At Cross MacKenzie, Western artists put a spin on Eastern ceramics tradition.
A Smithsonian exhibition doesn’t have much to say about a great artist.
An exhibition of Bill Viola’s videos is one of the best in town.
The latest episode of “Historically Black” explores black love and marriage from slavery to today.
A search for a family connection led one man to an online forum and his great-great-grandfather's music.
Damon Keith is still crusading for justice as a U.S. Court of Appeals judge.
The presence of the Colombian superstar's guitar in the collection will help tell America's story by showing the influence of Latino culture, according to Smithsonian curators.
“Ambient” is an apt description of Mira Hecht’s artwork on view at Addison/Ripley Fine Art.
Kevin Gover discusses indignities and questions native people are happy to answer.
Drug-laden aircraft swoop through gentle landscapes in the artist’s realist oils.
A National Gallery exhibition explores an artist who claimed the music as his inspiration.
Five current shows highlight works on, and made with, the most common of materials.
A Walters Art Museum exhibition explores the sensuous side of art.
Popular images from online site are now part of a new book and exhibition.
A fascinating exhibition brings together rare drawings from the Age of Rembrandt.
Olivia Rodriguez’s “Happy Meal” creations look real but are not picture-perfect.
“Along the Eastern Road,” at GW’s Brady Gallery, follows artist’s 1832 journey to Kyoto.
President Obama's two terms have coincided with exciting developments in dining, the arts and culture.
“Delimitations” at Mexican Cultural Institute and “Walls and Borders” at Goethe-Institut.
The National Museum of African Art director on what she knew then and what she knows now.
The ‘Artists United!’ exhibition at Busboys and Poets addresses political issues of the day.
Retrospective shows how an artist falls short, on purpose, in the quest for beauty.
Three large Christian Benefiel sculptures are on display at BlackRock Center for the Arts.
