Portal:Aesthetics

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Aesthetics

Aesthetics (also spelled æsthetics) is commonly known as the study of sensory or sensori-emotional values; sometimes called judgments of sentiment and taste.[1] More broadly, scholars in the field define aesthetics as "critical reflection on art, culture and nature."[2][3] Aesthetics is a subdiscipline of axiology, a branch of philosophy, and is closely associated with the philosophy of art.[4] Aesthetics studies new ways of seeing and of perceiving the world.[5]

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Beauty is a characteristic of a person, animal, place, object, or idea that provides a perceptual experience of pleasure, meaning, or satisfaction. Beauty is studied as part of aesthetics, sociology, social psychology, and culture. As a cultural creation, beauty has been extremely commercialized. An "ideal beauty" is an entity which is admired, or possesses features widely attributed to beauty in a particular culture.

The experience of "beauty" often involves the interpretation of some entity as being in balance and harmony with nature, which may lead to feelings of attraction and emotional well-being. Because this is a subjective experience, it is often said that "beauty is in the eye of the beholder."[6] In its most profound sense, beauty may engender a salient experience of positive reflection about the meaning of one's own existence. A subject of beauty is anything that resonates with personal meaning.

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Immanuel Kant (painted portrait).jpg
Immanuel Kant (German pronunciation: [ɪˈmanuɛl kant]; 22 April 1724 – 12 February 1804) was an 18th-century German philosopher from the Prussian city of Königsberg (now Kaliningrad, Russia). He is regarded as one of the most influential thinkers of modern Europe and of the late Enlightenment.

Kant created a new widespread perspective in philosophy which influenced philosophy through to the 21st Century. He also published important works of epistemology, as well as works relevant to religion, law, and history. One of his most prominent works is the Critique of Pure Reason, an investigation into the limitations and structure of reason itself. It encompasses an attack on traditional metaphysics and epistemology, and highlights Kant's own contribution to these areas. The other main works of his maturity are the Critique of Practical Reason, which concentrates on ethics, and the Critique of Judgment, which investigates aesthetics and teleology.

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Baumgarten appropriated the word aesthetics, which had always meant sensation, to mean taste or "sense" of beauty. In so doing, he gave the word a different significance, thereby inventing its modern usage. The word had been used differently since the time of the ancient Greeks to mean the ability to receive stimulation from one or more of the five bodily senses.

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Requested articles: aesthetic experience · aesthetic judgment · aesthetic properties · philosophy of art (currently a redirect) · artistic form · artistic style (currently a redirect) · artistic value · nature of art · ontology of art · concrete object (currently a redirect) · Rapture (aesthetics) · reception (currently a disambiguation page with no aesthetics)

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  1. ^ Zangwill, Nick. "Aesthetic Judgment", Stanford Encyclopedia of Philosophy, 02-28-2003/10-22-2007. Retrieved 07-24-2008.
  2. ^ Kelly (1998) p. ix
  3. ^ Review by Tom Riedel (Regis University)
  4. ^ Bruyn, Professor Severyn T. "Art and Aesthetics in Action", Boston College, 2002. Retrieved 07-22-2008.
  5. ^ Freeman, Lindsey (Phd) Remembering Debord cannon-beach.net
  6. ^ Gary Martin (2007). "Beauty is in the eye of the beholder". The Phrase Finder. Retrieved December 4, 2007. 
  7. ^ Clement Greenberg, “On Modernist Painting”.

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