Both under-appreciated and an Australian classic, Shame screens in a restored print at MIFF. And it has lost none of its immense power.

Former actor turned documentary maker Luke Walker backed the wrong horse in the US election, and his film was the winner.

Wind River depicts an extreme environment warped beyond reason.

Vanessa Gazy and Clare Young will work with the producer of Offspring in this initiative.

• MIFF 2017

A bleakly brilliant film from Yorgos Lanthimos in the vein of his last film, The Lobster.

The comic, writer and director has made a film about "Australia in a tent".

After a three-year hiatus the Brisbane International Film Festival is back with a bang.

Actress Rebel Wilson has revealed she suffered a concussion during a mishap while filming her upcoming movie, Isn't It Romantic.

You're unlikely to see a better Algerian movie this year than Karim Moussaoui's debut.

Annabelle: Creation director David Sandberg brings flair to an old school shocker.

In the face of grim reality, can we afford the luxury of despair?

The French filmmaker says Americans don't like films that aren't about America saving the world.

"This guy that was my love interest was like, 'I'd never date you in real life... You're too big for me'," the actress told Variety.

Jeremy Renner plays a tough, reliable man in Taylor Sheridan's new film 'Wind River'.

Move over Barbarella, there's a new babe in space, writes Paul Byrnes.

Our pick of what's showing on the big screen this week

• MIFF 2017 review

Ukranian director Sergei Loznitsa conveys a sense of hopelessness in the shadow of Dostoevsky.

Morality is never black and white in this rollicking heist film.

• MIFF 2017 review

A fast-paced teen horror/comedy flick that ups the ante on ruthlessness and gore.

Australian director Amiel Courtin-Wilson's experimental film mimics its subject, free-jazz pioneer Cecil Taylor.

Anthony LaPaglia still likes to get his kicks, but the danger levels are far more controlled these days.

A sniper thriller whose political imagery gives way to horror film mechanics, 'The Wall' is set in 2007, when the American occupation of Iraq has moved into the economic exploitation phase.

In 2015, Screen Australia set a target of 50 per cent of projects it funds being female-led. So, how is it doing?

An unlikely pairing of Diane Keaton and Brendan Gleeson is at the heart of this basis of this late-life rom-com.

Al Gore continues his dialogue on climate change in An Inconvenient Sequel – Truth to Power.