- published: 14 Apr 2016
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The Association for the Advancement of Creative Musicians (AACM) is a non-profit organization, founded in Chicago, Illinois, United States, by pianist/composer Muhal Richard Abrams, pianist Jodie Christian, drummer Steve McCall, and composer Phil Cohran. Early members included Henry Threadgill, Anthony Braxton, Jack DeJohnette, Wadada Leo Smith, Leroy Jenkins, Amina Claudine Myers, Adegoke Steve Colson, Chico Freeman, George Lewis and the Art Ensemble of Chicago: Lester Bowie, Roscoe Mitchell, Joseph Jarman, Famoudou Don Moye, and Malachi Favors. The AACM is devoted "to nurturing, performing, and recording serious, original music," according to its charter. It supports and encourages jazz performers, composers and educators. While founded in the Jazz tradition, the groups outreach and influence has, according to Larry Blumenfeld, "touched nearly all corners of modern music."
By the 1960s jazz music was losing ground to rock music and the founders of the AACM felt that a proactive group of musicians would add creativity and outlet for new music. The AACM was formed in May 1965 by a group of musicians centered on pianist Muhal Richard Abrams who had organized an Experimental Band since 1962. The musicians were generally steadfast in their commitment to their music, despite a lack of performance venues and sometimes indifferent audiences. From 1969 the AACM organised a music education program for inner-city youths. In the 1960s and 1970s AACM members were among the most important and innovative in all of jazz, though the AACM's contemporary influence has waned some in recent years. Many AACM members have recorded widely: in the early days on the Delmark Records Avant Garde Jazz series and later on the Black Saint/Soul Note and India Navigation labels, and to a lesser extent on the Arista Records and ECM labels.
Association may refer to:
Voluntary associations, groups of individuals who voluntarily enter into an agreement to accomplish a purpose:
Associations in various fields of study:
Creative may refer to:
The DuSable Museum of African American History is dedicated to the study and conservation of African American history, culture, and art. It was founded in 1961 by Dr. Margaret Taylor-Burroughs (sometimes Margaret Burroughs or Margaret Goss Burroughs), her husband Charles Burroughs, Gerard Lew, Eugene Feldman, and others. Dr. Taylor-Burroughs and other founders established the museum to celebrate black culture, then overlooked by most museums and academic establishments. It is located at 740 E. 56th Place at the corner of Cottage Grove Avenue on the South Side of Chicago in the Washington Park community area.
The DuSable Museum was originally chartered on February 16, 1961. Its origins as the Ebony Museum of Negro History and Art began following the work of Margaret and Charles Burroughs to correct the perceived omission of black history and culture in the education establishment. The museum was originally located on the ground floor of the Burroughs' home at 3806 S. Michigan Avenue. In 1968, the museum was renamed for Jean Baptiste Point du Sable, a Haitian fur trader and the first non-Native-American permanent settler in Chicago. During the 1960s, the museum and the South Side Community Art Center, which was located across the street, founded in 1941 by Taylor-Burroughs and dedicated by Eleanor Roosevelt, formed an African American cultural corridor. This original museum site had previously been a social club and boarding house for African American railroad workers and is now listed as a Chicago Landmark and on the National Register of Historic Places.
Henry Threadgill (born February 15, 1944, in Chicago, Illinois) is an American composer, saxophonist and flautist, who came to prominence in the 1970s leading ensembles with unusual instrumentation and often incorporating a range of non-jazz genres. He studied at the American Conservatory of Music in Chicago co-majoring in piano and flute, along with composition. He studied piano with Gail Quillman and composition with Stella Roberts (1899-1988). He has had a music career for over forty years as both a leader and as a composer.
Threadgill's music has been performed by many of his long-lasting instrumental ensembles, including the trio Air with Fred Hopkins and Steve McCall, the seven-piece Sextet, Very Very Circus, the twenty-piece Society Situation Dance Band, X-75, Make a Move, Aggregation Orb, and his current group Zooid. He has recorded many critically acclaimed albums as a leader of these ensembles with various record labels namely Arista/Novus, About Time, Axiom, Black Saint, Columbia and Pi Recordings.
********************* The Association for the Advancement of Creative Musicians keeps moving music forward. The Association for the Advancement of Creative Musicians 50 years and still going strong A half-century of musical innovation and self-determination Photo: AACM Band Rehearsal (1965-66) Courtesy of DuSable Museum of African American History
Association for the Advancement of Creative Musicians at the Museum of Contemporary Art Chicago
“FREE AT FIRST: The Audacious Journey of the Association for the Advancement of Creative Musicians” January 19, 2015 - September 6, 2015 DuSable Museum of African History 740 East 56th Place Chicago, Illinois 60637 Phone: (773) 947-0600 #AACM50TH The phrase “Free At First” is meant to reflect the very birth of this organization was inclusive of the members of AACM, who were unfettered by convention and tradition and adopted a “free” style that recognized no boundaries and defied categorization. The AACM had the audacity to compose, perform, publish, own, and institutionalize their own music and to prepare future exponents of their genre-bending, experimental form. Further, their collective, rather than confining the individual, actually made room for individual freedom of expression. “Fr...
January 10, 2010 at the Velvet Lounge, Chicago Vocalists Taalibdin Ziyad, Dee Alexander, Saalik Ziyad, Ann Ward, soloist, Harrison Bankhead, cello, Avreeayl Ra, percussion, kalimba, Art Turk Burton, congas, Ed Wilkerson and Mwata Bowden, reeds, Velvet Lounge
AACM Panel Discussion: Muhal Richard Abrams, Frederick Berry, George Lewis, and Roscoe Mitchell with Charles Kronengold: Moderator CCRMA, Stanford. May 12, 2014. From George Lewis work "A Power Stronger than Itself" "Since its founding on the virtually all-black South Side of Chicago in 1965, the African American musicians' collective known as the Association for the Advancement of Creative Musicians has played an unusual prominent role in the development of American experimental music. Over more than forty years of work, the composite output of AACM members has explored a wide range of methodologies, processes, and media. AACM musicians developed new and influential ideas about timbre, sound, collectivity, extended technique and instrumentation, performance practice, interm...
Larry Appelbaum interviews composer and multi-instrumentalist Henry Threadgill about his musical upbringing in Chicago, the Association for the Advancement of Creative Musicians (AACM), the story of his life-changing experience in Vietnam, his groups Air and Zooid, and his approach to composition and improvisation. Speaker Biography: Henry Threadgill is an American composer, saxophonist and flautist who came to prominence in the 1970s leading ensembles with unusual instrumentation and often incorporating a range of non-jazz genres. He has had a music career for over forty years as both a leader and as a composer. Speaker Biography: Larry Appelbaum is a senior music reference librarian and jazz specialist in the Music Division at the Library of Congress. For transcript, captions, and ...
Dr Richard Wang, 1928 - 2016, was a jazz devotee whose students in the early 1960s included Roscoe Mitchell, Joseph Jarman, Malachi Favors, Anthony Braxton, Henry Threadgill, Ari Brown and others who became core members of the Association for the Advancement of Creative Musicians. Dick was also a trumpeter, co-founder of Friends of Duke Ellington and the Jazz Institute of Chicago, the JIC's longtime president, and a member of the Jazz Journalists Association's "A Team" of activists, advocates, altruists, aiders and abettors of jazz.
November 19-21, 2010 More than 50 composers and musicians of varied practices unite from across the U.S. for a unique series of concerts with two of Chicago's driving forces for the creative music scene: the Association for the Advancement of Creative Musicians (AACM) and the Asian American Jazz Festival (AAJF). Celebrating the AACM's 45th anniversary, concerts on Nov 19 and 21 feature Renee Baker's Brass Epiphany; Roscoe Mitchell in New Experimentals; the AACM Percussion and Vocal Ensembles featuring Kelan Phil Cohran; and Douglas Ewart's Inventions. The November 20 concert joins leaders and emerging artists from Asian Improv aRts for an AAJF celebration of Chicago debuts including Francis Wong's Legends and Legacies; Dohee Lee's FLUX; and Miya Masaoka's LED Kimono. Part of the MCA Comp...
The title and concept for the project is inspired by the restless and challenging creative spirit of the Association for the Advancement of Creative Musicians (AACM) in Chicago and the wider musical development in that city's creative music scene. This has produced a unique community of artists and a melting pot where music of African origin collides with electronics, chamber music, orchestral music, post‐rock, jazz, etc.
Edward Wilkerson's Original "8 Bold Souls" of the Association for the Advancement of Creative Musicians.......
Edward Wilkerson's Original "8 Bold Souls" of the Association for the Advancement of Creative Musicians.......
Association for the Advancement of Creative Musicians at the Museum of Contemporary Art Chicago
********************* The Association for the Advancement of Creative Musicians keeps moving music forward. The Association for the Advancement of Creative Musicians 50 years and still going strong A half-century of musical innovation and self-determination Photo: AACM Band Rehearsal (1965-66) Courtesy of DuSable Museum of African American History
9th International Society for Improvised Music 2016; Ontario Canada. Douglas Ewart, chairman of Association gor the Advancement of Creative Musicians created this community event.
David Dove (Nameless Sound) - trombone Alvin Fielder (Sun Ra Arkestra, Association for the Advancement of Creative Musicians) - drums
Lester Bowie (October 11, 1941--November 8, 1999) was an American jazz trumpet player and composer. He was a member of the Association for the Advancement of Creative Musicians and cofounded the Art Ensemble of Chicago.
The Freedom Principle: Experiments in Art and Music, 1965 to Now links the vibrant legacy of the 1960s African American avant-garde to current art and culture, both locally and globally. It is occasioned in part by the fiftieth anniversary of the founding of the Association for the Advancement of Creative Musicians (AACM), a still-flourishing organization of Chicago musicians who dramatically expanded the boundaries of jazz. The exhibition combines historical materials with contemporary artistic responses to reveal a powerful ongoing conversation about experimentation, collective action, improvisation, and the search for freedom. This exhibition is organized by Naomi Beckwith, Marilyn and Larry Fields Curator, and Dieter Roelstraete, Manilow Senior Curator, at the Museum of Contemporary A...
Audio-Card Chicago - 6.8.2016 Sound: Association for the Advancement of Creative Musicians (AACM) Photo: Fred Anderson Park by Thomas Burkhalter, norient.com #Chicago #testingformats #jazz #AACM from Playlist Audio-Cards: https://www.youtube.com/playlist?list=PLDTNnXbdjORVYIG5u79PLToQ4KgkTQ1Bs
A spin off of the Association for the Advancement of Creative Musicians, the Creative Images Internet Radio Musicians have their own radio station, www.live365.com. They are a conglomeration of creative musicians including Alvin Fielder/drums, Clonzo May/vibist, R. Jess Brown, Jr./ electric upright bass and talented young guitarist Adam McPhail along with sing Latongya Garner. Fielder and Brown were both original members of two of the Association for the Advancement of Creative Musicians' most celebrated groups. Fielder was the original member of the Art Ensemble of Chicago and Brown was the original member of Edward Wilkerson, Jr.'s 8 Bold Souls.
The Interpretations Series presents AACM50, a tribute to the Association for the Advancement of Creative Musicians on the occasion of their 50th Anniversary. March 19's AACM50 event at Roulette features Baritone Thomas Buckner singing works by
This week my guest is musician, craftsman, composer, and educator Douglas Ewart. Read about his work with the Association for the Advancement of Creative Musicians (AACM) at aacmchicago.org/douglas-ewart-0 and visit his website at douglasewart.com.
A rare Washington appearance from Henry Threadgill, "one of the most important living composers in and around the jazz idiom" (Nate Chinen) and a dazzling alto saxophonist and flutist with masterly improvisational skills. Speaker Biography: At the edge of the jazz avant-garde since the early 1960s, composer-performer Henry Threadgill operates within a sophisticated, multi-sourced musical language developed over decades, since his early years with the Association for the Advancement of Creative Musicians. It's a language uniquely his own, one that his Zooid colleagues speak fluently. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6619
The title and concept for the project is inspired by the restless and challenging creative spirit of the Association for the Advancement of Creative Musicians (AACM) in Chicago and the wider musical development in that city's creative music scene. This has produced a unique community of artists and a melting pot where music of African origin collides with electronics, chamber music, orchestral music, post‐rock, jazz, etc.
Larry Appelbaum interviews composer and multi-instrumentalist Henry Threadgill about his musical upbringing in Chicago, the Association for the Advancement of Creative Musicians (AACM), the story of his life-changing experience in Vietnam, his groups Air and Zooid, and his approach to composition and improvisation. Speaker Biography: Henry Threadgill is an American composer, saxophonist and flautist who came to prominence in the 1970s leading ensembles with unusual instrumentation and often incorporating a range of non-jazz genres. He has had a music career for over forty years as both a leader and as a composer. Speaker Biography: Larry Appelbaum is a senior music reference librarian and jazz specialist in the Music Division at the Library of Congress. For transcript, captions, and ...
AACM Panel Discussion: Muhal Richard Abrams, Frederick Berry, George Lewis, and Roscoe Mitchell with Charles Kronengold: Moderator CCRMA, Stanford. May 12, 2014. From George Lewis work "A Power Stronger than Itself" "Since its founding on the virtually all-black South Side of Chicago in 1965, the African American musicians' collective known as the Association for the Advancement of Creative Musicians has played an unusual prominent role in the development of American experimental music. Over more than forty years of work, the composite output of AACM members has explored a wide range of methodologies, processes, and media. AACM musicians developed new and influential ideas about timbre, sound, collectivity, extended technique and instrumentation, performance practice, interm...
Arts Incubator April 28, 2015 In stop.reset, Alex Ames, an African-American publisher of books, is looking for someone to whom he can pass on his legacy. He is concerned with how he will be remembered. Historically, books have been the vessels of memory, what will hold memory in the future? How can we move forward if we have no real appreciation of ancestry and legacy? Have we become watchers rather than doers, on the sidelines videotaping life? Is the phone the portal to the soul? Can you make art with it? Moderator: Lee Bey Panelists: • Tracie Hall, Deputy Commissioner of the Department of Cultural Affairs & Special Events • Khari B., President of the Association for the Advancement of Creative Musicians • Mwata Bowden, musician, Khari B.’s father • Ayana Contreras, Arts Incub...
Arts Incubator April 28, 2015 In stop.reset, Alex Ames, an African-American publisher of books, is looking for someone to whom he can pass on his legacy. He is concerned with how he will be remembered. Historically, books have been the vessels of memory, what will hold memory in the future? How can we move forward if we have no real appreciation of ancestry and legacy? Have we become watchers rather than doers, on the sidelines videotaping life? Is the phone the portal to the soul? Can you make art with it? Moderator: Lee Bey Panelists: • Tracie Hall, Deputy Commissioner of the Department of Cultural Affairs & Special Events • Khari B., President of the Association for the Advancement of Creative Musicians • Mwata Bowden, musician, Khari B.’s father • Ayana Contreras, Arts Incubator Ar...
"Afterword: The AACM (as) Opera" University of Chicago Humanities Day October 17, 2015 Jacqueline Stewart, Professor in the Department of Cinema and Media Studies and Interim Director of the Richard and Mary L. Gray Center for Arts and Inquiry. James Chandler, Barbara E. and Richard J. Franke Distinguished Service Professor in the Departments of Cinema and Media Studies and English Language and Literature; Chair of the Department of Cinema and Media Studies and the Director of both the Franke Institute for the Humanities, and the Center for Disciplinary Innovation. Sean Griffin, director of Opera Povera, composer, and conductor George Lewis, Edwin H. Case Professor of American Music at Columbia University A discussion of the opera Afterword, created at the Gray Center for Arts and Inquir...
Widely regarded as one of the great drummers in modern jazz, Jack DeJohnette has a wide-ranging style that makes him a dynamic sideman and bandleader. He has played with virtually every major jazz figure from the 1960s on, including Miles Davis, Herbie Hancock, Ornette Coleman, Sonny Rollins, and Abbey Lincoln. His versatility on the drums is accented by DeJohnette's additional accomplishments as a keyboardist: he studied classical piano for ten years before taking up drums. In his early years on the Chicago scene, DeJohnette was active with the premiere musician organization, the Association for the Advancement of Creative Musicians, whose members included Muhal Richard Abrams, Roscoe Mitchell, and Joseph Jarman. In 1966, he drummed alongside Rashied Ali in the John Coltrane Quintet. How...
Nicole Mitchell & Black Earth Ensemble 12th Guelph Jazz Festival, St George’s Church, Mitchell Hall Guelph, Ontario, Canada; September 9, 2005. Very good audience recording. Anthony Braxton had once described Nicole Mitchell as “the greatest flute player I have ever heard, bar none.” Composer, flutist, and AACM (Association for the Advancement of Creative Music) Vice-President Nicole Mitchell leads this large ensemble, featuring some of the most exciting soloists from the new generation of Chicago jazz, through her eclectic, rhythmically exciting pieces. Her writing deftly integrates thumping percussion, Latin grooves, subtle string arrangements, tight ensemble passages, collective improvisation, and much more. As a soloist, Mitchell extends the range of her instrument by vocalizing in...
Our story's been shelved away
And I'm locked inside
Between the depths of page
I now age
But as the river bends bending til it's destined end
This is what he said
And if we never speak again
I will pretend
Cause I've got the imaginative
Along with the creative
Said along with the creative
(I toss and turn)
And I cannot get you out of my dreams
(You fill my mind)
Despite my every try
(Is this for real?)
I'm lost within the seams
(So wrong, so right)
Of a lie
But as the river bends bending till it's destined end
We can only bend so far before we break
And when the waves refuse to break
Then the ground will surely shake
And quake, that it did on that day
And if we never speak again
I will pretend
Cause I've got the imaginative
Along with the creative
Said along with the creative
Along with the creative
Alone with my creative
I'm stepping back to redefine what I'm created for
What I'm created for
For all the things we have lost
(I'm stepping back to redefine what I'm created for)
It seems that nothing worth having comes without it's cost
(I'm living life through the eyes of a creator)
And I'm coming to find
(I'm stepping back to redefine what I'm created for)
The power of my mind
A conscious state of mind
And if we never speak again
I will pretend
(Whatever I want, we're all one in the end)
Cause I've got the imaginative
Along with the creative
Said along with the creative
And so it comes to be
I've created a world in which you're right here next to me
Where all things, all thought transcends reality
I've created a world to which the world will never see