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Amilcare Ponchielli (Italian: [aˈmilkare poŋˈkjɛlli], 31 August 1834 – 16 January 1886) was an Italian composer, mainly of operas. He was married to the soprano Teresina Brambilla.
Born in Paderno Fasolaro (now Paderno Ponchielli) near Cremona, Ponchielli won a scholarship at the age of nine to study music at the Milan Conservatory, writing his first symphony by the time he was ten years old.
Two years after leaving the conservatory he wrote his first opera—it was based on Alessandro Manzoni's great novel The Betrothed (I promessi sposi) -- and it was as an opera composer that he eventually found fame.
His early career was disappointing. Maneuvered out of a professorship at the Milan Conservatory that he had won in a competition, he took small-time jobs in small cities, and composed several operas, none successful at first. In spite of his disappointment, he gained much experience as the bandmaster (capobanda) in Piacenza and Cremona, arranging and composing over 200 works for wind band. Notable among his "original" compositions for band are the first-ever concerto for euphonium (Concerto per Flicornobasso, 1872), fifteen variations on the popular Parisian song "Carnevale di Venezia", and a series of festive and funeral marches that resound with the pride of the newly unified Italy and the private grief of his fellow Cremonese. The turning point was the big success of the revised version of I promessi sposi in 1872, which brought him a contract with the music publisher G. Ricordi & Co. and the musical establishment at the Conservatory and at La Scala. The role of Lina in the revised version was sung by Teresina Brambilla whom he married in 1874. Their son Annibale became a music critic and minor composer. The ballet Le due gemelle (1873) confirmed his success.
La Gioconda (/ˌdʒiːəˈkɒndə/; Italian: [dʒoˈkonda] "the joyful one") may refer to:
Dance of the Hours (Italian: Danza delle ore) is a short ballet and is the act 3 finale of the opera La Gioconda composed by Amilcare Ponchielli. It depicts the hours of the day through solo and ensemble dances. The opera was first performed in 1876 and was revised in 1880. Later performed on its own, the Dance of the Hours was at one time one of the best known and most frequently performed ballets. It became even more widely known after its inclusion in the 1940 Disney animated film Fantasia where it is depicted as a comic ballet featuring anthropomorphized ostriches, hippos, elephants, and alligators.
The ballet, accompanied by an orchestra, appears at the end of the third act of the opera, in which the character Alvise, who heads the Inquisition, receives his guests in a large and elegant ballroom adjoining the death chamber. The music and choreography represent the hours of dawn, day, twilight, night and morning. Costume changes and lighting effects reinforce the progression. The dance is intended to symbolize the eternal struggle between the forces of light and darkness. Altogether it is about 10 minutes long.
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The modern Her Majesty's Coastguard of the United Kingdom was established in 1809 as the Waterguard, and was originally devoted to the prevention of smuggling as a department of the HM Customs and Excise authority. It was, however, also responsible for giving assistance to shipwrecks.
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Actors: Franco Castellano (actor), Stefania Sandrelli (actress), Antonio Siciliano (editor), Giorgio Capitani (director), Fritz von Friedl (actor), Francesco Scardamaglia (writer), Francesco Scardamaglia (producer), Nino Fuscagni (actor), Aurelio Marino (miscellaneous crew), Alberto Gimignani (actor), Sophie von Kessel (actress), Alessio Boni (actor), Marco Frisina (composer), Andrea Giordana (actor), Enzo Marino Bellanich (actor),
Plot: Vienna, 1924: Puccini, the world-famous composer of operas finds a confidante in the journalist Liza Berman, who will accompany him on a trip into his past: The unrequited love he feels for Elvira, a married woman, who secretly returns his feelings. As a 20-year-old he is living in Milan, in bitter poverty, and barely struggles along as a musician, but upon finishing his studies he makes quite an impression. Full of hope he applies to take part in a contest for opera composers, but he is turned down. Puccini had firmly counted on winning the prize money and now faces financial straits. Thanks to the librettist Fontana, his one-act opera "Le Villi" is performed all the same. The established music publisher Ricordi now commissions Puccini to write the opera "Edgar", which turns out a flop. When Elvira leaves her husband to live with Puccini, the lovers are beset by feelings of guilt. Puccini begins to doubt himself, but due to Ricordi's support, Puccini can write in peace. Soon he triumphs in opera houses all over Europe with "Manon Lescaut", but Ricordi demands fresh supplies. A former lover, who used to be a dancer in the Cabaret, brings the novel "Vie Bohème" to his attention, a subject, which his colleague Leoncavallo is already working on. But it is Puccini who prevails with Ricordi. When Puccini tries to get rid of the overbearing conductor Toscanini as well, Ricordi resists him. "La Bohème" becomes a giant success under Toscanini's musical direction. As Puccini later gets stuck in his work at "Tosca" he waits for inspiration at night in shape of his muse Antilisa, a shy mythological animal. Again Puccini experiences a triumph. Always on the lookout for a new subject, a frustrated Puccini travels to London. There he accompanies his friend Sybil Seligman to the theatre, where "Madame Butterfly" electrifies him. Back in Italy, he develops a platonic relationship with the servant girl Doria. Elvira fires Doria and makes Puccini promise never to see her again. The young woman commits suicide. After initially failing in Milan, "Madama Butterfly" triumphs a few months and several changes later in other European cities. In Vienna, Elvira surprises Puccini with the journalist Liza Berman, but by that time Elvira's love is above the slights Puccini has inflicted on her over the years. She demands that Dr. Landauer thoroughly examines her husband, who is suffering from a chronic sore throat. The final diagnosis shows a malign tumor of the larynx. Meanwhile, the work on "Turandot" has ground to a halt. Liza takes him along to a concert of contemporary music, which he finds fascinating and unsettling at the same time, because it makes him feel that his own music sounds old-fashioned by comparison. While undergoing treatment at a Brussels hospital, Puccini confesses to Elvira that he blames himself for Doria's death. During a sleepless night he tosses the unfinished score to "Turandot" into the fireplace, but Elvira saves the manuscript. Puccini dies not long after-wards. Milan, 1926: "Turandot" is performed for the first time in the presence of Elvira and their children Tonio and Fosca, with Toscanini at the baton. He has the performance interrupted at the exact spot where Puccini had to give up his composition.
Genres: Biography,
Amilcare Ponchielli (Paderno Ossolaro, CR, 1834 - Milano, 1886) FANTASIA MILITARE - Op. 116 (adattamento all’organico moderno di Michele Milone) Ponchielli ha lasciato una copiosa produzione per banda, nella quale figurano marce, sinfonie, concerti per solisti, l’elegia Sulla tomba di Garibaldi e la Fantasia Militare op. 116. In questa canti ed inni risorgimentali (La bandiera dei tre colori, Il silenzio, La marcia reale, L’inno di Garibaldi) si fondono con temi di libera invenzione, divenendo elementi strutturali del discorso musicale. Tutto questo non mira a proporre un semplice susseguirsi di motivi noti, ma piuttosto ad evocare un quadro di vita, le cui varie fasi sono indicate da didascalie della partitura: Il bivacco, La notte, L’allarme e La battaglia, Il lamento dei feriti, Le ult...
Amilcare Ponchielli Sinfonia No 1 " Moderato-Allegro vivo" Minsk Philharmonic Orchestra Silvano Frontalini, conductor Recorded Minsk September 1990
La Gioconda is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito, based on Angelo, tyran de Padoue, a play in prose by Victor Hugo, dating from 1835. La Gioconda was first performed at the Teatro alla Scala, Milan, on 8 April 1876. The opera was a major success for Ponchielli, as well as the most successful new Italian opera between Verdi's Aida (1871) and Otello (1887). The opera's title translates as "The Happy Woman", but is usually given in English as "The Ballad Singer". However, as this fails to convey the irony inherent in the original, the Italian is usually used. Each act of La Gioconda has a title. The story revolves around a woman, Gioconda, who so loves her mother that when Laura, her rival in love for the heart of Enzo, saves her m...
Amilcare Ponchielli (1834-1886), Italia "La Gioconda", opera, Act III: Dance of the Hours Wiener Philharmoniker Rudolf Kempe ------------------------------
Amilcare Ponchielli (Paderno Fasolaro, 31 de agosto o 1 de septiembre de 1834 - Milán, 16 o 17 de enero de 1886) fue un compositor italiano. Actualmente, su obra más conocida es La Gioconda. Carrera: Comenzó a estudiar con su padre, que era organista. A los nueve años ingresó en el conservatorio de Milán. Fue organista en la iglesia de San Hilario en Cremona, donde también fue profesor de música. Fue maestro director de las bandas municipales de Piacenza y Cremona, y para ellas compuso algunas obras. En 1881 fue nombrado maestro de capilla de Santa María la Mayor en Bérgamo. En 1883 entra como profesor en el Conservatorio de Milán. Entre otros alumnos, tuvo a Giacomo Puccini y Pietro Mascagni. Se casó con la cantante Teresa Brambilla. Falleció de pulmonía. Estilo: Sus óperas, rep...
The Concerto per Flicorno Basso op. 155 by Amilcare Ponchielli was lost for many years and only rediscovered about 25 years ago. The instrument Ponchielli specified in 1872 is a "bass flugelhorn," which is compatible with today's euphonium. (Both are members of the Saxhorn family.) As such it is considered the oldest original euphonium solo. The sheet music is available with the following accompaniments: Piano: http://www.sheetmusicplus.com/title/Concerto-per-Flicorno-Basso/19759061?aff_sid=15680 Concert Band: http://www.sheetmusicplus.com/title/Concerto-per-Flicorno-Basso/19759064?aff_sid=15680 Brass Band: http://www.sheetmusicplus.com/title/Concerto-per-Flicorno-Basso/19759063?aff_sid=15680 About the artist: A graduate of The University of Iowa, Mr. Werden was the euphonium soloist wit...
DISCLAIMER: The published music is exclusively meant for divulgation and not commercial purposes. Should anybody deem that the video appearing in this channel violates some copyright, please inform us immediately before submitting a claim to YouTube, and it will be our care to remove it. da questa bella esecuzione radiofonica è stato realizzato un cofanetto CD della Bongiovanni (BON 2390/91) rimasterizzato con eccellente qualità sonora; arricchisce la interessante serie di registrazioni di opere ponchielliane inedite. -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 0:00 Sinfonia 6:19 Prologo 36:02 Primo Atto 1:12:...
The Dance of the Hours is a short ballet depicting the passage of time which occurs in Act III Scene 2 of the opera La Gioconda composed by Amilcare Ponchielli. It was first performed in 1876 and revised in 1880. The "Dance of the Hours" is considered one of the most popular ballet pieces in history. It was made widely recognisable by its use in Disney's 1940 film Fantasia to accompany the dance of the ostriches. Foto: Amilcare Ponchielli in posa con gli interpreti della prima rappresentazione (8 aprile 1876 al Teatro alla Scala di Milano) dell'opera lirica La Gioconda.
[US] Title : Dance Of The Hours, Opera "La Gioconda" Composer : Amilcare Ponchielli Music : Leopold Stokowski (with the Philadelphia Orchestra) [FR] Titre : La Danse des Heures, Opéra ''La Gioconda'' Compositeur : Amilcare Ponchielli Musique : Leopold Stokowski (avec l'Orchestre de Philadelphie) Copyright : Disney Music Group / Walt Disney Records Year : 1940