Chance the Rapper and Jeremih’s surprise release is a Christmas album for the final yuletide of the Obama administration: one last bastion of hope in an uncertain and fraught time.
On his solo percussion LP, Jamire Williams shows himself to be an inspired crafter of sound, capable of building entire worlds from just his drum hits.
The undervalued singer/songwriter/producer offers a bedroom-friendly five-track EP filled with slow-motion songs about lust, desire, and regret.
On their earthy new album, the Bay Area metal trio Worm Ouroboros exhibit a literary flair and mysterious, eternal power.
Beyoncé, Kanye, Kendrick, Chance, and more of the best televised performances of 2016
Real Life Rock Top 10: Revelations from Dylan’s Nobel speech, the Band’s rarities, and the Trump-country Western Hell or High Water
Nine Inch Nails’ surprise-release new EP Not the Actual Events is slight, but at moments it delivers the kind of visceral fury that NIN hasn’t recreated since its mid-’90s Downward Spiral heyday.
A fixture of New York’s experimental scene, the vocalist Amirtha Kidambi makes her bandleading debut on Holy Science, fusing classical Indian music, drone, and free jazz with an original perspective.
Even though this collection of unreleased songs and rarities is slight, it testifies to the enduring power of the Microphones, and how they represented a thriving part of Pacific Northwest indie.
In 2013, the composer Ben Frost and librettist David Pountney devised an unconventional opera piece inspired by the 1984 psychological horror novel The Wasp Factory. Its music is shockingly beautiful.