et lux perpetua luceat eis.
(soprano)
Te decet hymnus, Deus, in Sion (Salmo 63)
et tibi reddetur votum in Ierusalem.
(coro)
exaudi orationem meam,
ad te omnis caro veniet.
05:39 2.- Kyrie eleison
(coro)
Kyrie eleison.
Christie eleison.
SEQUENZ
08:27 3.- Dies irae
(coro)
Dies irae, dies illa
solvet saeclum in favilla,
teste David cum Sibylla.
Quantus tremor est futurus
quando iudex est venturus
cuncta stricte discussurus!
10:18 4.- Tuba mirum
(bajo)
Tuba mirum spargens sonum
per sepulcra regionum
coget omnes ante thronum.
(tenor)
Mors stupebit et natura
cum resurget creatura
judicanti responsura.
Liber scriptus proferetur
in quo totum continetur
unde mundus iudicetur.
(contralto)
Iudex ergo cum sedebit
quidquid latet apparebit,
nil inultum remanebit.
(soprano y cuarteto)
Quid sum miser tum dicturus?
Quem pratonum rogaturus,
cum vix iustus sit securus?
14:32 5.- Rex tremendae
(coro)
Rex tremendae majestatis
qui salvandos salvas gratis,
salva me fons pietatis!
16:58 6.- Recordare
(cuarteto)
Recordare, Iesu pie
quod sum causa tuae viae,
ne me perdas illa die.
Quarens me, sedisti lassus,
redemisti crucem passus;
tantus labor non sit cassus.
Iuste iudex ultionis,
donum fac remissionis
ante diem rationis.
Ingemisco, tanquam reus,
culpa rubet vultus meus;
supplicanti parce, Deus.
Qui Mariam absolvisti
et Latronem exaudisti
mihi quoque spem dedisti.
Preces meae non sunt dignae,
sed tu bonus fac benigne
ne perenni cremer igne.
Inter oves locum praesta
et ab haedis me secuestra
statuens in parte dextra.
22:16 7.- Confutatis
(coro)
Confutatis maledictis,
flammis acribus addictis,
voca me cum benedictis.
Oro supplex et acclinis,
cor contritum quasi cinis,
gere curam mei finis.
24:36 8.- Lacrimosa
(coro)
Lacrimosa dies illa
qua resurget et favilla
iudicandus homo reus.
Huic ergo parce, Deus.
Pe Iesu, Domine,
dona eis requiem. Amen.
OFFERTORIUM
27:59 9.- Domine Iesu
(coro)
Domine Iesu Christe, Rex gloriae,
libera animas omnium fidelium defunctorum
de poenis inferni et de profundo lacu.
Libera eas de ore leonis,
ne absorbeat eas tartarus,
ne cadant in obscurum,
(cuarteto)
sed signifer sanctus Michael
repraesentet eas in lucem sanctam,
(coro)
quam olim Abrahae promisisti
et semini eius.
31:47 10.- Hostias et preces
(coro)
Hostias et preces tibi, Domine,
laudis offerimus.
Tu suscipe pro animabus illis,
quarum hodie memoriam facimus.
Fac eas, Domine,
de morte transire ad vitam,
quam olim Abrahae promisisti
et semini eius.
36:16 11.- Sanctus
(coro)
Sanctus, sanctus,
sanctus Dominus Deus sabaoth.
Pleni sunt caeli et terra gloria tua.
Hosanna in excelsis.
38:01 12.- Benedictus
(cuarteto)
Benedictus qui venit
in nomine Domini.
(coro)
Hosanna in excelsis.
43:16 13.- Agnus Dei
(coro)
Agnus Dei, qui tollis peccata mundi,
miserere nobis.
Agnus Dei, qui tollis peccata mundi,
dona nobis pacem.
Agnus Dei, qui tollis peccata mundi,
dona eis requiem sempiternam.
COMMUNIO
46:51 14.- Lux aeternam
(soprano y coro)
Lux aeternam luceat eis, Domine,
cum sanctis tuis in aeternum, quia pius es.
Requiem aeternam dona eis, Domine,
et lux perpetua luceat eis,
cum sanctis tuis in aeternum, quia pius es.
The Requièm Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death on December 5. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife's death.
The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, and bass soloists and a SATB mixed choir.
Structure
The Sussmayr completion of the Requiem is divided into fourteen movements, with the following structure:
I. Introitus: Requiem aeternam (choir and soprano solo)
II. Kyrie eleison (choir)
III. Sequentia (text based on sections of the Dies Irae): Dies irae (choir)
Tuba mirum (soprano, contralto, tenor and bass solo)
Rex tremendae majestatis (choir)
Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
Confutatis maledictis (choir)
Lacrimosa dies illa (choir)
IV. Offertorium: Domine Jesu Christe (choir with solo quartet)
Versus: Hostias et preces (choir)
V. Sanctus: Sanctus Dominus Deus Sabaoth (choir)
Benedictus (solo quartet, then choir)
VI. Agnus Dei (choir)
VII. Communio: Lux aeterna (soprano solo and choir)
- published: 20 Jan 2013
- views: 1625469
Wolfgang Amadeus Mozart Requiem Kv626 in D Minor
01:00 - Introitus
05:56 - Kyrie
08:19 - Dies irae
10:17 - Tuba mirum
14:05 - Rex tremendae
16:01 - Recordare
21:20 - Confutatis
23:56 - Lacrimosa
27:48 - Domine Jesu Christe
31:10 - Hostias
34:50 - Sanctus
36:36 - Benedictus
42:12 - Agnus Dei
6:21 - Lux aeterna
- published: 18 Nov 2017
- views: 104936
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, 한국어, עברי, Italiano, Latin, 日本語, Polski, Português, Русский, Українська.
0:00 Applause
0:55 Introitus: Requiem aeternam
5:40 Kyrie eleison
Sequenz
8:06 Dies irae
9:47 Tuba mirum
13:31 Rex tremendae
15:51 Recordare
21:31 Confutatis
23:50 Lacrimosa
Offertorium
27:21 Domine Jesu
30:45 Versus: Hostias et preces
34:45 Sanctus
36:30 Benedictus
41:46 Agnus Dei
44:47 Communio: Lux aeterna
50:21 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Choir
recorded November 01, 2019 at Warsaw Philharmonic Concert Hall
#SinfoniaIuventus
- published: 07 Apr 2020
- views: 1064152
Wolfgang Amadeus Mozart - Requiem - Full Concert - Claudio Abbado - Lucerne Festival Orchestra 2013 - K 626 - Classical Music
00:00:00 Start of Concert
00:01:27 I. Introitus Requiem Aeternam
00:06:24 II. Kyrie
00:08:57 III. Sequentia
00:27:50 IV. Offertorium Domine
00:35:43 V. Sanctus
00:38:06 VI. Benedictus
00:44:00 VII. Agnus Dei
00:48:00 VIII. Communio
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period.
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and travelled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death have been much mythologized.
He composed more than 600 works, many of which are acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is considered among the greatest classical composers of all time, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
Johannes Chrysostomus Wolfgangus Theophilus Mozarta, más conocido como Wolfgang Amadeus Mozart o simplemente Mozart, fue un compositor y pianista del antiguo Arzobispado de Salzburgo (anteriormente parte del Sacro Imperio Romano Germánico, actualmente parte de Austria), maestro del Clasicismo, considerado como uno de los músicos más influyentes y destacados de la historia.
Во́льфганг Амадéй Мо́царт Информация о файле слушать; австрийский композитор и музыкант-виртуоз. Один из самых популярных классических композиторов, Моцарт оказал большое влияние на мировую музыкальную культуру. По свидетельству современников, Моцарт обладал феноменальным музыкальным слухом, памятью и способностью к импровизации. Самый молодой член Болонской филармонической академии (с 1770 года) за всю её историю, а также самый молодой кавалер ордена Золотой шпоры (1770).
Wolfgang Amadeus Mozart ou Johannes Chrysostomus Wolfgangus Theophilus Mozart est un compositeur classique né à Salzbourg le 27 janvier 1756 et mort à Vienne le 5 décembre 1791.
Wolfgang Amadeus Mozart; Salzburgo, 27 de janeiro de 1756 – Viena, 5 de dezembro de 1791) foi um prolífico e influente compositor austríaco do período clássico.
فولفغانغ أماديوس موتسارت ولد في 27 يناير 1756 في سالزبورغ بالنمسا مؤلف موسيقي نمساوي يعتبر من أشهر العباقرة المبدعين في تاريخ الموسيقى رغم أن حياته كانت قصيرة، فقد مات عن عمر يناهز الـ 35 عاماً بعد أن نجح في إنتاج 626 عمل موسيقي. قاد أوركسترا وهو في السابعة من عمره ولم يمشي في جنازته سوى خمس اشخاص، فقط ليس من بينهم زوجته لأن الجو كان شديد البرودة في تلك الأوقات في هذه المنطقة .
볼프강 아마데우스 모차르트 는 오스트리아의 서양 고전 음악 작곡가이다. 궁정 음악가였던 아버지 레오폴트 모차르트에게 피아노와 바이올린을 배웠고, 그 후 요한 세바스티안 바흐의 아들로 잘 알려진 요한 크리스티안 바흐에게 작곡법과 지휘를 배웠다. 그는 35년이라는 짧은 생애 동안 수많은 교향곡, 오페라, 협주곡, 소나타를 작곡했으며 음악 역사상 가장 위대한 작곡가 가운데 한 사람이다. 오늘날 모차르트는 “음악의 신동”이라는 별칭으로 불리며 널리 존경받고 있다.
沃尔夫冈·阿马德乌斯·莫扎特，古典時期的作曲家及鋼琴家。莫札特是位多產的作曲家，一生創作了600多部作品，幾乎涵蓋所有形式體裁，他在短暫的生命裡將古典時期的音樂風格臻於成熟並發揚光大，其作品也被廣泛視為古典音樂的典型，對後世有極大影響。
ヴォルフガング・アマデウス・モーツァルト[注釈 1]（ドイツ語: Wolfgang Amadeus Mozart、洗礼名：ヨハンネス・クリュソストムス・ウォルフガングス・テオフィルス・モザルト [Johannes Chrysostomus Wolfgangus Theophilus Mozart]、1756年1月27日 - 1791年12月5日）はオーストリアの音楽家[注釈 2]。ハイドン、ベートーヴェンと並んで古典派音楽、ウィーン古典派を代表する一人である。
ولفگانگ آمادئوس موتسارت[۱][۲] (زادهٔ ۲۷ ژانویهٔ ۱۷۵۶ – درگذشتهٔ ۵ دسامبر ۱۷۹۱) (تلفظ آلمانی: آهنگساز اتریشی، موسیقی دان کلاسیک بود. موتسارت در زندگی کوتاه خود بیش از ۶۰۰ قطعه موسیقی شامل موسیقی برای اپرا و همچنین شامل سمفونی، کنسرتو، موسیقی مجلسی، سونات، سرناد، و موسیقی برای گروه کُر ساخت. موتسارت در پنجمین سال از زندگیاش آغاز به آهنگسازی کرد و در تمام اروپا شهرت بسیاری یافت. در هفتسالگی اولین سمفونی، و در دوازدهسالگی اولین اپرای کامل خود را نوشت. او در تمام ژانرهای مرسوم در دوران زندگیاش موسیقی تصنیف کرد و آثار درخشانی پدید آورد، همچنین او بهترین در دوره خود بود.
Wolfgang Amadeus Mozart, der überwiegend mit Wolfgang Amadé Mozart unterschrieb, war ein Salzburger Musiker und Komponist der Wiener Klassik. Sein umfangreiches Werk genießt weltweite Popularität und gehört zum Bedeutendsten im Repertoire klassischer Musik.
#mozart #requiem #classicalmusic #Requiem #Abbado #opera #concert #concerto #ClaudioAbbado #music #cello #viola #string #piano #orchestra #Lucerne #2013 #opera
- published: 21 Nov 2020
- views: 265950
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot Gardiner
- Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass)
- Year of recording: 1990
Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791.
This version is the Süssmayr completion of the Requiem, with the following structure:
00:00 - I. Introitus: Requiem aeternam (choir and soprano solo)
04:44 - II. Kyrie eleison (choir)
----- III. Sequentia: (text based on sections of the Dies Irae)
07:15 - Dies irae (choir)
09:01 - Tuba mirum (soprano, contralto, tenor and bass solo)
12:09 - Rex tremendae majestatis (choir)
14:20 - Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
19:02 - Confutatis maledictis (choir)
21:17 - Lacrimosa dies illa (choir)
----- IV. Offertorium:
24:05 - Domine Jesu Christe (choir with solo quartet)
27:38 - Versus: Hostias et preces (choir)
----- V. Sanctus:
31:35 - Sanctus Dominus Deus Sabaoth (choir)
32:58 - Benedictus (solo quartet, then choir)
38:12 - VI. Agnus Dei (choir)
----- VII. Communio:
41:25 - Lux aeterna (soprano solo and choir)
The Requiem was composed in Vienna in 1791 and left unfinished at the composer's death on the 5th of December. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem mass to commemorate the 14th of February anniversary of his wife's death.
The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, the bulk of this copy derives from the hand of Franz Süssmayr.
The Requiem contains five sections, each capped by a fugue: Requiem/Kyrie, Sequence ("Dies Irae"), Offertory, Sanctus, and Agnus Dei. Throughout, choral writing drives Mozart's music; even the four soloists rarely sing alone. The darkly colored orchestra supports the choir with often vivid motives. This pictorial aspect is most evident in the Sequence: "Tuba mirum" (solo trombone), "Rex tremendae" (regal dotted-rhythms), "Confutatis" (fiery accompaniment), and "Lachrymosa" (sighing strings). Not only do individual movements display an extraordinary level of motivic unity, Mozart carefully creates motivic relationships across the entire Requiem. The very first melody sung by the basses ("Requiem aeternam"), for instance, is repeated at the very end and also echoes throughout the work; the opening melody of "Dies irae" translates into major mode to open the "Sanctus." Mozart is never afraid, however, of acknowledging his debt to earlier traditions of church music. His fugues deliberately reference Bach, and in the first movement alone he quotes from Michael Haydn's Requiem, Handel's funeral anthem for Queen Caroline, Messiah, and the Gregorian chant known as the "Pilgrim's Tone."
- published: 26 Oct 2015
- views: 679028
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Requiem (Mozart)
The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death on December 5. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a Requiem Mass to commemorate the February 14 anniversary of his wife's death.
The autograph manuscript (acquired by the Austrian National Library in 1831–38) shows the finished and orchestrated Introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first eight bars of the "Lacrymosa" movement, and the Offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart's widow Constanze. Constanze was responsible for a number of stories surrounding the composition of the work, including the claims that Mozart received the commission from a mysterious messenger who did not reveal the commissioner's identity, and that Mozart came to believe that he was writing the requiem for his own funeral.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Requiem_(Mozart)
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Mozart : Requiem (Orchestre national de France / James Gaffigan)
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de saint-Denis. #Mozart #MozartRequiem #OrchestreNationalDeFrance 00:00 - Début du concert 01:19 - I. Introïtus 02:00 - Requiem 05:46 - II. Kyrie 08:13 - III. Sequentia. Dies Irae 10:09 - Tuba mirum 13:29 - Rex tremendae 15:31 - Recordare 20:27 - Confutatis 22:49 - Lacrimosa 25:52 - IV. Offertorium Domine Jesu Hostias 32:52 - V. Sanctus 34:30 - VI. Benedictus 38:52 - VII. Agnus Dei 41:45 - VIII. Communio - Lux Aeterna A p...
published: 02 Mar 2018 -
Mozart - Requiem
Requiem Mass in D Minor Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem. Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart. The Following are the lyrics, translated from their Original Latin Grant them eternal rest, Lord, and let perpetual light shine ...
published: 05 Mar 2009 -
W.A. Mozart - Requiem in D minor KV 626 - H. von Karajan - Berlin Philarmonic Orchestra
Wolfgang Amadeus Mozart's Requiem in D minor KV 626. Herbert von Karajan , Berlin Philharmonic Orchestra. Agnes Baltsa, alt/contralto. Anna Tomowa-Sintow, soprano. Werner Krenn, tenor. José van Dam, bass. Wiener Singverein. Rudolf Scholz, organ. Lyrics INTROITUS 00:00 1.- Requiem aeternam (coro) Requiem aeternam dona eis, Domine et lux perpetua luceat eis. (soprano) Te decet hymnus, Deus, in Sion (Salmo 63) et tibi reddetur votum in Ierusalem. (coro) exaudi orationem meam, ad te omnis caro veniet. 05:39 2.- Kyrie eleison (coro) Kyrie eleison. Christie eleison. SEQUENZ 08:27 3.- Dies irae (coro) Dies irae, dies illa solvet saeclum in favilla, teste David cum Sibylla. Quantus tremor est futurus quando iudex est venturus cuncta stricte discussurus! 10:18 4.- Tuba m...
published: 20 Jan 2013 -
Mozart - Requiem in D minor (Complete/Full) [HD]
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published: 10 Oct 2015 -
W. A. Mozart - Requiem Kv 626 in D Minor [Arsys Bourgogne] HD
Wolfgang Amadeus Mozart Requiem Kv626 in D Minor 01:00 - Introitus 05:56 - Kyrie 08:19 - Dies irae 10:17 - Tuba mirum 14:05 - Rex tremendae 16:01 - Recordare 21:20 - Confutatis 23:56 - Lacrimosa 27:48 - Domine Jesu Christe 31:10 - Hostias 34:50 - Sanctus 36:36 - Benedictus 42:12 - Agnus Dei 6:21 - Lux aeterna
published: 18 Nov 2017 -
Mozart – Requiem (with subtitles in 15 languages, Español, Português, English, Latin . . . )
info https://gr.afit.pl Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, 한국어, עברי, Italiano, Latin, 日本語, Polski, Português, Русский, Українська. 0:00 Applause 0:55 Introitus: Requiem aeternam 5:40 Kyrie eleison Sequenz 8:06 Dies irae 9:47 Tuba mirum 13:31 Rex tremendae 15:51 Recordare 21:31 Confutatis 23:50 Lacrimosa Offertorium 27:21 Domine Jesu 30:45 Versus: Hostias et preces 34:45 Sanctus 36:30 Benedictus 41:46 Agnus Dei 44:47 Communio: Lux aeterna 50:21 Credits Wolfgang Amadeus Mozart – Requiem KV 626 Bartosz Michałowski – conductor Sylwia Olszyńska – soprano Agata Schmidt – mezzo-soprano Karol Kozłowski – tenor Adam Kutny – baritone Polish Sinfonia Iuventus Orchestra Warsaw Philharmonic Choir recorded November 01, 2019 at Warsaw Philharmonic Concert Hall #S...
published: 07 Apr 2020 -
Wolfgang Amadeus Mozart - Requiem - Full Concert - Claudio Abbado - Lucerne Festival Orchestra 2013
Wolfgang Amadeus Mozart - Requiem - Full Concert - Claudio Abbado - Lucerne Festival Orchestra 2013 - K 626 - Classical Music 00:00:00 Start of Concert 00:01:27 I. Introitus Requiem Aeternam 00:06:24 II. Kyrie 00:08:57 III. Sequentia 00:27:50 IV. Offertorium Domine 00:35:43 V. Sanctus 00:38:06 VI. Benedictus 00:44:00 VII. Agnus Dei 00:48:00 VIII. Communio Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzbu...
published: 21 Nov 2020 -
[Full HD 1080p] Mozart Requiem Bernstein 1988
published: 13 Jan 2021 -
Mozart Requiem Karl Bohm
published: 15 Sep 2011 -
Wolfgang Amadeus Mozart - Requiem in D minor, K. 626
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791) - Orchestra: English Baroque Soloists - Choir: Monteverdi Choir - Conductor: John Eliot Gardiner - Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass) - Year of recording: 1990 Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791. This version is the Süssmayr completion of the Requiem, with the following structure: 00:00 - I. Introitus: Requiem aeternam (choir and soprano solo) 04:44 - II. Kyrie eleison (choir) ----- III. Sequentia: (text based on sections of the Dies Irae) 07:15 - Dies irae (choir) 09:01 - Tuba mirum (soprano, contralto, tenor and bass solo) 12:09 - Rex tremendae majestatis (choir) 14:20 - Recordare, Jesu p...
published: 26 Oct 2015
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50:49
Mozart : Requiem (Orchestre national de France / James Gaffigan)
- Order: Reorder
- Duration: 50:49
- Uploaded Date: 02 Mar 2018
- views: 5039493
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano...
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 - Début du concert
01:19 - I. Introïtus
02:00 - Requiem
05:46 - II. Kyrie
08:13 - III. Sequentia. Dies Irae
10:09 - Tuba mirum
13:29 - Rex tremendae
15:31 - Recordare
20:27 - Confutatis
22:49 - Lacrimosa
25:52 - IV. Offertorium Domine Jesu Hostias
32:52 - V. Sanctus
34:30 - VI. Benedictus
38:52 - VII. Agnus Dei
41:45 - VIII. Communio - Lux Aeterna
A propos de l’œuvre :
Mozart croule sous les problèmes quand il entreprend l’écriture de son Requiem en 1791. Accablé par les dettes, le maestro viennois est aussi gravement malade. Pour ajouter à son malheur, sa musique ne séduit plus, la fréquentation de ses concerts diminue.
On ne compte plus les légendes qui entourent le contexte de création de l’œuvre. Mais parmi elles, une vérité se dessine. Le commanditaire de l’œuvre serait le comte von Walsegg, désireux d’obtenir une messe des morts pour célébrer le souvenir de son épouse, tout juste disparue. La demande est faite à Mozart de manière anonyme. Le comte souhaitait en effet se faire passer pour l'auteur de l’œuvre, une supercherie dont il était familier !
Épuisé, Mozart s’éteint le 5 décembre 1791 à l'âge de 35 ans. S’il a probablement composé entièrement les deux premières parties de l’œuvre, l’Introïtus et le Kyrie, le reste a été repris en main par l’un de ses élèves, Franz-Xaver Süssmayr, à partir d’esquisses plus ou moins détaillées.
Distribution :
Marita Solberg, soprano
Karine Deshayes, mezzo-soprano
Joseph Kaiser, ténor
Alexander Vinogradov, basse
Chœur de Radio France,
Nicolas Fink, chef de chœur
Orchestre National de France,
James Gaffigan, direction
A propos du compositeur Wolfgang Amadeus Mozart (1756 - 1791) :
Wolfgang Amadeus Mozart est l’un des compositeurs les plus importants de l’histoire de la musique occidentale, et la figure majeure de la période du classicisme. Il fait partie avec Haydn et Beethoven de la « triade classique viennoise », incarnant l’un des trois maîtres dont l’influence a été la plus considérable sur les générations suivantes de compositeurs. Virtuose du clavecin et du violon, il connaît un succès précoce et une carrière fulgurante, en portant toutes les formes musicales existantes à un état d’accomplissement inégalé.
Retrouvez tous les concerts filmés de France Musique sur https://www.francemusique.fr/concerts
Pour plus de contenu France Musique rendez-vous sur le site https://www.francemusique.fr/
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https://wn.com/Mozart_Requiem_(Orchestre_National_De_France_James_Gaffigan)
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 - Début du concert
01:19 - I. Introïtus
02:00 - Requiem
05:46 - II. Kyrie
08:13 - III. Sequentia. Dies Irae
10:09 - Tuba mirum
13:29 - Rex tremendae
15:31 - Recordare
20:27 - Confutatis
22:49 - Lacrimosa
25:52 - IV. Offertorium Domine Jesu Hostias
32:52 - V. Sanctus
34:30 - VI. Benedictus
38:52 - VII. Agnus Dei
41:45 - VIII. Communio - Lux Aeterna
A propos de l’œuvre :
Mozart croule sous les problèmes quand il entreprend l’écriture de son Requiem en 1791. Accablé par les dettes, le maestro viennois est aussi gravement malade. Pour ajouter à son malheur, sa musique ne séduit plus, la fréquentation de ses concerts diminue.
On ne compte plus les légendes qui entourent le contexte de création de l’œuvre. Mais parmi elles, une vérité se dessine. Le commanditaire de l’œuvre serait le comte von Walsegg, désireux d’obtenir une messe des morts pour célébrer le souvenir de son épouse, tout juste disparue. La demande est faite à Mozart de manière anonyme. Le comte souhaitait en effet se faire passer pour l'auteur de l’œuvre, une supercherie dont il était familier !
Épuisé, Mozart s’éteint le 5 décembre 1791 à l'âge de 35 ans. S’il a probablement composé entièrement les deux premières parties de l’œuvre, l’Introïtus et le Kyrie, le reste a été repris en main par l’un de ses élèves, Franz-Xaver Süssmayr, à partir d’esquisses plus ou moins détaillées.
Distribution :
Marita Solberg, soprano
Karine Deshayes, mezzo-soprano
Joseph Kaiser, ténor
Alexander Vinogradov, basse
Chœur de Radio France,
Nicolas Fink, chef de chœur
Orchestre National de France,
James Gaffigan, direction
A propos du compositeur Wolfgang Amadeus Mozart (1756 - 1791) :
Wolfgang Amadeus Mozart est l’un des compositeurs les plus importants de l’histoire de la musique occidentale, et la figure majeure de la période du classicisme. Il fait partie avec Haydn et Beethoven de la « triade classique viennoise », incarnant l’un des trois maîtres dont l’influence a été la plus considérable sur les générations suivantes de compositeurs. Virtuose du clavecin et du violon, il connaît un succès précoce et une carrière fulgurante, en portant toutes les formes musicales existantes à un état d’accomplissement inégalé.
Retrouvez tous les concerts filmés de France Musique sur https://www.francemusique.fr/concerts
Pour plus de contenu France Musique rendez-vous sur le site https://www.francemusique.fr/
Cliquez ici pour vous abonner: http://bit.ly/2oeEr3e
Suivez nous sur:
► Facebook - http://bit.ly/2nDuQSd
► Twitter - http://bit.ly/2okZSfP
► Instagram - http://bit.ly/2nDA547
- published: 02 Mar 2018
- views: 5039493
8:54
Mozart - Requiem
- Order: Reorder
- Duration: 8:54
- Uploaded Date: 05 Mar 2009
- views: 101367222
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the...
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine on them.
You are praised, God, in Zion,
and homage will be paid to You in Jerusalem.
Hear my prayer,
to You all flesh will come.
Grant them eternal rest, Lord,
and let perpetual light shine on them.
Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.
Day of wrath, day of anger
will dissolve the world in ashes,
as foretold by David and the Sibyl.
Great trembling there will be
when the Judge descends from heaven
to examine all things closely.
The trumpet will send its wondrous sound
throughout earth's sepulchres
and gather all before the throne.
Death and nature will be astounded,
when all creation rises again,
to answer the judgment.
A book will be brought forth,
in which all will be written,
by which the world will be judged.
When the judge takes his place,
what is hidden will be revealed,
nothing will remain unavenged.
What shall a wretch like me say?
Who shall intercede for me,
when the just ones need mercy?
King of tremendous majesty,
who freely saves those worthy ones,
save me, source of mercy.
Remember, kind Jesus,
my salvation caused your suffering;
do not forsake me on that day.
Faint and weary you have sought me,
redeemed me, suffering on the cross;
may such great effort not be in vain.
Righteous judge of vengeance,
grant me the gift of absolution
before the day of retribution.
I moan as one who is guilty:
owning my shame with a red face;
suppliant before you, Lord.
You, who absolved Mary,
and listened to the thief,
give me hope also.
My prayers are unworthy,
but, good Lord, have mercy,
and rescue me from eternal fire.
Provide me a place among the sheep,
and separate me from the goats,
guiding me to Your right hand.
When the accused are confounded,
and doomed to flames of woe,
call me among the blessed.
I kneel with submissive heart,
my contrition is like ashes,
help me in my final condition.
That day of tears and mourning,
when from the ashes shall arise,
all humanity to be judged.
Spare us by your mercy, Lord,
gentle Lord Jesus,
grant them eternal rest. Amen.
Lord Jesus Christ, King of glory,
liberate the souls of the faithful,
departed from the pains of hell
and from the bottomless pit.
Deliver them from the lion's mouth,
lest hell swallow them up,
lest they fall into darkness.
Let the standard-bearer, holy Michael,
bring them into holy light.
Which was promised to Abraham
and his descendants.
Sacrifices and prayers of praise, Lord,
we offer to You.
Receive them in behalf of those souls
we commemorate today.
And let them, Lord,
pass from death to life,
which was promised to Abraham
and his descendants.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
Grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest forever.
Let eternal light shine on them, Lord,
as with Your saints in eternity,
because You are merciful.
Grant them eternal rest, Lord,
and let perpetual light shine on them,
as with Your saints in eternity,
because You are merciful.
https://wn.com/Mozart_Requiem
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine on them.
You are praised, God, in Zion,
and homage will be paid to You in Jerusalem.
Hear my prayer,
to You all flesh will come.
Grant them eternal rest, Lord,
and let perpetual light shine on them.
Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.
Day of wrath, day of anger
will dissolve the world in ashes,
as foretold by David and the Sibyl.
Great trembling there will be
when the Judge descends from heaven
to examine all things closely.
The trumpet will send its wondrous sound
throughout earth's sepulchres
and gather all before the throne.
Death and nature will be astounded,
when all creation rises again,
to answer the judgment.
A book will be brought forth,
in which all will be written,
by which the world will be judged.
When the judge takes his place,
what is hidden will be revealed,
nothing will remain unavenged.
What shall a wretch like me say?
Who shall intercede for me,
when the just ones need mercy?
King of tremendous majesty,
who freely saves those worthy ones,
save me, source of mercy.
Remember, kind Jesus,
my salvation caused your suffering;
do not forsake me on that day.
Faint and weary you have sought me,
redeemed me, suffering on the cross;
may such great effort not be in vain.
Righteous judge of vengeance,
grant me the gift of absolution
before the day of retribution.
I moan as one who is guilty:
owning my shame with a red face;
suppliant before you, Lord.
You, who absolved Mary,
and listened to the thief,
give me hope also.
My prayers are unworthy,
but, good Lord, have mercy,
and rescue me from eternal fire.
Provide me a place among the sheep,
and separate me from the goats,
guiding me to Your right hand.
When the accused are confounded,
and doomed to flames of woe,
call me among the blessed.
I kneel with submissive heart,
my contrition is like ashes,
help me in my final condition.
That day of tears and mourning,
when from the ashes shall arise,
all humanity to be judged.
Spare us by your mercy, Lord,
gentle Lord Jesus,
grant them eternal rest. Amen.
Lord Jesus Christ, King of glory,
liberate the souls of the faithful,
departed from the pains of hell
and from the bottomless pit.
Deliver them from the lion's mouth,
lest hell swallow them up,
lest they fall into darkness.
Let the standard-bearer, holy Michael,
bring them into holy light.
Which was promised to Abraham
and his descendants.
Sacrifices and prayers of praise, Lord,
we offer to You.
Receive them in behalf of those souls
we commemorate today.
And let them, Lord,
pass from death to life,
which was promised to Abraham
and his descendants.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
Grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest forever.
Let eternal light shine on them, Lord,
as with Your saints in eternity,
because You are merciful.
Grant them eternal rest, Lord,
and let perpetual light shine on them,
as with Your saints in eternity,
because You are merciful.
- published: 05 Mar 2009
- views: 101367222
53:04
W.A. Mozart - Requiem in D minor KV 626 - H. von Karajan - Berlin Philarmonic Orchestra
- Order: Reorder
- Duration: 53:04
- Uploaded Date: 20 Jan 2013
- views: 1625469
Wolfgang Amadeus Mozart's Requiem in D minor KV 626.
Herbert von Karajan , Berlin Philharmonic Orchestra.
Agnes Baltsa, alt/contralto.
Anna Tomowa-Sintow, s...
Wolfgang Amadeus Mozart's Requiem in D minor KV 626.
Herbert von Karajan , Berlin Philharmonic Orchestra.
Agnes Baltsa, alt/contralto.
Anna Tomowa-Sintow, soprano.
Werner Krenn, tenor.
José van Dam, bass.
Wiener Singverein.
Rudolf Scholz, organ.
Lyrics
INTROITUS
00:00 1.- Requiem aeternam
(coro)
Requiem aeternam dona eis, Domine
et lux perpetua luceat eis.
(soprano)
Te decet hymnus, Deus, in Sion (Salmo 63)
et tibi reddetur votum in Ierusalem.
(coro)
exaudi orationem meam,
ad te omnis caro veniet.
05:39 2.- Kyrie eleison
(coro)
Kyrie eleison.
Christie eleison.
SEQUENZ
08:27 3.- Dies irae
(coro)
Dies irae, dies illa
solvet saeclum in favilla,
teste David cum Sibylla.
Quantus tremor est futurus
quando iudex est venturus
cuncta stricte discussurus!
10:18 4.- Tuba mirum
(bajo)
Tuba mirum spargens sonum
per sepulcra regionum
coget omnes ante thronum.
(tenor)
Mors stupebit et natura
cum resurget creatura
judicanti responsura.
Liber scriptus proferetur
in quo totum continetur
unde mundus iudicetur.
(contralto)
Iudex ergo cum sedebit
quidquid latet apparebit,
nil inultum remanebit.
(soprano y cuarteto)
Quid sum miser tum dicturus?
Quem pratonum rogaturus,
cum vix iustus sit securus?
14:32 5.- Rex tremendae
(coro)
Rex tremendae majestatis
qui salvandos salvas gratis,
salva me fons pietatis!
16:58 6.- Recordare
(cuarteto)
Recordare, Iesu pie
quod sum causa tuae viae,
ne me perdas illa die.
Quarens me, sedisti lassus,
redemisti crucem passus;
tantus labor non sit cassus.
Iuste iudex ultionis,
donum fac remissionis
ante diem rationis.
Ingemisco, tanquam reus,
culpa rubet vultus meus;
supplicanti parce, Deus.
Qui Mariam absolvisti
et Latronem exaudisti
mihi quoque spem dedisti.
Preces meae non sunt dignae,
sed tu bonus fac benigne
ne perenni cremer igne.
Inter oves locum praesta
et ab haedis me secuestra
statuens in parte dextra.
22:16 7.- Confutatis
(coro)
Confutatis maledictis,
flammis acribus addictis,
voca me cum benedictis.
Oro supplex et acclinis,
cor contritum quasi cinis,
gere curam mei finis.
24:36 8.- Lacrimosa
(coro)
Lacrimosa dies illa
qua resurget et favilla
iudicandus homo reus.
Huic ergo parce, Deus.
Pe Iesu, Domine,
dona eis requiem. Amen.
OFFERTORIUM
27:59 9.- Domine Iesu
(coro)
Domine Iesu Christe, Rex gloriae,
libera animas omnium fidelium defunctorum
de poenis inferni et de profundo lacu.
Libera eas de ore leonis,
ne absorbeat eas tartarus,
ne cadant in obscurum,
(cuarteto)
sed signifer sanctus Michael
repraesentet eas in lucem sanctam,
(coro)
quam olim Abrahae promisisti
et semini eius.
31:47 10.- Hostias et preces
(coro)
Hostias et preces tibi, Domine,
laudis offerimus.
Tu suscipe pro animabus illis,
quarum hodie memoriam facimus.
Fac eas, Domine,
de morte transire ad vitam,
quam olim Abrahae promisisti
et semini eius.
36:16 11.- Sanctus
(coro)
Sanctus, sanctus,
sanctus Dominus Deus sabaoth.
Pleni sunt caeli et terra gloria tua.
Hosanna in excelsis.
38:01 12.- Benedictus
(cuarteto)
Benedictus qui venit
in nomine Domini.
(coro)
Hosanna in excelsis.
43:16 13.- Agnus Dei
(coro)
Agnus Dei, qui tollis peccata mundi,
miserere nobis.
Agnus Dei, qui tollis peccata mundi,
dona nobis pacem.
Agnus Dei, qui tollis peccata mundi,
dona eis requiem sempiternam.
COMMUNIO
46:51 14.- Lux aeternam
(soprano y coro)
Lux aeternam luceat eis, Domine,
cum sanctis tuis in aeternum, quia pius es.
Requiem aeternam dona eis, Domine,
et lux perpetua luceat eis,
cum sanctis tuis in aeternum, quia pius es.
The Requièm Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death on December 5. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife's death.
The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, and bass soloists and a SATB mixed choir.
Structure
The Sussmayr completion of the Requiem is divided into fourteen movements, with the following structure:
I. Introitus: Requiem aeternam (choir and soprano solo)
II. Kyrie eleison (choir)
III. Sequentia (text based on sections of the Dies Irae): Dies irae (choir)
Tuba mirum (soprano, contralto, tenor and bass solo)
Rex tremendae majestatis (choir)
Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
Confutatis maledictis (choir)
Lacrimosa dies illa (choir)
IV. Offertorium: Domine Jesu Christe (choir with solo quartet)
Versus: Hostias et preces (choir)
V. Sanctus: Sanctus Dominus Deus Sabaoth (choir)
Benedictus (solo quartet, then choir)
VI. Agnus Dei (choir)
VII. Communio: Lux aeterna (soprano solo and choir)
https://wn.com/W.A._Mozart_Requiem_In_D_Minor_Kv_626_H._Von_Karajan_Berlin_Philarmonic_Orchestra
Wolfgang Amadeus Mozart's Requiem in D minor KV 626.
Herbert von Karajan , Berlin Philharmonic Orchestra.
Agnes Baltsa, alt/contralto.
Anna Tomowa-Sintow, soprano.
Werner Krenn, tenor.
José van Dam, bass.
Wiener Singverein.
Rudolf Scholz, organ.
Lyrics
INTROITUS
00:00 1.- Requiem aeternam
(coro)
Requiem aeternam dona eis, Domine
et lux perpetua luceat eis.
(soprano)
Te decet hymnus, Deus, in Sion (Salmo 63)
et tibi reddetur votum in Ierusalem.
(coro)
exaudi orationem meam,
ad te omnis caro veniet.
05:39 2.- Kyrie eleison
(coro)
Kyrie eleison.
Christie eleison.
SEQUENZ
08:27 3.- Dies irae
(coro)
Dies irae, dies illa
solvet saeclum in favilla,
teste David cum Sibylla.
Quantus tremor est futurus
quando iudex est venturus
cuncta stricte discussurus!
10:18 4.- Tuba mirum
(bajo)
Tuba mirum spargens sonum
per sepulcra regionum
coget omnes ante thronum.
(tenor)
Mors stupebit et natura
cum resurget creatura
judicanti responsura.
Liber scriptus proferetur
in quo totum continetur
unde mundus iudicetur.
(contralto)
Iudex ergo cum sedebit
quidquid latet apparebit,
nil inultum remanebit.
(soprano y cuarteto)
Quid sum miser tum dicturus?
Quem pratonum rogaturus,
cum vix iustus sit securus?
14:32 5.- Rex tremendae
(coro)
Rex tremendae majestatis
qui salvandos salvas gratis,
salva me fons pietatis!
16:58 6.- Recordare
(cuarteto)
Recordare, Iesu pie
quod sum causa tuae viae,
ne me perdas illa die.
Quarens me, sedisti lassus,
redemisti crucem passus;
tantus labor non sit cassus.
Iuste iudex ultionis,
donum fac remissionis
ante diem rationis.
Ingemisco, tanquam reus,
culpa rubet vultus meus;
supplicanti parce, Deus.
Qui Mariam absolvisti
et Latronem exaudisti
mihi quoque spem dedisti.
Preces meae non sunt dignae,
sed tu bonus fac benigne
ne perenni cremer igne.
Inter oves locum praesta
et ab haedis me secuestra
statuens in parte dextra.
22:16 7.- Confutatis
(coro)
Confutatis maledictis,
flammis acribus addictis,
voca me cum benedictis.
Oro supplex et acclinis,
cor contritum quasi cinis,
gere curam mei finis.
24:36 8.- Lacrimosa
(coro)
Lacrimosa dies illa
qua resurget et favilla
iudicandus homo reus.
Huic ergo parce, Deus.
Pe Iesu, Domine,
dona eis requiem. Amen.
OFFERTORIUM
27:59 9.- Domine Iesu
(coro)
Domine Iesu Christe, Rex gloriae,
libera animas omnium fidelium defunctorum
de poenis inferni et de profundo lacu.
Libera eas de ore leonis,
ne absorbeat eas tartarus,
ne cadant in obscurum,
(cuarteto)
sed signifer sanctus Michael
repraesentet eas in lucem sanctam,
(coro)
quam olim Abrahae promisisti
et semini eius.
31:47 10.- Hostias et preces
(coro)
Hostias et preces tibi, Domine,
laudis offerimus.
Tu suscipe pro animabus illis,
quarum hodie memoriam facimus.
Fac eas, Domine,
de morte transire ad vitam,
quam olim Abrahae promisisti
et semini eius.
36:16 11.- Sanctus
(coro)
Sanctus, sanctus,
sanctus Dominus Deus sabaoth.
Pleni sunt caeli et terra gloria tua.
Hosanna in excelsis.
38:01 12.- Benedictus
(cuarteto)
Benedictus qui venit
in nomine Domini.
(coro)
Hosanna in excelsis.
43:16 13.- Agnus Dei
(coro)
Agnus Dei, qui tollis peccata mundi,
miserere nobis.
Agnus Dei, qui tollis peccata mundi,
dona nobis pacem.
Agnus Dei, qui tollis peccata mundi,
dona eis requiem sempiternam.
COMMUNIO
46:51 14.- Lux aeternam
(soprano y coro)
Lux aeternam luceat eis, Domine,
cum sanctis tuis in aeternum, quia pius es.
Requiem aeternam dona eis, Domine,
et lux perpetua luceat eis,
cum sanctis tuis in aeternum, quia pius es.
The Requièm Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death on December 5. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife's death.
The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, and bass soloists and a SATB mixed choir.
Structure
The Sussmayr completion of the Requiem is divided into fourteen movements, with the following structure:
I. Introitus: Requiem aeternam (choir and soprano solo)
II. Kyrie eleison (choir)
III. Sequentia (text based on sections of the Dies Irae): Dies irae (choir)
Tuba mirum (soprano, contralto, tenor and bass solo)
Rex tremendae majestatis (choir)
Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
Confutatis maledictis (choir)
Lacrimosa dies illa (choir)
IV. Offertorium: Domine Jesu Christe (choir with solo quartet)
Versus: Hostias et preces (choir)
V. Sanctus: Sanctus Dominus Deus Sabaoth (choir)
Benedictus (solo quartet, then choir)
VI. Agnus Dei (choir)
VII. Communio: Lux aeterna (soprano solo and choir)
- published: 20 Jan 2013
- views: 1625469
55:15
Mozart - Requiem in D minor (Complete/Full) [HD]
- Order: Reorder
- Duration: 55:15
- Uploaded Date: 10 Oct 2015
- views: 424758
Like,subscribe and share for more :)
Like,subscribe and share for more :)
https://wn.com/Mozart_Requiem_In_D_Minor_(Complete_Full)_Hd
Like,subscribe and share for more :)
- published: 10 Oct 2015
- views: 424758
52:51
W. A. Mozart - Requiem Kv 626 in D Minor [Arsys Bourgogne] HD
- Order: Reorder
- Duration: 52:51
- Uploaded Date: 18 Nov 2017
- views: 104936
Wolfgang Amadeus Mozart Requiem Kv626 in D Minor
01:00 - Introitus
05:56 - Kyrie
08:19 - Dies irae
10:17 - Tuba mirum
14:05 - Rex tremendae
16:01 - Record...
Wolfgang Amadeus Mozart Requiem Kv626 in D Minor
01:00 - Introitus
05:56 - Kyrie
08:19 - Dies irae
10:17 - Tuba mirum
14:05 - Rex tremendae
16:01 - Recordare
21:20 - Confutatis
23:56 - Lacrimosa
27:48 - Domine Jesu Christe
31:10 - Hostias
34:50 - Sanctus
36:36 - Benedictus
42:12 - Agnus Dei
6:21 - Lux aeterna
https://wn.com/W._A._Mozart_Requiem_Kv_626_In_D_Minor_Arsys_Bourgogne_Hd
Wolfgang Amadeus Mozart Requiem Kv626 in D Minor
01:00 - Introitus
05:56 - Kyrie
08:19 - Dies irae
10:17 - Tuba mirum
14:05 - Rex tremendae
16:01 - Recordare
21:20 - Confutatis
23:56 - Lacrimosa
27:48 - Domine Jesu Christe
31:10 - Hostias
34:50 - Sanctus
36:36 - Benedictus
42:12 - Agnus Dei
6:21 - Lux aeterna
- published: 18 Nov 2017
- views: 104936
53:50
Mozart – Requiem (with subtitles in 15 languages, Español, Português, English, Latin . . . )
- Order: Reorder
- Duration: 53:50
- Uploaded Date: 07 Apr 2020
- views: 1064152
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, 한국어, עברי, Italiano, Latin, 日本語, Polski, Português, Русский, Укр...
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, 한국어, עברי, Italiano, Latin, 日本語, Polski, Português, Русский, Українська.
0:00 Applause
0:55 Introitus: Requiem aeternam
5:40 Kyrie eleison
Sequenz
8:06 Dies irae
9:47 Tuba mirum
13:31 Rex tremendae
15:51 Recordare
21:31 Confutatis
23:50 Lacrimosa
Offertorium
27:21 Domine Jesu
30:45 Versus: Hostias et preces
34:45 Sanctus
36:30 Benedictus
41:46 Agnus Dei
44:47 Communio: Lux aeterna
50:21 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Choir
recorded November 01, 2019 at Warsaw Philharmonic Concert Hall
#SinfoniaIuventus
https://wn.com/Mozart_–_Requiem_(With_Subtitles_In_15_Languages,_Español,_Português,_English,_Latin_._._._)
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, 한국어, עברי, Italiano, Latin, 日本語, Polski, Português, Русский, Українська.
0:00 Applause
0:55 Introitus: Requiem aeternam
5:40 Kyrie eleison
Sequenz
8:06 Dies irae
9:47 Tuba mirum
13:31 Rex tremendae
15:51 Recordare
21:31 Confutatis
23:50 Lacrimosa
Offertorium
27:21 Domine Jesu
30:45 Versus: Hostias et preces
34:45 Sanctus
36:30 Benedictus
41:46 Agnus Dei
44:47 Communio: Lux aeterna
50:21 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Choir
recorded November 01, 2019 at Warsaw Philharmonic Concert Hall
#SinfoniaIuventus
- published: 07 Apr 2020
- views: 1064152
1:00:08
Wolfgang Amadeus Mozart - Requiem - Full Concert - Claudio Abbado - Lucerne Festival Orchestra 2013
- Order: Reorder
- Duration: 1:00:08
- Uploaded Date: 21 Nov 2020
- views: 265950
Wolfgang Amadeus Mozart - Requiem - Full Concert - Claudio Abbado - Lucerne Festival Orchestra 2013 - K 626 - Classical Music
00:00:00 Start of Concert
00:01:2...
Wolfgang Amadeus Mozart - Requiem - Full Concert - Claudio Abbado - Lucerne Festival Orchestra 2013 - K 626 - Classical Music
00:00:00 Start of Concert
00:01:27 I. Introitus Requiem Aeternam
00:06:24 II. Kyrie
00:08:57 III. Sequentia
00:27:50 IV. Offertorium Domine
00:35:43 V. Sanctus
00:38:06 VI. Benedictus
00:44:00 VII. Agnus Dei
00:48:00 VIII. Communio
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period.
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and travelled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death have been much mythologized.
He composed more than 600 works, many of which are acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is considered among the greatest classical composers of all time, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
Johannes Chrysostomus Wolfgangus Theophilus Mozarta, más conocido como Wolfgang Amadeus Mozart o simplemente Mozart, fue un compositor y pianista del antiguo Arzobispado de Salzburgo (anteriormente parte del Sacro Imperio Romano Germánico, actualmente parte de Austria), maestro del Clasicismo, considerado como uno de los músicos más influyentes y destacados de la historia.
Во́льфганг Амадéй Мо́царт Информация о файле слушать; австрийский композитор и музыкант-виртуоз. Один из самых популярных классических композиторов, Моцарт оказал большое влияние на мировую музыкальную культуру. По свидетельству современников, Моцарт обладал феноменальным музыкальным слухом, памятью и способностью к импровизации. Самый молодой член Болонской филармонической академии (с 1770 года) за всю её историю, а также самый молодой кавалер ордена Золотой шпоры (1770).
Wolfgang Amadeus Mozart ou Johannes Chrysostomus Wolfgangus Theophilus Mozart est un compositeur classique né à Salzbourg le 27 janvier 1756 et mort à Vienne le 5 décembre 1791.
Wolfgang Amadeus Mozart; Salzburgo, 27 de janeiro de 1756 – Viena, 5 de dezembro de 1791) foi um prolífico e influente compositor austríaco do período clássico.
فولفغانغ أماديوس موتسارت ولد في 27 يناير 1756 في سالزبورغ بالنمسا مؤلف موسيقي نمساوي يعتبر من أشهر العباقرة المبدعين في تاريخ الموسيقى رغم أن حياته كانت قصيرة، فقد مات عن عمر يناهز الـ 35 عاماً بعد أن نجح في إنتاج 626 عمل موسيقي. قاد أوركسترا وهو في السابعة من عمره ولم يمشي في جنازته سوى خمس اشخاص، فقط ليس من بينهم زوجته لأن الجو كان شديد البرودة في تلك الأوقات في هذه المنطقة .
볼프강 아마데우스 모차르트 는 오스트리아의 서양 고전 음악 작곡가이다. 궁정 음악가였던 아버지 레오폴트 모차르트에게 피아노와 바이올린을 배웠고, 그 후 요한 세바스티안 바흐의 아들로 잘 알려진 요한 크리스티안 바흐에게 작곡법과 지휘를 배웠다. 그는 35년이라는 짧은 생애 동안 수많은 교향곡, 오페라, 협주곡, 소나타를 작곡했으며 음악 역사상 가장 위대한 작곡가 가운데 한 사람이다. 오늘날 모차르트는 “음악의 신동”이라는 별칭으로 불리며 널리 존경받고 있다.
沃尔夫冈·阿马德乌斯·莫扎特，古典時期的作曲家及鋼琴家。莫札特是位多產的作曲家，一生創作了600多部作品，幾乎涵蓋所有形式體裁，他在短暫的生命裡將古典時期的音樂風格臻於成熟並發揚光大，其作品也被廣泛視為古典音樂的典型，對後世有極大影響。
ヴォルフガング・アマデウス・モーツァルト[注釈 1]（ドイツ語: Wolfgang Amadeus Mozart、洗礼名：ヨハンネス・クリュソストムス・ウォルフガングス・テオフィルス・モザルト [Johannes Chrysostomus Wolfgangus Theophilus Mozart]、1756年1月27日 - 1791年12月5日）はオーストリアの音楽家[注釈 2]。ハイドン、ベートーヴェンと並んで古典派音楽、ウィーン古典派を代表する一人である。
ولفگانگ آمادئوس موتسارت[۱][۲] (زادهٔ ۲۷ ژانویهٔ ۱۷۵۶ – درگذشتهٔ ۵ دسامبر ۱۷۹۱) (تلفظ آلمانی: آهنگساز اتریشی، موسیقی دان کلاسیک بود. موتسارت در زندگی کوتاه خود بیش از ۶۰۰ قطعه موسیقی شامل موسیقی برای اپرا و همچنین شامل سمفونی، کنسرتو، موسیقی مجلسی، سونات، سرناد، و موسیقی برای گروه کُر ساخت. موتسارت در پنجمین سال از زندگیاش آغاز به آهنگسازی کرد و در تمام اروپا شهرت بسیاری یافت. در هفتسالگی اولین سمفونی، و در دوازدهسالگی اولین اپرای کامل خود را نوشت. او در تمام ژانرهای مرسوم در دوران زندگیاش موسیقی تصنیف کرد و آثار درخشانی پدید آورد، همچنین او بهترین در دوره خود بود.
Wolfgang Amadeus Mozart, der überwiegend mit Wolfgang Amadé Mozart unterschrieb, war ein Salzburger Musiker und Komponist der Wiener Klassik. Sein umfangreiches Werk genießt weltweite Popularität und gehört zum Bedeutendsten im Repertoire klassischer Musik.
#mozart #requiem #classicalmusic #Requiem #Abbado #opera #concert #concerto #ClaudioAbbado #music #cello #viola #string #piano #orchestra #Lucerne #2013 #opera
https://wn.com/Wolfgang_Amadeus_Mozart_Requiem_Full_Concert_Claudio_Abbado_Lucerne_Festival_Orchestra_2013
Wolfgang Amadeus Mozart - Requiem - Full Concert - Claudio Abbado - Lucerne Festival Orchestra 2013 - K 626 - Classical Music
00:00:00 Start of Concert
00:01:27 I. Introitus Requiem Aeternam
00:06:24 II. Kyrie
00:08:57 III. Sequentia
00:27:50 IV. Offertorium Domine
00:35:43 V. Sanctus
00:38:06 VI. Benedictus
00:44:00 VII. Agnus Dei
00:48:00 VIII. Communio
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period.
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and travelled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death have been much mythologized.
He composed more than 600 works, many of which are acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is considered among the greatest classical composers of all time, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
Johannes Chrysostomus Wolfgangus Theophilus Mozarta, más conocido como Wolfgang Amadeus Mozart o simplemente Mozart, fue un compositor y pianista del antiguo Arzobispado de Salzburgo (anteriormente parte del Sacro Imperio Romano Germánico, actualmente parte de Austria), maestro del Clasicismo, considerado como uno de los músicos más influyentes y destacados de la historia.
Во́льфганг Амадéй Мо́царт Информация о файле слушать; австрийский композитор и музыкант-виртуоз. Один из самых популярных классических композиторов, Моцарт оказал большое влияние на мировую музыкальную культуру. По свидетельству современников, Моцарт обладал феноменальным музыкальным слухом, памятью и способностью к импровизации. Самый молодой член Болонской филармонической академии (с 1770 года) за всю её историю, а также самый молодой кавалер ордена Золотой шпоры (1770).
Wolfgang Amadeus Mozart ou Johannes Chrysostomus Wolfgangus Theophilus Mozart est un compositeur classique né à Salzbourg le 27 janvier 1756 et mort à Vienne le 5 décembre 1791.
Wolfgang Amadeus Mozart; Salzburgo, 27 de janeiro de 1756 – Viena, 5 de dezembro de 1791) foi um prolífico e influente compositor austríaco do período clássico.
فولفغانغ أماديوس موتسارت ولد في 27 يناير 1756 في سالزبورغ بالنمسا مؤلف موسيقي نمساوي يعتبر من أشهر العباقرة المبدعين في تاريخ الموسيقى رغم أن حياته كانت قصيرة، فقد مات عن عمر يناهز الـ 35 عاماً بعد أن نجح في إنتاج 626 عمل موسيقي. قاد أوركسترا وهو في السابعة من عمره ولم يمشي في جنازته سوى خمس اشخاص، فقط ليس من بينهم زوجته لأن الجو كان شديد البرودة في تلك الأوقات في هذه المنطقة .
볼프강 아마데우스 모차르트 는 오스트리아의 서양 고전 음악 작곡가이다. 궁정 음악가였던 아버지 레오폴트 모차르트에게 피아노와 바이올린을 배웠고, 그 후 요한 세바스티안 바흐의 아들로 잘 알려진 요한 크리스티안 바흐에게 작곡법과 지휘를 배웠다. 그는 35년이라는 짧은 생애 동안 수많은 교향곡, 오페라, 협주곡, 소나타를 작곡했으며 음악 역사상 가장 위대한 작곡가 가운데 한 사람이다. 오늘날 모차르트는 “음악의 신동”이라는 별칭으로 불리며 널리 존경받고 있다.
沃尔夫冈·阿马德乌斯·莫扎特，古典時期的作曲家及鋼琴家。莫札特是位多產的作曲家，一生創作了600多部作品，幾乎涵蓋所有形式體裁，他在短暫的生命裡將古典時期的音樂風格臻於成熟並發揚光大，其作品也被廣泛視為古典音樂的典型，對後世有極大影響。
ヴォルフガング・アマデウス・モーツァルト[注釈 1]（ドイツ語: Wolfgang Amadeus Mozart、洗礼名：ヨハンネス・クリュソストムス・ウォルフガングス・テオフィルス・モザルト [Johannes Chrysostomus Wolfgangus Theophilus Mozart]、1756年1月27日 - 1791年12月5日）はオーストリアの音楽家[注釈 2]。ハイドン、ベートーヴェンと並んで古典派音楽、ウィーン古典派を代表する一人である。
ولفگانگ آمادئوس موتسارت[۱][۲] (زادهٔ ۲۷ ژانویهٔ ۱۷۵۶ – درگذشتهٔ ۵ دسامبر ۱۷۹۱) (تلفظ آلمانی: آهنگساز اتریشی، موسیقی دان کلاسیک بود. موتسارت در زندگی کوتاه خود بیش از ۶۰۰ قطعه موسیقی شامل موسیقی برای اپرا و همچنین شامل سمفونی، کنسرتو، موسیقی مجلسی، سونات، سرناد، و موسیقی برای گروه کُر ساخت. موتسارت در پنجمین سال از زندگیاش آغاز به آهنگسازی کرد و در تمام اروپا شهرت بسیاری یافت. در هفتسالگی اولین سمفونی، و در دوازدهسالگی اولین اپرای کامل خود را نوشت. او در تمام ژانرهای مرسوم در دوران زندگیاش موسیقی تصنیف کرد و آثار درخشانی پدید آورد، همچنین او بهترین در دوره خود بود.
Wolfgang Amadeus Mozart, der überwiegend mit Wolfgang Amadé Mozart unterschrieb, war ein Salzburger Musiker und Komponist der Wiener Klassik. Sein umfangreiches Werk genießt weltweite Popularität und gehört zum Bedeutendsten im Repertoire klassischer Musik.
#mozart #requiem #classicalmusic #Requiem #Abbado #opera #concert #concerto #ClaudioAbbado #music #cello #viola #string #piano #orchestra #Lucerne #2013 #opera
- published: 21 Nov 2020
- views: 265950
1:04:42
[Full HD 1080p] Mozart Requiem Bernstein 1988
- Order: Reorder
- Duration: 1:04:42
- Uploaded Date: 13 Jan 2021
- views: 3203
- published: 13 Jan 2021
- views: 3203
1:03:53
Mozart Requiem Karl Bohm
- Order: Reorder
- Duration: 1:03:53
- Uploaded Date: 15 Sep 2011
- views: 2333449
- published: 15 Sep 2011
- views: 2333449
46:55
Wolfgang Amadeus Mozart - Requiem in D minor, K. 626
- Order: Reorder
- Duration: 46:55
- Uploaded Date: 26 Oct 2015
- views: 679028
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot...
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot Gardiner
- Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass)
- Year of recording: 1990
Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791.
This version is the Süssmayr completion of the Requiem, with the following structure:
00:00 - I. Introitus: Requiem aeternam (choir and soprano solo)
04:44 - II. Kyrie eleison (choir)
----- III. Sequentia: (text based on sections of the Dies Irae)
07:15 - Dies irae (choir)
09:01 - Tuba mirum (soprano, contralto, tenor and bass solo)
12:09 - Rex tremendae majestatis (choir)
14:20 - Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
19:02 - Confutatis maledictis (choir)
21:17 - Lacrimosa dies illa (choir)
----- IV. Offertorium:
24:05 - Domine Jesu Christe (choir with solo quartet)
27:38 - Versus: Hostias et preces (choir)
----- V. Sanctus:
31:35 - Sanctus Dominus Deus Sabaoth (choir)
32:58 - Benedictus (solo quartet, then choir)
38:12 - VI. Agnus Dei (choir)
----- VII. Communio:
41:25 - Lux aeterna (soprano solo and choir)
The Requiem was composed in Vienna in 1791 and left unfinished at the composer's death on the 5th of December. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem mass to commemorate the 14th of February anniversary of his wife's death.
The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, the bulk of this copy derives from the hand of Franz Süssmayr.
The Requiem contains five sections, each capped by a fugue: Requiem/Kyrie, Sequence ("Dies Irae"), Offertory, Sanctus, and Agnus Dei. Throughout, choral writing drives Mozart's music; even the four soloists rarely sing alone. The darkly colored orchestra supports the choir with often vivid motives. This pictorial aspect is most evident in the Sequence: "Tuba mirum" (solo trombone), "Rex tremendae" (regal dotted-rhythms), "Confutatis" (fiery accompaniment), and "Lachrymosa" (sighing strings). Not only do individual movements display an extraordinary level of motivic unity, Mozart carefully creates motivic relationships across the entire Requiem. The very first melody sung by the basses ("Requiem aeternam"), for instance, is repeated at the very end and also echoes throughout the work; the opening melody of "Dies irae" translates into major mode to open the "Sanctus." Mozart is never afraid, however, of acknowledging his debt to earlier traditions of church music. His fugues deliberately reference Bach, and in the first movement alone he quotes from Michael Haydn's Requiem, Handel's funeral anthem for Queen Caroline, Messiah, and the Gregorian chant known as the "Pilgrim's Tone."
https://wn.com/Wolfgang_Amadeus_Mozart_Requiem_In_D_Minor,_K._626
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot Gardiner
- Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass)
- Year of recording: 1990
Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791.
This version is the Süssmayr completion of the Requiem, with the following structure:
00:00 - I. Introitus: Requiem aeternam (choir and soprano solo)
04:44 - II. Kyrie eleison (choir)
----- III. Sequentia: (text based on sections of the Dies Irae)
07:15 - Dies irae (choir)
09:01 - Tuba mirum (soprano, contralto, tenor and bass solo)
12:09 - Rex tremendae majestatis (choir)
14:20 - Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
19:02 - Confutatis maledictis (choir)
21:17 - Lacrimosa dies illa (choir)
----- IV. Offertorium:
24:05 - Domine Jesu Christe (choir with solo quartet)
27:38 - Versus: Hostias et preces (choir)
----- V. Sanctus:
31:35 - Sanctus Dominus Deus Sabaoth (choir)
32:58 - Benedictus (solo quartet, then choir)
38:12 - VI. Agnus Dei (choir)
----- VII. Communio:
41:25 - Lux aeterna (soprano solo and choir)
The Requiem was composed in Vienna in 1791 and left unfinished at the composer's death on the 5th of December. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem mass to commemorate the 14th of February anniversary of his wife's death.
The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, the bulk of this copy derives from the hand of Franz Süssmayr.
The Requiem contains five sections, each capped by a fugue: Requiem/Kyrie, Sequence ("Dies Irae"), Offertory, Sanctus, and Agnus Dei. Throughout, choral writing drives Mozart's music; even the four soloists rarely sing alone. The darkly colored orchestra supports the choir with often vivid motives. This pictorial aspect is most evident in the Sequence: "Tuba mirum" (solo trombone), "Rex tremendae" (regal dotted-rhythms), "Confutatis" (fiery accompaniment), and "Lachrymosa" (sighing strings). Not only do individual movements display an extraordinary level of motivic unity, Mozart carefully creates motivic relationships across the entire Requiem. The very first melody sung by the basses ("Requiem aeternam"), for instance, is repeated at the very end and also echoes throughout the work; the opening melody of "Dies irae" translates into major mode to open the "Sanctus." Mozart is never afraid, however, of acknowledging his debt to earlier traditions of church music. His fugues deliberately reference Bach, and in the first movement alone he quotes from Michael Haydn's Requiem, Handel's funeral anthem for Queen Caroline, Messiah, and the Gregorian chant known as the "Pilgrim's Tone."
- published: 26 Oct 2015
- views: 679028
50:49
Mozart : Requiem (Orchestre national de France / James Gaffigan)
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le ...
published: 02 Mar 2018
Mozart : Requiem (Orchestre national de France / James Gaffigan)
Mozart : Requiem (Orchestre national de France / James Gaffigan)
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- published: 02 Mar 2018
- views: 5039493
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 - Début du concert
01:19 - I. Introïtus
02:00 - Requiem
05:46 - II. Kyrie
08:13 - III. Sequentia. Dies Irae
10:09 - Tuba mirum
13:29 - Rex tremendae
15:31 - Recordare
20:27 - Confutatis
22:49 - Lacrimosa
25:52 - IV. Offertorium Domine Jesu Hostias
32:52 - V. Sanctus
34:30 - VI. Benedictus
38:52 - VII. Agnus Dei
41:45 - VIII. Communio - Lux Aeterna
A propos de l’œuvre :
Mozart croule sous les problèmes quand il entreprend l’écriture de son Requiem en 1791. Accablé par les dettes, le maestro viennois est aussi gravement malade. Pour ajouter à son malheur, sa musique ne séduit plus, la fréquentation de ses concerts diminue.
On ne compte plus les légendes qui entourent le contexte de création de l’œuvre. Mais parmi elles, une vérité se dessine. Le commanditaire de l’œuvre serait le comte von Walsegg, désireux d’obtenir une messe des morts pour célébrer le souvenir de son épouse, tout juste disparue. La demande est faite à Mozart de manière anonyme. Le comte souhaitait en effet se faire passer pour l'auteur de l’œuvre, une supercherie dont il était familier !
Épuisé, Mozart s’éteint le 5 décembre 1791 à l'âge de 35 ans. S’il a probablement composé entièrement les deux premières parties de l’œuvre, l’Introïtus et le Kyrie, le reste a été repris en main par l’un de ses élèves, Franz-Xaver Süssmayr, à partir d’esquisses plus ou moins détaillées.
Distribution :
Marita Solberg, soprano
Karine Deshayes, mezzo-soprano
Joseph Kaiser, ténor
Alexander Vinogradov, basse
Chœur de Radio France,
Nicolas Fink, chef de chœur
Orchestre National de France,
James Gaffigan, direction
A propos du compositeur Wolfgang Amadeus Mozart (1756 - 1791) :
Wolfgang Amadeus Mozart est l’un des compositeurs les plus importants de l’histoire de la musique occidentale, et la figure majeure de la période du classicisme. Il fait partie avec Haydn et Beethoven de la « triade classique viennoise », incarnant l’un des trois maîtres dont l’influence a été la plus considérable sur les générations suivantes de compositeurs. Virtuose du clavecin et du violon, il connaît un succès précoce et une carrière fulgurante, en portant toutes les formes musicales existantes à un état d’accomplissement inégalé.
Retrouvez tous les concerts filmés de France Musique sur https://www.francemusique.fr/concerts
Pour plus de contenu France Musique rendez-vous sur le site https://www.francemusique.fr/
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8:54
Mozart - Requiem
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in...
published: 05 Mar 2009
Mozart - Requiem
Mozart - Requiem
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- published: 05 Mar 2009
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Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine on them.
You are praised, God, in Zion,
and homage will be paid to You in Jerusalem.
Hear my prayer,
to You all flesh will come.
Grant them eternal rest, Lord,
and let perpetual light shine on them.
Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.
Day of wrath, day of anger
will dissolve the world in ashes,
as foretold by David and the Sibyl.
Great trembling there will be
when the Judge descends from heaven
to examine all things closely.
The trumpet will send its wondrous sound
throughout earth's sepulchres
and gather all before the throne.
Death and nature will be astounded,
when all creation rises again,
to answer the judgment.
A book will be brought forth,
in which all will be written,
by which the world will be judged.
When the judge takes his place,
what is hidden will be revealed,
nothing will remain unavenged.
What shall a wretch like me say?
Who shall intercede for me,
when the just ones need mercy?
King of tremendous majesty,
who freely saves those worthy ones,
save me, source of mercy.
Remember, kind Jesus,
my salvation caused your suffering;
do not forsake me on that day.
Faint and weary you have sought me,
redeemed me, suffering on the cross;
may such great effort not be in vain.
Righteous judge of vengeance,
grant me the gift of absolution
before the day of retribution.
I moan as one who is guilty:
owning my shame with a red face;
suppliant before you, Lord.
You, who absolved Mary,
and listened to the thief,
give me hope also.
My prayers are unworthy,
but, good Lord, have mercy,
and rescue me from eternal fire.
Provide me a place among the sheep,
and separate me from the goats,
guiding me to Your right hand.
When the accused are confounded,
and doomed to flames of woe,
call me among the blessed.
I kneel with submissive heart,
my contrition is like ashes,
help me in my final condition.
That day of tears and mourning,
when from the ashes shall arise,
all humanity to be judged.
Spare us by your mercy, Lord,
gentle Lord Jesus,
grant them eternal rest. Amen.
Lord Jesus Christ, King of glory,
liberate the souls of the faithful,
departed from the pains of hell
and from the bottomless pit.
Deliver them from the lion's mouth,
lest hell swallow them up,
lest they fall into darkness.
Let the standard-bearer, holy Michael,
bring them into holy light.
Which was promised to Abraham
and his descendants.
Sacrifices and prayers of praise, Lord,
we offer to You.
Receive them in behalf of those souls
we commemorate today.
And let them, Lord,
pass from death to life,
which was promised to Abraham
and his descendants.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
Grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest forever.
Let eternal light shine on them, Lord,
as with Your saints in eternity,
because You are merciful.
Grant them eternal rest, Lord,
and let perpetual light shine on them,
as with Your saints in eternity,
because You are merciful.
53:04
W.A. Mozart - Requiem in D minor KV 626 - H. von Karajan - Berlin Philarmonic Orchestra
Wolfgang Amadeus Mozart's Requiem in D minor KV 626.
Herbert von Karajan , Berlin Philha...
published: 20 Jan 2013
W.A. Mozart - Requiem in D minor KV 626 - H. von Karajan - Berlin Philarmonic Orchestra
W.A. Mozart - Requiem in D minor KV 626 - H. von Karajan - Berlin Philarmonic Orchestra
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- published: 20 Jan 2013
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Wolfgang Amadeus Mozart's Requiem in D minor KV 626.
Herbert von Karajan , Berlin Philharmonic Orchestra.
Agnes Baltsa, alt/contralto.
Anna Tomowa-Sintow, soprano.
Werner Krenn, tenor.
José van Dam, bass.
Wiener Singverein.
Rudolf Scholz, organ.
Lyrics
INTROITUS
00:00 1.- Requiem aeternam
(coro)
Requiem aeternam dona eis, Domine
et lux perpetua luceat eis.
(soprano)
Te decet hymnus, Deus, in Sion (Salmo 63)
et tibi reddetur votum in Ierusalem.
(coro)
exaudi orationem meam,
ad te omnis caro veniet.
05:39 2.- Kyrie eleison
(coro)
Kyrie eleison.
Christie eleison.
SEQUENZ
08:27 3.- Dies irae
(coro)
Dies irae, dies illa
solvet saeclum in favilla,
teste David cum Sibylla.
Quantus tremor est futurus
quando iudex est venturus
cuncta stricte discussurus!
10:18 4.- Tuba mirum
(bajo)
Tuba mirum spargens sonum
per sepulcra regionum
coget omnes ante thronum.
(tenor)
Mors stupebit et natura
cum resurget creatura
judicanti responsura.
Liber scriptus proferetur
in quo totum continetur
unde mundus iudicetur.
(contralto)
Iudex ergo cum sedebit
quidquid latet apparebit,
nil inultum remanebit.
(soprano y cuarteto)
Quid sum miser tum dicturus?
Quem pratonum rogaturus,
cum vix iustus sit securus?
14:32 5.- Rex tremendae
(coro)
Rex tremendae majestatis
qui salvandos salvas gratis,
salva me fons pietatis!
16:58 6.- Recordare
(cuarteto)
Recordare, Iesu pie
quod sum causa tuae viae,
ne me perdas illa die.
Quarens me, sedisti lassus,
redemisti crucem passus;
tantus labor non sit cassus.
Iuste iudex ultionis,
donum fac remissionis
ante diem rationis.
Ingemisco, tanquam reus,
culpa rubet vultus meus;
supplicanti parce, Deus.
Qui Mariam absolvisti
et Latronem exaudisti
mihi quoque spem dedisti.
Preces meae non sunt dignae,
sed tu bonus fac benigne
ne perenni cremer igne.
Inter oves locum praesta
et ab haedis me secuestra
statuens in parte dextra.
22:16 7.- Confutatis
(coro)
Confutatis maledictis,
flammis acribus addictis,
voca me cum benedictis.
Oro supplex et acclinis,
cor contritum quasi cinis,
gere curam mei finis.
24:36 8.- Lacrimosa
(coro)
Lacrimosa dies illa
qua resurget et favilla
iudicandus homo reus.
Huic ergo parce, Deus.
Pe Iesu, Domine,
dona eis requiem. Amen.
OFFERTORIUM
27:59 9.- Domine Iesu
(coro)
Domine Iesu Christe, Rex gloriae,
libera animas omnium fidelium defunctorum
de poenis inferni et de profundo lacu.
Libera eas de ore leonis,
ne absorbeat eas tartarus,
ne cadant in obscurum,
(cuarteto)
sed signifer sanctus Michael
repraesentet eas in lucem sanctam,
(coro)
quam olim Abrahae promisisti
et semini eius.
31:47 10.- Hostias et preces
(coro)
Hostias et preces tibi, Domine,
laudis offerimus.
Tu suscipe pro animabus illis,
quarum hodie memoriam facimus.
Fac eas, Domine,
de morte transire ad vitam,
quam olim Abrahae promisisti
et semini eius.
36:16 11.- Sanctus
(coro)
Sanctus, sanctus,
sanctus Dominus Deus sabaoth.
Pleni sunt caeli et terra gloria tua.
Hosanna in excelsis.
38:01 12.- Benedictus
(cuarteto)
Benedictus qui venit
in nomine Domini.
(coro)
Hosanna in excelsis.
43:16 13.- Agnus Dei
(coro)
Agnus Dei, qui tollis peccata mundi,
miserere nobis.
Agnus Dei, qui tollis peccata mundi,
dona nobis pacem.
Agnus Dei, qui tollis peccata mundi,
dona eis requiem sempiternam.
COMMUNIO
46:51 14.- Lux aeternam
(soprano y coro)
Lux aeternam luceat eis, Domine,
cum sanctis tuis in aeternum, quia pius es.
Requiem aeternam dona eis, Domine,
et lux perpetua luceat eis,
cum sanctis tuis in aeternum, quia pius es.
The Requièm Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death on December 5. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife's death.
The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, and bass soloists and a SATB mixed choir.
Structure
The Sussmayr completion of the Requiem is divided into fourteen movements, with the following structure:
I. Introitus: Requiem aeternam (choir and soprano solo)
II. Kyrie eleison (choir)
III. Sequentia (text based on sections of the Dies Irae): Dies irae (choir)
Tuba mirum (soprano, contralto, tenor and bass solo)
Rex tremendae majestatis (choir)
Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
Confutatis maledictis (choir)
Lacrimosa dies illa (choir)
IV. Offertorium: Domine Jesu Christe (choir with solo quartet)
Versus: Hostias et preces (choir)
V. Sanctus: Sanctus Dominus Deus Sabaoth (choir)
Benedictus (solo quartet, then choir)
VI. Agnus Dei (choir)
VII. Communio: Lux aeterna (soprano solo and choir)
55:15
Mozart - Requiem in D minor (Complete/Full) [HD]
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published: 10 Oct 2015
Mozart - Requiem in D minor (Complete/Full) [HD]
Mozart - Requiem in D minor (Complete/Full) [HD]
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52:51
W. A. Mozart - Requiem Kv 626 in D Minor [Arsys Bourgogne] HD
Wolfgang Amadeus Mozart Requiem Kv626 in D Minor
01:00 - Introitus
05:56 - Kyrie
08:19 ...
published: 18 Nov 2017
W. A. Mozart - Requiem Kv 626 in D Minor [Arsys Bourgogne] HD
W. A. Mozart - Requiem Kv 626 in D Minor [Arsys Bourgogne] HD
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Wolfgang Amadeus Mozart Requiem Kv626 in D Minor
01:00 - Introitus
05:56 - Kyrie
08:19 - Dies irae
10:17 - Tuba mirum
14:05 - Rex tremendae
16:01 - Recordare
21:20 - Confutatis
23:56 - Lacrimosa
27:48 - Domine Jesu Christe
31:10 - Hostias
34:50 - Sanctus
36:36 - Benedictus
42:12 - Agnus Dei
6:21 - Lux aeterna
53:50
Mozart – Requiem (with subtitles in 15 languages, Español, Português, English, Latin . . . )
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Turn on subtitles: Catalan, Český, Deutsch, English, Español, Fran...
published: 07 Apr 2020
Mozart – Requiem (with subtitles in 15 languages, Español, Português, English, Latin . . . )
Mozart – Requiem (with subtitles in 15 languages, Español, Português, English, Latin . . . )
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Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, 한국어, עברי, Italiano, Latin, 日本語, Polski, Português, Русский, Українська.
0:00 Applause
0:55 Introitus: Requiem aeternam
5:40 Kyrie eleison
Sequenz
8:06 Dies irae
9:47 Tuba mirum
13:31 Rex tremendae
15:51 Recordare
21:31 Confutatis
23:50 Lacrimosa
Offertorium
27:21 Domine Jesu
30:45 Versus: Hostias et preces
34:45 Sanctus
36:30 Benedictus
41:46 Agnus Dei
44:47 Communio: Lux aeterna
50:21 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Choir
recorded November 01, 2019 at Warsaw Philharmonic Concert Hall
#SinfoniaIuventus
1:00:08
Wolfgang Amadeus Mozart - Requiem - Full Concert - Claudio Abbado - Lucerne Festival Orchestra 2013
Wolfgang Amadeus Mozart - Requiem - Full Concert - Claudio Abbado - Lucerne Festival Orche...
published: 21 Nov 2020
Wolfgang Amadeus Mozart - Requiem - Full Concert - Claudio Abbado - Lucerne Festival Orchestra 2013
Wolfgang Amadeus Mozart - Requiem - Full Concert - Claudio Abbado - Lucerne Festival Orchestra 2013
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Wolfgang Amadeus Mozart - Requiem - Full Concert - Claudio Abbado - Lucerne Festival Orchestra 2013 - K 626 - Classical Music
00:00:00 Start of Concert
00:01:27 I. Introitus Requiem Aeternam
00:06:24 II. Kyrie
00:08:57 III. Sequentia
00:27:50 IV. Offertorium Domine
00:35:43 V. Sanctus
00:38:06 VI. Benedictus
00:44:00 VII. Agnus Dei
00:48:00 VIII. Communio
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period.
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and travelled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death have been much mythologized.
He composed more than 600 works, many of which are acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is considered among the greatest classical composers of all time, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
Johannes Chrysostomus Wolfgangus Theophilus Mozarta, más conocido como Wolfgang Amadeus Mozart o simplemente Mozart, fue un compositor y pianista del antiguo Arzobispado de Salzburgo (anteriormente parte del Sacro Imperio Romano Germánico, actualmente parte de Austria), maestro del Clasicismo, considerado como uno de los músicos más influyentes y destacados de la historia.
Во́льфганг Амадéй Мо́царт Информация о файле слушать; австрийский композитор и музыкант-виртуоз. Один из самых популярных классических композиторов, Моцарт оказал большое влияние на мировую музыкальную культуру. По свидетельству современников, Моцарт обладал феноменальным музыкальным слухом, памятью и способностью к импровизации. Самый молодой член Болонской филармонической академии (с 1770 года) за всю её историю, а также самый молодой кавалер ордена Золотой шпоры (1770).
Wolfgang Amadeus Mozart ou Johannes Chrysostomus Wolfgangus Theophilus Mozart est un compositeur classique né à Salzbourg le 27 janvier 1756 et mort à Vienne le 5 décembre 1791.
Wolfgang Amadeus Mozart; Salzburgo, 27 de janeiro de 1756 – Viena, 5 de dezembro de 1791) foi um prolífico e influente compositor austríaco do período clássico.
فولفغانغ أماديوس موتسارت ولد في 27 يناير 1756 في سالزبورغ بالنمسا مؤلف موسيقي نمساوي يعتبر من أشهر العباقرة المبدعين في تاريخ الموسيقى رغم أن حياته كانت قصيرة، فقد مات عن عمر يناهز الـ 35 عاماً بعد أن نجح في إنتاج 626 عمل موسيقي. قاد أوركسترا وهو في السابعة من عمره ولم يمشي في جنازته سوى خمس اشخاص، فقط ليس من بينهم زوجته لأن الجو كان شديد البرودة في تلك الأوقات في هذه المنطقة .
볼프강 아마데우스 모차르트 는 오스트리아의 서양 고전 음악 작곡가이다. 궁정 음악가였던 아버지 레오폴트 모차르트에게 피아노와 바이올린을 배웠고, 그 후 요한 세바스티안 바흐의 아들로 잘 알려진 요한 크리스티안 바흐에게 작곡법과 지휘를 배웠다. 그는 35년이라는 짧은 생애 동안 수많은 교향곡, 오페라, 협주곡, 소나타를 작곡했으며 음악 역사상 가장 위대한 작곡가 가운데 한 사람이다. 오늘날 모차르트는 “음악의 신동”이라는 별칭으로 불리며 널리 존경받고 있다.
沃尔夫冈·阿马德乌斯·莫扎特，古典時期的作曲家及鋼琴家。莫札特是位多產的作曲家，一生創作了600多部作品，幾乎涵蓋所有形式體裁，他在短暫的生命裡將古典時期的音樂風格臻於成熟並發揚光大，其作品也被廣泛視為古典音樂的典型，對後世有極大影響。
ヴォルフガング・アマデウス・モーツァルト[注釈 1]（ドイツ語: Wolfgang Amadeus Mozart、洗礼名：ヨハンネス・クリュソストムス・ウォルフガングス・テオフィルス・モザルト [Johannes Chrysostomus Wolfgangus Theophilus Mozart]、1756年1月27日 - 1791年12月5日）はオーストリアの音楽家[注釈 2]。ハイドン、ベートーヴェンと並んで古典派音楽、ウィーン古典派を代表する一人である。
ولفگانگ آمادئوس موتسارت[۱][۲] (زادهٔ ۲۷ ژانویهٔ ۱۷۵۶ – درگذشتهٔ ۵ دسامبر ۱۷۹۱) (تلفظ آلمانی: آهنگساز اتریشی، موسیقی دان کلاسیک بود. موتسارت در زندگی کوتاه خود بیش از ۶۰۰ قطعه موسیقی شامل موسیقی برای اپرا و همچنین شامل سمفونی، کنسرتو، موسیقی مجلسی، سونات، سرناد، و موسیقی برای گروه کُر ساخت. موتسارت در پنجمین سال از زندگیاش آغاز به آهنگسازی کرد و در تمام اروپا شهرت بسیاری یافت. در هفتسالگی اولین سمفونی، و در دوازدهسالگی اولین اپرای کامل خود را نوشت. او در تمام ژانرهای مرسوم در دوران زندگیاش موسیقی تصنیف کرد و آثار درخشانی پدید آورد، همچنین او بهترین در دوره خود بود.
Wolfgang Amadeus Mozart, der überwiegend mit Wolfgang Amadé Mozart unterschrieb, war ein Salzburger Musiker und Komponist der Wiener Klassik. Sein umfangreiches Werk genießt weltweite Popularität und gehört zum Bedeutendsten im Repertoire klassischer Musik.
#mozart #requiem #classicalmusic #Requiem #Abbado #opera #concert #concerto #ClaudioAbbado #music #cello #viola #string #piano #orchestra #Lucerne #2013 #opera
1:04:42
[Full HD 1080p] Mozart Requiem Bernstein 1988
published: 13 Jan 2021
[Full HD 1080p] Mozart Requiem Bernstein 1988
[Full HD 1080p] Mozart Requiem Bernstein 1988
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- published: 13 Jan 2021
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1:03:53
Mozart Requiem Karl Bohm
published: 15 Sep 2011
Mozart Requiem Karl Bohm
46:55
Wolfgang Amadeus Mozart - Requiem in D minor, K. 626
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: Engl...
published: 26 Oct 2015
Wolfgang Amadeus Mozart - Requiem in D minor, K. 626
Wolfgang Amadeus Mozart - Requiem in D minor, K. 626
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- published: 26 Oct 2015
- views: 679028
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot Gardiner
- Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass)
- Year of recording: 1990
Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791.
This version is the Süssmayr completion of the Requiem, with the following structure:
00:00 - I. Introitus: Requiem aeternam (choir and soprano solo)
04:44 - II. Kyrie eleison (choir)
----- III. Sequentia: (text based on sections of the Dies Irae)
07:15 - Dies irae (choir)
09:01 - Tuba mirum (soprano, contralto, tenor and bass solo)
12:09 - Rex tremendae majestatis (choir)
14:20 - Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
19:02 - Confutatis maledictis (choir)
21:17 - Lacrimosa dies illa (choir)
----- IV. Offertorium:
24:05 - Domine Jesu Christe (choir with solo quartet)
27:38 - Versus: Hostias et preces (choir)
----- V. Sanctus:
31:35 - Sanctus Dominus Deus Sabaoth (choir)
32:58 - Benedictus (solo quartet, then choir)
38:12 - VI. Agnus Dei (choir)
----- VII. Communio:
41:25 - Lux aeterna (soprano solo and choir)
The Requiem was composed in Vienna in 1791 and left unfinished at the composer's death on the 5th of December. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem mass to commemorate the 14th of February anniversary of his wife's death.
The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, the bulk of this copy derives from the hand of Franz Süssmayr.
The Requiem contains five sections, each capped by a fugue: Requiem/Kyrie, Sequence ("Dies Irae"), Offertory, Sanctus, and Agnus Dei. Throughout, choral writing drives Mozart's music; even the four soloists rarely sing alone. The darkly colored orchestra supports the choir with often vivid motives. This pictorial aspect is most evident in the Sequence: "Tuba mirum" (solo trombone), "Rex tremendae" (regal dotted-rhythms), "Confutatis" (fiery accompaniment), and "Lachrymosa" (sighing strings). Not only do individual movements display an extraordinary level of motivic unity, Mozart carefully creates motivic relationships across the entire Requiem. The very first melody sung by the basses ("Requiem aeternam"), for instance, is repeated at the very end and also echoes throughout the work; the opening melody of "Dies irae" translates into major mode to open the "Sanctus." Mozart is never afraid, however, of acknowledging his debt to earlier traditions of church music. His fugues deliberately reference Bach, and in the first movement alone he quotes from Michael Haydn's Requiem, Handel's funeral anthem for Queen Caroline, Messiah, and the Gregorian chant known as the "Pilgrim's Tone."
Requiem (Mozart)
The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death on December 5. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a Requiem Mass to commemorate the February 14 anniversary of his wife's death.
The autograph manuscript (acquired by the Austrian National Library in 1831–38) shows the finished and orchestrated Introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first eight bars of the "Lacrymosa" movement, and the Offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart's widow Constanze. Constanze was responsible for a number of stories surrounding the composition of the work, including the claims that Mozart received the commission from a mysterious messenger who did not reveal the commissioner's identity, and that Mozart came to believe that he was writing the requiem for his own funeral.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Requiem_(Mozart)
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K-141
I'm gonna tell you a well known story
A sacrifice of innocents
24 days of agony
How a last dive, gave them no chance
Somewhere in the arctic, the Russians were telling a
Forgotten by the world
In the rescue chamber, flooded with water
A.D. had to die
Hell awaits the enemy, somewhere in the Barents sea
The system is failing
Hell awaits the enemy, victim of hypocrisy
The system is lying
They will never come back home again
And I've lost another friend
They will never come back home
They are the victims of a vicious game
Commanders of the Russian fleet
Decided to conceal the truth
Somewhere down in the deep
The wreck revealed, they could have saved you
In a grave of steel, the truth was so real
Locked in the shell, their own private hell
One day we all will know why
Hell awaits the enemy, somewhere in the Barents sea
The system is failing
Hell awaits the enemy, victim of hypocrisy
The system is lying
They will never come back home again
And I've lost another friend
They will never come back home
They are the victims of a vicious game...
They will never come back home again
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