- published: 31 Dec 2014
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Cut-out, cutout, or cut out may refer to:
Terrence Vance "Terry" Gilliam ( /ˈɡɪliəm/; born 22 November 1940) is an American-born British screenwriter, film director, animator, actor and member of the Monty Python comedy troupe. Gilliam is also known for directing several films, including Brazil (1985), The Adventures of Baron Munchausen (1988), The Fisher King (1991), 12 Monkeys (1995), and Fear and Loathing in Las Vegas (1998). The only "Python" not born in Britain, he took British citizenship in 1968.
Gilliam was born in Minneapolis, Minnesota, the son of Beatrice (née Vance) and James Hall Gilliam, who was a traveling salesman for Folgers before becoming a carpenter. Soon after, they moved to the nearby Medicine Lake.
The family moved to Panorama City, California, in 1952. Gilliam attended Birmingham High School where he was class president and senior prom King, was voted "Most Likely to Succeed", and achieved straight A's. During high school, he began to avidly read Mad magazine, which was then edited by Harvey Kurtzman; this later influenced his work.
Monty Python (sometimes known as The Pythons) was a British surreal comedy group who created Monty Python's Flying Circus, a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, spawning touring stage shows, films, numerous albums, several books and a stage musical as well as launching the members to individual stardom. The group's influence on comedy has been compared to The Beatles' influence on music.
The television series, broadcast by the BBC from 1969 to 1974, was conceived, written and performed by members Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach (aided by Gilliam's animation), it pushed the boundaries of what was acceptable in style and content. A self-contained comedy team responsible for both writing and performing their work, the Pythons' creative control allowed them to experiment with form and content, discarding rules of television comedy. Their influence on British comedy has been apparent for years, while in North America it has coloured the work of cult performers from the early editions of Saturday Night Live through to more recent absurdist trends in television comedy. "Pythonesque" has entered the English lexicon as a result.
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