Kirkus Reviews is one of the publishing industry’s toughest gauntlets, used by librarians and bookstore buyers to help sort through the avalanche of new titles, and its reviews often have a sting in their tails aimed at this audience, a pitiless rehearsal of the reasons you wouldn’t want to stock this book — vital intelligence for people making hard choices.
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Last month, Melbourne’s Deakin University published Car Wars, a short story I wrote to inspire thinking and discussion about the engineering ethics questions in self-driving car design, moving beyond the trite and largely irrelevant trolley problem.
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Kirby Ferguson, who created the remarkable Everything is a Remix series, has a new podcast hosted by the Recreate Coalition called Copy This and he hosted me on the debut episode (MP3) where we talked about copying, creativity, artists, and the future of the internet (as you might expect!).
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Mr Robot is the most successful example of a small but fast-growing genre of “techno-realist” media, where the focus is on realistic portrayals of hackers, information security, surveillance and privacy, and it represents a huge reversal on the usual portrayal of hackers and computers as convenient plot elements whose details can be finessed to meet the story’s demands, without regard to reality.
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“Information Doesn’t Want to Be Free” is my 2014 nonfiction book about copyright, the internet, and earning a living, and it features two smashing introductions — one by Neil Gaiman and the other by Amanda Palmer.
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Here’s the 32 minute video of my presentation at last month’s O’Reilly Security Conference in New York, “Security and feudalism: Own or be pwned.”
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Melbourne’s Deakin University commissioned me to write a science fiction story about the design and regulation of self-driving cars, inspired by my essay about the misapplication of the “Trolley Problem” to autonomous vehicles.
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In 2014, lawyer and eminent Sherlockian Les Klinger comprehensively won the legal battle to establish that Sherlock Holmes is in the public domain and available for anyone to use, abuse, alter, celebrate or mock; now with a new anthology of completely unauthorized Sherlock tales, Echoes of Sherlock Holmes, Klinger and co-editor Laurie R. King have shown just how much life there is in the old tales.
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In the 18th century, William Blackstone wrote the seminal “Commentaries on the Laws of England,” which contained one of the foundational definitions of property: “that sole and despotic dominion which one man claims and exercises over the external things of the world, in total exclusion of the right of any other individual in the universe.”
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I was interviewed for the IEEE-USA Insight Podcast last summer in New Orleans, during their Future Leaders Summit, where I was privileged to give the keynote (MP3)
