Beta Coronae Borealis (Beta CrB, β Coronae Borealis, β CrB), which has the traditional name Nusakan, is the second brightest star in the constellation of Corona Borealis. Although it appears to the naked eye to be a single star, it is actually a binary star system. It is 112±3 light-years away and has an apparent visual magnitude which varies between 3.65 and 3.72.
In Chinese, 貫索 (Guàn Suǒ), meaning Coiled Thong, refers to an asterism consisting of β Coronae Borealis, π Coronae Borealis, θ Coronae Borealis, α Coronae Borealis, γ Coronae Borealis, δ Coronae Borealis, ε Coronae Borealis, ι Coronae Borealis and ρ Coronae Borealis. Consequently, β Coronae Borealis itself is known as 貫索三 (Guàn Suǒ sān, English: the Third Star of Coiled Thong.).
β Coronae Borealis was first announced to be a binary star in 1907, based on spectroscopic observations at Lick Observatory; J. B. Cannon published an orbit in 1914, finding a period of 40.9 days. Later spectroscopic investigations by F. J. Neubauer at Lick, published in 1944, found a period of 10.5 years, with no evidence for the 41-day periodicity.Antoine Labeyrie and his coworkers resolved the pair by speckle interferometry in 1973 and found that the two stars were separated by about 0.25 arcseconds; this work was published in 1974. The pair was also observed visually by Coteau in 1973. A number of orbits were subsequently published using visual and speckle-interferometric observations, both alone and in conjunction with spectroscopic data. In 1999, Söderhjelm published an orbit using speckle-interferometric data together with Hipparcos observations.
CRB or CrB may refer to:
Cottam Airport, (TC LID: CRB2), is located 4 nautical miles (7.4 km; 4.6 mi) east of Cottam, Ontario, Canada, near Albuna, Ontario.
A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in mathematics and general parlance, is a collection of objects. In musical contexts the term is traditionally applied most often to collections of pitches or pitch-classes, but theorists have extended its use to other types of musical entities, so that one may speak of sets of durations or timbres, for example.
A set by itself does not necessarily possess any additional structure, such as an ordering. Nevertheless, it is often musically important to consider sets that are equipped with an order relation (called segments); in such contexts, bare sets are often referred to as "unordered", for the sake of emphasis.
Two-element sets are called dyads, three-element sets trichords (occasionally "triads", though this is easily confused with the traditional meaning of the word triad). Sets of higher cardinalities are called tetrachords (or tetrads), pentachords (or pentads), hexachords (or hexads), heptachords (heptads or, sometimes, mixing Latin and Greek roots, "septachords"—e.g.,), octachords (octads), nonachords (nonads), decachords (decads), undecachords, and, finally, the dodecachord.
A set in darts consists of a sequence of legs (games) played, ending when the count of legs won meets certain criteria. Throwing first is considered an advantage in a leg, so players alternate who throws first in each leg during the set.
Generally, a set will consist of the best of five legs (first player to win three) - although there are some exceptions. The most notable being the Winmau World Masters, where a set is the best of three legs (first to two).
During the final of the 2007 PDC World Darts Championship, Raymond van Barneveld defeated Phil Taylor by seven sets to six in one of the most dramatic darts matches of all-time. The breakdown of how each set went is shown here.
Taylor won the first two sets by three legs to nil, then added the third set before van Barneveld took the next two. The match continued and went to six sets all. Neither player managed to gain a two-leg advantage in the final set "tiebreak" so the deciding leg was played when the score reached 5-5. Before the final leg, the players threw for the bullseye with the nearest given the advantage of throwing first.
Set construction is the process by which a construction manager undertakes to build full scale scenery suitable for viewing by camera, as specified by a production designer or art director working in collaboration with the director of a production to create a set for a theatrical, film or television production. The set designer produces a scale model, scale drawings, paint elevations (a scale painting supplied to the scenic painter of each element that requires painting), and research about props, textures, and so on. Scale drawings typically include a groundplan, elevation, and section of the complete set, as well as more detailed drawings of individual scenic elements which, in theatrical productions, may be static, flown, or built onto scenery wagons. Models and paint elevations are frequently hand-produced, though in recent years, many Production Designers and most commercial theatres have begun producing scale drawings with the aid of computer drafting programs such as AutoCAD or Vectorworks.
Jolt may refer to: