Daniel Keene's new one-woman play is about a homeless woman on the streets of Melbourne but she could be anywhere.

Ryan Good's conversations with sex workers in the UK and Australia are fodder for immersive theatre at its best.

Emily Taylor's not short on charisma or acting chops but her script lacks sophistication.

You'll be chilled and gripped, amused and seduced by this pitch-perfect psychological thriller.

Three experimental theatre works will be seen at Gorman Arts Centre beginning with a collaboration between a dancer and an aerial acrobatic troupe.

Younger audiences are bound to be enchanted by an action-packed performance filled with talking animals.

Barcelona-based company Theatre of the Senses creates theatrical "experiences" that often defy description.

Could there be a link between the Pied Piper of Hamelin and the Children's Crusade of the 13th century?

The premise of this environmental issues play is obvious but the actors are talented.

Ellen Steele's raucous jaunt through adolescence is familiar and fun, and nostalgic in all the best ways.

Andi Snelling's dance-like performance creates a peculiar world and will leave you mystified.

It's not just that the English subtitles could use some attention.

• Review

Circa's Carnival of the Animals entertains with a mix of innovation and circus tradition, writes Michelle Potter.

The Canberra company combines theatre and circus acts to tell the story of a troubled youth seeking a new direction.

A groundbreaking new production pulls back the covers on teenage boys and their use of pornography.

The acting is good and the underlying premise amusing, but this play is only likely to satisfy other frustrated writers.

Hayley Butcher's one-woman cabaret is about being an exhausted new mum. And Farnsie.

This new instalment of the longrunning revue is a little disjointed but frequently funny and delightful with the three talented regulars joined by excellent newcomer Katrina Retallick.

The often fraught teenage years might entail new dangers for today's girls, but the passage to womanhood is essentially the same as it ever was.

Events for babies? This year's Fringe takes its 'something for everyone' shtick to a new level.

A grandmother at 46, Leah Purcell is at a powerful point in her career, she has written and stars in The Drover's Wife at Belvoir and has directed three shows in the next series of Cleverman.

Could Muriel Heslop's musical debut in Sydney be the first step towards the global stage?

The satirical revue is back to raise some laughs.

Muriel's Wedding made Toni Collette a household name and "Your terrible, Muriel" a catchphrase. Now it's being revived as a musical by the Sydney Theatre Company for its 2017 season.