- published: 09 Jun 2023
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"Babyface" is a song by U2 and the second track from their 1993 album Zooropa.
"It's about how people play with images, believing you know somebody through an image and think that by manipulating a machine that, in fact, controls you, you can have some kind of power."
"Babyface" was written by Bono during the Zooropa recording sessions in late 1992/early 1993. The song contains themes of desire, voyeurism, image, celebrity and technology. It involves a man having an obsession with a famous woman, whose image he keeps on a televised recording. Through the course of production, U2 and producer Brian Eno incorporated a toy piano into the melody of the song. The Edge sings the vocals with Bono during the verses and chorus.
"Babyface" received mixed reviews from critics. The New York Times critic Jon Pareles described the song as U2 combining "'With or Without You' and Bowie's 'Ashes to Ashes'" while praising the "tinkling countermelody" of the song.The Boston Globe's Jim Sullivan called it "the most conventional song" on the album and "a smooth-glider where the subversiveness is half-buried in the rolling rhythms and the soft, seductive melody." In contrast, Parry Gettelman of Orlando Sentinel felt the song was "tediously repetitive" and caused the album to falter.
Babyface (born Kenneth Brian Edmonds; April 10, 1959) is an American R&B musician, singer-songwriter, and record producer. He has written and produced over 26 No. 1 R&B hits throughout his career, and has won 11 Grammy Awards.
Edmonds was born on April 10, 1959, in Indianapolis, Indiana, to Marvin and Barbara Edmonds. Barbara was a production operator at a pharmaceutical plant. Edmonds, who is the fifth of six brothers (including future After 7 band members Melvin and Kevon Edmonds, the latter of whom went on to have a modestly successful solo career), attended North Central High School in Indianapolis, Indiana, and as a shy youth, wrote songs to express his emotions. When he was in eighth grade, Edmonds' father died of lung cancer, leaving his mother to raise her sons alone. At this stage, Edmonds became determined to have a career in music.
Edmonds later played with funk performer Bootsy Collins, who tagged him "Babyface" because of his youthful look. He also performed in the group Manchild (which had a 1976 hit "Especially for You" with band member Daryl Simmons), as he was a guitarist for the band. Then, as a keyboardist in the light-funk and R&B group the Deele (which also included drummer Antonio "L.A." Reid, with whom he would later form a successful writing and producing partnership). One of his first major credits as a songwriter for outside artists came when he wrote the tune "Slow Jam" for the R&B band Midnight Star in 1983. The tune was on Midnight Star's double-platinum No Parking on the Dance Floor album, and while it never was a single, it received massive radio airplay and the song is still played on quiet storm radio stations. Babyface remained in the Deele until 1988, when both he and Reid left the group.
In professional wrestling, a face, babyface is a heroic or a "good guy" wrestler, booked (scripted) by the promotion with the aim of being cheered by fans. Faces, traditionally, will wrestle within the rules and avoid cheating (in contrast to the heels that use illegal moves and call in additional wrestlers to do their work for them) while behaving positively towards the referee and the audience.
Such characters are also referred to as a blue-eye in British wrestling, and a técnico in lucha libre. The face character will be portrayed as a hero relative to the heel wrestlers, who are analogous to villains. Not everything a face wrestler does must be heroic: faces need only to be cheered by the audience to be effective characters. The vast majority of wrestling storylines involving faces will place a face against a heel, although more elaborate set-ups (such as two faces being manipulated by a nefarious outside party into fighting) often happen as well.
In the world of lucha libre wrestling, they're generally known for using moves requiring technical skill, particularly aerial maneuvers, and wearing outfits using bright colors with positive associations (such as solid white). This is contrasted with the villainous rudos that are generally known for being brawlers, using physical moves that emphasize brute strength and/or size while often having outfits akin to demons or other nasty characters.
A prelude is a musical form.
Prelude may also refer to:
'Prelude' is a very common term as a title of a musical piece, both classical and popular. Some specific preludes are:
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Prelude are an English based vocal harmony group, who in their most famous line-up consisted of Brian Hume (vocals, guitar), his wife Irene Hume (vocals) and Ian Vardy (guitars, vocals). They formed in their native Gateshead in 1970.
Prelude began to write their own material and built a following on the folk circuit and in 1973 they recorded their first album, How Long Is Forever?, on Dawn Records at Rockfield recording studios in Wales. From it came their best known recording, an a cappella version of the Neil Young song "After the Gold Rush", on Dawn. In the UK, it entered the Top 50 on 26 January 1974, had a nine-week stay, peaking at Number 21. In America, it entered the Billboard Hot 100 on 11 February 1974, and had a five-week stay, peaking at #22.
Hume explained (in 1974) how the song came about: “We were standing at a bus stop in Stocksfield and we just started singing it. There was no particular reason, it was just a nice song. The way we do it now is really no different from the way we did it at the bus stop. We included it in our act and it went down really well – even the rowdier clubs listened to it. We certainly never thought of it as a possible single. In any case we always thought of ourselves as an album group rather than making singles and included the song on the album How Long Is Forever as an afterthought”.
The Party Scene is the debut full-length studio album by American pop punk band All Time Low, released on July 19, 2005 via regional imprint Emerald Moon Records. Music videos were released for "Circles" and "The Girl's a Straight-Up Hustler". Tracks 2, 3, 8, 9 and 12 were re-recorded for the band's next EP, Put Up or Shut Up.
All music and arrangements by All Time Low; except where noted. All lyrics by Alex Gaskarth. Additional arrangements by Paul Leavitt.
Personnel per booklet.
NPR Music is celebrating Black Music Month with an array of brand new Tiny Desk concerts. Together, these artists represent the past, present and future of Black music. This month of carefully curated shows is a celebration of Black artists expressing themselves in ways we've never seen before, and of the Tiny Desk's unique way of showcasing that talent. Nikki Birch | June 9, 2023 I was working late when Kenneth "Babyface" Edmonds first arrived at the office to rehearse for his Tiny Desk concert. Within moments, it was clear it would be an exceptional performance. The next day, my colleagues waited patiently to see the legendary singer, songwriter and producer. Because when it comes to matters of the heart, Babyface has turned our angst, our triumphs, our devastation, into timeless love s...
BABYFACE PERFORMS 10 SONGS You NEVER KNEW He WROTE @ Anita Baker Songstress Tour, New Orleans, LA #babyface #anitabaker #rnb
The spectacular one night only concert of David Foster and Friends is now available on Blu Ray disc. Spotlighting #1 hits, award winning songs and other favorites.The May 23, 2008 show at Mandalay Bay in Las Vegas was unforgettable. Now 'Hit Man: David Foster & Friends' scores a direct hit with music fans at home.
Babyface's official music video for 'Every Time I Close My Eyes'. Click to listen to Babyface on Spotify: http://smarturl.it/BabyFSpotify?IQid=BabyFETCE As featured on Babyface: A Collection of His Greatest Hits. Click to buy the track or album via iTunes: http://smarturl.it/BabyfaceGH?IQid=BabyFETCE Google Play: http://smarturl.it/EICMEGPlay?IQid=BabyFETCE Amazon: http://smarturl.it/Babyfaceamazon?IQid=BabyFETCE More From Babyface When Can I See You: https://youtu.be/Ee9SCW91urE Whip Appeal: https://youtu.be/fh5ejGUTGAo How Come, How Long: https://youtu.be/lBPEkEOUUp0 More great Classic RnB videos here: http://smarturl.it/ClassicRNB?IQid=BabyFETCE Follow Babyface Website: http://www.babyfacemusic.com/ Facebook: https://www.facebook.com/Babyface Twitter: https://twitter.com/kennyedmond...
Babyface performing "I'll Make Love To You" at MTV Unplugged, NYC, 1997 Listen to Babyface: https://Babyface.lnk.to/listenYD Subscribe to Babyface: https://Babyface.lnk.to/subscribeYD Follow Babyface: Facebook: https://Babyface.lnk.to/followFI Twitter: https://Babyface.lnk.to/followTI Instagram: https://Babyface.lnk.to/followII Website: https://Babyface.lnk.to/followWI Spotify: https://Babyface.lnk.to/followSI #Babyface #IllMakeLoveToYou #MTVUnplugged
Stream // Download Babyface & Ella Mai's "Keeps On Fallin" here: https://babyface1.lnk.to/KeepsOnFallin "Keeps On Fallin" Lyrics: Every days like the day, still get butterflies oh yeah Middle of the night we all the way, baby, baby Aint no lookin round I’m first place So I love him even more on his worst day, He’s always there for me And I don’t know why he don’t ever give, go beyond and above yeah, yeah But every time he does I’m right back at I KEEPS ON FALLIN N LOVE, OH YEAH MMM KEEPS ON FALLIN N LOVE I KEEPS ON FALLIN LOVE, OH BABY MMM KEEPS ON FALLIN N LOVE You the reason why in the first place He be goin up and it shows babe Aint no doubt about it you Ella Mai, baby baby You gotta give yourself some credit, so baby don’t forget Girls like you make the world, you make the go rou...
Babyface and saxophonist Avery Dixon blow the roof off of AGT: All-Stars with this amazing performance of "Every Little Step" by Bobby Brown. » Get The America's Got Talent App: http://bit.ly/AGTAppDownload » Subscribe for More: http://bit.ly/AGTSub » Watch on NBC & Peacock: https://pck.tv/3cCQGhH AMERICA'S GOT TALENT ON SOCIAL Like AGT: https://www.facebook.com/agt Follow AGT: https://twitter.com/agt AGT Instagram: http://instagram.com/agt Find America's Got Talent trailers, full episode highlights, previews, promos, clips, and digital exclusives here. NBC ON SOCIAL: YouTube: http://www.youtube.com/nbc Twitter: http://Twitter.com/NBC Facebook: http://Facebook.com/NBC Instagram: http://instagram.com/nbc ABOUT AGT ALL-STARS Contestants from all over the world return to the stage to per...
In his first-ever collaboration with a full orchestra, the 11-time Grammy® winner and 2017 inductee into the Songwriters Hall of Fame, Kenny "Babyface" Edmonds joined the NSO to perform some of the greatest R&B; and pop hits he's brought to life as a singer, songwriter, and producer. Filmed January 19, 2018, LIVE in the Kennedy Center Concert Hall. Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #babyface #nationalsymphonyorchestra #blackculturematters
Music video by Babyface performing What If. (C) 2001 RCA Records, a division of Sony Music Entertainment
Music video by Babyface performing Sorry For The Stupid Things. (C) 2005 Arista Records, LLC, a unit of SONY BMG MUSIC ENTERTAINMENT
"Babyface" is a song by U2 and the second track from their 1993 album Zooropa.
"It's about how people play with images, believing you know somebody through an image and think that by manipulating a machine that, in fact, controls you, you can have some kind of power."
"Babyface" was written by Bono during the Zooropa recording sessions in late 1992/early 1993. The song contains themes of desire, voyeurism, image, celebrity and technology. It involves a man having an obsession with a famous woman, whose image he keeps on a televised recording. Through the course of production, U2 and producer Brian Eno incorporated a toy piano into the melody of the song. The Edge sings the vocals with Bono during the verses and chorus.
"Babyface" received mixed reviews from critics. The New York Times critic Jon Pareles described the song as U2 combining "'With or Without You' and Bowie's 'Ashes to Ashes'" while praising the "tinkling countermelody" of the song.The Boston Globe's Jim Sullivan called it "the most conventional song" on the album and "a smooth-glider where the subversiveness is half-buried in the rolling rhythms and the soft, seductive melody." In contrast, Parry Gettelman of Orlando Sentinel felt the song was "tediously repetitive" and caused the album to falter.
Tears are running through your make up
See the water touch the ground
I never know quite how to love you
Only how to let you down
Every night I hear you wake up
From a dream that never came
But something's keeping you from running
Afraid to be alone again and again
Where will you go
Now that you know the laughter
May not last very long
And how will you know
That you won't be walking out
But your heart will still be holding on
Through the garden to the sidewalk
Hearing the words tearing you down
You thought that nothing left could faze you
Watching the water touch the ground
Where will you go
Now that you know the laughter
May not last very long
And how will you know
That you won't be walking out
But your heart will still be holding on
How many times I never gave up
A simple love for simple love
I never know quite how to know you
But I know I'm still in love
Where will you go
Now that you know the laughter
May not last very long
And how will you know
That you won't be walking out