Election by Tom Perrotta (Berkley Books 1998)

PAUL WARREN

 “SO TELL ME,” said Dad. “Who's gonna win this election?”

Lisa shot me a surprised glance, her pretty eyes widening with alarm. Tammy stared blankly at her pancakes. Mom twisted her head, apparently searching for our waitress. Dad pressed on.

“What's the matter? We're all intelligent people. Doesn't anyone have an opinion?”

The whole brunch had gone like that, Dad playing teacher, the rest of us fumbling for answers. Mom was stiff and tongue-tied, Tammy sullen, Lisa polite. I'd done my best to keep the conversation afloat, but I was starting to lose heart.

“I'm a lifelong Republican,” he went on, “but I'm actually thinking about pulling the lever for Jerry Brown.”

The sense of relief around the table was immediate and conspicuous.

“Jerry Brown?” Mom scoffed. “You've got to be kidding.”

“I'm serious,” he insisted. “This country's corrupt from top to bottom, and Brown's the only one with the guts to say so.”

“Perot's saying it too,” Lisa reminded them.

“He's nuttier than Brown,” Mom observed. “The ears on that man.”

“What about Clinton?” I asked. “He's pretty interesting.”

“Ugh.” Dad looked disgusted. “That guy. He could stand out in the rain all day and not get wet.”

“I'm surprised,” said Mom. “I had you pegged for a Clinton man.”

“Me?” he said. “What gave you that idea?”

The Leftovers by Tom Perrotta (St Martin's Press 2011)

The coverage felt different from that of September 11th, when the networks had shown the burning towers over and over. October 14th was more amorphous, harder to pin down: There were massive highway pileups, some train wrecks, numerous small-plane and helicopter crashes - luckily, no big passenger jets went down in the United States, though several had to be landed by terrified co-pilots, and one by a flight attendant who'd become a folk hero for a little while, one bright spot in a sea of darkness - but the media was never able to settle upon a single visual image to evoke the catastrophe. There also weren't any bad guys to hate, which made everything that much harder to get into focus.

Depending on your viewing habits, you could listen to experts debating the validity of conflicting religious and scientific explanations for what was either a miracle or a tragedy, or watch an endless series of gauzy montages celebrating the lives of departed celebrities - John Mellencamp and Jennifer Lopez, Shaq and Adam Sandler, Miss Texas and Greta Van Susteren, Vladimir Putin and the Pope. There were so many different levels of fame, and they all kept getting mixed together - the nerdy guy in the Verizon ads and the retired Supreme Court Justice, the Latin American tyrant and the quarterback who'd never fulfilled his potential, the witty political consultant and that chick who'd been dissed on The Bachelor. According to the Food Network, the small world of superstar chefs had been disproportionately hard hit.

Bad Haircut - Stories of the Seventies by Tom Perrotta (Berkley Books 1994)

It was just my luck to get Coach Bielski for driver's ed. Even when I played football, he hadn't been that crazy about me. He didn't like my attitude, the way I'd shrug when he asked me why I'd thrown a bad pass or missed a tackle. And he didn't like the way my hair stuck out from the back of my helmet or sometimes curled out the earholes. He'd tug on it at practice and say, "Cut that fucking hair, Garfunkel, or I'll cut it for you. I just got a chainsaw for my birthday." (He always called me Garfunkel, because of my hair and because he'd once seen me in the hallway, strumming someone's guitar. To Bielski, Simon and Garfunkel represented the outer limits of hippiedom.)

(From the short story, 'You Start to Live')

Little Children (2006)

Joe College by Tom Perrotta (St Martin's Griffin 2000)

Only Howard Friedlin seemed oblivious to the now-public drama of my love life. He was too busy glowering at the copy of Reality he'd unearthed from the bottom of the coffee-table pile.
"What about Max?" Mrs. Friedlin asked. "Does he have a girlfriend too?"
Before I could answer, Mr. Friedlin raised the magazine like a kindergartner at show-and-tell. He tapped his index finger against the cover photo of the mangy constipated dog, hunched and grimacing.
"What the hell is this?" he demanded.
"A literary magazine," Sang replied cheerfully. "Danny here is one of the editors."
Mr. Friedlin gave me a look of incomprehension worthy of my own father.
"Did you intend it as some kind of statement?" He pronounced his last word with genuine distaste, as if we all knew about statements.
"It is what it is," I informed him, grinning like an idiot. I felt positively giddy. Polly wanted to sleep with me. She'd said so over the phone. "It's just reality."
"Why don't you just photograph some dog shit?" he asked. "That's part of reality, too."
"They're saving that for the spring issue," Ted explained helpfully.

Little Children by Tom Perrotta (St Martins 2004)

And all at once, it came to Sarah: It was like being back at the Women's Center. For the first time since she graduated from college, she'd managed to find her way into a community of smart, independent, supportive women who enjoyed each other's company and didn't need to compete with one another or define themselves in relation to the men in their lives. It was precisely what she'd been missing, the oasis she'd been unable to find in graduate school, at work, or even at the playground. She'd searched for it for so long that she'd even come to suspect that it hadn't actually existed in the first place, at least not the way she remembered it, that it was more a product of her romantic undergraduate imagination than anything real in the world. But it had been real. It felt like this, and it was a huge relief to be back inside the circle again.

Election by Tom Perrotta (Berkley Books 1998)

Mr. M

All I ever wanted to do was teach. I never had to struggle like other people with the question of what to do with my life. My only dream was to sit on the edge of my desk in front of a room full of curious kids and talk about the world.

The election that turned me into a car salesman took place in the spring of 1992. when Clarence Thomas and Anita Hill were still fresh in everyone's mind, and Gennifer Flowers was the momentary star of tabloids and talk shows. All year long my junior Current Events class returned again and again to a single theme, what the media liked to call "the Character Issue": How are private virtue and public responsibility intertwined? Can you be an adulterer and a good President? A sexual pervert and an effective, impartial member of the judiciary?

The Wishbones by Tom Perrotta (Berkley Books 1997)

Stan popped the trunk and handed Dave the bass drum, open side up like a big round box. In the natural light, his eye looked worse than before, not so much black as a repulsive amalgam of green and purple.

"Jesus," said Dave. "Where'd you get that shiner?"

Stan reached into the well and pulled out the pillow he used to muffle vibration inside the bass drum. The pillow was an eyesore, shapeless and sweat-stained, a sack of old feathers and bad dreams. The least he could've done was hide it in a pillowcase.

"You really want to know?"

"I'm not sure."

Stan stuffed the pillow into the drum.

"Walter," he said. "The piano player in Phil Hart's band."

"The old guy with the shakes?"

Stan nodded. In spite of everything, he seemed amused.

"I've been hanging out with him the past couple of weeks. He's a great guy."

"So why'd he slug you?"

Stan grabbed a foot pedal from the trunk and set it down on top of the pillow.

"We had one too many. I said some things I shouldn't have."

"Like what?"

Stan's tongue made a thoughtful tour of his month, poking at one cheek, then the other. His expression remained inscrutable behind the glasses.

"Well, for one thing, I said Thelonious Monk could suck my dick."

Dave couldn't help laughing. "He hit you because of that?"

"That was part of it," Stan looked up at the sky. "Then I said something about Brubeck. That was when he popped me."

"What'd you say?"

"I can't repeat it. It's too disgusting."

"Come on," said Dave.

Stan blew a weary raspberry and shook his head.

"I'm serious," he said. "You wouldn't believe me if I told you."

The Abstinence Teacher by Tom Perrotta (St Martin's Griffin 2007)

For as long as he could remember, Tim had been drawn to this feeling of community; it was something he'd sought, at very different points in his life, from both punk rock and the Grateful Dead, and in each case, for a little while, he'd found what he was looking for. But it hadn't lasted, and in any case, the communities in which he claimed membership were disappointingly narrow and homogenous compared to this one. The punks and the Deadheads were overwhelmingly white, suburban, and young; almost everyone wore similar clothes and hairstyles, and had had more or less the same experience of the world. Not like here, where you saw grandmothers and little kids, people in wheelchairs, whole families, interracial couples, immigrants who barely spoke a word of English, college teachers, twelve steppers, cancer patients who'd lost their hair, lonely people who didn't have a friend in the world until they stepped through the door of the Tabernacle.