- published: 01 Jul 2016
- views: 131161
National Public Radio (NPR) is a privately and publicly funded non-profit membership media organization that serves as a national syndicator to a network of 900 public radio stations in the United States.
NPR produces and distributes news and cultural programming. Individual public radio stations are not required to broadcast all NPR programs that are produced. Most public radio stations broadcast a mixture of NPR programs, content from rival providers American Public Media, Public Radio International and Public Radio Exchange, and locally produced programs. NPR's flagships are two drive time news broadcasts, Morning Edition and the afternoon All Things Considered; both are carried by most NPR member stations, and are two of the most popular radio programs in the country.
NPR manages the Public Radio Satellite System, which distributes NPR programs and other programming from independent producers and networks such as American Public Media and Public Radio International. Its content is also available on-demand via the web, mobile, and podcasts.
The Blue Man Group is an entertainment company, of the performance art type, formed in 1991. It is best known for its creative stage productions around the world.
Blue Man Group currently has ongoing theatrical productions in Las Vegas, Orlando, Boston, Chicago, New York City and Berlin, along with a North/South American Tour. Along with the theatre show, Blue Man Group has toured the globe with their “Megastar World Tour”, a rock concert parody, appeared on the Norwegian Cruise Line ship The Epic, released five albums, contributed to a number of film scores, performed with orchestras around the US, and appeared in advertising campaigns for prominent brands.
Blue Man Group grew out of a collaboration between three close friends, Chris Wink, Matt Goldman and Phil Stanton, on Manhattan’s Lower East Side. The Blue Man character emerged from small “disturbances” on the streets of the city, growing into small shows at downtown clubs, eventually becoming a full performance at the Astor Place Theatre. The award-winning show caught the attention of US media.
Tiny, meaning of small size, may refer to:
An audio engineer works on the recording, manipulation, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "...technical aspect of recording—the placing of microphones, the turning of pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer ... the nuts and bolts." Many audio engineers creatively use technologies to produce sound for film, radio, television, music, electronic products and computer games. Audio engineers also set up and operate sound reinforcement systems for concert, corporate, theatre, sporting and other events.
Alternatively, the term audio engineer can refer to a scientist or professional engineer who holds a B.Sc. or M.Sc. who designs, develops and builds new audio technologies working within the field of acoustical engineering.
Audio engineering concerns the creative and practical aspects of sounds including speech and music, as well as the development of new audio technologies and advancing scientific understanding of audible sound.
Bob Boilen is the current host and the creator of NPR's online music show All Songs Considered. He is also the creator of the Tiny Desk Concert series for NPR Music, hosting intimate performances at his desk. The series curated by Boilen and the team of NPR Music was inspired by a comment made by NPR Music's Stephen Thompson when he jokingly invited musician Laura Gibson to perform at Bob's desk. The two of them went to see Gibson at a show at SXSW in 2008 and the loud crowd made it impossible to hear her. The name of the series is a play on the name Tiny Desk Unit, a band Boilen played in from 1979-1981. Bob Boilen was the director of the NPR show All Things Considered (1989–2007) and chose the music between the news stories for that show. Those musical snippets or "buttons" was the starting point for the creation of All Songs Considered.
Bob Boilen writes music with electronics and friend Michael Barron; both were founding members of the psychedelic dance band Tiny Desk Unit (1979–1981), for which Boilen played synthesizer. Boilen continues to write music with Michael Barron in a band called Danger Painters and also writes and releases solo music. Boilen also composed the original theme music for Talk of the Nation. From 1982 to 1986 Boilen filled a variety of roles including composer with Baltimore's Impossible Theater. He has also worked as a producer for Channel 50, and produced Science Live for the Discovery Channel.
President Obama speaks with Morning Edition’s Steve Inskeep about how Americans have fared since he took office in 2008. He also discusses the tradition of xenophobia in American political culture, the Trump campaign, and parallels between the Brexit vote and the upcoming U.S. election. Produced by Ariel Zambelich and edited by Meg Kelly Host: Steve Inskeep Videographers: Mito Habe-Evans, Colin Marshall, Becky Lettenberger Audio recording: Brian Jarboe This video is copyrighted by NPR. NPR hereby grants permission for anyone to use up to sixty (60) consecutive seconds of the video and/or audio on the condition that such excerpts are credited to "NPR News." Television usage of interview video/audio must include on-screen chyron to "NPR News" with NPR logo. For permission to use extend...
Bob Boilen | October 28, 2016 - My first experience seeing Joseph was in 2014 as an opening act in New York City. It was just the twins Meegan and Allison Closner and their older sister, Natalie Closner, and it was clear then they had something special. Over these two years, Joseph's sound has grown beyond the Closners' harmonies. Now, you're likely to see them with a band or hear songs from their latest record, which is filled with sounds far beyond voice and acoustic guitar. It's been a treat to witness Joseph's journey, but I was also fairly thrilled that for their Tiny Desk the sisters stripped it down to their original setup: three voices and one guitar. It's those essentials that will likely remain their strength, and hearing these songs from I'm Alone, No You're Not outside a studi...
The East River Ferry is one of the more whimsical ways for New Yorkers to commute, but it retains its claim to practicality with one key characteristic: It is a very fast boat. So it was that Local Natives came hurtling toward our crew up the river one overcast evening this summer, shouting three-part harmonies over roaring engines for a surprised clutch of fans. When the ferry docked, three of the band's members hurried over to our pier off WNYC Transmitter Park to play this Field Recording. That boundless energy and will to connect with fans has characterized the band since its start. In 2010, Local Natives came clattering into the indie firmament with the U.S. release of Gorilla Manor, an irresistible blend of in-vogue sonic signifiers like Afropop guitars, rich harmonies and the hint ...
October 4, 2016 by BOB BOILEN • We've never done a Tiny Desk Concert that wasn't behind my desk at NPR. But when the White House called and said they were putting on an event called South by South Lawn, a day-long festival filled with innovators and creators from the worlds of technology and art, including music, we jumped at the chance to get involved. We chose Common as the performer and the White House library as the space. This Tiny Desk Concert was a convergence of art and soul, mixing politics with heart. Common's choice of songs dealt with incarceration as the new slavery, imagined a time where women rule the world and honored the man he looked up to all his life, his father. For this occasion Common put together a special six-piece band of close friends that includes the great Rob...
August 15, 2016 by BOBBY CARTER • Good luck trying to classify Anderson .Paak and his band The Free Nationals. Much of their sound is layered atop a soulful hip-hop foundation; from there, your safest bet is to call it a hodgepodge of genres in the best way possible. Guitarist Jose Rios and bassist Kelsey Gonzalez inject a hard-rock edge into the Hi-Tek-produced "Come Down," this set's opening number. When you hear them play the first few jazz chords of "Heart Don't Stand A Chance," it's hard to simply call this R&B;. It's been a slow build for .Paak, who released a few mixtapes before his 2014 debut album Venice. This year has marked his official breakout with Malibu, on which he did what so many in his position fail to do: He capitalized. After bursting into the spotlight with his appear...
Blind Pilot and the Tiny Desk series both launched in the same year, 2008, so it's hard to comprehend how the two hadn't converged until now: The band's shimmery folk-pop sound, with its vibraphone and overarching vibrancy, is perfectly suited to the space behind Bob Boilen's desk. Fortunately, that sound has bloomed considerably since Blind Pilot's beginnings, coinciding with the group's expansion from a duo to a sextet. It's certainly expansive enough to fill the air in this graceful performance of four songs from And Then Like Lions, on which singer Israel Nebeker issues a series of elegant, thoughtful reflections on how we interact with the past. The album's arrangements are incredibly rich, but they're also a perfect match for the organic, sonically uncluttered setting the Tiny Desk ...
October 11, 2016 by Stephen Thompson • The first time I saw Haley Bonar in concert, she and her band were performing at the base of a 54-foot Doritos vending machine — a dehumanizing corporate venue of the variety that occasionally surfaces at SXSW. Somehow, though, her wry, spiky spark found a way to shine through. A few years later, we found a slightly cozier spot for Bonar to perform three new songs, all drawn from the Minnesotan's terrific new album Impossible Dream. Along the way, she achieves an impressive range of sounds and storytelling, taking a little more than 10 minutes to pack in a melancholy look at the past's inescapability ("Hometown"), a brooding slow-burn about temptation and trust ("Jealous Girls"), and a stomping rager about doomed love ("Called You Queen"). All three ...
September 19, 2016 by BOB BOILEN • It's been six years since Grammy-winning singer-songwriter Corinne Bailey Rae released her second album, The Sea, so this Tiny Desk concert feels like both a re-introduction and a welcome back. The Sea dealt with the sudden death of her husband, saxophonist Jason Rae; since then, she's married producer Steve Brown, and together they've made a new record called The Heart Speaks In Whispers. That album has this English singer recording with the likes of Esperanza Spalding, Marcus Miller and members of the band KING. There's real joy in this genre-defying performance — just great songs and a unique voice. It's a treat for new fans and old friends alike. The Heart Speaks In Whispers is available now: iTunes: https://itunes.apple.com/us/album/the-heart-speak...
September 26, 2016 by BOB BOILEN • They came, they measured, and they returned to perform a show like no other. It was the great NPR Tiny Desk Takeover by Blue Man Group. If you've not seen this performance ensemble and their production in New York, Las Vegas, Orlando, Boston, Chicago or Berlin, then you've missed a night of magical fun. These Blue Men may never say a word, but the performances make for poignant looks at who we are as humans. They also make unusual music on instruments of their own design. Josh Rogosin, our engineer for the Tiny Desk, first saw them in their early days, some 25 years ago at New York's Astor Place Theatre. He told me how the Blue Men would retrofit some of their theatrical magic — including their custom-made instruments, confetti cannons and streamers — t...
May 31, 2016 by BOB BOILEN • It's been a joy to hear the music of Andrew Bird shift and change. Bird's early music, from the late '90s, was steeped in hot jazz and blues music from the early days of the phonograph, then later shifted to new technologies using loop pedals to layer voice, whistling and violin. His lyrics often have a calculated quality, filled with abundant wordplay and observations. This year, Bird made one of his most personal albums, Are You Serious. So it felt appropriate that he would play some of his most personal work in this most intimate of settings, the Tiny Desk. For this performance of three new songs, Bird came with a stripped-down acoustic band: just drums, upright bass and acoustic guitar, with Bird himself on violin. It functioned something like a hot jazz ...
I...sit on the stairs...got time on my hands
...have nowhere to go...feelin' good and I know...
Whatever you do don't make me come down...
Don't make me come down...
You will have trouble...
Why...do you hurt me...i'm such a nice guy
Put a knife in my heart...then turn it around
You laugh while I bleed...as I bleed to death...
If I bleed to death...you've got trouble...
(chorus)
Hit me again and I'll spit in your face...
Love me again and I'll cut you right back...
Smile at me and I'll Frown at you...
You will be in trouble....
I'm feeling alone...I pick up the phone...
when nobody's home...I need to go out
I'm runnin' the streets...no shirt on my back
no shirt on my back...lookin for trouble...
Hit me again and I'll spit in your face...
Love me again and I'll cut you right back...
Smile at me and I'll frown at you...
You will be in trouble...
I'm...coming to you...I wanna make love....
You're not in the mood...so I leave you alone...
I'll get magazines...go play with myself...
go play with myself...go play with trouble
I've got a disease...It's inside my head...
so I go to bed...to whom it concerns...
I haven't a clue...I haven't a clue...
well maybe it's you...givin' me trouble
(chorus twice)
Hit me again and I'll....etc...