This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Zindagi”(1976) was directed by Ravi Tandon for Vikram Movies International, Bombay. This social movie had Mala Sinha, Sanjeev Kumar, Vinod Mehra, Mausami Chatterji, Anil Dhawan, Aruna Irani, Rakesh Pandey, Alka, A K Hangal, Deven Verma, Manmohan, Yunus Parwez, Leela Mishra, Sajjan, Praveen Paul, Brahm Bhardwaj, Chaman Puri, Padmini Kolhapure, Master Abbas, H L Pardesi, Chandu, Vandana Shashtri, Vikas Anand, Baldev Trehan, Jerry Raja, Nitin , Hemant, and friendly apperances were made by Keshto Mukherji, Ifthikar and Vijay Dutt.
HFGK counts the songs as song number 1, 2(a), (b) and 2. This confusion made us believe that we had YIPPEED this movie when we discussed two songs from the movie. Just now H M Aparna pointed it out to me that there were four songs in this movie. When I checked up, I realised that song number 2 (a) and (b) were two parts of a multiple version song and they had already been discussed. That left song mentioned as song number 2 in HFGK. This song is sung by Lata. Amit Khanna is the lyricist. Music is composed by Rajesh Roshan.
This song is picturise as a family get together song where Mausami Chatterji is seen lip syncing this song in the presence of almost the entire star cast of the movie.🙂
With this song, “Zindagi”(1976) now ACTUALLY joins the list of movies that have all their songs covered in the blog.
Song-Main na boloon na boloon na boloon re (Zindagi)(1976) Singer-Lata, Lyrics-Amit Khanna, MD-Rajesh Roshan
Lyrics
main na boloon na boloon na boloon re
ae ae
main na boloon na boloon na boloon re
bole mera madhuban ki
ho mohe preet hai bachpan ki
ae main to doloon re doloon re doloon re ae ae
main na boloon na boloon na boloon re
sharam se bhaari ankhiyaan hamaari
kartin bas ye baaten tumhaari
laakh jatan kare mera man ??
koi jaadu hum pe hai chalaaye ae
main na boloon na boloon na boloon re
ae ae
main to doloon re doloon doloon re
jeevan saara yoonhi guzaara
mori naiyya dhoondhe kinaara
sang sang pawan ke
panchhi ban ke
aane waale ab to aa bhi jaa aa aa aa
main na boloon na boloon na boloon re
ae ae
main to doloon re doloon doloon re
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Anjangarh”(1948) was directed by Bimal Roy for New Theatres, Calcutta. This movie had Bipin Gupta, Ajay Kumar, Hiralal, Sunanda Devi, Rama Indu, Parulkar, Bhupendra Kapoor, Tulsi Chakraborty, Asit Sen, Jahar Roy etc in it.
This movie, one of the lesser known movies of New Theatres, had six songs in it that have ended up becoming as obscure as the movie itself.
Here is the first song from “Anjangarh”(1948) to appear in the blog. This song, which appears to be a prayer, is sung by Pankaj Mullick and Utpala Sen. Pt Bhushan is the lyricist. Music is composed by R C Boral.
Only the audio of this song is available. I request our knowldgeable readers to throw light on the movie as well as on the picturisation of this song.
Song-Sansaar ke aadhaar daya ham pe dikhaao (Anjangarh)(1948) Singers-Pankaj Mullick, Utpala Sen, Lyrics-Pt Bhushan, MD-R C Boral
Both
Lyrics
sansaar ke aadhaar
dayaa ham pe dikhaao
sansaar ke aadhaar
dayaa ham pe dikhaao
majhdhaar mein hai naav
ise paar lagaao
majhdhaar me hai naav
ise paar lagaao
sansaar ke aadhaar
dayaa ham pe dikhaao
bhoole se bhi hargiz na kabhi aansoo bahaayen
duniyaa kaa bhalaa ho to galaa apnaa kataayen
bhoole se bhi hargiz na kabhi aansoo bahaayen
duniyaa kaa bhalaa ho to galaa apnaa kataayen
do shakti kaa vardaan
do shakti kaa vardaan hamen
veer banaa veer banaa veer banaao
sansaar ke aadhaar
dayaa ham pe dikhaao
sansaar ke aadhaar
dayaa ham pe dikhaao
rishiyon ki hai santaan badhe maan hamaaraa
har ek ko har aan rahe dhyaan hamaaraa
rishiyon ki hai santaan badhe maan hamaaraa
har ek ko har aan rahe dhyaan hamaaraa
dushman ko bhi karnaa pade sanmaan hamaaraa
ran kaanp uthhe sun ke vijay-gaan hamaaraa
dushman ko bhi karnaa pade sanmaan hamaaraa
ran kaanp uthhe sun ke vijay-gaan hamaaraa
soton ko jagaane kaa
soton ko jagaane kaa sabak
hamko sikhaao
hamko sikhaao
hamko sikhaao
sansaar ke aadhaar
dayaa ham pe dikhaavo
sansaar ke aadhaar
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all Atulwaasis
This post should have ideally appeared yesterday. But due to various reasons it remained unsent and the result is that we missed wishing a superstar who is first and foremost an actor; very versatile and untypecasted –much like the actor who we remembered on 6th November.
I spent most of yesterday hunting the various TV and radio channels to see if there were any special programmes on this actor of actors. In fact late in the evening my husband too asked how we also had missed the date. As the Hindi saying goes “Der aaye durust aaye” (late coming repaired coming🙂 ) or its English equivalent- “better late than never”. Hope this post rectifies the situation and here we are wishing this much loved actor a belated happy birthday.
He is an actor first and then went on to be a screen writer, director, producer, singer, choreographer, lyricist, philanthropist and dancer. No I am not talking of our Kishore Kumar. I am talking of Parthasarathy. Has anyone heard this name? He has won several Indian film awards including three National Film Awards and 19 Filmfare Awards. With seven submissions he has starred in the highest number of films submitted by India for the Academy Award Best Foreign Language Film. He was awarded the Padmashri in 1990 and Padma Bhushan in 2014.
After several projects as a child, his breakthrough as a lead actor came in the 1975 drama Apoorva Raagangal (1975), in which he played a rebellious youth in love with an older woman. He won his first National Film Award for his portrayal of a guileless schoolteacher who cares for a childlike amnesiac in Moondram Pirai (1983). Ahh! Now I can see the light of recognition in all eyes- yes we are talking of an actor who has been Chachi 420 or has portrayed the Matunga don of yesteryears Varadarajan Mudaliar or is known to have experimented with a full length silent film in this age of talkie films. He was Vasu to K. Viswanath’s Sapna in 1981. He has tried his hand at doing many double roles but his act as four look alike- separated at birth Quadruplets was a blast of a movie in Tamil. He has also tried doing 10 distinct roles in the 2008 release Dashavataram.
To wish him on his birthday which was yesterday I had a vast directory of songs to choose from and I have taken the easy way out by writing out the lyrics (one of the many songs that are by heart for that generation of HFM lovers) from his very first film in Hindi as lead actor.
The movie had him play a South Indian- Tamilian to be exact- who can’t understand Hindi. And this song is his effort to impress his girl and try and get his feeling across. The song was penned by Anand Bakshi –must have been a stroke of genius to have strung this song together. Laxmikant- Pyarelal were the music directors and playbacks were Anuradha Paudwal and S.P. Balasubramaniam.
Here is wishing Kamal Hassan a belated 63rd birthday.
Song-Mere jeewan saathi pyaar kiye jaa (Ek Dooje Ke Liye)(1981) Singers-S P Balasubrahmaniam, Anuradha Paudwal, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both
Lyrics
mere jeevan saathi
pyaar kiye jaa
jawaani deewaani
khoobsoorat
ziddi padosan
satyam shivam sundaram
benhur
(o benhur wo English hai)
mere jeevan saathi
pyaar kiye jaa
waah waah
haan haan
mere jeevan saathi
pyaar kiye jaa
jawaani deewaani
o ho
khoobasurat
ziddi padosan
satyam shivam sundaram
satyam shivam sundaram
satyam shivam sundaram
ha ha ha ha ha
ha h a ha
jhootha kahi kaa
jhootha kahi kaa
haan
hare raama hare krishna
dhat chaar sau bees,
aawaara
dil hi to hai,
haay
aashiq hoon bahaaron kaa,
tere mere sapne
tere ghar ke saamne,
aamne saamne,
shaadi ke baad
shaadi ke baad
o baap re
haan haan haan haan
hamaare tumhaare,
kyaa
munna, guddi, tinku, mili,
shin shinaaki bubblaa boo
khel khel mein
shor,
shor
hahaha
bhool gaye
johny mera naam,
achchhaa
chori mera kaam
johny mera naam,
o chori mera kaam
haa
raam aur shyaam,
dhat, bandalbaaz
ladki
milan geet gaata chal,
besharam
aahaa haahaahaahaa
pyaar kaa mausam,
besharam
satyam shivam sundram,
satyam shivam sundram
satyam shivam sundram
mere jeevan saathi
pyaar kiye jaa,
jaa jaa
jawaani deewani
khoobasurat,
ziddi padosan
satyam shivam sundaram
ishq ishq ishq
naughty boy
ha ha
ishq ishq ishq,
bluff master
ye raaste hain pyaar ke
chalte chalte
mere hamsafar
aah
hamasafar
dil tera deewaana
deewana mastaana
chhaliya anjaana,
pagla kahin kaa
chhaliya anjaana,
aashiq begaana,
loafar, anaadi
badhti kaa naam daadhi,
chalti kaa naam gaadi
badhti kaa naam daadhi,
chalti kaa naam gaadi
jab pyaar kisi se hotaa hai
sanam,
o ho
jab yaad kisi ki aati hai
jaaneman,
sach
bandhan, kangan, chandan, jhoola,
chandan, kangan, bandhan, jhoola,
bandan jhoola,
kangan jhoola, chandan jhoola,
jhoola jhoola
dil diya dard liya,
jhanak jhanak paayal baaje
chham chhamaa chham,
geet gaaya pattharon
sargam
satyam shivam sundaram
satyam shivam sundaram,
satyam shivam sundaram
mere jeevan saathi
pyaar kiye jaa,
chal chal
haha
jawaani deewani
khoobsoorat,
ziddi, padosan
satyam shivam sundaram,
sing with me
come on
laa laa laa laa laa laa
hahaha
laa laa laa laa laa laa
hahaha
laa laa laa laa laa laa
hahahaaha
laa laa laa laa laa laa
laa laa laa laa laa laa
hahaahha
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Aaiye” (1949) was directed by Yakoob for Indian Production, Bombay. This movie had Yakoob, Sulochana Chatterji, Masood, Ashraf Khan, Janki Das, Sheila Naik, Tasneem, Charlie, Wali Muhammad, Munshi Munaqqa, Abu Bakar, Saleem, Muhammad Ali, Gaffar, Mubarak Begam, Baby Mumtaz etc in it.
Seven songs from this movie have been discussed in the past.
Here is the eighth song from “Aaiye”(1949) to appear in the blog. This rare song is sung by G M Durrani and Lata. Nakshab is the lyricist. Music is composed by Nashaad.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Duniya badal gayi ki muqaddar bigad gaya (Aaiye)(1949) Singers-G M Durrani, Lata, Lyrics-Nakshab, MD-Naashaad
Lyrics
Duniya badal gayi ki muqaddar bigad gaya
Duniya badal gayi ki muqaddar bigad gaya
is ghar ka kya karoon
jo basa aur ujad gaya
taqdeer ek ghadi na rahi
dil ke saath saath
qismat se ek saathi mila thha
bichhad gaya
is ghar ka kya karoon
jo basa aur ujad gaya
Duniya badal gayi ki muqaddar bigad gaya
dil toot’te hi ee
dil toot’te hi
aankh se aansoo tapak pade
paani hamaari saari ummeedon pe pad gaya aa
duniya badal gayi ki muqaddar bigad gaya
gham ki kuchh aisi aandhi chali ee ee
ham ujad gaye
gham ki kuchh aisi aandhi chali ee ee ee ee
ham ujad gaye
dil se har ik ummmeed ka dera ujad gaya aa
duniya badal gayi ki muqaddar bigad gaya
O nargis pyaare
Posted on: November 8, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hindi talkies got their start in the 1930s. Hindi Film Music, which started with them, took their own time to find their bearings. Their transition phase lasted several years when they underwent many changes (some of them path breaking ones) before HFM finally found their feet and settled down and got consolidated by 1940s.
I regard this transition phase of Hindi film music as the phase where solid foundation was laid off that paved the way for the take off stage for the golden period of Hindi film music of the 50s and 60s.
I had already discussed it in one of my earlier articles that new playback singers and new music directors joined the Hindi film industry in the 1940s seeing the potential for a good musical career in it.
The 1940s was also a decade which saw some uncertainties for the film industry in general and Hindi film industry in particular. Two events in the 1940s affected the Hindi film industry badly. In the wake of the World War-II (1939-45), there was restriction on the use of raw film stock for a full length film. Some of the films during this period remained incomplete or struggled to finish the shooting due to the shortage of raw film stock and consequently very high cost of acquiring raw film stock in the black market. The partition of the country in 1947 also badly affected the films that were on the floor in 1947 due to two-way migration of actors and film crews.
During the scouting of rare film songs of the 1940s, I observed that many films that were released in 1947 and 1948 were unknown to me. It appears that these were the films whose shootings had to be completed in a hurry to beat the partition woes and were released without much publicity. Such films were probably released only in a few film distribution territories. This could be one of the reasons why the films did not fare well at the box office.
One of such films which I came to know recently was FARZ (1947). The film was produced under the banner of New Hindustan Pictures and was directed by Niranjan. The star cast included Ragini, Sudhir, Chand Burq, Agha, Fareeda. Leela etc. I have no idea about the film’s story. How obscure this film was can be gauged by the fact that all the nine songs of the film have no information about the singers as well as lyricists. But some of the songs from this film are very melodious.
I am presenting the first songs ‘o nargis pyaare’ to appear in the Blog which is a rare one in the sense that the song was not available on YT until I uploaded the same. The names of the singer as well as lyricist are not available. From the voice, I have guessed that voice is that of Dilshad Begum. One of the commentators on my video upload of the song has confirmed that the voice is indeed that of Dilshad Begum. All the songs of the film were set to music by K S Sagar, a name I heard for the first time.
With this song, the film FARZ (1947) makes its debut in the Blog.
Song-O nargis pyaare (Farz)(1947) Singer-Dilshad Begam, MD-K S Sagar
Lyrics
o nargis pyaare
o nargis pyaare
o nargis pyaare
aaj ki raina
aaj ki raina
o o
mohey naina de udhaare ae
o nargis pyaare
bhed(??) nasheele
bhed(??) nasheele
nain baawre
nain baawre..ae
ho jaayen piya hamaare
ho jaayen piya hamaare ae ae
pyaare
de de nain udhaare
o nargis pyaare
aasha ke bhare sarowar mein aen aen
aasha ke bhare sarowar mein aen
yoon kanwal mera khil jaaye ae
yoon kanwal mera khil jaaye
nadi ke tat par khadi jawaani
nadi ke tat par khadi jawaani
pyaasi kyun reh jaaye ae
hoy pyaasi kyun reh jaaye ae
naina mein
ho naina mein aen
naina mein kab tak tadapengen aen
haay mere sapan kanwaare
haay mere sapan kanwaare ae ae
pyaare ae
de de nain udhaare ae
o nargis pyaare ae
Chhoti Sethhaani ji
Posted on: November 8, 2016
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song is from Safar-46. It was a Filmistan presentation which was the first film of C.Ramchandra in this company.
C.Ramchandra had worked in Jayant Desai Productions for the previous three years. He gave 5 jubilee films, Bhaktaraj-43,Zabaan-43, Manorama-44, Lalkaar-44, and Samrat Chandragupta-45 for this production house. He was getting only Rs.300 as salary. He had got married and needed more money now.
He came to know that K.L.Saigal was to come to Bombay from Calcutta to work in a Jayant Desai film. He was quite excited. However his joy was shortlived when he heard that composer Lal Mohammed ( assistant of Ghulam Haider in Lahore) was invited to give music to the Saigal film. He was terribly hurt. He went to Jayant Desai, the owner and asked for a raise in salary. C Ramchandra wanted Rs. 1000 pm, but Desai was prepared to raise his salary only upto Rs. 600. Finally C Ramchandra left the job, in a fit of rage.
One day he was met by Kavi Pradeep, who was looking for him. He took him to Shashdhar Mukherjee in Filmistan, who offered C Ramchandra a salary of Rs. 1000 pm and C Ramchandra joined Filmistan.
C Ramchnadra had heard quite a lot abot S.Mukherjee, who had a string of successful films behind him like, Kangan, Bandhan, Sansar, Kismet etc. A towering person like Himanshu Roy had guided him in the prestigious Bombay Talkies. Shashadhar Mukherjee ( 29-9-1909 to 3-11-1990) was a very clever person. He was a good judge of people. He had understood the fundamental truth for a successful film-a sound plausible story base and he was very careful about it. Filmistan had employed efficient and eminent writers like Kavi Pradeep, P.L.Santoshi, G.S.Nepali, Shahid Lateef, Saadat Hasan Manto etc. He consulted other literary giants also whenever needed. He always thought about what the public wanted and he offered them that. That was the secret of his success.
Identification and selection of the right personnel went a long way in the success of ilmistan. He recruited C.Ramchandra to Filmistan, as he was fully aware of his talent and capability.
C Ramchandra’s first film in Filmistan proved to be his best film so far. Not only it completed a Silver jubilee, but its songs like, ‘ kabhi yaad karke, gali paar karke’ and ‘ Chhoti sethaani ji ‘ etc became very popular. This film became the beginning of C Ramchnadra’s march towards the Number One position among music directors of HFM.
When I talk about film Safar-46,I invariably remember the film ” Maine Pyar kiya”-89. There are many similarities in both films.
First, both films were made by Big banners like Filmistan(safar-46) and Rajashri (Maine Pyar Kiya-89).
Secondly, the lead pair in both films were unknown and New comers. It was just the second film of Salman Khan-the First film as a Hero. His Heroine Bhagyashree (Patwardhan) was making her Debut with the film Maine Pyar kiya-89. In Safar-46, the Heroine Shobha was totally unknown and she was making her a Debut there. For Kanu Roy, this was the first film as a Hero.
The name Kanu Roy is generally confused with composer Kanu Roy. Actor Kanu Roy was a different person.
Kanu Roy (the Actor) was in reality a name for Nalini Ranjan Roy, born on 9-12-1912 at Jabalpore. He was very fond of acting and so landed at Bombay Talkies,a company started by two Benagalees- Himanshu Roy and Devika Rani. Those days many people from Bengal used to come to Bombay Talkies, but only the capable ones like Amiya Chakravarty, Shashadhar Mukherjee or Ashok Kumar etc could make their careers here. Kanu Roy started his acting career from the film Basant-1942. His name Nalini was sounding like a Girl’s name in Bombay ( there were already half a dozen Nalinis working in films those days), so it was changed and he opted for Kanu, his pet name in the house. Thus Kanu Roy came into films. Due to his good looks, he even became a lead actor in a few films. Nazrana-46 (UR) was one such film where he was working opposite Kamini Kaushal. Kanu Roy worked in about 40 odd films from 1942 to 1983 ( kisi se naa kehna). Kanu Roy also left Bombay Talkies along with S.Mukherjee and others and joined Filmistan. He was in many Filmistan films like, Munim ji, Nastik, Naagin, Jagriti etc. He acted in a Bangla film ‘Samar’too in 1950.
Kanu Roy (the Composer) gave music to very few films like Uski Kahaani-66, Anubhav-71, Avishkar-74, Tumhara Kallu-76, Grih pravesh-79, Mayuri-81 and Shyamla-79 which was re-censored in 1981 as Woh phir naa aayee. Some people and sites describe him as Geeta Dutt’s brother, but he was not her brother. Her brother was Mukul Roy. Kanu Roy, the composer died in Bombay on 20-12-1981.
Thirdly, the Director of Maine Pyar Kiya, Sooraj Barjatya was making his Debut with this film. ( Later on he made Hits like, Hum apke hai kaun and Hum saath saath hai etc.). For film Safar-46, the Director was Bibhuti Mitra-an import from Calcutta. It was just his second film. His first film ‘ Angoothis’-43 was a resounding Flop. Actually Ashok Kumar was its Hero and when Angoothi was released Ashok’s film Kismet was making records all over India. Film Angoothi ran only for 3 days and it was then withdrawn from theatres. Normally, in Film Industry,an unsuccessful Director is not touched even with a bargepole, but S. Mukherjee selected him as a Director.
Lastly, the Music Director for Maine Pyar kiya-89 was Ram-Laxman, hardly a known name at all. For Safar-46,C.Ramchandra ws selected. he had done 10 C grade films and just 5 social films till then and his name was not yet become famous. In spite of this S.Mukherjee took the risk and trusted his talent, which he had judged correctly.
Despite the Actors, MDs, Director and the lead pair being either Unknown, making a Debut or less known, both the films became Hits- only because of Music. Both Music Directors, C.Ramchandra as well as Ram-Laxman became famous overnight and this became virtually the starting point of their ascent to the Top of HFM. What happened first with Safar-46 repeated itself after 43 years in the success of Maine Pyar Kiya-89 !!!
Safar-46 was a film that came up before the entry of Lata in C Ramchnadra’s career ( and life). Those days Binapani Mukherjee was his lead singer. The name Binapani is not understood by many. It is not Bina=without and Pani=water. The real meaning is Bina=Veena and Pani=Hands =One who holds Veena in her hands i.e. Saraswati.
Binapani was born on 17-10-1925,in a music loving family of Calcutta.Initial music training was by her grandfather Sheetal chandra mukherjee and and later from ustad Sageer Khan of Rampur.
C.Ramchandra gave Binapani Mukherji her playback singing break in “Muskurahat”-43. Her first song was-‘Hans le gaa le…’. It was a duet with CR. Then came Majdoor, Eight days, Darban, Rangbhumi,but she became famous after ‘Safar’-46.
Her most popular song-‘kabhi yaad kar ke,gali paar kar ke,chali aana hamare angana…’ was from this film, which was a duet with C Ramchandra. She also sang in Leela, Mulakat, Shahnayi, Samrat Ashok, Satyanarayan, Raaz ,Rumaal, Asra, Abla, Bhikari, Fariyad, Laajawab, Ghayal etc. Her last film was Gyan Dutt’s ‘Ghayal’-51.
Her voice was very sweet and was suitable for sad songs. It was somewhere between Uma Devi and Shamshad begum’s voice. She sang under C Ramchandra, Khemchand Prakash, Gyan Dutt, Hansraj Behl, Sardar Malik, Anil Biswas, S D Burman, H P Das, Premnath, Gulshan Sufi, Khursheed khan etc. etc.
After playback singing, she retired from film singing and taught music to aspirants throughout her unmarried life. She was staying in Bombay, with her brother.
There were 10 songs in Safar-46. Today’s song is the 6th song from the movie to be posted here. This is a typical C. Ramchandra style song sung by Chitalkar himself with Binapani Mukherjee. Let us now enjoy this song.
Song-Chhoti Sethhani Ji bolo laala hazaari ji (Safar)(1946) Singer-C Ramchandra, Binapani Mukherji, Lyrics-Gopal Singh Nepali, MD-C Ramchandra
Lyrics
chhoti sethaani ji ee
bolo laala hazaari ji ee
suno chhoti sethaani ji
tere firaak mein
hum to ho gaye badnaam
laala hazaari ji
tere bazaar mein
main bhi bik gayi bedaam
mukhda dikhaa ke
aankhen churaa ke
bachke na jaana gori
ho gori
mukhda dikha ke
aankhen churaa ke
bachke na jaana gori
ho gori
mehandi rachaa ke
bindiya lagaa ke
aayi hoon tori ??
sajan ghar ??
?? mori
jab raazi ho tum
to jhagde ka kya kaam
chhoti sethaani ji ee
bolo laala hazaari ji ee
suno chhoti sethaani ji
tere firaak mein
hum to ho gaye badnaam
bhaadon ki shaam hai ae
bhaadon ki shaam hai
honthon pe jaam hai
ab to aaraam hai ae
teri judaai ?? ankhiyaan bhigoyegi
ankhiyaan bhigoyegi
main to na jaaun
jo honi hai wo hoyegi
jo honi hai wo hoyegi
tum ho Chhaila main hoon Laila
tum ho chhaila main hoon Laila
dil thhaa
ab to tumhaare????
chhoti sethhaani ji
huhu
arre tere firaak mein
huhu
hum to ho gaye badnaam
huhuhuhu
badnaam ho gaye ham
- In: Actor-Singer song | Asha Bhonsle songs | Devnagri script lyrics by Avinash Scrapwala | Duet | expression of love | Feelings of heart | Guest posts | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
How many songs do we listen to during our lifetime? And how many of them do we actually remember? How many of them can we reel off or list out if asked to do so ?
It should lead to some interesting results if some reseach minded individual decides too carry our a research on the above topic.
The researcher may also like to go into details viz. how many songs out of all these songs are such songs that we remember almost verbatim.
The results of above study may turn out to be different for a group of ‘normal music lovers’ and for a control group of music lovers viz. ‘music lovers who are connected with a blog like ASAD’ or who are aware of HFGK and who know that the HFM has over 40K songs if calculated since 1930s to 1980s.
My own take on this matter is that the songs that we are exposed to throughout our life stays with us, either in the conscious part of our memory in the sub conscous part, depending on several factors, viz. how those songs have influenced us, etc.
Our of the songs that we are exposed to, we may find some songs motivating/ inspiring/ refreshing and we may actively seek out such songs to listen to. Keeping such songs with you and listening to them is one thing, which is not a challenge now a days. If one is a fan of ‘radio’ then finding one of your favourite song being broadcast on radio becomes a more rewarding experience because you cannot control which songs are going to be played on radio and so you do not know which song is going to be the next.
Sometimes some situations, incidences or some peculiar happenings in our lives may bring a song to our lips and we may start humming a song that would otherwise be lying dormant in our memory.
The song under discussion is one such song which I do not remember when I heard it last, but I found myself breaking into this song a couple of months back when I was staying at Khandwa (in a Hotel in the same area of ‘Gouri Kunj’).
I have neither watched this song nor its movie earlier. So I searched for this song, its movie and later on checked up with the blog to see if it has been posted here. I was pleasantly surprised to note that this song was not yet covered in the blog. It came as a pleasant surprise to me because it gave me the opportunity to share it.
So here is this wonderful song sung by Kishore Kumar and Asha Bhonsle from the 1960 movie – ‘Apna Haath Jagannaath’. This was the only song left over from the movie. So it gives me the additional bonus of being able to ensure that the movie gets YIPPEED with this song.
The lyrics of this song were written by Kaifi Azmi who penned all the eights songs (including today’s) of this movie and music is composed by S.D.Burman.
Seven songs of this movie have already been posted earlier on this blog.
This movie was directed by Mohan Saigal for Delux Films, Bombay. Mohan Saigal was also the producer of this movie.
It had Kishore Kumar, Sayeeda Khan, Leela Chitnis, Nazir Hussain, Jagdeo, Nand Kishore, Savita Chatterjee, Baby Devika, Shivraj, Rashid Khan, Brahm Bharadwaj, Ramlal, Shyam Lal, Daya Devi, Narbada Shankar, Moolchand Kapoor, Ravi Kant, Uma Dutt, Prem and V.Gopal.
This movie was passed by censor board on 20.02.1960.
With this song,”Apna Haath Jagannaath”(1960) joins the ‘list of movies-all songs covered’.🙂
Tum jahaan jahaan ham wahaan wahaan
Video
Audio
Song-Tum jahaan jahaan ham wahaan wahaan (Apna Haath Jaggannath)(1960) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Kaifi Azmi, MD-S D Burman
Both
Lyrics
Tum jahaan jahaan
Ham wahaan wahaan aa
Tum jahaan jahaan
Ham wahaan wahaan
Jaise gul mein boo
Dil mein aarzoo oo
Jaise gul mein boo
Dil mein aarzoo
Aur tan mein jaan aa aa aan
Tum jahaan jahaan
Ham wahaan wahaan
Haaye
Tum jahaan jahaan
Ham wahaan wahaan
Pyaar hanse ae ae ae
Nayi duniya base ae
Jahaan gham ki na koi ee
Raagini ho
Dhoop khile mere haathon ki
Tere mukhde ki rangeen chaandni ho o
Pyaar hanse
Nayi duniya base
Jahaan gham ki na koi Raagini ho
Dhoop khile mere haathon ki
Tere mukhde ki rangeen chaandni ho
O o o
Jaise gul mein boo
Dil mein aarzoo u
Jaise gul mein boo
Dil mein aarzoo
Aur tan mein ho jaan aan aan aan
Tum jahaan jahaan
Ham wahaan wahaan
Haan
Tum jahaan jahaan
Ham wahaan wahaan
Aahaa aaha ha aa
He he he he he
Aahaa aaha ha aa
Ho ho ho ho ho
Ho o
Ho
Aahaa aaha ha aa
Hey hey hey
Aahaa aaha aa
Phool chunoon oon oon
sadaa tere liye ae
Teri raah mein man ka
Deep jaley ae ae ae
Pyaar mera rahe ae
yoonhi jawaan
Meri umr ki jab tak
shaam dhale ae ae
Phool chunoon sadaa tere liye
Teri raahon mein man ka Deep jaley
Pyaar mera rahe yoonhi jawaan
Meri umr ki jab tak shaam dhale
Ae ae ae
Jaise gul mein boo
Dil mein aarzoo u
Jaise gul mein boo
Dil mein aarzoo
Aur tan mein jaan aan aan aan
Tum jahaan jahaan
Ham wahaan wahaan
Haaye
Tum jahaan jahaan
Ham wahaan wahaan
Jaise gul mein bu
Dil mein aarzoo u
Jaise gul mein bu
Dil mein aarzoo
Aur tan mein jaan aan aan aan
Tum jahaan jahaan
Ham wahaan wahaan
Haan
Tum jahaan jahaan
Ham wahaan wahaan
———————————-
Lyrics in Devnagri Script (Provided by Avinash Scrapwala)
———————————–
तुम जहां जहां
हम वहाँ वहाँ आ
तुम जहां जहां
हम वहाँ वहाँ
जैसे गुल में बू
दिल में आरज़ू ऊ ऊ
जैसे गुल में बू
दिल में आरज़ू
और तन में जान आ आ आ
तुम जहां जहां
हम वहाँ वहाँ
हाय
तुम जहां जहां
हम वहाँ वहाँ
प्यार हँसे ए ए ए
नयी दुनिया बसे ए ए
जहां ग़म की न कोई
रागिनी हो
धुप खिले मेरे हाथों की ई
तेरे मुखड़े की रंगीन चांदनी हो ओ
प्यार हँसे ए
नयी दुनिया बसे
जहां ग़म की न कोई
रागिनी हो
धुप खिले मेरे हाथों की
तेरे मुखड़े की रंगीन चांदनी हो
ओ ओ ओ ओ
जैसे गुल में बू
दिल में आरज़ू ऊ ऊ
जैसे गुल में बू
दिल में आरज़ू
और तन में जान आ आ आ
तुम जहां जहां
हम वहाँ वहाँ
हाँ
तुम जहां जहां
हम वहाँ वहाँ
आहा आहा हा आ
हे हे हे हे हे हे
आहा आहा हा आ
हो हो हो हो हो हो
हो ओ
हो ओ
हो ओ
हो ओ
आहा आहा हा आ
हे हे हे
आहा आहा आ
फूल चुनु सदा तेरे लिए ए ए
तेरी राहों में मन का
दीप जले ए ए ए
प्यार मेरा रहे यूंही जवान
मेरी उम्र की जब तक शाम ढले
फूल चुनु सदा तेरे लिए ए ए
तेरी राहों में मन का
दीप जले
प्यार मेरा रहे यूंही जवान
मेरी उम्र की जब तक शाम ढले
ए ए ए ए
जैसे गुल में बू
दिल में आरज़ू ऊ ऊ
जैसे गुल में बू
दिल में आरज़ू
और तन में जान आ आ आ
तुम जहां जहां
हम वहाँ वहाँ
हाय
तुम जहां जहां
हम वहाँ वहाँ
जैसे गुल में बू
दिल में आरज़ू ऊ ऊ
जैसे गुल में बू
दिल में आरज़ू
और तन में जान आ आ आ
तुम जहां जहां
हम वहाँ वहाँ
हाँ
तुम जहां जहां
हम वहाँ वहाँ
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Mehndi”(1947) was directed by Sibtain Fazli for Fazli Films, Bombay. The movie had Nargis, Begam Para, Murad, Ghori, Jillobai, Jaani babu, Protima Devi, Chacha Premi, Anwari, Zaki, Baby Shyama etc in it.
There were eight songs in this obscure movie. Here is the second song from “Mehndi”(1947) to appear in the blog. This “missing the beloved” song is as obscure as the movie itself. It is sung by Shanshad Begam. Sagar Nizami is the lyricist of this melancholic song. Music is composed by Ghulam Haider.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
I have not been able to get a few words right in the lyrics of the song. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.
Song-O door jaane waale aati hai yaad aa jaa (Mehndi)(1947) Singer-Shamshad Begam, Lyrics-Saghar Nizami, MD-Ghulam Haider
Lyrics
o door jaane waale
aati hai yaad aaja
aati hai yaad aaja
o door jaane waale
aati hai yaad aaja
aati hai yaad aaja
aankhon mein phir raha hai
beeta hua zamaana
aankhon mein phir raha hai
beeta hua zamaana
mera salaam e rukhsaar
wo tera muskuraana
mera salaam e rukhsaar
wo tera muskuraana
o bhool jaane waale
aati hai yaad aaja
aati hai yaad aaja
raaton ko chaandi mein
pehron hamaari baaten
raaton ko chaandi mein
pehron hamaari baaten
mujhko rula rahi hain aen
baaton bhari wo raaten
mujhko rula rahi hain aen
baaton bhari wo raaten
raaten jagaane waale
aati hai yaad aaja aa
aati hai yaad aaja
ae naamawar(?) kabootar
ae naamawar(?) kabootar
kehna ye unse jaa kar
pehle bani thhi jee par
ab ban gayi hai jaan par
mujhko rulaane waale
aati hai yaad aaja aa
aati hai yaad aaja
o door jaane waale
aati hai yaad aaja
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Bhai”(1944), an obscure movie by now, was directed by K D Mehra for Caravan Pictures, Bombay. The movie had Manorama, Satish, Radharani, Zahoor Raja, Khwaja Sabir, Zaheer, Minto Bai, R P Kapoor, Shatir Ghaznavi, O P Monga, Taus Khan etc in it.
This movie had eight songs in it. Five of them were composed by Ghulam Haider and the remaining three by Shyam Sundar.
Here is the third song from this movie to appear in the blog. This obscure song is sung by Naseem Akhtar, Shatir Ghaznavi is the lyricist. Music is composed by Shyam Sundar.
Only the audio of this song is available. It appears to me that this song may have been picturised as a mujra song. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
I have not been able to get a few words right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections wherever applicable in the lyrics.
Song-Kuchh yaad dilaati hain hamen beeti huyi baaten (Bhai)(1944) Singer-Naseem Akhtar, Lyrics-Shatir Ghazanvi, MD-Shyam Sundar
Lyrics
Kuchh yaad dilaati hain
hamen beeti huyi baaten aen aen
saajanwa
haan
saajanwaa
haan haan
baalamwa
haan haan
baalamwa
ye ae
pyaar bhari baaten
taaron bhari raaten
ye ae ae
pyaar bhari baaten
taaron bhari raaten
wo tirchhi nigaahon ka milaana
wo churaana
wo tirchhi nigaahon ka milaana
wo churaana
nainon ke katoron se
nainon ke katoron se mera masti lutaana
dheere se mere kaanon mein
dheere se mere kaanon mein phir tera sunaana
armaan bhare dil ki
armaan bhare dil ki wo betaab si baaten
ye ae ae
pyaar bhari baaten
taaron bhari raaten
ye ae ae
saajanwa
haan
saajanwaa
haan haan
baalamwa
haan haan
baalamwa
ye ae ae
pyaar bhari baaten
taaron bhari raaten
wo masti bhari raat
wo mastaani jawaani
wo masti bhari raat
wo mastaani jawaani
kuchh dil ke ??
kuchh dil ke ??
nigaahon ki zubaani
aanchal ke sarakne se ae ae
aanchal ke sarakne se
hui khatm kahaani
tab ishq pukaara
tab ishq pukaara
ke huyin husn ki baaten
ye ae ae
pyaar bhari baaten
taaron bhari raaten
ye ae ae
joban ki kasam le lo
ke joban hai ye phaani
joban ki kasam le lo
ke joban hai ye phaani
chitwan ki kasam le lo
chitwan ki kasam le lo
ke do din ki jawaani
jee bhar ke maze looto o o
jee bhar ke maze looto
ye jaake nahin aani
ye din nahin aane hain
ye din nahin aane hain
palat ke na ye raaten
ye ae ae
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