Drama (genre)

In the context of film and radio, drama describes a genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone, focusing on in-depth development of realistic characters who must deal with realistic emotional struggles. A drama is commonly considered the opposite of a comedy, but may also be considered separate from other works of some broad genre, such as a fantasy. To distinguish drama as a genre of fiction from the use of the same word to mean the general storytelling mode of live performance, the word drama is often included as part of a phrase to specify its meaning. For instance, in the sense of a television genre, more common specific terms are a drama show, drama series, or television drama in the United States; dramatic programming in the United Kingdom; or teledrama in Sri Lanka. In the sense of a film genre, the common term is a drama film.

Dramatic themes such as alcoholism, child abuse, coming of age, drug addiction, emotion, hope, infidelity, moral dilemmas, racial prejudice, religious intolerance, sexuality, poverty, class divisions, violence against women and corruption put characters in conflict with themselves, others, society, or even natural phenomena. Drama is one of the broadest movie genres and includes subgenres such as romantic drama, war films, sport films, period drama, courtroom drama and crime.

Drama

Drama is the specific mode of narrative, typically fictional, represented in performance. The term comes from the Greek word δρᾶμα, drama, meaning action, which is derived from the verb δράω, draō, meaning to do or to act. The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus the King (c. 429 BC) by Sophocles are among the masterpieces of the art of drama. A modern example is Long Day's Journey into Night (1956) by Eugene O’Neill.

The two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia and Melpomene, the Muse of comedy represented by the laughing face, and the Muse of tragedy represented by the weeping face, respectively. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.

Film

A film, also called a movie, motion picture or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession. A film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditional animation techniques; by means of CGI and computer animation; or by a combination of some or all of these techniques and other visual effects. The word "cinema", short for cinematography, is often used to refer to the industry of films and filmmaking or to the art of filmmaking itself. The contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations.

The process of filmmaking is both an art and an industry.

Icing on the Cake

"Icing on the Cake" is the 17th episode from the dramedy series Ugly Betty, which aired March 15, 2007. The episode was written by Dailyn Rodriguez and directed by Jeff Melman.

Plot

As Grace and Daniel chit chat in bed before they start the day, Daniel panics when she informs him that she needs to speak with his mother, but tells her that Claire has gone away and that she probably won’t be able to find her, so Daniel sends Claire off to a hotel to stay low and instructs her not to talk to anyone! Daniel later tells Betty that she can’t let anyone know that he is sleeping with Grace, including Alexis. So Betty swears to keep the secret and heads downstairs to see Christina, only to learn that Christina knows about Daniel and Grace as she sees through Betty's secret.

Henry stops in and gives Betty the invitation to Charlie’s birthday party. Christina is surprised to hear that she is going, but Betty informs her that she does not want to lose Henry as a friend. Christina insists that Betty will need a date for the evening, so they ponder the thought and Betty calls her orthodontist for an appointment and informs him that a wire has snapped on her braces, so he schedules her for one. As she hangs up the phone Betty turns to Christina with a big smile, and in turn Christina snaps a wire. Later in the day Betty arrives for her appointment and tells her that it happened while eating a bagel. After he fixes the problem and she promises to be more careful, Betty responds that he may have to have dinner with her to ensure that she doesn’t eat anything too dangerous. Her plan works and he accepts her proposal.

Matthew McConaughey

Matthew David McConaughey (/məˈkɒnəheɪ/; born November 4, 1969) is an American actor and producer. He first gained notice for his breakout role in the coming-of-age comedy Dazed and Confused (1993), and went on to appear in films such as the slasher Texas Chainsaw Massacre: The Next Generation (1994), the legal thriller A Time to Kill (1996), Steven Spielberg's historical drama Amistad (1997), the science fiction drama Contact (1997), the comedy EDtv (1999) and the war film U-571 (2000).

In the 2000s, he became best known for starring in romantic comedies, including The Wedding Planner (2001), How to Lose a Guy in 10 Days (2003), Sahara (2005), Failure to Launch (2006), Fool's Gold (2008) and Ghosts of Girlfriends Past (2009). Since 2010 he has moved away from romantic comedies and has had roles in the films The Lincoln Lawyer (2011), Bernie (2011), Killer Joe (2011), The Paperboy (2012), Mud (2012), Magic Mike (2012), The Wolf of Wall Street (2013), Dallas Buyers Club (2013) and Interstellar (2014). Some film critics and journalists even refer to this era of film as the 'McConaissance'.