- published: 08 Apr 2015
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Claudius (/ˈklɔːdiəs/; Latin: Tiberius Claudius Caesar Augustus Germanicus; 1 August 10 BC – 13 October 54 AD) was Roman emperor from 41 to 54. A member of the Julio-Claudian dynasty, he was the son of Drusus and Antonia Minor. He was born at Lugdunum in Gaul, the first Roman Emperor to be born outside Italy. Because he was afflicted with a limp and slight deafness due to sickness at a young age, his family ostracized him and excluded him from public office until his consulship, shared with his nephew Caligula in 37.
Claudius' infirmity probably saved him from the fate of many other nobles during the purges of Tiberius and Caligula's reigns; potential enemies did not see him as a serious threat. His survival led to his being declared Emperor by the Praetorian Guard after Caligula's assassination, at which point he was the last man of his family.
Despite his lack of experience, Claudius proved to be an able and efficient administrator. He was also an ambitious builder, constructing many new roads, aqueducts, and canals across the Empire. During his reign the Empire began the conquest of Britain (if the earlier invasions of Britain by Caesar and Caligula's aborted attempts are not counted). Having a personal interest in law, he presided at public trials, and issued up to twenty edicts a day.
The following is a list of the complete secular vocal output composed by Franz Schubert (31 January 1797 – 19 November 1828).
It is divided into eleven sections, and attempts to reflect the most current information with regards to Schubert’s catalogue. The works contained in this list refer to those found primarily in the following two series of the Neue Schubert-Ausgabe (NSA) edition:
Note however that some of Schubert's song cycles contain both Lieder and part songs.
The list below includes the following information:
Franz Peter Schubert (German pronunciation: [ˈfʁant͡s ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer. Schubert died before his 32nd birthday, but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical and early Romantic eras and is one of the most frequently performed composers of the early nineteenth century.
Schubert was born in Himmelpfortgrund (now a part of Alsergrund), Vienna, Archduchy of Austria on 31 January 1797. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster; his mother, Elisabeth (Vietz), was the daughter of a Silesian master locksmith and had been a housemaid for a Viennese family before marriage. Of Franz Theodor's fourteen children (one of them illegitimate, born in 1783), nine died in infancy.
Matthias Claudius (August 15, 1740 – January 21, 1815) was a German poet and journalist, otherwise known by the penname of “Asmus”.
Claudius was born at Reinfeld, near Lübeck, and studied at Jena. He spent the greater part of his life in the town of Wandsbeck, where he earned his first literary reputation by editing from 1771 to 1775, a newspaper called Der Wandsbecker Bote (The Wandsbeck Messenger) (Wandsbeck until the year 1879 still written with "ck". Today only with "k".), in which he published a large number of prose essays and poems. They were written in pure and simple German, and appealed to the popular taste; in many there was a vein of extravagant humour or even burlesque, while others were full of quiet meditation and solemn sentiment. In his later days, perhaps through the influence of Klopstock, with whom he had formed an intimate acquaintance, Claudius became strongly pietistic, and the graver side of his nature showed itself. In 1814 he moved to Hamburg, to the house of his son-in-law, the publisher Friedrich Christoph Perthes, where he died on January 21, 1815.
A surname or family name is a name added to a given name. In many cases, a surname is a family name and many dictionaries define "surname" as a synonym of "family name". In the western hemisphere, it is commonly synonymous with last name because it is usually placed at the end of a person's given name.
In most Spanish-speaking and Portuguese-speaking countries, two or more last names (or surnames) may be used. In China, Hungary, Japan, Korea, Madagascar, Taiwan, Vietnam, and parts of India, the family name is placed before a person's given name.
The style of having both a family name (surname) and a given name (forename) is far from universal. In many countries, it is common for ordinary people to have only one name or mononym.
The concept of a "surname" is a relatively recent historical development, evolving from a medieval naming practice called a "byname". Based on an individual's occupation or area of residence, a byname would be used in situations where more than one person had the same name.
“An die Nachtigall” Text: Matthias Claudius (1740-1815) Er liegt und schläft an meinem Herzen, Mein guter Schutzgeist sang ihn ein; Und ich kann fröhlich sein und scherzen, Kann jeder Blum' und jedes Blatts mich freun. Nachtigall, ach! Nachtigall, ach! Sing mir den Amor nicht wach! He lies and sleeps on my heart, My guardian angel sings for him. And I am happy and full of glee From every flower and every leaf. Nightingale, ah! Nightingale, ah! Sing no more of love!
D497 "Er liegt und schläft an meinem Herzen" Matthias Claudius (1740-1815) Er liegt und schläft an meinem Herzen, Mein guter Schutzgeist sang ihn ein; Und ich kann fröhlich sein und scherzen, Kann jeder Blum' und jedes Blatts mich freun. Nachtigall, ach! Nachtigall, ach! Sing mir den Amor nicht wach! Elly Ameling (Soprano) Dalton Baldwin (Piano)
1. An die Nachtigall op.98/1, D 497 (Matthias Claudius) / 2. Morgenlied op.4/2, D 685 (Zacharias Werner) 1' 20'' Clotilde Diekmann, Sopran / Fabio Shiro Monteiro, Gitarre
Olga Ionova, Soprano. Tatiana Sotnikova, Piano. Recorded 2013, Moscow. Matthias Claudius "An die Nachtigall". Er liegt und schläft an meinem Herzen, Mein guter Schutzgeist sang ihn ein; Und ich kann fröhlich sein und scherzen, Kann jeder Blum' und jedes Blatts mich freun. Nachtigall, ach! Nachtigall, ach! Sing mir den Amor nicht wach!
Op 98 #1, D497 with Makiko Hirata playing a fully authentic, fully restored 1829 Austrian Zierer fortepiano. This was part of a Schubertiade at the period-appropriate Morris Jumel Mansion in New York City, June 2014. Text by Claudius.
Franz Schubert: An die Nachtigall, Op.98 No.1, text by Matthias Claudius Piano Accompaniment mp3accompanist.com - songs, Lieder, chansons, arias
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Franz Schubert op. 98/1 text: Matthias Claudius speaker: Susanna Proskura Created with MAGIX Video deluxe MX
Walter Ludwig sings "An eine Quelle", D 530 by Franz Schubert Walter Bohle, piano Du kleine, grünumwachsne Quelle, An der ich Daphne jüngst gesehn! Dein Wasser war so still und helle! Und Daphnes Bild darin, so schön! O, wenn sie sich noch mal am Ufer sehen läßt, So halte du ihr schönes Bild doch fest; Ich schleiche heimlich dann mit nassen Augen hin, Dem Bild meine Not zu klagen; Denn, wenn ich bei ihr selber bin, Dann, ach! dann kann ich ihr nichts sagen. by Matthias Claudius (1740 - 1815) , "An eine Quelle", 1760
Check out my Schubert playlist: https://www.youtube.com/playlist?list=PLOYbqpgE4msVXmw9VTGaUOekVy65Zq9vV Franz Peter Schubert - AN DIE NACHTIGALL CLAUDIUS D 497
1. An die Nachtigall op.98/1, D 497 (Matthias Claudius) / 2. Morgenlied op.4/2, D 685 (Zacharias Werner) 1' 20'' Clotilde Diekmann, Sopran / Fabio Shiro Monteiro, Gitarre
War es also gemeint,
Mein rauschender Freund?
Dein Singen, dein Klingen,
War es also gemeint?
Zur Müllerin hin!
So lautet der Sinn.
Gelt, hab' ich's verstanden?
Zur Müllerin hin!
Hat sie dich geschickt?
Oder hast mich berückt?
Das möcht ich noch wissen,
Ob sie dich geschickt.
Nun wie's auch mag sein,
Ich gebe mich drein:
Was ich such, hab ich funden,
Wie's immer mag sein.
Nach Arbeit ich frug,
Nun hab ich genug
Für die Hände, fürs Herze
Vollauf genug!