![](http://web.archive.org./web/20161202014504im_/https://img.washingtonpost.com/rf/image_250w/WashingtonPost/Content/Blogs/in-sight/201611/Images/TWPPP001-1024x1024.jpg?uuid=ViFSJrFsEea8LRmz11nP5w)
The “Taylor Wessing Photographic Portrait Prize” showcases portraiture across different photographic processes, styles and genres.
![](http://web.archive.org./web/20161202014504im_/https://img.washingtonpost.com/rf/image_250w/WashingtonPost/Content/Blogs/in-sight/201611/Images/heber001.jpg?uuid=blHyAKf-Eea6RlPbV_DjUQ)
As part of the documentary film project, How I Live, Scott Woodward has been photographing pediatric cancer patients in resource-limited countries.
![](http://web.archive.org./web/20161202014504im_/https://img.washingtonpost.com/rf/image_250w/WashingtonPost/Content/Blogs/in-sight/201610/Images/charlottebrooks001.jpg?uuid=lAXqwpd1Eeacrio1dOKWpg)
Charlotte Brooks was the first and only long-term female photographer to work full time on the staff at LOOK magazine, where she turned out over 450 assignments during her 20-year tenure.
![](http://web.archive.org./web/20161202014504im_/https://img.washingtonpost.com/rf/image_250w/WashingtonPost/Content/Blogs/in-sight/201609/Images/isthmus001.jpg?uuid=ad_R_oZPEea1fd1JJ3rwLw)
Photographer Andrew Kaufman’s book, “The Isthmus,” looks at the Panama Canal expansion project and life in Panama.
![](http://web.archive.org./web/20161202014504im_/https://img.washingtonpost.com/rf/image_250w/WashingtonPost/Content/Blogs/in-sight/201609/Images/bettiepage001.jpg?uuid=LmbKiHUGEeaXgUnlkXgXVA)
In 1952, the now iconic Bettie Page met one of America’s first ‘fetish’ photographers, Irving Klaw, who began hiring Bettie to pose for him. The book Bettie! gives a peek into Klaw’s archive.
![](http://web.archive.org./web/20161202014504im_/https://img.washingtonpost.com/rf/image_250w/WashingtonPost/Content/Blogs/in-sight/201608/Images/bowie001.jpg?uuid=qy5dyG3hEeaZP3PGk6iYIA)
“Behind The Curtain”, a book featuring photographs by Andrew Kent, is a candid look at David Bowie during the rise of the Thin White Duke, and his Isolar tour in support of Station to Station.
![](http://web.archive.org./web/20161202014504im_/https://img.washingtonpost.com/rf/image_250w/WashingtonPost/Content/Blogs/in-sight/201608/Images/nola001.jpg?uuid=DyXHZl78EeaEwW0nKHiWtQ)
Harold F. Baquet, a seventh-generation New Orleanian, documented his city, specifically the African American community.
![](http://web.archive.org./web/20161202014504im_/https://img.washingtonpost.com/rf/image_250w/WashingtonPost/Content/Blogs/in-sight/201607/Images/erwitt001.jpg?uuid=mxP59k89Eea_J0BRBoNvlg)
Elliott Erwitt, the acclaimed eternal amateur and member of Magnum Photos since 1953, is known for his ability to capture moments of humor and irony in everyday life.
![](http://web.archive.org./web/20161202014504im_/https://img.washingtonpost.com/rf/image_250w/WashingtonPost/Content/Blogs/in-sight/201607/Images/goldin001.jpg?uuid=5kc0IknCEeaNrAxuSszFsQ)
Nan Goldin’s Ballad of Sexual Dependency captured intimate moments of love and loss, including her own.