- published: 21 May 2015
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Theater of the United States is based in the Western tradition. Regional or resident theatres in the United States are professional theatre companies outside of New York City that produce their own seasons.
Before the first English colony was established in 1607, there were Spanish dramas and Native Americans tribes that performed theatrical events.
The birth of professional theatre in America may have begun with the Lewis Hallam troupe that arrived in Williamsburg, Virginia, in 1752. A theater was built in Williamsburg in 1716, and, in January 1736, the original Dock Street Theatre was opened in Charles Town, South Carolina. In any case, The Hallams were the first to organize a complete company of actors in Europe and bring them to the colonies. They brought a repertoire of plays popular in London at the time, including Hamlet, Othello, The Recruiting Officer, and Richard III. The Merchant of Venice was their first performance, shown initially on September 15, 1752. Encountering opposition from religious organisations, Hallam and his company left for Jamaica in 1754 or 1755. Soon after, Lewis Hallam, Jr., founded the American Company, opened a theater in New York, and presented the first professionally mounted American play—The Prince of Parthia, by Thomas Godfrey—in 1767.
The American Theatre Wing, "the Wing" for short, is a New York City-based organization "dedicated to supporting excellence and education in theatre," according to its mission statement. Originally known as the Stage Women's War Relief during World War I, it later became a part of the WWII Allied Relief Fund under its current name. The ATW created and sponsors the Tony Awards in theatrical arts.
In 1917, seven ladies of theater--Rachel Crothers, Louise Closser Hale, Dorothy Donnelly, Josephine Hull, Minnie Dupree, Elizabeth Tyree and Louise Drew--converged to discuss the possibility of forming an organization to aid in war relief. All were active in Broadway theater as patrons, actors, or both. These seven, when they formed the said organization, initially called it "The Stage Women's War Relief." It established workrooms for sewing uniforms and other garments, with total output totaling 1,863,645 articles; clothing and food collection centers; a canteen on Broadway for servicemen; and began sending troupes of entertainers to perform wherever needed. In toto, the group raised nearly $7,000,000 for the war effort.
The Theatre was an Elizabethan playhouse in Shoreditch (in Curtain Road, part of the modern London Borough of Hackney), just outside the City of London. It was the second permanent theatre ever built in England, after the Red Lion, and the first successful one. Built by actor-manager James Burbage, near the family home in Holywell Street, The Theatre is considered the first theatre built in London for the sole purpose of theatrical productions. The Theatre's history includes a number of important acting troupes including the Lord Chamberlain's Men, which employed Shakespeare as actor and playwright. After a dispute with the landlord, the theatre was dismantled and the timbers used in the construction of the Globe Theatre on Bankside.
The Bowery Theatre was a playhouse on the Bowery in the Lower East Side of Manhattan, New York City. Although it was founded by rich families to compete with the upscale Park Theatre, the Bowery saw its most successful period under the populist, pro-American management of Thomas Hamblin in the 1830s and 1840s. By the 1850s, the theatre came to cater to immigrant groups such as the Irish, Germans, and Chinese. It burned down four times in 17 years, a fire in 1929 destroying it for good. Although the theatre's name changed several times (Thalia Theatre, Fay's Bowery Theatre, etc.), it was generally referred to as the "Bowery Theatre".
By the mid-1820s, wealthy settler families in the new ward that was made fashionable by the opening of Lafayette Street, parallel to the Bowery, wanted easy access to fashionable high-class European drama, then only available at the Park Theatre. Under the leadership of Henry Astor, they formed the New York Association and bought the land where Astor's Bull's Head Tavern stood, facing the neighborhood and occupying the area between Elizabeth, Canal (then called Walker), and Bayard streets. They hired architect Ithiel Town to design the new venue.
Theatre or theater is a collaborative form of fine art that uses live performers to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art and stagecraft are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").
Modern Western theatre comes, in large measure, from ancient Greek drama, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pavis defines theatricality, theatrical language, stage writing, and the specificity of theatre as synonymous expressions that differentiate theatre from the other performing arts, literature, and the arts in general.
"Swan Lake" ballet The composition of Pyotr Ilyich Tchaikovsky (1840-1893) Odette/Odile: Gillian Murphey Prince Sigfried: Angel Corella Rothbart: Isaac Stappas, Marcelo Gomes John F. Kennedy Center for the Performing Arts - 2700 F Street NW, Washington, District of Columbia, USA
What happens when the show can't go on? It does. In the case of "Wicked," when Glinda or Dr. Dillamond goes on vacation, it's the understudies, standbys and swings' job to step in and not miss a beat. We go backstage to meet some of the unheralded heroes of "Wicked" in this all access edition of Working In The Theatre. (2014) For more, visit: http://www.americantheatrewing.org
Ever wonder what happens before the show? Working In The Theatre gets full access with Billy Porter ("Kinky Boots") and Patina Miller ("Pippin") as they prepare for the stage. It's a rare behind the scenes glimpse that you'll only see on Working In The Theatre as The Wing goes into the dressing rooms and minds of two Broadway stars just hours before curtain. (2014) For more, visit: http://www.americantheatrewing.org
A short video on early theater in the United States from Glencoe's "Exploring Theatre" page 262. Suitable for middle school.
This video is about American Theatre History in the 20th Century
A short presentation on African American Theatre from Glencoe's "Exploring Theatre" page 340
Tony Award-winning costume designer and Wing Chairman William Ivey Long serves as our guide as we visit his studio, meet a protégé (Emilio Sosa), and, drop in on his mentor (Willa Kim.) From the sketchbook to the gown, Working In The Theatre bares all in this rare backstage pass to the costume design process. (2014) For more, visit: http://www.americantheatrewing.org Leadership support provided by Doris Duke Charitable Foundation
Stephen Karam's The Humans, a new play on Broadway, ventures into the lives of one family who struggle with typical American familial conflicts such as inter-generational religious beliefs, economic hardship, and illness. Watch as the cast and creative team, interviewed by Frank Rich, explore the world of this exciting new play and share the journey on the process of new work being developed off-Broadway and thriving on Broadway. For more information on The Humans, visit http://www.thehumansonbroadway.com For more information on American Theatre Wing, visit http://americantheatrewing.org
A character on stage is shaped by many factors. An important, and often under-examined aspect to the creation of a character and achievement of a production is created by the magnificent makeup artists on and off-Broadway. But, what does it take to achieve the prefect show-ready look 8 times a week? Makeup Artists Brian Strumwasser and Thelma Pollard share their journey on the creation and maintenance of a character in this episode. Through Brian’s work on A Gentleman's Guide to Love and Murder, we delve into the detail and dedication needed for one actor to change their look 17 times in a show. Thelma Pollard’s work on The Phantom of the Opera shows how a show’s longevity and cast replacement can continue to keep the life of a makeup artist on her feet eight time a week for over 28 ...
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Gala American Ballet Theatre in San Francisco ABT 1985
Gala of American Ballet Theatre at the Met -Les Sylphides (Chopiniana) -Sylvia. Grand Pas De Deux (Martine Van Hamel and Patrick Bissel) -Triad -Pauita
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The sisters of SAI Gamma Gamma perform their American Musical Theatre Musicale. April 29th, 2015
The American Theatre Wing and The New York Public Library for the Performing Arts bring you The American Theatre Wing's "Guide to Working in the Theatre". Marian Seldes Theodore S. Chapin - Moderator For more visit: http://www.americantheatrewing.org