World War 3 is America’s longest-running radical comics anthology. While I’ve never reviewed an issue for Ad Astra, a lot of radical comic artists (including those I’ve featured here) have graced their pages. This issue took on the idea of “the other” – when ideas and people are perceived as alien, even opposite or in conflict with the given norm.
Issue #44 includes:
“Alien Europe” by Ganzeer – An exploration of cultural differences across time and space. This appears to be based on a lecture, or perhaps just a thought process of the author, but he shows how all culture is, in short, a homogenization of converging cultures.
“Single Lens Reflex” by Sandy Jimenez – Autobiographical piece about gentrification, photography, and class dynamics in artistic interpretation. That description makes it sound stuffy and academic, but it is extremely personal and heartfelt. I think this is an amazing story that is told very well. Sandy Jimenez has a great understanding of memoir narrative–looking back on a feeling that he had over a period of years and identifying how it developed, how he came to understand and overcome it, and what remains. A gem – one of my favourite contributions to the issue.
“Kemba Smith” by Sabrina Jones and Marc Mauer – part of a larger book called Race to Incarcerate: A Graphic Retelling about the U.S. prison system (available as of April 2013 from The New Press). “Kemba Smith” tells the story of a 24 year old college student with no previous record, who was sentenced to 24 years in prison for her connection to her drug-dealing boyfriend.
“Charest, Dehors! Inside Quebec, Out in the Streets” – by Jesse Staniforth and Dan Buller. Great personal account of the massive student protests in Quebec – a story that we’ve yet to fully unravel and appreciate in the rest of Canada/North America in general. Great illustrations from Dan Buller, mostly from photographs from the protests, accompanied with reproductions of some of the protest/street art that appeared over the course of the action.
“Baddawi” – A comic memoir by Palestinian American comic artist Leila Abdul Razzaq, who has illustrated her family history from Israel’s 1948 ethnic cleansing campaign, to her father living as a child in a refugee camp, to her own modern-day self. Making her debut in this issue of WW3, Razzaq focuses on her family, showing how her grandmother survived Al Naqba at the age of 17, and how her father became the most successful marble tycoon of their family’s refugee camp.
Further notes: Razzaq’s style is very simple. My first impression was that it reminded me of Satrapi’s Persepolis for its simple line work and good use of contrast. But on further inspection I see some interesting and original details–garments with designs that are distinctly Palestinian, imagery of invading soldiers coming out of the ocean. I think Razzaq probably faced/faces the challenge of having content in her stories that is so powerful, it can overshadow or overpower her artwork. It’s a good challenge, and I can’t wait to see how her work develops and evolves with her storytelling.
“A Real Hero” by Tom Keough – A personal memory of the artist and two friends sticking up for a man who was getting beaten to death by a group of men in the street.
“One Rainy Night” – Peter Kuper’s enactment of a conversation with a once-rich and beautiful woman. This one-page piece is part of a larger body of work entitled, Drawn to New York: An Illustrated Chronicle of Three Decades in New York City.
“One City, One People, One Planet” – The legendary Seth Tobocman makes some inspiring observations about the human response to Hurricane Sandy.
“Nap Before Noon” by Barrack Rima – translated from Arabic and read right-to-left, tells the story of the authors first trek into Europe as an immigrant.
