<i>Paris Society</i>, 1931, oil on canvas. Solomon R. Guggemheim Museum, New York.

Better late than never

The Nazis hated Max Beckmann's art; so, unfortunately, did much of the American art establishment of the time.

<i>They're a Weird Mob</i> had something of a galvanising effect on the Australian film industry.

We were a very weird mob

Fifty years ago, one of Australia's most sharply observed comic novels was transferred to the screen by one of Britain's greatest directors.