Interview: soprano Renée Fleming

As she prepares for Covent Garden’s new ‘Rosenkavalier’, the opera singer talks about her remaining ambitions

Australia’s Impressionists at the National Gallery, London

Francophile painter John Russell is placed in the context of his fellow countrymen in a riveting London show

Film review: Snowden — ‘Hagiography’

Oliver Stone’s film about Edward Snowden is expertly made but somewhat uncritical

The Life of a Song: ‘I Believe in Father Christmas’

Greg Lake, who died this week, had a worldwide hit with this thoughtful Christmas song

Eugène Green: an anti-American in Paris

Now on his seventh film, the director has never looked back since leaving the US

Madama Butterfly, La Scala, Milan — review

A performance endowed with abundant detail, an impressive depth of sound and a suppleness in lyrical passages

She Loves Me, Menier Chocolate Factory, London — review

Matthew White’s production of this bouncy musical is full of delightful touches

The Art Market: high flyer takes off

Senior figure quits Christie’s; Sotheby’s hires forensic conservator; any offers for the Stasi’s stained glass?

Film review: Krisha — ‘A major new filmmaker’

Trey Edward Shults’s first feature is the best American independent movie of the year

Shakespeare in Love, Shoreditch Church, London — review

The performance capitalised on the dramatic potential of Shakespeare-inspired music

Film review: I Am Not a Serial Killer — ‘Haunting’

Robbie Ryan’s cinematography brings moody incandescence to this thriller

Film review: The Black Hen — ‘Enchantment’

This Nepalese film is a poignant fable punctuated by the country’s civil war

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