Rolling Stones ft. Nicky Hopkins on piano "ROCKS OFF" alternate 1971 (2016)

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Hey hello , https://youtu.be/Mgs_4i2gMis I'm here for the same reason as you do. https://youtu.be/j4VOT0EPTnE or https://youtu.be/0EvoNxAVOhA?list=PL_... This is a channel with the most rare and good music there is. Keep watching cause there is a lot more to come. So have fun and subscribe. Rolling Stones ft. Nicky Hopkins on piano "ROCKS OFF" alternate 1971 (2016) EXILE ON MAINSTREET 1971 SESSION. Nicholas Christian "Nicky" Hopkins (24 February 1944 – 6 September 1994) was an English pianist and organist. Hopkins recorded and performed on many notable British and American pop and rock music releases from the 1960s through the 1990s including many songs by The Rolling Stones.[1] With the Rolling Stones[edit] Hopkins played with the Rolling Stones on their studio albums from Between the Buttons in 1967 through Emotional Rescue in 1980 and Tattoo You in 1981. Among his contributions, he supplied the prominent piano parts on "We Love You" and "She's a Rainbow" (both 1967), "Sympathy for the Devil" (1968), "Monkey Man" (1969), "Sway" (1971), "Loving Cup" and "Ventilator Blues" (1972), "Angie" (1973), "Time Waits for No One" (1974) and "Waiting on a Friend" (1981). When working with the band during the 1970s, Hopkins tended to be employed on their slower, ballad-type songs, while longtime Stones keyboardist Ian Stewart played on traditional rock numbers, and Billy Preston featured on soul- and funk-influenced tunes. Hopkins' work with the Rolling Stones is perhaps most prominent on their 1972 studio album, Exile on Main St., where he contributed in a variety of musical styles. Along with Ry Cooder, Mick Jagger, Bill Wyman and Charlie Watts, Hopkins released the 1972 album Jamming with Edward! It was recorded in 1969, during the Stones' Let It Bleed sessions, when guitarist Keith Richards was not present in the studio. The eponymous "Edward" was an alias of Nicky Hopkins derived from studio banter with Brian Jones. It became the title for an outstanding Hopkins performance – "Edward, the Mad Shirt Grinder" – a song released on the Quicksilver Messenger Service album Shady Grove in December 1969. Hopkins also contributed to the Jamming With Edward! cover art. Hopkins was added to the Rolling Stones live line-up for the 1971 Good-Bye Britain Tour, as well as the notorious 1972 North American Tour and the early 1973 Winter Tour of Australia and New Zealand. He started to form his own band around this time but decided against it after the Stones tour. He had planned on using Prairie Prince on drums and Pete Sears on bass. Hopkins failed to make the Rolling Stones' 1973 tour of Europe due to ill health and, aside from a guest appearance in 1978, did not play again with the Stones live on stage. He did manage to go on tour with the Jerry Garcia Band, from 5 August to 31 December 1975.[9] "Rocks Off" is the opening track on the Rolling Stones' 1972 double album Exile on Main St.. It was also released as a single in Japan. Recorded between July 1971 and March 1972, "Rocks Off" is one of the songs on the album that was recorded at Villa Nellcôte, a house Keith Richards rented in the south of France during the summer and autumn of 1971. Overdubs and final mixing for the song were later done at Sunset Sound studios in Los Angeles, California between December 1971 and March 1972. The lyrics to the song are wide-ranging, harsh and brutally frank at times; as in Richards obviously referring to an injection of heroin: “ I'm zipping through the days at lightning speed. Plug in, flush out and fight and fuck and feed. Heading for the overload, Splattered on the dirty road, Kick me like you've kicked before, I can't even feel the pain no more. ” The song features a sudden divergence near the two minute fifteen second mark into what has been called a psychedelic jam of sorts, with Mick Jagger's vocals electronically distorted and the guitar chords stretched: “ Feel so hypnotized, can't describe the scene. Feel so mesmerized, all that inside me... ” Allmusic critic Jason Ankeny claims that the song "perfectly sets the mood for what's to follow -- murky, gritty, and menacingly raw, its strung-out incoherence captures the record's debauched brilliance with marble-mouthed eloquence."[1] Allmusic's Stephen Thomas Erlewine considers the song a masterpiece.[2] Jonathan Zwickel of Pitchfork considers it "some of the Rolling Stones' most enduring and soulful work."[3] The song's mix is notoriously haphazard, as many instruments, and even the lead vocals, fade in and out of prominence.[1] The villa's basement, where many of the songs were recorded, was extremely hot and many of the guitars could not stay in tune as a result. Jimmy Miller produced the track, and it features session men Nicky Hopkins on piano, Jim Price and Bobby Keys on brass, as well as regular band members Jagger (lead vocals), Richards (backing vocals, guitar), Charlie Watts (drums), Mick Taylor (guitar), and Bill Wyman (bass).