- published: 12 Jan 2013
- views: 28509
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Via Wikipedia:
"Hans Richter (April 6, 1888 -- February 1, 1976) was a painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland."
"Throughout his career, he claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created. This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 (as they report in the Futurist Manifesto of Cinema), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film."
Hans Richter was one of the original members of the Dada movement. Starting out as a Cubist painter he soon went into film. This is one of last, made in 1947, it's more Surrealist than Dada in dealing with the world of dreams. It's broken down into episodes which are collaborations with a varied cast including Man Ray, Marcel Duchamp, John Cage, Darius Milhaud, Alexander Calder, blues singer Josh White and notorious torch singer (and black widow murder suspect) Libby Holman. The musical backing sounds remarkably modern.
More on Richter and his films on my film blog @;
http://thesilverscreensurfer.blogspot.ca/2013/07/the-dada-films-of-hans-richter.html
- published: 24 Jul 2013
- views: 30498
5mm, black and white, 17 mins
Director - Hans Richter
Production Company - Film Society
Collaborator - Len Lye
Original Score by - Robert Naughton
Cast: Sergei Eisenstein (policeman)
Basil Wright; Michael Hankinson
Every Day was a film that German avant-garde filmmaker Hans Richter made as part of a film production course run by the Film Society. It features filmmaker Sergei Eisenstein playing a policeman, while Len Lye and Basil Wright provided technical assistance. These contributions reflect the sense of internationalism occurring at this time in British film circles. The film was completed in 1929 under the title The Daily Round, but was never released because Richter was unhappy with the result. Richter began to rework the film in 1975, but died before its completion. It was finally restored, with the addition of a soundtrack, after his death.
Richter made his name making purely abstract films, but had started to become interested in social issues in the late 1920s, which led to him working with more concrete material. Every Day is an avant-garde documentary, which portrays the world of white-collar work in an experimental manner. A series of daily events are portrayed - such as getting out of bed, going to work, working, and seeking entertainment in the evening - but are made strange by the continual use of repetition, montage and fragmented imagery.
Every Day depicts the everyday world of office work as dull and mechanical: repetitive work tasks are often repeated to stress this, while continual shots of an office clock emphasise tedium and slavery to routine. The way in which the film builds up an increasingly escalating editing tempo suggests that the monotonous routine is leading to inner tension.
At one stage in the film there is a brief respite from the dull routine, which is portrayed through stop-motion photography. This occurs at lunchtime when a close up of a meal is shown: food begins to move around the plate as though dancing. Here, inanimate objects assume lifelike properties and revolt against daily routine, thus expressing the sublimated desires of the workers. The idea of inanimate objects taking on a life of their own had already been portrayed by Richter in his earlier film, Ghosts Before Breakfast (Germany, 1926).
Towards the end of Every Day Richter begins to repeat previous elements of the film, but at a faster pace. Such a strategy reinforces the prevailing mood of tension and also indicates that every day is the same. Workers at a cigarette factory and telephone operators are also intercut with these repetitions, as though stressing the rather repetitive nature of most daily work.
- published: 13 Mar 2015
- views: 3227
Berliner Hans Richter (1888-1976) was a pioneer of the avant garde cinema, a member of the Dada movement. He began playing with silent film as art expression in 1921, & it's hard to imagine filmmakers like Luis Bunuel & Fritz Lang weren't influenced by Richter, whose influence among Berlin & Paris avant gardists & surrealists of the '20s is undeniable.
However, the claim that his first film was completed in 1921 may have been a fib concocted two or three years later, merely to fudge his dates a hair ahead of Walther Ruttmann's Opus 1 (1922) as the first avant garde film experiment in Berlin, a point or possibility which art & film historians will likely always argue. Richter's earliest experiments were hardly more than tests, Rhythm 21 (Film ist Rhythmus aka, Rhythmus 21, 1921) consisting of squares of lights growing or shrinking, pulsating white on black, implying a drum-beat without sound.
Rhythm 23 (Rhythmus 23, 1923) is an extension of the same film but with more angles & overlays added, & adding lines rather than adhering to the squares of the original. It looks so similar that the academic argument that both "21" & "23" were made in 1923 looks rather likely. Richter himself at some exhibitions showed these two together as a single film called Un film de Hans Richter. The hand-colored Rhythm 25 (Rhythmus 25, 1925) was the final "chapter," but it does not survive." (Text from http://www.weirdwildrealm.com)
- published: 12 May 2013
- views: 14692
A little bit about Hans Richter via Wikipedia
"Richter's first contacts with modern art were in 1912 through the "Blaue Reiter" and in 1913 through the "Erster Deutsche Herbstsalon" gallery "Der Sturm", in Berlin. In 1914 he was influenced by cubism. He contributed to the periodical Die Aktion in Berlin.[2] His first exhibition was in Munich in 1916, and Die Aktion published as a special edition about him. In the same year he was wounded and discharged from the army and went to Zürich and joined the Dada movement.
Richter believed that the artist's duty was to be actively political, opposing war and supporting the revolution. His first abstract works were made in 1917. In 1918, he befriended Viking Eggeling, and the two experimented together with film. Richter was co-founder, in 1919, of the Association of Revolutionary Artists ("Artistes Radicaux") at Zürich. In the same year he created his first Prélude (an orchestration of a theme developed in eleven drawings). In 1920 he was a member of the November group in Berlin and contributed to the Dutch periodical De Stijl.
Throughout his career, he claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created. This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 [3](as they report in the Futurist Manifesto of Cinema [4]), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film."
- published: 27 Nov 2013
- views: 46504
"Ghosts Before Breakfast (German: Vormittagsspuk) is a 1928 German dadaist animated short film directed by Hans Richter.It utilizes stop motion for some of its effect and live action for others.
The film does not present a coherent narrative, and includes a number of seemingly arbitrary images. The original soundtrack, written by Paul Hindemith, was destroyed by the Nazis, but new audio tracks have been created by artists such as The Real Tuesday Weld. British composer Ian Gardiner, who has written many scores for cinema and television, created a score for the film in 2006 (premiered by the Liverpool group Ensemble 10/10, directed by Clark Rundell). UK-based American composer Jean Hasse (Visible Music) wrote a score in 2008 for the UK-based ensemble Counterpoise (violin, trumpet, alto sax, piano).
Hans Richter (April 6, 1888 -- February 1, 1976) was a German painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland."
- published: 18 Dec 2013
- views: 15291
"Ghosts Before Breakfast (Vormittagsspuk, 1928) is said to have initially been a sound film but the Nazi attempt to destroy all copies as "degenerate art" has left us only a silent version. This short film functions even without the sound it once had, & likely the only thing lost was a musical score.
Using stop motion techniques we see the rapid motions of a clock, flying hats settling like a flock of birds in the bushes, a neck tie that refuses to stay tied, windows opening & closing as they elect, hoses coiling & uncoiling themselves & spraying the flying hats, & other inanimate objects becoming animated for their own benefit. Pistols multiply like mammals, dancing about & cocking their triggers. A great many men hide behind a slim pole. Broken dishes put themselves together. A seed grows into a small bush in a short time. Men fight & march or crawl about & chase the flying hats. Body parts fly loose. In the end the hats find heads to their liking & the clock strikes twelve. All this in six minutes, it has a Lewis Carolly sort of feel to it & is a marvellous bit of animation, & perhaps the best of his early short films. It comes off quite lighthearted, comical enough to evoke laughter. Yet Germany had so recently brought about a violent world war & was swiftly headed for another, the imbedded doomful allegory of Ghosts Before Breakfast is not difficult to deduce."
(Text from http://www.weirdwildrealm.com)
- published: 12 May 2013
- views: 12273
Film by Hans Richter.
Music from the free album "Objet petit Dada" by Gestalt OrchestrA (2008)
http://morne.free.fr/celluledessites/gestalt_orchestra/objet_petit_dada.htm
"(...) Inflation, parabole caustique sur la situation économique régnant alors en Allemagne et qui déboucha sur la crise de 1929."
- published: 03 Mar 2013
- views: 150
After his early abstract "Rhythmus" series Richter made this quirky Dadaist short. Rhythm is still very important in the movie, while humor and associative imagery replace the strictly abstract animations of his previous works. There is quite a lot of elaborate stop motion and other effects, while somehow it seems like the crew was just goofing around with a camera on a sunny afternoon. Besides this humor and playfulness there is enough sense of structure and meaning to regard it is a serious piece of art.
The sound version, with an original score composed by Paul Hindemith, was destroyed by the Nazis as "entartete kunst".
- published: 14 May 2013
- views: 701
Dadascope by Hans Richter. Transfer from original 16mm print.
DADASCOPE (1961)
Run time: 39 min
Starring: Marcel Duchamp, Man Ray, Jean Arp, Richard Huelsenbeck, Raoul
Hausmann and others.
Dadascope is a comprehensive portrait of the Dada movement with its specific techniques of sound and visual clash, word puns, chess, dice and other games of chance. Richter stated, "There is no story, no psychological implication except such as the onlooker puts into the imagery. But it is not accidental either, more a poetry of images built with and upon associations. In other words the film allows itself the freedom to play upon the scale of film possibilities, freedom for which Dada always stood - and still stands."
- published: 05 Jan 2013
- views: 6252
Hans Richter
Hans Richter may refer to:
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Hans_Richter
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Richter
Richter may refer to:
Science and technology
Places
People
Entertainment
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Richter
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Hans
Hans may refer to:
See also
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Hans
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Ghosts Before Breakfast
Ghosts Before Breakfast (German: Vormittagsspuk) is a 1928 German dadaist animated short film directed by Hans Richter. It utilizes stop motion for some of its effect and live action for others. The film does not present a coherent narrative, and includes a number of seemingly arbitrary images. The original soundtrack, written by Paul Hindemith, was destroyed by the Nazis, but new audio tracks have been created by artists such as The Real Tuesday Weld. British composer Ian Gardiner, who has written many scores for cinema and television, created a score for the film in 2006 (premiered by the Liverpool group Ensemble 10/10, directed by Clark Rundell). UK-based American composer Jean Hasse (Visible Music) wrote a score in 2008 for the UK-based ensemble Counterpoise (violin, trumpet, alto sax, piano).
Cast
References
External links
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Ghosts_Before_Breakfast
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Before Breakfast
Before Breakfast is a 1919 American short comedy film starring Harold Lloyd.
Cast
See also
References
External links
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Before_Breakfast
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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3:23Rhythmus 21 (1921) By Hans Richter (Early Abstract And Experimental Films)
Rhythmus 21 (1921) By Hans Richter (Early Abstract And Experimental Films)Rhythmus 21 (1921) By Hans Richter (Early Abstract And Experimental Films)
Via Wikipedia: "Hans Richter (April 6, 1888 -- February 1, 1976) was a painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland." "Throughout his career, he claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created. This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 (as they report in the Futurist Manifesto of Cinema), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film." -
1:20:04"Dreams Money Can Buy" ~ Hans Richter Film
"Dreams Money Can Buy" ~ Hans Richter Film"Dreams Money Can Buy" ~ Hans Richter Film
Hans Richter was one of the original members of the Dada movement. Starting out as a Cubist painter he soon went into film. This is one of last, made in 1947, it's more Surrealist than Dada in dealing with the world of dreams. It's broken down into episodes which are collaborations with a varied cast including Man Ray, Marcel Duchamp, John Cage, Darius Milhaud, Alexander Calder, blues singer Josh White and notorious torch singer (and black widow murder suspect) Libby Holman. The musical backing sounds remarkably modern. More on Richter and his films on my film blog @; http://thesilverscreensurfer.blogspot.ca/2013/07/the-dada-films-of-hans-richter.html -
16:33Hans Richter, Everyday 1929 [short film]
Hans Richter, Everyday 1929 [short film]Hans Richter, Everyday 1929 [short film]
5mm, black and white, 17 mins Director - Hans Richter Production Company - Film Society Collaborator - Len Lye Original Score by - Robert Naughton Cast: Sergei Eisenstein (policeman) Basil Wright; Michael Hankinson Every Day was a film that German avant-garde filmmaker Hans Richter made as part of a film production course run by the Film Society. It features filmmaker Sergei Eisenstein playing a policeman, while Len Lye and Basil Wright provided technical assistance. These contributions reflect the sense of internationalism occurring at this time in British film circles. The film was completed in 1929 under the title The Daily Round, but was never released because Richter was unhappy with the result. Richter began to rework the film in 1975, but died before its completion. It was finally restored, with the addition of a soundtrack, after his death. Richter made his name making purely abstract films, but had started to become interested in social issues in the late 1920s, which led to him working with more concrete material. Every Day is an avant-garde documentary, which portrays the world of white-collar work in an experimental manner. A series of daily events are portrayed - such as getting out of bed, going to work, working, and seeking entertainment in the evening - but are made strange by the continual use of repetition, montage and fragmented imagery. Every Day depicts the everyday world of office work as dull and mechanical: repetitive work tasks are often repeated to stress this, while continual shots of an office clock emphasise tedium and slavery to routine. The way in which the film builds up an increasingly escalating editing tempo suggests that the monotonous routine is leading to inner tension. At one stage in the film there is a brief respite from the dull routine, which is portrayed through stop-motion photography. This occurs at lunchtime when a close up of a meal is shown: food begins to move around the plate as though dancing. Here, inanimate objects assume lifelike properties and revolt against daily routine, thus expressing the sublimated desires of the workers. The idea of inanimate objects taking on a life of their own had already been portrayed by Richter in his earlier film, Ghosts Before Breakfast (Germany, 1926). Towards the end of Every Day Richter begins to repeat previous elements of the film, but at a faster pace. Such a strategy reinforces the prevailing mood of tension and also indicates that every day is the same. Workers at a cigarette factory and telephone operators are also intercut with these repetitions, as though stressing the rather repetitive nature of most daily work. -
3:29RHYTHMUS 21 - (1921) Hans Richter
RHYTHMUS 21 - (1921) Hans RichterRHYTHMUS 21 - (1921) Hans Richter
Berliner Hans Richter (1888-1976) was a pioneer of the avant garde cinema, a member of the Dada movement. He began playing with silent film as art expression in 1921, & it's hard to imagine filmmakers like Luis Bunuel & Fritz Lang weren't influenced by Richter, whose influence among Berlin & Paris avant gardists & surrealists of the '20s is undeniable. However, the claim that his first film was completed in 1921 may have been a fib concocted two or three years later, merely to fudge his dates a hair ahead of Walther Ruttmann's Opus 1 (1922) as the first avant garde film experiment in Berlin, a point or possibility which art & film historians will likely always argue. Richter's earliest experiments were hardly more than tests, Rhythm 21 (Film ist Rhythmus aka, Rhythmus 21, 1921) consisting of squares of lights growing or shrinking, pulsating white on black, implying a drum-beat without sound. Rhythm 23 (Rhythmus 23, 1923) is an extension of the same film but with more angles & overlays added, & adding lines rather than adhering to the squares of the original. It looks so similar that the academic argument that both "21" & "23" were made in 1923 looks rather likely. Richter himself at some exhibitions showed these two together as a single film called Un film de Hans Richter. The hand-colored Rhythm 25 (Rhythmus 25, 1925) was the final "chapter," but it does not survive." (Text from http://www.weirdwildrealm.com) -
3:45Filmstudie [1925] By Hans Richter - Early Abstract And Experimental Films
Filmstudie [1925] By Hans Richter - Early Abstract And Experimental FilmsFilmstudie [1925] By Hans Richter - Early Abstract And Experimental Films
A little bit about Hans Richter via Wikipedia "Richter's first contacts with modern art were in 1912 through the "Blaue Reiter" and in 1913 through the "Erster Deutsche Herbstsalon" gallery "Der Sturm", in Berlin. In 1914 he was influenced by cubism. He contributed to the periodical Die Aktion in Berlin.[2] His first exhibition was in Munich in 1916, and Die Aktion published as a special edition about him. In the same year he was wounded and discharged from the army and went to Zürich and joined the Dada movement. Richter believed that the artist's duty was to be actively political, opposing war and supporting the revolution. His first abstract works were made in 1917. In 1918, he befriended Viking Eggeling, and the two experimented together with film. Richter was co-founder, in 1919, of the Association of Revolutionary Artists ("Artistes Radicaux") at Zürich. In the same year he created his first Prélude (an orchestration of a theme developed in eleven drawings). In 1920 he was a member of the November group in Berlin and contributed to the Dutch periodical De Stijl. Throughout his career, he claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created. This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 [3](as they report in the Futurist Manifesto of Cinema [4]), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film." -
6:24Vormittagsspuk - Ghosts Before Breakfast (1928) Experimental Avant Garde Dada Film By Hans Richter
Vormittagsspuk - Ghosts Before Breakfast (1928) Experimental Avant Garde Dada Film By Hans RichterVormittagsspuk - Ghosts Before Breakfast (1928) Experimental Avant Garde Dada Film By Hans Richter
"Ghosts Before Breakfast (German: Vormittagsspuk) is a 1928 German dadaist animated short film directed by Hans Richter.It utilizes stop motion for some of its effect and live action for others. The film does not present a coherent narrative, and includes a number of seemingly arbitrary images. The original soundtrack, written by Paul Hindemith, was destroyed by the Nazis, but new audio tracks have been created by artists such as The Real Tuesday Weld. British composer Ian Gardiner, who has written many scores for cinema and television, created a score for the film in 2006 (premiered by the Liverpool group Ensemble 10/10, directed by Clark Rundell). UK-based American composer Jean Hasse (Visible Music) wrote a score in 2008 for the UK-based ensemble Counterpoise (violin, trumpet, alto sax, piano). Hans Richter (April 6, 1888 -- February 1, 1976) was a German painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland." -
6:24GHOSTS BEFORE BREAKFAST (1928) Hans Richter
GHOSTS BEFORE BREAKFAST (1928) Hans RichterGHOSTS BEFORE BREAKFAST (1928) Hans Richter
"Ghosts Before Breakfast (Vormittagsspuk, 1928) is said to have initially been a sound film but the Nazi attempt to destroy all copies as "degenerate art" has left us only a silent version. This short film functions even without the sound it once had, & likely the only thing lost was a musical score. Using stop motion techniques we see the rapid motions of a clock, flying hats settling like a flock of birds in the bushes, a neck tie that refuses to stay tied, windows opening & closing as they elect, hoses coiling & uncoiling themselves & spraying the flying hats, & other inanimate objects becoming animated for their own benefit. Pistols multiply like mammals, dancing about & cocking their triggers. A great many men hide behind a slim pole. Broken dishes put themselves together. A seed grows into a small bush in a short time. Men fight & march or crawl about & chase the flying hats. Body parts fly loose. In the end the hats find heads to their liking & the clock strikes twelve. All this in six minutes, it has a Lewis Carolly sort of feel to it & is a marvellous bit of animation, & perhaps the best of his early short films. It comes off quite lighthearted, comical enough to evoke laughter. Yet Germany had so recently brought about a violent world war & was swiftly headed for another, the imbedded doomful allegory of Ghosts Before Breakfast is not difficult to deduce." (Text from http://www.weirdwildrealm.com) -
2:50Hans Richter, Inflation, 1928
Hans Richter, Inflation, 1928Hans Richter, Inflation, 1928
Film by Hans Richter. Music from the free album "Objet petit Dada" by Gestalt OrchestrA (2008) http://morne.free.fr/celluledessites/gestalt_orchestra/objet_petit_dada.htm "(...) Inflation, parabole caustique sur la situation économique régnant alors en Allemagne et qui déboucha sur la crise de 1929." -
3:501928 Hans Richter - Vormittagsspuk (highlights edit)
1928 Hans Richter - Vormittagsspuk (highlights edit)1928 Hans Richter - Vormittagsspuk (highlights edit)
After his early abstract "Rhythmus" series Richter made this quirky Dadaist short. Rhythm is still very important in the movie, while humor and associative imagery replace the strictly abstract animations of his previous works. There is quite a lot of elaborate stop motion and other effects, while somehow it seems like the crew was just goofing around with a camera on a sunny afternoon. Besides this humor and playfulness there is enough sense of structure and meaning to regard it is a serious piece of art. The sound version, with an original score composed by Paul Hindemith, was destroyed by the Nazis as "entartete kunst". -
12:23Dadascope Hans Richter 1961 Pt1
Dadascope Hans Richter 1961 Pt1Dadascope Hans Richter 1961 Pt1
Dadascope by Hans Richter. Transfer from original 16mm print. DADASCOPE (1961) Run time: 39 min Starring: Marcel Duchamp, Man Ray, Jean Arp, Richard Huelsenbeck, Raoul Hausmann and others. Dadascope is a comprehensive portrait of the Dada movement with its specific techniques of sound and visual clash, word puns, chess, dice and other games of chance. Richter stated, "There is no story, no psychological implication except such as the onlooker puts into the imagery. But it is not accidental either, more a poetry of images built with and upon associations. In other words the film allows itself the freedom to play upon the scale of film possibilities, freedom for which Dada always stood - and still stands."
'Hans Richter' is featured as a movie character in the following productions:
Osud jménem Kamila (1975)
Actors: Vladimír Dlouhý (actor), Jürgen Frohriep (actor), Petr Schulhoff (writer), Lubos Fiser (composer), Petr Schulhoff (director), Jan Chaloupek (editor), Marie Drahokoupilová (actress), Jaroslav Drbohlav (actor), Jirí Klem (actor), Zdenek Ornest (actor), Renáta Dolezelová (actress), Libuse Vánová (writer),
Genres: Crime, Drama,Der große Ferienscheck (1972)
Actors: Helga Raumer (actress), Berthold Schulze (actor), Bernd Wefelmeyer (composer), Ingeborg Krabbe (actress), Erik S. Klein (actor), Frank Michelis (actor), Christel Bodenstein (actress), Bodo Krämer (actor), Fritz Bartholdt (actor), Klaus Grabowsky (director), Gert Billing (writer), Anneliese Müller (actress), Billi Keller (actress), Hans Burkia (actor), Andrea Leitner (actress),
Genres: Comedy,La forêt noire (1968)
Actors: Andrée Champeaux (actress), André Chaumeau (actor), Alain Cuny (actor), Jean-Claude Drouot (actor), Marcel Cravenne (director), Paul Mercey (actor), Emmanuelle Riva (actress), Marie-Hélène Breillat (actress), Armand Babel (actor), Monique Plotin (costume designer), François-Régis Bastide (writer), Frédéric Feruch (actor),
Genres: ,Pezzo, capopezzo e capitano (1958)
Actors: Ennio De Concini (writer), Gianni Garko (actor), Marco Guglielmi (actor), Folco Lulli (actor), Piero Lulli (actor), Nino Manfredi (actor), Wolfgang Staudte (director), Heinz Reincke (actor), Angelo Francesco Lavagnino (composer), Wolfgang Staudte (actor), Duccio Tessari (writer), Lilla Brignone (actress), Wolfgang Staudte (writer), Vittorio De Sica (actor), Hélène Rémy (actress),
Genres: Comedy, War,Magic Fire (1955)
Actors: William Dieterle (producer), Peter Cushing (actor), Hans Elwenspoek (actor), Robert Freitag (actor), Kurt Großkurth (actor), Jan Hendriks (actor), Fritz Rasp (actor), Charles Regnier (actor), Gerhard Riedmann (actor), Erik Schumann (actor), Valentina Cortese (actress), Yvonne De Carlo (actress), Ewald André Dupont (writer), William Dieterle (director), Hans Quest (actor),
Genres: Biography, Drama,...und über uns der Himmel (1947)
Actors: Wolfgang Becker (editor), Reinhold Bernt (actor), Erwin Biegel (actor), Erich Dunskus (actor), Otto Gebühr (actor), Karl Hannemann (actor), Alfred Maack (actor), Gustav Püttjer (actor), Paul Edwin Roth (actor), Elsa Wagner (actress), Theo Mackeben (composer), Hans Albers (actor), Ralph Lothar (actor), Ludwig Linkmann (actor), Josef von Báky (director),
Genres: Drama,Richter, Hans Filmography
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2012, role: actor , character name: Himself
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2008, role: miscellaneous crew
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1986, role: actor , character name: Himself
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1973, role: actor , character name: Himself
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1973, role: actor , character name: Himself
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1969, role: writer
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1969, role: actor
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1969, role: actor , character name: Himself
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1969, role: actor
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1967, role: actor , character name: Himself
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1961, role: director
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1961, role: writer
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1957, role: writer
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1957, role: producer
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1957, role: director
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1947, role: producer
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1947, role: writer
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1947, role: writer
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1947, role: director
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1939, role: writer
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1939, role: editor
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1939, role: editor
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1939, role: writer
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1939, role: director
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1939, role: director
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1937, role: editor
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1937, role: writer
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1937, role: director
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1936, role: writer
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1936, role: director
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1934, role: director
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1934, role: writer
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1933, role: director
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1933, role: writer
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1933, role: writer
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1933, role: writer
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1933, role: director
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1931, role: director
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1931, role: writer
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1930, role: writer
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1930, role: director
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1929, role: editor
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1929, role: actor , character name: General Tilly
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1929, role: writer
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1929, role: writer
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1929, role: writer
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1929, role: writer
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1929, role: director
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1929, role: director
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1929, role: director
Richter, Hans Filmography
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2009, role: actor , character name: Himself - Memorial Tribute
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2004, role: actor
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1984, role: actor , character name: Robert
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1983, role: actor
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1982, role: actor
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1982, role: actor , character name: Herr Meisel
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1979, role: actor , character name: Bürgermeister
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1975, role: actor , character name: Sir Gerald Blythe
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1975, role: actor
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1973, role: actor , character name: Brill
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1971, role: actor , character name: Tagedieb
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1970, role: actor , character name: Dr. Brett
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1970, role: actor , character name: Festredner
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1970, role: actor , character name: Cyril
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1969, role: actor
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1967, role: actor , character name: Toni
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1963, role: actor
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1963, role: actor , character name: Insp. Knecht
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1963, role: actor
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1962, role: actor , character name: Max
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1962, role: actor , character name: Don Gusman Gimpelwitz
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1962, role: actor , character name: Peter Zwanziger
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1962, role: actor
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1961, role: actor , character name: Referent Mayer
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1961, role: actor , character name: Behnke
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1961, role: actor , character name: Steward Pfister
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1960, role: actor , character name: Müller
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1960, role: actor , character name: Jockel
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1960, role: actor , character name: Musician Peter
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1959, role: actor , character name: Regisseur Olten
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1959, role: actor , character name: Ferdy Nuschler, Pressefotograf
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1958, role: actor , character name: Schnecke
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1958, role: actor , character name: Maler Ali
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1957, role: actor , character name: Moses, Kellner bei Jonny
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1957, role: actor , character name: Franz, Chauffeur
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1957, role: actor , character name: Peter Bock
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1956, role: actor , character name: Aribert
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1956, role: director
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1956, role: actor , character name: Karl, Chauffeur
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1956, role: actor , character name: Eduard, Chauffeur
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1956, role: actor , character name: Struth von Winkelried
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1955, role: actor , character name: Dr. Gerlach
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1955, role: director
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1955, role: director
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1955, role: director
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1955, role: actor , character name: Fritz Keller
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1955, role: actor , character name: Fred
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1954, role: actor
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1954, role: actor , character name: Karl Ammer
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1954, role: actor , character name: Mûller
Richter, Hans Filmography
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2012, role: actor , character name: Himself - Performer
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2010, role: actor , character name: Pare
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2008, role: actor
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2008, role: actor , character name: Himself
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2008, role: actor , character name: Frank
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2007, role: actor , character name: Gabriel
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2007, role: actor , character name: Severe Inquisitor
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2006, role: actor
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2005, role: actor , character name: Wolf
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2004, role: actor , character name: Cedric
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2003, role: actor
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1999, role: actor , character name: Hombre de la pareja del jardín
Hans Richter
ALBUMS
- 100 Gassenhauer released: 2004
- Kino, Schlager, Schöne Stunden released:
100 Gassenhauer
Released 2004- add to main playlist Play in Full Screen Kornblumenblau
- add to main playlist Play in Full Screen Das kann doch einen Seemann nicht erschüttern
- add to main playlist Play in Full Screen Rosamunde
- add to main playlist Play in Full Screen Ich brauche keine Millionen
- add to main playlist Play in Full Screen Unter der roten Laterne von St. Pauli
- add to main playlist Play in Full Screen Es geht alles vorüber
- add to main playlist Play in Full Screen Das Karussell
- add to main playlist Play in Full Screen Wir machen Musik
- add to main playlist Play in Full Screen In der Nacht ist der Mensch nicht gern alleine
- add to main playlist Play in Full Screen Der Theodor im Fussballtor
- add to main playlist Play in Full Screen Der Trizonesien-Song
- add to main playlist Play in Full Screen Maria aus Bahia
- add to main playlist Play in Full Screen Das machen nur die Beine von Dolores
- add to main playlist Play in Full Screen Wenn ich die blonde Inge
- add to main playlist Play in Full Screen Valencia
- add to main playlist Play in Full Screen Guck doch nicht immer nach dem Tangogeiger hin
- add to main playlist Play in Full Screen Wer hat bloß den Käse zum Bahnhof gerollt
- add to main playlist Play in Full Screen Heut war ich bei der Frieda
- add to main playlist Play in Full Screen Was kann der Sigismund dafür
- add to main playlist Play in Full Screen Veronika der Lenz ist da
- add to main playlist Play in Full Screen Ein kleines Mädel brauch ich heut zum Knutschen
- add to main playlist Play in Full Screen Onkel Müller hat 'nen Triller
- add to main playlist Play in Full Screen Meine Oma fährt Motorrad
- add to main playlist Play in Full Screen Ja bei den Hottentotten
- add to main playlist Play in Full Screen Mit dem Peng und dem Radi Radi Bum Bum Bum
Kino, Schlager, Schöne Stunden
- add to main playlist Play in Full Screen Du bist die Rose vom Wörthersee
- add to main playlist Play in Full Screen Mariandl
- add to main playlist Play in Full Screen Denn in der Nacht
- add to main playlist Play in Full Screen Mister Moneymaker
- add to main playlist Play in Full Screen Swing Swing Swing
- add to main playlist Play in Full Screen Alles für die Firma
- add to main playlist Play in Full Screen Winke, Winke
- add to main playlist Play in Full Screen Der Theodor im Fußballtor
- add to main playlist Play in Full Screen Mein kleines Häuserl
- add to main playlist Play in Full Screen Das machen nur die Beine von Dolores
- add to main playlist Play in Full Screen Liebe ist ja nur ein Märchen
- add to main playlist Play in Full Screen Pst, pst, hinter ihnen steht einer
- add to main playlist Play in Full Screen Ausgerechnet Du
- add to main playlist Play in Full Screen Der alte Sünder
- add to main playlist Play in Full Screen Ich möchte mal
- add to main playlist Play in Full Screen Santa Fe
Hans Richter
ALBUMS
Born: 1843-04-04
Died: 1916-12-05
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Rhythmus 21 (1921) By Hans Richter (Early Abstract And Experimental Films)
Via Wikipedia: "Hans Richter (April 6, 1888 -- February 1, 1976) was a painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland." "Throughout his career, he claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created. This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 (as they report in the Futurist Manifesto of Cinema), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film."
published: 12 Jan 2013 -
"Dreams Money Can Buy" ~ Hans Richter Film
Hans Richter was one of the original members of the Dada movement. Starting out as a Cubist painter he soon went into film. This is one of last, made in 1947, it's more Surrealist than Dada in dealing with the world of dreams. It's broken down into episodes which are collaborations with a varied cast including Man Ray, Marcel Duchamp, John Cage, Darius Milhaud, Alexander Calder, blues singer Josh White and notorious torch singer (and black widow murder suspect) Libby Holman. The musical backing sounds remarkably modern. More on Richter and his films on my film blog @; http://thesilverscreensurfer.blogspot.ca/2013/07/the-dada-films-of-hans-richter.html
published: 24 Jul 2013 -
Hans Richter, Everyday 1929 [short film]
5mm, black and white, 17 mins Director - Hans Richter Production Company - Film Society Collaborator - Len Lye Original Score by - Robert Naughton Cast: Sergei Eisenstein (policeman) Basil Wright; Michael Hankinson Every Day was a film that German avant-garde filmmaker Hans Richter made as part of a film production course run by the Film Society. It features filmmaker Sergei Eisenstein playing a policeman, while Len Lye and Basil Wright provided technical assistance. These contributions reflect the sense of internationalism occurring at this time in British film circles. The film was completed in 1929 under the title The Daily Round, but was never released because Richter was unhappy with the result. Richter began to rework the film in 1975, but died before its completion. It was final...
published: 13 Mar 2015 -
RHYTHMUS 21 - (1921) Hans Richter
Berliner Hans Richter (1888-1976) was a pioneer of the avant garde cinema, a member of the Dada movement. He began playing with silent film as art expression in 1921, & it's hard to imagine filmmakers like Luis Bunuel & Fritz Lang weren't influenced by Richter, whose influence among Berlin & Paris avant gardists & surrealists of the '20s is undeniable. However, the claim that his first film was completed in 1921 may have been a fib concocted two or three years later, merely to fudge his dates a hair ahead of Walther Ruttmann's Opus 1 (1922) as the first avant garde film experiment in Berlin, a point or possibility which art & film historians will likely always argue. Richter's earliest experiments were hardly more than tests, Rhythm 21 (Film ist Rhythmus aka, Rhythmus 21, 1921) consisting ...
published: 12 May 2013 -
Filmstudie [1925] By Hans Richter - Early Abstract And Experimental Films
A little bit about Hans Richter via Wikipedia "Richter's first contacts with modern art were in 1912 through the "Blaue Reiter" and in 1913 through the "Erster Deutsche Herbstsalon" gallery "Der Sturm", in Berlin. In 1914 he was influenced by cubism. He contributed to the periodical Die Aktion in Berlin.[2] His first exhibition was in Munich in 1916, and Die Aktion published as a special edition about him. In the same year he was wounded and discharged from the army and went to Zürich and joined the Dada movement. Richter believed that the artist's duty was to be actively political, opposing war and supporting the revolution. His first abstract works were made in 1917. In 1918, he befriended Viking Eggeling, and the two experimented together with film. Richter was co-founder, in 1919, of...
published: 27 Nov 2013 -
Vormittagsspuk - Ghosts Before Breakfast (1928) Experimental Avant Garde Dada Film By Hans Richter
"Ghosts Before Breakfast (German: Vormittagsspuk) is a 1928 German dadaist animated short film directed by Hans Richter.It utilizes stop motion for some of its effect and live action for others. The film does not present a coherent narrative, and includes a number of seemingly arbitrary images. The original soundtrack, written by Paul Hindemith, was destroyed by the Nazis, but new audio tracks have been created by artists such as The Real Tuesday Weld. British composer Ian Gardiner, who has written many scores for cinema and television, created a score for the film in 2006 (premiered by the Liverpool group Ensemble 10/10, directed by Clark Rundell). UK-based American composer Jean Hasse (Visible Music) wrote a score in 2008 for the UK-based ensemble Counterpoise (violin, trumpet, alto sa...
published: 18 Dec 2013 -
GHOSTS BEFORE BREAKFAST (1928) Hans Richter
"Ghosts Before Breakfast (Vormittagsspuk, 1928) is said to have initially been a sound film but the Nazi attempt to destroy all copies as "degenerate art" has left us only a silent version. This short film functions even without the sound it once had, & likely the only thing lost was a musical score. Using stop motion techniques we see the rapid motions of a clock, flying hats settling like a flock of birds in the bushes, a neck tie that refuses to stay tied, windows opening & closing as they elect, hoses coiling & uncoiling themselves & spraying the flying hats, & other inanimate objects becoming animated for their own benefit. Pistols multiply like mammals, dancing about & cocking their triggers. A great many men hide behind a slim pole. Broken dishes put themselves together. A seed grow...
published: 12 May 2013 -
Hans Richter, Inflation, 1928
Film by Hans Richter. Music from the free album "Objet petit Dada" by Gestalt OrchestrA (2008) http://morne.free.fr/celluledessites/gestalt_orchestra/objet_petit_dada.htm "(...) Inflation, parabole caustique sur la situation économique régnant alors en Allemagne et qui déboucha sur la crise de 1929."
published: 03 Mar 2013 -
1928 Hans Richter - Vormittagsspuk (highlights edit)
After his early abstract "Rhythmus" series Richter made this quirky Dadaist short. Rhythm is still very important in the movie, while humor and associative imagery replace the strictly abstract animations of his previous works. There is quite a lot of elaborate stop motion and other effects, while somehow it seems like the crew was just goofing around with a camera on a sunny afternoon. Besides this humor and playfulness there is enough sense of structure and meaning to regard it is a serious piece of art. The sound version, with an original score composed by Paul Hindemith, was destroyed by the Nazis as "entartete kunst".
published: 14 May 2013 -
Dadascope Hans Richter 1961 Pt1
Dadascope by Hans Richter. Transfer from original 16mm print. DADASCOPE (1961) Run time: 39 min Starring: Marcel Duchamp, Man Ray, Jean Arp, Richard Huelsenbeck, Raoul Hausmann and others. Dadascope is a comprehensive portrait of the Dada movement with its specific techniques of sound and visual clash, word puns, chess, dice and other games of chance. Richter stated, "There is no story, no psychological implication except such as the onlooker puts into the imagery. But it is not accidental either, more a poetry of images built with and upon associations. In other words the film allows itself the freedom to play upon the scale of film possibilities, freedom for which Dada always stood - and still stands."
published: 05 Jan 2013
Rhythmus 21 (1921) By Hans Richter (Early Abstract And Experimental Films)
- Order: Reorder
- Duration: 3:23
- Updated: 12 Jan 2013
- views: 28509
Via Wikipedia:
"Hans Richter (April 6, 1888 -- February 1, 1976) was a painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in B...
Via Wikipedia:
"Hans Richter (April 6, 1888 -- February 1, 1976) was a painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland."
"Throughout his career, he claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created. This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 (as they report in the Futurist Manifesto of Cinema), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film."
https://wn.com/Rhythmus_21_(1921)_By_Hans_Richter_(Early_Abstract_And_Experimental_Films)
Via Wikipedia:
"Hans Richter (April 6, 1888 -- February 1, 1976) was a painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland."
"Throughout his career, he claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created. This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 (as they report in the Futurist Manifesto of Cinema), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film."
- published: 12 Jan 2013
- views: 28509
"Dreams Money Can Buy" ~ Hans Richter Film
- Order: Reorder
- Duration: 1:20:04
- Updated: 24 Jul 2013
- views: 30498
Hans Richter was one of the original members of the Dada movement. Starting out as a Cubist painter he soon went into film. This is one of last, made in 1947, i...
Hans Richter was one of the original members of the Dada movement. Starting out as a Cubist painter he soon went into film. This is one of last, made in 1947, it's more Surrealist than Dada in dealing with the world of dreams. It's broken down into episodes which are collaborations with a varied cast including Man Ray, Marcel Duchamp, John Cage, Darius Milhaud, Alexander Calder, blues singer Josh White and notorious torch singer (and black widow murder suspect) Libby Holman. The musical backing sounds remarkably modern.
More on Richter and his films on my film blog @;
http://thesilverscreensurfer.blogspot.ca/2013/07/the-dada-films-of-hans-richter.html
https://wn.com/Dreams_Money_Can_Buy_~_Hans_Richter_Film
Hans Richter was one of the original members of the Dada movement. Starting out as a Cubist painter he soon went into film. This is one of last, made in 1947, it's more Surrealist than Dada in dealing with the world of dreams. It's broken down into episodes which are collaborations with a varied cast including Man Ray, Marcel Duchamp, John Cage, Darius Milhaud, Alexander Calder, blues singer Josh White and notorious torch singer (and black widow murder suspect) Libby Holman. The musical backing sounds remarkably modern.
More on Richter and his films on my film blog @;
http://thesilverscreensurfer.blogspot.ca/2013/07/the-dada-films-of-hans-richter.html
- published: 24 Jul 2013
- views: 30498
Hans Richter, Everyday 1929 [short film]
- Order: Reorder
- Duration: 16:33
- Updated: 13 Mar 2015
- views: 3227
5mm, black and white, 17 mins
Director - Hans Richter
Production Company - Film Society
Collaborator - Len Lye
Original Score by - Robert Naughton
Cast: Serg...
5mm, black and white, 17 mins
Director - Hans Richter
Production Company - Film Society
Collaborator - Len Lye
Original Score by - Robert Naughton
Cast: Sergei Eisenstein (policeman)
Basil Wright; Michael Hankinson
Every Day was a film that German avant-garde filmmaker Hans Richter made as part of a film production course run by the Film Society. It features filmmaker Sergei Eisenstein playing a policeman, while Len Lye and Basil Wright provided technical assistance. These contributions reflect the sense of internationalism occurring at this time in British film circles. The film was completed in 1929 under the title The Daily Round, but was never released because Richter was unhappy with the result. Richter began to rework the film in 1975, but died before its completion. It was finally restored, with the addition of a soundtrack, after his death.
Richter made his name making purely abstract films, but had started to become interested in social issues in the late 1920s, which led to him working with more concrete material. Every Day is an avant-garde documentary, which portrays the world of white-collar work in an experimental manner. A series of daily events are portrayed - such as getting out of bed, going to work, working, and seeking entertainment in the evening - but are made strange by the continual use of repetition, montage and fragmented imagery.
Every Day depicts the everyday world of office work as dull and mechanical: repetitive work tasks are often repeated to stress this, while continual shots of an office clock emphasise tedium and slavery to routine. The way in which the film builds up an increasingly escalating editing tempo suggests that the monotonous routine is leading to inner tension.
At one stage in the film there is a brief respite from the dull routine, which is portrayed through stop-motion photography. This occurs at lunchtime when a close up of a meal is shown: food begins to move around the plate as though dancing. Here, inanimate objects assume lifelike properties and revolt against daily routine, thus expressing the sublimated desires of the workers. The idea of inanimate objects taking on a life of their own had already been portrayed by Richter in his earlier film, Ghosts Before Breakfast (Germany, 1926).
Towards the end of Every Day Richter begins to repeat previous elements of the film, but at a faster pace. Such a strategy reinforces the prevailing mood of tension and also indicates that every day is the same. Workers at a cigarette factory and telephone operators are also intercut with these repetitions, as though stressing the rather repetitive nature of most daily work.
https://wn.com/Hans_Richter,_Everyday_1929_Short_Film
5mm, black and white, 17 mins
Director - Hans Richter
Production Company - Film Society
Collaborator - Len Lye
Original Score by - Robert Naughton
Cast: Sergei Eisenstein (policeman)
Basil Wright; Michael Hankinson
Every Day was a film that German avant-garde filmmaker Hans Richter made as part of a film production course run by the Film Society. It features filmmaker Sergei Eisenstein playing a policeman, while Len Lye and Basil Wright provided technical assistance. These contributions reflect the sense of internationalism occurring at this time in British film circles. The film was completed in 1929 under the title The Daily Round, but was never released because Richter was unhappy with the result. Richter began to rework the film in 1975, but died before its completion. It was finally restored, with the addition of a soundtrack, after his death.
Richter made his name making purely abstract films, but had started to become interested in social issues in the late 1920s, which led to him working with more concrete material. Every Day is an avant-garde documentary, which portrays the world of white-collar work in an experimental manner. A series of daily events are portrayed - such as getting out of bed, going to work, working, and seeking entertainment in the evening - but are made strange by the continual use of repetition, montage and fragmented imagery.
Every Day depicts the everyday world of office work as dull and mechanical: repetitive work tasks are often repeated to stress this, while continual shots of an office clock emphasise tedium and slavery to routine. The way in which the film builds up an increasingly escalating editing tempo suggests that the monotonous routine is leading to inner tension.
At one stage in the film there is a brief respite from the dull routine, which is portrayed through stop-motion photography. This occurs at lunchtime when a close up of a meal is shown: food begins to move around the plate as though dancing. Here, inanimate objects assume lifelike properties and revolt against daily routine, thus expressing the sublimated desires of the workers. The idea of inanimate objects taking on a life of their own had already been portrayed by Richter in his earlier film, Ghosts Before Breakfast (Germany, 1926).
Towards the end of Every Day Richter begins to repeat previous elements of the film, but at a faster pace. Such a strategy reinforces the prevailing mood of tension and also indicates that every day is the same. Workers at a cigarette factory and telephone operators are also intercut with these repetitions, as though stressing the rather repetitive nature of most daily work.
- published: 13 Mar 2015
- views: 3227
RHYTHMUS 21 - (1921) Hans Richter
- Order: Reorder
- Duration: 3:29
- Updated: 12 May 2013
- views: 14692
Berliner Hans Richter (1888-1976) was a pioneer of the avant garde cinema, a member of the Dada movement. He began playing with silent film as art expression in...
Berliner Hans Richter (1888-1976) was a pioneer of the avant garde cinema, a member of the Dada movement. He began playing with silent film as art expression in 1921, & it's hard to imagine filmmakers like Luis Bunuel & Fritz Lang weren't influenced by Richter, whose influence among Berlin & Paris avant gardists & surrealists of the '20s is undeniable.
However, the claim that his first film was completed in 1921 may have been a fib concocted two or three years later, merely to fudge his dates a hair ahead of Walther Ruttmann's Opus 1 (1922) as the first avant garde film experiment in Berlin, a point or possibility which art & film historians will likely always argue. Richter's earliest experiments were hardly more than tests, Rhythm 21 (Film ist Rhythmus aka, Rhythmus 21, 1921) consisting of squares of lights growing or shrinking, pulsating white on black, implying a drum-beat without sound.
Rhythm 23 (Rhythmus 23, 1923) is an extension of the same film but with more angles & overlays added, & adding lines rather than adhering to the squares of the original. It looks so similar that the academic argument that both "21" & "23" were made in 1923 looks rather likely. Richter himself at some exhibitions showed these two together as a single film called Un film de Hans Richter. The hand-colored Rhythm 25 (Rhythmus 25, 1925) was the final "chapter," but it does not survive." (Text from http://www.weirdwildrealm.com)
https://wn.com/Rhythmus_21_(1921)_Hans_Richter
Berliner Hans Richter (1888-1976) was a pioneer of the avant garde cinema, a member of the Dada movement. He began playing with silent film as art expression in 1921, & it's hard to imagine filmmakers like Luis Bunuel & Fritz Lang weren't influenced by Richter, whose influence among Berlin & Paris avant gardists & surrealists of the '20s is undeniable.
However, the claim that his first film was completed in 1921 may have been a fib concocted two or three years later, merely to fudge his dates a hair ahead of Walther Ruttmann's Opus 1 (1922) as the first avant garde film experiment in Berlin, a point or possibility which art & film historians will likely always argue. Richter's earliest experiments were hardly more than tests, Rhythm 21 (Film ist Rhythmus aka, Rhythmus 21, 1921) consisting of squares of lights growing or shrinking, pulsating white on black, implying a drum-beat without sound.
Rhythm 23 (Rhythmus 23, 1923) is an extension of the same film but with more angles & overlays added, & adding lines rather than adhering to the squares of the original. It looks so similar that the academic argument that both "21" & "23" were made in 1923 looks rather likely. Richter himself at some exhibitions showed these two together as a single film called Un film de Hans Richter. The hand-colored Rhythm 25 (Rhythmus 25, 1925) was the final "chapter," but it does not survive." (Text from http://www.weirdwildrealm.com)
- published: 12 May 2013
- views: 14692
Filmstudie [1925] By Hans Richter - Early Abstract And Experimental Films
- Order: Reorder
- Duration: 3:45
- Updated: 27 Nov 2013
- views: 46504
A little bit about Hans Richter via Wikipedia
"Richter's first contacts with modern art were in 1912 through the "Blaue Reiter" and in 1913 through the "Erster...
A little bit about Hans Richter via Wikipedia
"Richter's first contacts with modern art were in 1912 through the "Blaue Reiter" and in 1913 through the "Erster Deutsche Herbstsalon" gallery "Der Sturm", in Berlin. In 1914 he was influenced by cubism. He contributed to the periodical Die Aktion in Berlin.[2] His first exhibition was in Munich in 1916, and Die Aktion published as a special edition about him. In the same year he was wounded and discharged from the army and went to Zürich and joined the Dada movement.
Richter believed that the artist's duty was to be actively political, opposing war and supporting the revolution. His first abstract works were made in 1917. In 1918, he befriended Viking Eggeling, and the two experimented together with film. Richter was co-founder, in 1919, of the Association of Revolutionary Artists ("Artistes Radicaux") at Zürich. In the same year he created his first Prélude (an orchestration of a theme developed in eleven drawings). In 1920 he was a member of the November group in Berlin and contributed to the Dutch periodical De Stijl.
Throughout his career, he claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created. This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 [3](as they report in the Futurist Manifesto of Cinema [4]), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film."
https://wn.com/Filmstudie_1925_By_Hans_Richter_Early_Abstract_And_Experimental_Films
A little bit about Hans Richter via Wikipedia
"Richter's first contacts with modern art were in 1912 through the "Blaue Reiter" and in 1913 through the "Erster Deutsche Herbstsalon" gallery "Der Sturm", in Berlin. In 1914 he was influenced by cubism. He contributed to the periodical Die Aktion in Berlin.[2] His first exhibition was in Munich in 1916, and Die Aktion published as a special edition about him. In the same year he was wounded and discharged from the army and went to Zürich and joined the Dada movement.
Richter believed that the artist's duty was to be actively political, opposing war and supporting the revolution. His first abstract works were made in 1917. In 1918, he befriended Viking Eggeling, and the two experimented together with film. Richter was co-founder, in 1919, of the Association of Revolutionary Artists ("Artistes Radicaux") at Zürich. In the same year he created his first Prélude (an orchestration of a theme developed in eleven drawings). In 1920 he was a member of the November group in Berlin and contributed to the Dutch periodical De Stijl.
Throughout his career, he claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created. This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 [3](as they report in the Futurist Manifesto of Cinema [4]), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film."
- published: 27 Nov 2013
- views: 46504
Vormittagsspuk - Ghosts Before Breakfast (1928) Experimental Avant Garde Dada Film By Hans Richter
- Order: Reorder
- Duration: 6:24
- Updated: 18 Dec 2013
- views: 15291
"Ghosts Before Breakfast (German: Vormittagsspuk) is a 1928 German dadaist animated short film directed by Hans Richter.It utilizes stop motion for some of its ...
"Ghosts Before Breakfast (German: Vormittagsspuk) is a 1928 German dadaist animated short film directed by Hans Richter.It utilizes stop motion for some of its effect and live action for others.
The film does not present a coherent narrative, and includes a number of seemingly arbitrary images. The original soundtrack, written by Paul Hindemith, was destroyed by the Nazis, but new audio tracks have been created by artists such as The Real Tuesday Weld. British composer Ian Gardiner, who has written many scores for cinema and television, created a score for the film in 2006 (premiered by the Liverpool group Ensemble 10/10, directed by Clark Rundell). UK-based American composer Jean Hasse (Visible Music) wrote a score in 2008 for the UK-based ensemble Counterpoise (violin, trumpet, alto sax, piano).
Hans Richter (April 6, 1888 -- February 1, 1976) was a German painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland."
https://wn.com/Vormittagsspuk_Ghosts_Before_Breakfast_(1928)_Experimental_Avant_Garde_Dada_Film_By_Hans_Richter
"Ghosts Before Breakfast (German: Vormittagsspuk) is a 1928 German dadaist animated short film directed by Hans Richter.It utilizes stop motion for some of its effect and live action for others.
The film does not present a coherent narrative, and includes a number of seemingly arbitrary images. The original soundtrack, written by Paul Hindemith, was destroyed by the Nazis, but new audio tracks have been created by artists such as The Real Tuesday Weld. British composer Ian Gardiner, who has written many scores for cinema and television, created a score for the film in 2006 (premiered by the Liverpool group Ensemble 10/10, directed by Clark Rundell). UK-based American composer Jean Hasse (Visible Music) wrote a score in 2008 for the UK-based ensemble Counterpoise (violin, trumpet, alto sax, piano).
Hans Richter (April 6, 1888 -- February 1, 1976) was a German painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland."
- published: 18 Dec 2013
- views: 15291
GHOSTS BEFORE BREAKFAST (1928) Hans Richter
- Order: Reorder
- Duration: 6:24
- Updated: 12 May 2013
- views: 12273
"Ghosts Before Breakfast (Vormittagsspuk, 1928) is said to have initially been a sound film but the Nazi attempt to destroy all copies as "degenerate art" has l...
"Ghosts Before Breakfast (Vormittagsspuk, 1928) is said to have initially been a sound film but the Nazi attempt to destroy all copies as "degenerate art" has left us only a silent version. This short film functions even without the sound it once had, & likely the only thing lost was a musical score.
Using stop motion techniques we see the rapid motions of a clock, flying hats settling like a flock of birds in the bushes, a neck tie that refuses to stay tied, windows opening & closing as they elect, hoses coiling & uncoiling themselves & spraying the flying hats, & other inanimate objects becoming animated for their own benefit. Pistols multiply like mammals, dancing about & cocking their triggers. A great many men hide behind a slim pole. Broken dishes put themselves together. A seed grows into a small bush in a short time. Men fight & march or crawl about & chase the flying hats. Body parts fly loose. In the end the hats find heads to their liking & the clock strikes twelve. All this in six minutes, it has a Lewis Carolly sort of feel to it & is a marvellous bit of animation, & perhaps the best of his early short films. It comes off quite lighthearted, comical enough to evoke laughter. Yet Germany had so recently brought about a violent world war & was swiftly headed for another, the imbedded doomful allegory of Ghosts Before Breakfast is not difficult to deduce."
(Text from http://www.weirdwildrealm.com)
https://wn.com/Ghosts_Before_Breakfast_(1928)_Hans_Richter
"Ghosts Before Breakfast (Vormittagsspuk, 1928) is said to have initially been a sound film but the Nazi attempt to destroy all copies as "degenerate art" has left us only a silent version. This short film functions even without the sound it once had, & likely the only thing lost was a musical score.
Using stop motion techniques we see the rapid motions of a clock, flying hats settling like a flock of birds in the bushes, a neck tie that refuses to stay tied, windows opening & closing as they elect, hoses coiling & uncoiling themselves & spraying the flying hats, & other inanimate objects becoming animated for their own benefit. Pistols multiply like mammals, dancing about & cocking their triggers. A great many men hide behind a slim pole. Broken dishes put themselves together. A seed grows into a small bush in a short time. Men fight & march or crawl about & chase the flying hats. Body parts fly loose. In the end the hats find heads to their liking & the clock strikes twelve. All this in six minutes, it has a Lewis Carolly sort of feel to it & is a marvellous bit of animation, & perhaps the best of his early short films. It comes off quite lighthearted, comical enough to evoke laughter. Yet Germany had so recently brought about a violent world war & was swiftly headed for another, the imbedded doomful allegory of Ghosts Before Breakfast is not difficult to deduce."
(Text from http://www.weirdwildrealm.com)
- published: 12 May 2013
- views: 12273
Hans Richter, Inflation, 1928
- Order: Reorder
- Duration: 2:50
- Updated: 03 Mar 2013
- views: 150
Film by Hans Richter.
Music from the free album "Objet petit Dada" by Gestalt OrchestrA (2008)
http://morne.free.fr/celluledessites/gestalt_orchestra/objet_peti...
Film by Hans Richter.
Music from the free album "Objet petit Dada" by Gestalt OrchestrA (2008)
http://morne.free.fr/celluledessites/gestalt_orchestra/objet_petit_dada.htm
"(...) Inflation, parabole caustique sur la situation économique régnant alors en Allemagne et qui déboucha sur la crise de 1929."
https://wn.com/Hans_Richter,_Inflation,_1928
Film by Hans Richter.
Music from the free album "Objet petit Dada" by Gestalt OrchestrA (2008)
http://morne.free.fr/celluledessites/gestalt_orchestra/objet_petit_dada.htm
"(...) Inflation, parabole caustique sur la situation économique régnant alors en Allemagne et qui déboucha sur la crise de 1929."
- published: 03 Mar 2013
- views: 150
1928 Hans Richter - Vormittagsspuk (highlights edit)
- Order: Reorder
- Duration: 3:50
- Updated: 14 May 2013
- views: 701
After his early abstract "Rhythmus" series Richter made this quirky Dadaist short. Rhythm is still very important in the movie, while humor and associative imag...
After his early abstract "Rhythmus" series Richter made this quirky Dadaist short. Rhythm is still very important in the movie, while humor and associative imagery replace the strictly abstract animations of his previous works. There is quite a lot of elaborate stop motion and other effects, while somehow it seems like the crew was just goofing around with a camera on a sunny afternoon. Besides this humor and playfulness there is enough sense of structure and meaning to regard it is a serious piece of art.
The sound version, with an original score composed by Paul Hindemith, was destroyed by the Nazis as "entartete kunst".
https://wn.com/1928_Hans_Richter_Vormittagsspuk_(Highlights_Edit)
After his early abstract "Rhythmus" series Richter made this quirky Dadaist short. Rhythm is still very important in the movie, while humor and associative imagery replace the strictly abstract animations of his previous works. There is quite a lot of elaborate stop motion and other effects, while somehow it seems like the crew was just goofing around with a camera on a sunny afternoon. Besides this humor and playfulness there is enough sense of structure and meaning to regard it is a serious piece of art.
The sound version, with an original score composed by Paul Hindemith, was destroyed by the Nazis as "entartete kunst".
- published: 14 May 2013
- views: 701
Dadascope Hans Richter 1961 Pt1
- Order: Reorder
- Duration: 12:23
- Updated: 05 Jan 2013
- views: 6252
Dadascope by Hans Richter. Transfer from original 16mm print.
DADASCOPE (1961)
Run time: 39 min
Starring: Marcel Duchamp, Man Ray, Jean Arp, Richard Huelsenb...
Dadascope by Hans Richter. Transfer from original 16mm print.
DADASCOPE (1961)
Run time: 39 min
Starring: Marcel Duchamp, Man Ray, Jean Arp, Richard Huelsenbeck, Raoul
Hausmann and others.
Dadascope is a comprehensive portrait of the Dada movement with its specific techniques of sound and visual clash, word puns, chess, dice and other games of chance. Richter stated, "There is no story, no psychological implication except such as the onlooker puts into the imagery. But it is not accidental either, more a poetry of images built with and upon associations. In other words the film allows itself the freedom to play upon the scale of film possibilities, freedom for which Dada always stood - and still stands."
https://wn.com/Dadascope_Hans_Richter_1961_Pt1
Dadascope by Hans Richter. Transfer from original 16mm print.
DADASCOPE (1961)
Run time: 39 min
Starring: Marcel Duchamp, Man Ray, Jean Arp, Richard Huelsenbeck, Raoul
Hausmann and others.
Dadascope is a comprehensive portrait of the Dada movement with its specific techniques of sound and visual clash, word puns, chess, dice and other games of chance. Richter stated, "There is no story, no psychological implication except such as the onlooker puts into the imagery. But it is not accidental either, more a poetry of images built with and upon associations. In other words the film allows itself the freedom to play upon the scale of film possibilities, freedom for which Dada always stood - and still stands."
- published: 05 Jan 2013
- views: 6252
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3:23
Rhythmus 21 (1921) By Hans Richter (Early Abstract And Experimental Films)
Via Wikipedia:
"Hans Richter (April 6, 1888 -- February 1, 1976) was a painter, graphic a...
published: 12 Jan 2013
Rhythmus 21 (1921) By Hans Richter (Early Abstract And Experimental Films)
Rhythmus 21 (1921) By Hans Richter (Early Abstract And Experimental Films)
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- published: 12 Jan 2013
- views: 28509
1:20:04
"Dreams Money Can Buy" ~ Hans Richter Film
Hans Richter was one of the original members of the Dada movement. Starting out as a Cubis...
published: 24 Jul 2013
"Dreams Money Can Buy" ~ Hans Richter Film
"Dreams Money Can Buy" ~ Hans Richter Film
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- published: 24 Jul 2013
- views: 30498
16:33
Hans Richter, Everyday 1929 [short film]
5mm, black and white, 17 mins
Director - Hans Richter
Production Company - Film Society
...
published: 13 Mar 2015
Hans Richter, Everyday 1929 [short film]
Hans Richter, Everyday 1929 [short film]
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- published: 13 Mar 2015
- views: 3227
3:29
RHYTHMUS 21 - (1921) Hans Richter
Berliner Hans Richter (1888-1976) was a pioneer of the avant garde cinema, a member of the...
published: 12 May 2013
RHYTHMUS 21 - (1921) Hans Richter
RHYTHMUS 21 - (1921) Hans Richter
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- published: 12 May 2013
- views: 14692
3:45
Filmstudie [1925] By Hans Richter - Early Abstract And Experimental Films
A little bit about Hans Richter via Wikipedia
"Richter's first contacts with modern art w...
published: 27 Nov 2013
Filmstudie [1925] By Hans Richter - Early Abstract And Experimental Films
Filmstudie [1925] By Hans Richter - Early Abstract And Experimental Films
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- published: 27 Nov 2013
- views: 46504
6:24
Vormittagsspuk - Ghosts Before Breakfast (1928) Experimental Avant Garde Dada Film By Hans Richter
"Ghosts Before Breakfast (German: Vormittagsspuk) is a 1928 German dadaist animated short ...
published: 18 Dec 2013
Vormittagsspuk - Ghosts Before Breakfast (1928) Experimental Avant Garde Dada Film By Hans Richter
Vormittagsspuk - Ghosts Before Breakfast (1928) Experimental Avant Garde Dada Film By Hans Richter
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- published: 18 Dec 2013
- views: 15291
6:24
GHOSTS BEFORE BREAKFAST (1928) Hans Richter
"Ghosts Before Breakfast (Vormittagsspuk, 1928) is said to have initially been a sound fil...
published: 12 May 2013
GHOSTS BEFORE BREAKFAST (1928) Hans Richter
GHOSTS BEFORE BREAKFAST (1928) Hans Richter
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- published: 12 May 2013
- views: 12273
2:50
Hans Richter, Inflation, 1928
Film by Hans Richter.
Music from the free album "Objet petit Dada" by Gestalt OrchestrA (2...
published: 03 Mar 2013
Hans Richter, Inflation, 1928
Hans Richter, Inflation, 1928
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- published: 03 Mar 2013
- views: 150
3:50
1928 Hans Richter - Vormittagsspuk (highlights edit)
After his early abstract "Rhythmus" series Richter made this quirky Dadaist short. Rhythm ...
published: 14 May 2013
1928 Hans Richter - Vormittagsspuk (highlights edit)
1928 Hans Richter - Vormittagsspuk (highlights edit)
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- published: 14 May 2013
- views: 701
12:23
Dadascope Hans Richter 1961 Pt1
Dadascope by Hans Richter. Transfer from original 16mm print.
DADASCOPE (1961)
Run time:...
published: 05 Jan 2013
Dadascope Hans Richter 1961 Pt1
Dadascope Hans Richter 1961 Pt1
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- published: 05 Jan 2013
- views: 6252
Rhythmus 21 (1921) By Hans Richter (Early Abstract...
"Dreams Money Can Buy" ~ Hans Richter Film...
![Hans Richter, Everyday 1929 [short film]](http://web.archive.org./web/20170528080136/https://i.ytimg.com/vi/PfByFPd0dY4/0.jpg)
Hans Richter, Everyday 1929 [short film]...
RHYTHMUS 21 - (1921) Hans Richter...
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Filmstudie [1925] By Hans Richter - Early Abstract...
Vormittagsspuk - Ghosts Before Breakfast (1928) Ex...
GHOSTS BEFORE BREAKFAST (1928) Hans Richter...
Hans Richter, Inflation, 1928...
1928 Hans Richter - Vormittagsspuk (highlights edi...
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Edit TVNZ 28 May 2017
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Edit Atlanta Journal 27 May 2017
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Edit Newsweek 27 May 2017
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Edit Astronomy/Spaceflight Now 27 May 2017
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Edit News24 27 May 2017
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Edit The Oklahoman 28 May 2017
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Edit Richmond Times Dispatch 28 May 2017
Nathan Zhao and Kishu Chaudry each won 6-0, 6-0 at No. 1 and No. 2 singles as Clover Hill swept Riverbend in the first round of the 6A South region boys tennis tournament with a 5-0 win Saturday. Singles. Zhao d. Chandra 6-0, 6-0; Chaudry d. Reynolds 6-0, 6-0; J. De Guzman d. Brooks 6-1, 6-0; Lipowski d. Pattillo 6-2, 6-2; Gumulak d. McManus 6-2, 6-0. Records. Clover Hill 12-3; Riverbend 11-5 ... Singles. Kawka d ... Records ... Richters 7. W. Richters L ... JR ... ....
High school playoff results from May 27: Clover Hill blanks Riverbend
Edit Richmond Times Dispatch 28 May 2017
Nathan Zhao and Kishu Chaudry each won 6-0, 6-0 at No. 1 and No. 2 singles as Clover Hill swept Riverbend in the first round of the 6A South region boys tennis tournament with a 5-0 win Saturday. Singles. Zhao d. Chandra 6-0, 6-0; Chaudry d. Reynolds 6-0, 6-0; J. De Guzman d. Brooks 6-1, 6-0; Lipowski d. Pattillo 6-2, 6-2; Gumulak d. McManus 6-2, 6-0. Records. Clover Hill 12-3; Riverbend 11-5. 6A South ... Singles. Kawka d ... Richters 7. W. Richters L ... ....
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Edit This is Money 28 May 2017
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Edit DNA India 28 May 2017
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Edit Sify 28 May 2017
By Hyunjoo Jin and Jake Spring ... anti-missile defence system which Beijing opposes ... This year, it has slid further to 5 percent ... "(Having a) weaker brand than Japanese automakers, I think it might take more time to restore the brand and sales," said Han Sang-yun, director at S&P;, noting Japanese car makers took a year to bounce back in China after a 2012 consumer backlash over a territorial dispute between Beijing and Tokyo....
Beijing bling: Hyundai plots China branding reboot after missile row
Edit Yahoo Daily News 28 May 2017
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Edit Public Technologies 28 May 2017
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Edit Times Union 27 May 2017
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Edit Detroit Free Press 27 May 2017
CLOSE. Skip in Skip. x ... Junfu Han/Detroit Free Press ... Junfu Han/Detroit Free Press)Buy Photo. ....
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Edit Detroit Free Press 27 May 2017
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