- published: 24 Nov 2009
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Bajour is a musical with a book by Ernest Kinoy and music and lyrics by Walter Marks. The musical is based on the Joseph Mitchell short stories The Gypsy Women and The King of the Gypsies published in The New Yorker. The title is allegedly a Romani word that refers to a con game in which lonely and unhappy women are swindled out of their life savings.
New York University anthropology student Emily Kirsten studies the customs of the Dembeschti tribe of nomadic gypsies for her Ph.D. thesis. This brings her in contact with tribal leader Cockeye Johnny Dembo. He works out of a dilapidated storefront in a Manhattan slum and needs to raise $9,000 to purchase Anyanka from the Moyva King of Newark as a bride for his handsome son Steve. Anyanka is so anxious to seal the deal she offers to stage a bajour to help finance it, and complications ensue when she targets Emily's widowed mother as her victim.
After tryouts at the Shubert Theatre in Boston, and Philadelphia the Broadway production opened on November 23, 1964 at the Shubert Theatre, and then transferred to the Lunt-Fontanne to complete its 232 performance run. Directed by Lawrence Kasha and choreographed by Peter Gennaro, the cast included Nancy Dussault as Emily, Herschel Bernardi as Johnny, Chita Rivera as Anyanka, Gus Trikonis as Steve, Herbert Edelman as the Moyva King, and Mae Questel as Mrs. Kirsten, with Paul Sorvino, Harry Goz, Michael Bennett, and Leland Palmer among the ensemble.
Bajaur or Bajur or Bajour (Pashto: باجوړ) is an agency of the Federally Administered Tribal Areas (FATA) of Pakistan. Smallest of the agencies in FATA, it has a hilly terrain. According to the 1998 census, the population was 595,227 but other more recent estimates it has grown to 757,000. It borders Afghanistan's Kunar Province with a 52 km border. The headquarters of the agency administration is located in the town of Khaar.
Bajaur is inhabited almost exclusively by Tarkani (Tarkalani) Pashtuns, and there are their main sub-tribes in Bajaur: Utman Khel, Tarkalanri, Mamund (Kakazai, Wur and Salarzai) as well as a small population of Safis. The Utman Khel are at the southeast of Bajaur, while Mamund are at the southwest, and the Tarkani are at the north of Bajaur. Its border with Afghanistan's Kunar province makes it of strategic importance to Pakistan and the region.
Bajour is about 45 miles (72 km) long by 20 miles (32 km) broad, and lies at a high level to the east of the Kunar Valley, from which it is separated by a continuous line of rugged frontier hills, forming a barrier easily passable at one or two points. Across this barrier, the old road from Kabul to Pakistan ran before the Khyber Pass was adopted as the main route.
Musical may refer to:
Chita Rivera (born January 23, 1933) is an American actress, dancer, and singer best known for her roles in musical theatre. She is the first Hispanic woman and the first Latino American to receive a Kennedy Center Honors award (December 2002). She was awarded the Presidential Medal of Freedom in 2009.
Rivera was born Dolores Conchita Figueroa del Rivero in Washington, D.C., the daughter of Katherine (Anderson), a government clerk, and Pedro Julio Figueroa del Rivero, a clarinetist and saxophonist for the United States Navy Band. Her father was Puerto Rican, and her mother was of Scottish and Italian descent. Rivera was seven years old when her mother was widowed and went to work at The Pentagon.
In 1944, Rivera's mother enrolled her in the Jones-Haywood School of Ballet (now the Jones Haywood School of Dance). Later, when she was 15, a teacher from George Balanchine's School of American Ballet visited their studio; and Rivera was one of two students picked to audition in New York City; she was accompanied to the audition by Doris Jones, one of the people who ran the Jones-Haywood School. Rivera's audition was successful, and she was accepted into the school and given a scholarship
Chita dances the choreography of Peter Gennaro from her Broadway hit Bajour! http://directorzone.cyberlink.com/video/6424
Chita leads the ensemble in the title song from the 1964 musical Bajour, choreographed by Peter Gennaro. Ignore the casual racism in the lyrics (it was the early 60's, after all) and look for Paul Sorvino, Leland Palmer (All that Jazz, Pippin), and future legend Michael Bennett in the ensemble.
Circle in the Square Cabaret - Frances Ramos & Gabriela Aleman performing I can from the musical Bajour.
IF IT ONLY EVEN RUNS A MINUTE Volume 16 January 23, 2017 - Live at Feinstein's/54 Below Created & Produced by Jennifer Ashley Tepper & Kevin Michael Murphy For more information visit http://ifitonlyevenrunsaminute.com Music Direction by Joshua Zecher-Ross Filmed & Edited by FAMOUS IN NY - http://famousinny.com
Cary Bair and Leonard Lehrman (at the keyboard) perform "Honest Man" by Walter Marks, from the 1964 musical BAJOUR, at the performance by the Opera/Musical Theatre Special Interest Group of The Naturist Society at Empire Haven in Moravia, NY, Aug. 10, 2007. Video by Stephen Van Eck.
Susan Blake and Leonard Lehrman (at the keyboard) perform "Words, Words, Words" by Walter Marks, from the 1964 musical BAJOUR, at the performance by the Opera/Musical Theatre Special Interest Group of The Naturist Society at Empire Haven in Moravia, NY, Aug. 10, 2007. Video by Stephen Van Eck.
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