Lose You

"Lose You" is an Italo disco song written by Peaches and Simian Mobile Disco, and produced by Simian Mobile Disco. It is the second single from the album I Feel Cream. Alternatively, the "Lose You (DJ Hell Remix)" was released in Germany by International DeeJay Gigolo Records. The version "Lose You" (vs. Drums of Death) appeared on the iTunes and Japan bonus disks for I Feel Cream.

Critical reception

"Lose You" received generally positive reviews from critics. Matthew Perpetua of Pitchfork Media wrote that the song "casts aside the baggage of the Peaches persona and is better for it, and the variation in vocal technique broadens the range of the record considerably." Gordon Bruce of The Skinny gave the song 4 out of 5 stars, describing the song as a "brooding electronic number" that proves Peaches' versatility. By contrast, Erin Lyndal Martin of PopMatters wrote a slightly more critical review, saying that "'Lose You' is a retro treat that wouldn’t sound out of place amidst "Heart of Glass"-era Blondie, but its repetitiveness makes the three and a half minutes seem a bit longer than it is." In addition, Heather Phares of Allmusic wrote that "'Lose You,' an icy, fragile ballad, is pretty but doesn't quite work as a way to show Peaches' vulnerable side."

LOSE

LOSE may refer to:

See also

The Voice

The Voice may refer to:

Music

Albums

Songs

Radio and television

Meghan Trainor

Meghan Elizabeth Trainor (born December 22, 1993) is an American singer-songwriter and record producer. Born and raised in Nantucket, Massachusetts, Trainor wrote, recorded, performed and produced three independently-released albums between ages 15 and 17. In 2011, she signed a publishing deal with Big Yellow Dog Music, and pursued a career in songwriting.

After signing a record deal with Epic Records in 2014, Trainor rose to fame with the release of major-label debut studio album, Title (2015). The album debuted at number one on the Billboard 200 and produced four top 20 singles: "All About That Bass", "Lips Are Movin", "Dear Future Husband", and "Like I'm Gonna Lose You". Later certified platinum by the RIAA, the record passed one million sales domestically.

Prominently influenced by the 1950s and 1960s eras in music, Trainor's music has been noted for its retro style aesthetic. Common themes in her lyrics include subjects of modern womanhood, body image, and empowerment. Trainor's work has been recognized with several awards and nominations, including the Music Business Association's Breakthrough Artist of the Year accolade and two Billboard Music Awards.

The Voice (TV series)

The Voice is a reality television singing competition franchise. It is based on the reality singing competition The Voice of Holland, which was originally created by Dutch television producer John de Mol. Many other countries have adapted the format and began airing their own versions since 2011. It has become a rival to the Idols franchise and The X Factor.

History

John de Mol, creator of Big Brother, first created The Voice concept with Dutch singer Roel van Velzen. The show distinguishes itself as different from The X Factor and Idols as The Voice primarily focuses on singing ability and prowess of an artist alone.

On September 17, 2010, The Voice of Holland began to air on RTL 4 with Angela Groothuizen, Roel van Velzen, Nick & Simon, and Jeroen van der Boom as the mentor-judges (dubbed as "coaches") of the show. The show proved to be an instant success in the Netherlands.

The format was later sold to different countries.

Format

Contestants are aspiring singers drawn from public auditions. The show's format features four stages of competition. The first is the blind auditions, in which the four coaches, all noteworthy recording artists, listen to the contestants in chairs facing away from the stage so as to avoid seeing them. If a coach likes what they hear from that contestant, they press a button to rotate their chairs to signify that they are interested in working with that contestant. If more than one coach presses their button, the contestant chooses the coach he or she wants to work with. The blind auditions end when each coach has a set number of contestants to work with. Coaches will dedicate themselves to developing their singers mentally, musically and in some cases physically, giving them advice, and sharing the secrets of their success.