Technics SL-1200 is a series of turntables originally manufactured from October 1972 until 2010 by Matsushita under the brand name of Technics. S means "Stereo", L means "Player". Originally released as a high fidelity consumer record player, it quickly became adopted among radio and club disc jockeys, thanks to the direct drive high torque motor design, making it, initially, suitable for pushbutton cueing and starting of tracks on radio. Latterly, when the use of slip-mats for cueing and beat-mixing (and scratching) became popular, the quartz-controlled high torque motor system enabled records to be mixed with consistency and accuracy. A primary design goal was for hi-fidelity, but having good build quality, control over wow and flutter, and minimized resonance led to the equipment being particularly suitable for use in nightclubs and other public-address applications. Since its release in 1978, SL-1200MK2 and its successors have been the most common turntable for DJing and Scratching (also known as Turntablism). Producers, DJs & MCs refer to the Technics turntable as the "Tec 12's", "Wheels of Steel" and the "Ones & Twos". Apart from their iconic status in hip-hop and electronic music culture, Technics 1200s are also commonly used in recording studios and for non-electronic live music performance. Since 1972, more than 3 million units have been sold. It is widely regarded as one of the most durable and reliable turntables ever produced. Many of the models manufactured in the 1970s are still in heavy use. In the autumn of 2010, Panasonic announced that the series was to be discontinued due to marketplace conditions. However, at the 2016 Consumer Electronics Show, Panasonic announced that they would return in two models named "Grand Class": one a limited run of 1200 globally, and the other a consumer product.
The credits roll, the camera pans
And in the mist our hero stands
He starts to speak, then folds his hands in prayer
An awkward pause, then what's my line?
There's nothing left to say this time
And what would you say to a bad guy who's not there?
In terms of Roman numberals,
He's IV league with Roman Polanski
He'd win an Oscar every time if he was only given the chance
He started on the Broadway stage
A product of another age,
An offer and a pilot drew him west
The series bombed, commercials came
And though nobody knew his name
They all recognized the potential he possessed
Deodorants and dental floss
And how much does that new car cost
His acting was methodical in You Don't Need A Medical
He's branded like a racing car,
He's like a movie star with movies
The week of Independence Day,
The casting agent called to say
Your smile could save our movie and the world
Buy buy buy buy
Sell sell sell
How well you learn
To not discern
Who's foe and who is friend
We'll own them all in the end
It goes like this, we have no choice; the minarets,
The wailing voice
And vaguely Celtic music fills the air
We choose a foreigner to hate,
The new Iraq gets more irate
We really know nothing about them, and no one cares
Aladdin and the forty thieves
Enhanced by brand new special effects
Saddam and his cow disease spiced up
With some gratuitous sex
A movie's made, a war is won
A low-speed chase, a smoking gun
Distracts us while the actor takes the stand
Buy buy buy buy
Sell sell sell
How well you learn
To not discern
Who's foe and who is friend