Abonnez-vous ✔ | Partagez ✔ | Commentez ✔ | Aimez ✔ Esepelisa: les meilleurs films congolais et theatres culturels (maboke) en ligne. Abonnez-vous gratuitement pour soutenir le Film Esepelisa et le Theatre. Esepelisa valorise le theatre educatif et aide les artistes Congolais(es) à diffuser le Film Esepelisa et le Theatre. Regardez le Theatre Esepelisa sur Espelisa, les meilleurs theatres culturels 2016 sont à votre disposition. Notre top liste des Théâtres culturels et des Films Congolais: https://www.youtube.com/playlist?list=PLwuq9zrd2FlRJQEgmt5KtFOnWi54zjfKU Papa Wemba - Cycle de verité - Fula Ngenge After the earlier death of his father in 1966, Wemba began a career in music, first becoming involved with the local Roman Catholic church, St Joseph's, where he sang in the choir. Although Wemba stopped playing religious music when he left the church in the late 1960s, he claims that even today religious music plays an important part in his songwriting process. "When I started singing pop music, I left religious music completely," he has said, "but there was always an influence of religious music on my voice because, with religious music, the minor key always recurs. When I compose my songs I often use the minor key." After the exodus of musicians, Wemba began regrouping Viva La Musica during early 1983. He was also still enjoying solo success with the previous year's Franco-financed recordings, which had only just been released. The new look Viva were also progressing well and had begun to claw back some success through the addition of a number of new recruits. Then, while travelling back from a concert in the Bukavu district of Eastern Zaire, Papa Wemba was badly injured in a road accident when the radiator of the vehicle he had been driving burst, covering him with scalding water. Wemba spent several weeks in a small village hospital recovering. He later sang the story and thanked all the hospital staff who had cared for him on record, in the folklore hit 'Bukavu Dawa'. By late 1983 Wemba and Viva were celebrating their new dance called the 'Rumba Rock - Frenchen' and, due to an increasing European interest in African music, Viva found their LPs regularly selling well in Europe for the first time. Wemba capitalised on this during another European trip. He recorded his first non Zairian LP, titled Malimba, in Brussels that same year with Belgian avant garde composer Hector Zazu. In 1987 Wemba signed a solo worldwide management deal with Japanese promoters. Consequently it was necessary that both he and Viva La Musica relocate from Zaire to Paris, where Wemba could better promote fully his dream of becoming an internationally known singer. Much speculation on the future of Viva La Musica followed, with many wondering if Papa had finally abandoned his African fans in search of a wider audience. Upon leaving kin, Wemba was accompanied by an inner core of Viva musicians. He then began recording with French producer, Martin Messonier. The Viva musicians remaining in kin were sent airline tickets and asked to join Wemba. In March 1999, Papa Wemba went back to Europe with Nouvelle Écriture and played sell out concerts in Brussels and at the huge Zenith stadium in Paris. At both concerts, fans were treated to live performances by the full line-ups of Molokai International, the Paris-based Viva La Musica (who had in Wemba's absence had added the suffix 'Cour Des Grands' , meaning 'big punch', to their name) and Viva La Musica - Nouvelle Écriture. During the Summer of 1999, Wemba also played further concerts in both Paris and Brussels with the Viva La Musica - Cour Des Grands. These shows celebrated Papa Wemba's 50th birthday, and at both concerts, Wemba was joined onstage by some of his colleagues from the Zaïko era as well as former Molokai stars. Wemba then returned to Congo to hold a 50th birthday celebration party, through a six-day festival held at kin's giant 'Stade des Martyrs'. On the final day of the festival, as a gift from the people of DR Congo, Papa Wemba was awarded Chieftainship of DR Congo's 'Mongo' ethnic group, in respect of his services to Congolese music and culture. Esepelisa Chateau Rouge Rue des Poissonniers 75018 Paris France im170910a

• published: 02 Jun 2013
• views: 8999