Love of My Life (Queen song)

"Love of My Life" is a ballad by the British rock band Queen from their 1975 album A Night at the Opera. The song was written by Freddie Mercury about Mary Austin, with whom he had a long term relationship in the early 1970s. After performing the song in South America in 1981, the version from their live album Live Killers reached number 1 in the singles chart in Argentina and Brazil, and stayed in the charts in Argentina for an entire year.

Freddie Mercury wrote it on the piano and guitar first, and Brian May rearranged the song for acoustic 12-string guitar for live performances, also lowering the key by a semitone. May contributed occasional guitar phrases to the original recording and played the swooping harp glissandos by pasting together multiple takes of single chords. The song is an example of Mercury's familiarity with rubato phrasing, showcasing his classical piano influences, notably by Chopin and Beethoven.

With its similar lyrical theme, the Roger Taylor penned single "These Are the Days of Our Lives" would later hearken back to "Love of My Life", twice using the line "I still love you". At the end of "These Are the Days of Our Lives", Mercury simply speaks those words, as he would often do in live versions of "Love of My Life".

Radio edit

In music, a radio edit is a modification, typically truncated, to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version. However, not all "radio edit" tracks are played on radio.

Editing for time

Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. Another example is B.o.B's song, "Nothin' On You" featuring Bruno Mars, whose radio edit skips the first 5 seconds & starts with the 6th second in which Bruno Mars starts singing the first chorus. The second half of the first chorus is sometimes skipped, along with the last 24 seconds which is the normal fade-out part in which B.o.B says, "Yeah, and that's just how we do it/And I'ma let this ride/B.o.B and Bruno Mars", and the radio edit ends with the fourth and last chorus with an earlier fade-out. A 3rd example would be the song, "The Man" by Aloe Blacc, in which the radio edit skips the "I'm the man/Go ahead & tell everybody/What I'm saying ya all" part & the first 10 seconds. Also, the 3rd chorus of the song is shortened. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse. Another example for this case is Justin Timberlake's "Mirrors", where the radio edit cuts the entire "You are the love of my life" part.

Remix

A remix is a piece of media which has been altered from its original state by adding, removing, and/or changing pieces of the item. A song, piece of artwork, book, video, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new.

Most commonly, remixes are associated with music and songs. Songs are remixed for a variety of reasons:

Love Is

Love Is may refer to:

Albums

Songs

Brooklyn Bounce

Brooklyn Bounce is one of several pseudonyms used by German trance producers Matthias Menck (Double M) and Dennis Bohn (Bonebreaker). They have also produced music under the names Mental Madness Productions and Beatbox feat. Rael. Menck and Bohn have created remixes of a wide array of artists, including Scooter and Kool & the Gang.

Career

Menck and Bohn, both natives to Hamburg, met in 1995. The pair had their first chart hit starring as Boyz R Us with the single "Singin' In My Mind". In 1996 the duo debuted as Brooklyn Bounce and released the "The Theme (of Progressive Attack)" which scaled the German dance charts as a club favourite before becoming a crossover hit for the group as well. This success set up the band's first debut album, The Beginning.

Menck and Bohn work solely in the studio and are not part of the Brooklyn Bounce live act. Instead, the group was fronted by several different vocalists and dancers, who have collaborated with the two German producers throughout the years. The list includes René "Diablo" Behrens (formerly of 666), Ulrika Bohn, Alejandra Cuevas-Moreno and Stephan "Damon" Zschoppe. Vocalists were only credited from "Bass, Beats and Melody", released in November 2000.