- published: 20 Apr 2010
- views: 17574
Create your page here
Tuesday, 29 August 2017, 06:13
-
remove the playlistJynett Monteverde
-
remove the playlistLive Recordings
-
remove the playlistJanet Baker Concerts
-
remove the playlistJanet Baker Interviews
- remove the playlistJynett Monteverde
- remove the playlistLive Recordings
- remove the playlistJanet Baker Concerts
- remove the playlistJanet Baker Interviews
Please tell us which country and city you'd like to see the weather in.
back to playlist
Janet Baker sings "Disprezzata regina" (Ottavia's Lament) from Monteverdi's "L'incoronazione di Poppea." English Chamber Orchestra; Raymond Leppard, conductor. 1969.
"Opera musicale" en 1 prologue et 3 actes de Claudio Monteverdi, créé en 1642 à Venise
Livret en italien : Gian Francesco Busenello, d'après les "Annales" de Tacite
ST : italiano, english, deutsch, français, español
Arrangement et direction musicale : Nikolaus Harnoncourt
Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich
Mise en scène et réalisation (1979) : Jean-Pierre Ponnelle
La Fortune : Renate Lenhart (soprano)
La Vertu : Helrun Gardow (soprano)
L'Amour : Klaus Brettschneider (soprano)
Poppée, favorite de Néron : Rachel Yakar (soprano)
Octavie, femme de Néron : Trudeliese Schmidt (mezzo-soprano)
Néron, empereur : Eric Tappy (ténor)
Othon, chevalier : Paul Esswood (ténor)
Sénèque, philosophe : Matti Salminen (basse)
Drusilla, courtisane : Janet Perry (soprano)
Arnalta, nourrice de Poppée : Alexander Oliver (ténor aigu)
La nourrice d'Octavie : Maria Minetto (soprano)
Lucain, poète : Philippe Huttenlocher (ténor)
Un page d'Octavie : Peter Keller (ténor)
Une dame d'honneur d'Octavie : Suzanne Calabro (soprano)
Libertus, capitaine de la garde : Rudolf A. Hartmann
Soldats : Peter Straka - Fritz Peter
Amis de Sénèque : Francisco Araiza - Werner Gröschel - Peter Keller
- published: 10 Aug 2013
- views: 141276
Tenth and FINAL installment of *selected* excerpts from the Glyndebourne Festival Operas 1973 production of 'Il ritorno dUlisse in patria' - Opera in a Prologue and Two Acts. Music by Claudio Monteverdi and libretto by Giacomo Badoaro.
Ulisse is home...at last! Penelope sings a song of joy that is akin to springtime breaking upon the land. A duet between the reunited couple follows, ending upon a cathartic denouement to close the play.
Penelope . . . Janet Baker
Ulisse . . . Benjamin Luxon
Peter Hall, Producer (Director)
Raymond Leppard, Conductor
The London Philharmonic Orchestra
-----------------
To purchase the DVD, please visit the following sites (among others):
http://www.glyndebourne.com/shop/glyndebourne_dvds/monteverdi_il_ritorno_dulisse_1973dbvvd_/
http://www.amazon.com/Monteverdi-Ritorno-dUlisse-Benjamin-Glyndebourne/dp/B000C1V880
http://www.prestoclassical.co.uk/w/59386/Claudio-Giovanni-Antonio-Monteverdi-Il-ritorno-d%27Ulisse-in-patria
- published: 24 Mar 2010
- views: 8670
Les Arts Florissants dir. William Christie
Teatro Real Madrid 2009
Published with courtesy of Dynamic s.r.l
- published: 27 Sep 2010
- views: 63298
From the Herderkirche in Weimar, Germany
John Eliot Gardiner - conductor
Monteverdi Choir
English Baroque Soloists
Claron McFadden - soprano
Christoph Genz - tenor
Bernarda Fink - alto
Dietrich Henschel - bass
Katharine Fuge
0:47 IV. Fallt mit Danken, fallt mit Loben
23:26 V. Ehre sei dir, Gott, gesungen
46:00 VI. Herr, wenn die stolzen Feinde schnauben
Go to part 1: https://youtu.be/zpaNo4mWRBE
Watch also the documentary "J.S. Bach: Jachzet, frohlocket! - An introduction to the Bach Christmas Oratorio": https://youtu.be/ZTnrjuALzzQ
Watch also the documentary "Bach revisited - John Eliot Gardiner in Saxony and Thuringia": https://youtu.be/Hq2h5vuPiLE
Subscribe: https://goo.gl/jrui3M
- published: 01 Dec 2016
- views: 7571
"Drame en musique" ("dramma per musica") en 1 prologue et 3 actes de Claudio Monteverdi, créé en février 1640 au Teatro SS Giovannie Paolo à Venise
Livret en italien : Giacomo Badoaro, d'après la fin de l'"Odyssée" d'Homère
ST : italiano, english, deutsch, français, español
Arrangement et direction musicale : Nikolaus Harnoncourt
Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich
Mise en scène et réalisation (1979) : Jean-Pierre Ponnelle
La Fragilité humaine : Werner Hollweg (ténor)
Le Temps : Werner Gröschel (basse)
La Fortune : Renate Lenhart (soprano)
L'Amour : Klaus Brettschneider (soprano)
Jupiter : József Dene (ténor)
Neptune : Hans Franzen (basse)
Minerve : Helrun Gardow (soprano)
Junon : Renate Lenhart (soprano)
Ulysse : Werner Hollweg (ténor)
Pénélope, sa femme : Trudeliese Schmidt (alto)
Télémaque, leur fils : Francesco Araiza (ténor)
Antinoüs, prétendant : Simon Estes (basse)
Pisandre, prétendant : Peter Straka (contre-ténor)
Amphinome, prétendant : Paul Esswood (ténor)
Eurymaque, amoureux de Mélanthe : Peter Keller (ténor)
Mélanthe, suivante de Pénélope : Janet Perry (soprano)
Eumée, berger : Philippe Huttenlocher (ténor)
Irus, serviteur des prétendants : Arley Reece (ténor)
Euryclée, nourrice d'Ulysse : Maria Minetto (soprano)
Chœurs de marins, de Phéaciens
- published: 09 Aug 2013
- views: 64788
(Sorry for the downhill score on some parts..)
Dame Janet Baker
Ogni pena più spietata
from "Lo frate 'nnamorato", musical comedy in 3 acts Act 1.
Giovanni Battista Pergolesi (1710 - 1736)
Biography:
http://en.wikipedia.org/wiki/Giovanni_Battista_Pergolesi
http://www.goldbergweb.com/en/history/composers/11747.php
Music by Giovanni B. Pergolesi
Libretto: Gennaro Antonio Federico
Date Written: 1732
Key: A minor
Voicing: Mezzo Soprano
Character: Ascanio
In this recording:
Dame Janet Baker
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin,
Conducted by Neville Marriner
Text:
Ogni pena più spietata
Soffrirìa quest'alma afflitta e desolata,
Se godesse una speranza di potersi consolar.
Ma, ohimè, cade ogni speme,
Non c'è luogo, non c'è vita [via],
Non c'è modo di sperar.
Translation:(Thanks to MehdiCaps)
"My grieved and distressed heart
would be able to suffer more pitiless pains,
if I had a hope of finding comfort.
But, alas, there is no reason, no opportunity,
no possibility to hope."
Lo Frate 'nnamorato or The Enamoured Brother was Pergolesi's first operatic comedy. It was premiered in 1734 at the Teatro dei Fiorientini in Naples and met with immediate success.
Synopsis:
The plot concerns love triangles and mistaken identity. It is the usual Neapolitan comedy fare of the time. Ascanio is adopted. He loves his adopted sister Luggrezia, but thinks it is simply brotherly love. Marcaniello (Luggrezia's father) has promised her to Carlo. In return, Carlo promises to marry his two nieces to old man Marcaniello and his eldest son Don Pietro. However, the three girls love Ascanio and do not consent to the arranged marriages. Frustrated, Don Pietro asks his brother Ascanio, to plead with the sisters.
The sisters confess their love for Ascanio and Don Pietro takes his brother to task. Ascanio, the enamoured brother of the title, confesses that he loves all three women and cannot choose between them. Don Pietro is infuriated and wounds his brother in a duel. As Carlo treats Ascanio's wound, he recognises a birthmark and realises Ascanio is his long lost nephew and brother of the sisters. This explains Ascanio's affection for the girls. Ascanio declares his love for Luggrezia and the unsuccessful suitors confess themselves defeated.
....
The musical pieces of the opera consist of an introduction (overture) and 28 vocal movements including 1 accompanied recitative, 2 duets, 1 trio, 1 quintet to end of act 2, and a 1 and a half minute finale to end the opera. The short finale, continuous music sung by the whole cast, is feature of the comedy operas of this time. Finales only became extended from the middle of the 18th century.
With Lo Frate Nnamorato, Pergolesi is often credited with the creation of a new comic style. This is not true. Pergolesi was simply one of a number of Neapolitan exploit an already popular form.
Opera Buffa developed from the comic scenes that originally interlaced the action of serious operas. In keeping with its traditions, Opera Buffa usually involved a bass and soprano in the crudest of slapstick farces. In Naples, the masters portrayed in these farces were often drawn from the large prosperous middle class. It was only a matter of time before librettists realised that it was more profitable to laugh with the middle classes, than at them. At this point, the plots of Opera Buffa became soap operas in which the serious characters were mixed with locals (who sang in dialect). In keeping with the rules of opera seria, castratos played the romantic young men, while a bass, specialising in buffo roles, played the clown.
- published: 18 Feb 2008
- views: 112035
Monteverdi's seminal first opera tells the dramatic story from Ovid's Metamorphoses of the descent of Orfeo (Georg Nigl) into the underworld to recover his beloved wife Euridice (Roberta Invernizzi), who has died from a snake bite. In a new production for La Scala, based on a painting by Titian and directed by Robert Wilson, the opera receives a powerful and inspiring performance from a fine cast, the Orchestra of Teatro alla Scala and Concerto Italiano under the much-admired Italian early music specialist, Rinaldo Alessandrini.
Orfeo: Georg Nigl
Euridice: Roberta Invernizzi
Messaggera: Sara Mingardo
Speranza: Sara Mingardo
Caronte: Luigi De Donato
Proserpina: Raffaella Milanesi
Plutone: Giovanni Battista Parodi
Eco: Roberta Invernezzi
Apollo: Furio Zanasi
Solo Dancer: Nicola Strada
Orchestra of Teatro alla Scala
Basso continuo: Concerto Italiano
Conductor: Rinaldo Alessandrini
Director: Robert Wilson
Recorded live at La Teatro alla Scala
21st & 23rd December 2009
Available from Opus Arte on DVD & Blu-ray
http://www.opusarte.com/en/opusarte/monteverdi-lorfeo-scala.html
http://www.opusarte.com/en/opusarte/monteverdi-l-orfeo-teatro-alla-scala-blu-ray.html
Please "Like" us at http://www.facebook.com/opusarte
- published: 27 Jan 2011
- views: 34786
Poppea and Nerone's final duet Act III: "Pur ti Miro". Poppea and Nerone sing of their love for one another, oblivious to the death and destruction they have meted out to all around them in order to enjoy it.
NIkolaus Harnoncourt & Das Monteverdi Ensemble Zürich. Poppea: Rachel Yakar & Nerone: Eric Tappy.
- published: 23 May 2008
- views: 97893
Janet Baker sings "Care selve" from Atalanta
by Georg Friedrich Händel
English Chamber Orchestra
Raymond Leppard, conductor
XII. 1972
- published: 10 Aug 2014
- views: 1595
George Frideric Handel
Dixit Dominus, HWV 232
Monteverdi Choir
English Baroque Soloists
Sir John Eliot Gardiner
June 2014
- published: 05 Feb 2015
- views: 165674
Watch the opera in full at http://www.medici.tv/#!/l-orfeo-monteverdi-rinaldo-alessandrini-robert-wilson-teatro-alla-scala
Subscribe to our channel for more videos http://ow.ly/ugONZ
Claudio Monteverdi
L'Orfeo
Favola pastorale in un prologo e cinque atti. Libretto di Alessandro Striggio.
Aria: Tu se' morta (Act II)
Georg Nigl (Orfeo)
Rinaldo Alessandrini, director
Robert Wilson, stage director, lighting design
Teatro alla Scala, 2009
Also with Roberta Invernizzi (Euridice, La Musica) and Sara Mingardo (La Messaggera, La Speranza).
- published: 03 Sep 2012
- views: 84823
Janet Baker
Dame Janet Abbott Baker CH DBE FRSA (born 21 August 1933) is an English mezzo-soprano best known as an opera, concert, and lieder singer.
She was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten. During her career, which spanned the 1950s to the 1980s, she was considered an outstanding singing actress and widely admired for her dramatic intensity, perhaps best represented in her famous portrayal as Dido, the tragic heroine of Berlioz's magnum opus, Les Troyens. As a concert performer, Dame Janet was noted for her interpretations of the music of Gustav Mahler and Edward Elgar. David Gutman, writing in Gramophone, described her performance of Mahler's Kindertotenlieder as "intimate, almost self-communing."
Biography and career
Early life
Janet Abbott Baker was born in Hatfield, South Yorkshire, where her father was an engineer as well as a chorister. Members of her family worked at Bentley Pit, in Doncaster, South Yorkshire. She attended York College for Girls and then Wintringham Girls' Grammar School in Grimsby. The death of her elder brother, Peter, when she was 10 years old, from a heart condition, was a formative moment that made her take responsibility for the rest of her life, she revealed in a BBC Radio 3 Lebrecht Interview in September 2011.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Janet_Baker
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
location on Google Map
Monteverde
Monteverde, Costa Rica is a small community in Puntarenas, Costa Rica, located in the Cordillera de Tilarán. Roughly a four hour drive from the Central Valley, Monteverde is considered a major ecotourism destination in Costa Rica. The area is host to the Monteverde Cloud Forest Reserve and numerous other reserves, which draw considerable numbers of tourists and naturalists.
National Geographic has called the Monteverde Cloud Forest Biological Reserve "the jewel in the crown of cloud forest reserves".Newsweek has declared Monteverde the world's #14 Place to Remember Before it Disappears." By popular vote in Costa Rica, Monteverde was enshrined as one of the Seven Natural Wonders of Costa Rica, along with Isla del Coco, Volcán Arenal, Cerro Chirripó, Río Celeste, Tortuguero, and Volcán Poás.
This article deals with Monteverde and its surrounding zone. This includes the larger town and tourism hub Santa Elena, as well as the nearby cluster of homes and businesses known as Cerro Plano, along with numerous reserves and attractions on the periphery of the town.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Monteverde
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Surname
A surname or family name is a name added to a given name. In many cases, a surname is a family name and many dictionaries define "surname" as a synonym of "family name". In the western hemisphere, it is commonly synonymous with last name because it is usually placed at the end of a person's given name.
In most Spanish-speaking and Portuguese-speaking countries, two or more last names (or surnames) may be used. In China, Hungary, Japan, Korea, Madagascar, Taiwan, Vietnam, and parts of India, the family name is placed before a person's given name.
The style of having both a family name (surname) and a given name (forename) is far from universal. In many countries, it is common for ordinary people to have only one name or mononym.
The concept of a "surname" is a relatively recent historical development, evolving from a medieval naming practice called a "byname". Based on an individual's occupation or area of residence, a byname would be used in situations where more than one person had the same name.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Surname
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Frederica von Stade
Frederica von Stade (born June 1, 1945) is an American mezzo-soprano.
Biography
Early life
Frederica von Stade was born in Somerville, New Jersey. She acquired the nickname "Flicka" in her childhood. Her father, Charles S. von Stade, was a polo champion and Lieutenant in the United States Army who was killed in service in Germany during the Second World War, prior to her birth. Her grandfather, Francis Skiddy von Stade, Sr., (1884–1967), was also a polo champion.
She attended the Mannes College of Music in New York City.
Career
She made her debut with the Metropolitan Opera in 1970 and in 1971 appeared as Cherubino in Le nozze di Figaro at the Santa Fe Opera. "It was two of the newcomers who left the audience dazzled: Frederica von Stade as Cherubino and Kiri Te Kanawa as the Countess. Everyone knew at once that these were brilliant finds. History has confirmed that first impression." Cherubino remained her most celebrated signature role, which she sang at her European debut in Versailles 1973, which was the starting point of her great international career. At the inauguration of Jimmy Carter as the 39th President of the United States on January 20 1977, she performed "Take Care of This House" from the Broadway musical 1600 Pennsylvania Avenue by Leonard Bernstein and Alan Jay Lerner, accompanied by the National Symphony Orchestra. After a hiatus of six years she returned to the Met in 1982 and remained a pillar of the ensemble, highly appreciated by critics and loved by the public in such roles as Idamante in Idomeneo, Hansel in Hansel and Gretel, Rosina in Il Barbiere di Siviglia, Octavian in Der Rosenkavalier, Blanche in Dialogues des Carmélites, Cherubino, Mélisande in Pelléas et Mélisande, Charlotte in Werther and Hanna Glawary in The Merry Widow.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Frederica_von_Stade
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
location on Google Map
La Scala
La Scala (pronounced [la ˈskaːla]; abbreviation in Italian language for the official name Teatro alla Scala [teˈaːtro alla ˈskaːla]) is an opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the New Royal-Ducal Theatre alla Scala (Nuovo Regio Ducale Teatro alla Scala). The premiere performance was Antonio Salieri's Europa riconosciuta.
Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala during the past 200 years. The theatre is regarded as one of the leading opera and ballet theatres in the world and is home to the La Scala Theatre Chorus, La Scala Theatre Ballet and La Scala Theatre Orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy (Italian: Accademia Teatro alla Scala), which offers professional training in music, dance, stage craft and stage management.
Overview
La Scala's season traditionally opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end before midnight, and long operas start earlier in the evening when necessary.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/La_Scala
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Radio Stations - Monteverde
SEARCH FOR RADIOS
- Loading...
-
6:54Janet Baker - Disprezzata regina (Monteverdi)
Janet Baker - Disprezzata regina (Monteverdi)Janet Baker - Disprezzata regina (Monteverdi)
Janet Baker sings "Disprezzata regina" (Ottavia's Lament) from Monteverdi's "L'incoronazione di Poppea." English Chamber Orchestra; Raymond Leppard, conductor. 1969. -
2:10:40Monteverdi - L'incoronazione di Poppea (actes 1-2) (ST it-eng-fr-de-esp)
Monteverdi - L'incoronazione di Poppea (actes 1-2) (ST it-eng-fr-de-esp)Monteverdi - L'incoronazione di Poppea (actes 1-2) (ST it-eng-fr-de-esp)
"Opera musicale" en 1 prologue et 3 actes de Claudio Monteverdi, créé en 1642 à Venise Livret en italien : Gian Francesco Busenello, d'après les "Annales" de Tacite ST : italiano, english, deutsch, français, español Arrangement et direction musicale : Nikolaus Harnoncourt Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich Mise en scène et réalisation (1979) : Jean-Pierre Ponnelle La Fortune : Renate Lenhart (soprano) La Vertu : Helrun Gardow (soprano) L'Amour : Klaus Brettschneider (soprano) Poppée, favorite de Néron : Rachel Yakar (soprano) Octavie, femme de Néron : Trudeliese Schmidt (mezzo-soprano) Néron, empereur : Eric Tappy (ténor) Othon, chevalier : Paul Esswood (ténor) Sénèque, philosophe : Matti Salminen (basse) Drusilla, courtisane : Janet Perry (soprano) Arnalta, nourrice de Poppée : Alexander Oliver (ténor aigu) La nourrice d'Octavie : Maria Minetto (soprano) Lucain, poète : Philippe Huttenlocher (ténor) Un page d'Octavie : Peter Keller (ténor) Une dame d'honneur d'Octavie : Suzanne Calabro (soprano) Libertus, capitaine de la garde : Rudolf A. Hartmann Soldats : Peter Straka - Fritz Peter Amis de Sénèque : Francisco Araiza - Werner Gröschel - Peter Keller -
9:37'Il ritorno d'Ulisse in patria' * Excerpt 10 FINALE * JANET BAKER * Glyndebourne 1973
'Il ritorno d'Ulisse in patria' * Excerpt 10 FINALE * JANET BAKER * Glyndebourne 1973'Il ritorno d'Ulisse in patria' * Excerpt 10 FINALE * JANET BAKER * Glyndebourne 1973
Tenth and FINAL installment of *selected* excerpts from the Glyndebourne Festival Operas 1973 production of 'Il ritorno dUlisse in patria' - Opera in a Prologue and Two Acts. Music by Claudio Monteverdi and libretto by Giacomo Badoaro. Ulisse is home...at last! Penelope sings a song of joy that is akin to springtime breaking upon the land. A duet between the reunited couple follows, ending upon a cathartic denouement to close the play. Penelope . . . Janet Baker Ulisse . . . Benjamin Luxon Peter Hall, Producer (Director) Raymond Leppard, Conductor The London Philharmonic Orchestra ----------------- To purchase the DVD, please visit the following sites (among others): http://www.glyndebourne.com/shop/glyndebourne_dvds/monteverdi_il_ritorno_dulisse_1973dbvvd_/ http://www.amazon.com/Monteverdi-Ritorno-dUlisse-Benjamin-Glyndebourne/dp/B000C1V880 http://www.prestoclassical.co.uk/w/59386/Claudio-Giovanni-Antonio-Monteverdi-Il-ritorno-d%27Ulisse-in-patria -
10:32Monteverdi Il ritorno di Ulisse in patria Hanna Bayodi-Hirt Melanto Ed Lyon Eurimaco
Monteverdi Il ritorno di Ulisse in patria Hanna Bayodi-Hirt Melanto Ed Lyon EurimacoMonteverdi Il ritorno di Ulisse in patria Hanna Bayodi-Hirt Melanto Ed Lyon Eurimaco
Les Arts Florissants dir. William Christie Teatro Real Madrid 2009 Published with courtesy of Dynamic s.r.l -
1:11:08J.S. Bach: Christmas Oratorio, part 2/2
J.S. Bach: Christmas Oratorio, part 2/2J.S. Bach: Christmas Oratorio, part 2/2
From the Herderkirche in Weimar, Germany John Eliot Gardiner - conductor Monteverdi Choir English Baroque Soloists Claron McFadden - soprano Christoph Genz - tenor Bernarda Fink - alto Dietrich Henschel - bass Katharine Fuge 0:47 IV. Fallt mit Danken, fallt mit Loben 23:26 V. Ehre sei dir, Gott, gesungen 46:00 VI. Herr, wenn die stolzen Feinde schnauben Go to part 1: https://youtu.be/zpaNo4mWRBE Watch also the documentary "J.S. Bach: Jachzet, frohlocket! - An introduction to the Bach Christmas Oratorio": https://youtu.be/ZTnrjuALzzQ Watch also the documentary "Bach revisited - John Eliot Gardiner in Saxony and Thuringia": https://youtu.be/Hq2h5vuPiLE Subscribe: https://goo.gl/jrui3M -
1:56:23Monteverdi - Il ritorno d'Ulisse in patria (actes 1-2) (ST it-eng-fr-de-esp)
Monteverdi - Il ritorno d'Ulisse in patria (actes 1-2) (ST it-eng-fr-de-esp)Monteverdi - Il ritorno d'Ulisse in patria (actes 1-2) (ST it-eng-fr-de-esp)
"Drame en musique" ("dramma per musica") en 1 prologue et 3 actes de Claudio Monteverdi, créé en février 1640 au Teatro SS Giovannie Paolo à Venise Livret en italien : Giacomo Badoaro, d'après la fin de l'"Odyssée" d'Homère ST : italiano, english, deutsch, français, español Arrangement et direction musicale : Nikolaus Harnoncourt Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich Mise en scène et réalisation (1979) : Jean-Pierre Ponnelle La Fragilité humaine : Werner Hollweg (ténor) Le Temps : Werner Gröschel (basse) La Fortune : Renate Lenhart (soprano) L'Amour : Klaus Brettschneider (soprano) Jupiter : József Dene (ténor) Neptune : Hans Franzen (basse) Minerve : Helrun Gardow (soprano) Junon : Renate Lenhart (soprano) Ulysse : Werner Hollweg (ténor) Pénélope, sa femme : Trudeliese Schmidt (alto) Télémaque, leur fils : Francesco Araiza (ténor) Antinoüs, prétendant : Simon Estes (basse) Pisandre, prétendant : Peter Straka (contre-ténor) Amphinome, prétendant : Paul Esswood (ténor) Eurymaque, amoureux de Mélanthe : Peter Keller (ténor) Mélanthe, suivante de Pénélope : Janet Perry (soprano) Eumée, berger : Philippe Huttenlocher (ténor) Irus, serviteur des prétendants : Arley Reece (ténor) Euryclée, nourrice d'Ulysse : Maria Minetto (soprano) Chœurs de marins, de Phéaciens -
5:51Pergolesi "Ogni pena più spietata" Janet Baker
Pergolesi "Ogni pena più spietata" Janet BakerPergolesi "Ogni pena più spietata" Janet Baker
(Sorry for the downhill score on some parts..) Dame Janet Baker Ogni pena più spietata from "Lo frate 'nnamorato", musical comedy in 3 acts Act 1. Giovanni Battista Pergolesi (1710 - 1736) Biography: http://en.wikipedia.org/wiki/Giovanni_Battista_Pergolesi http://www.goldbergweb.com/en/history/composers/11747.php Music by Giovanni B. Pergolesi Libretto: Gennaro Antonio Federico Date Written: 1732 Key: A minor Voicing: Mezzo Soprano Character: Ascanio In this recording: Dame Janet Baker with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Conducted by Neville Marriner Text: Ogni pena più spietata Soffrirìa quest'alma afflitta e desolata, Se godesse una speranza di potersi consolar. Ma, ohimè, cade ogni speme, Non c'è luogo, non c'è vita [via], Non c'è modo di sperar. Translation:(Thanks to MehdiCaps) "My grieved and distressed heart would be able to suffer more pitiless pains, if I had a hope of finding comfort. But, alas, there is no reason, no opportunity, no possibility to hope." Lo Frate 'nnamorato or The Enamoured Brother was Pergolesi's first operatic comedy. It was premiered in 1734 at the Teatro dei Fiorientini in Naples and met with immediate success. Synopsis: The plot concerns love triangles and mistaken identity. It is the usual Neapolitan comedy fare of the time. Ascanio is adopted. He loves his adopted sister Luggrezia, but thinks it is simply brotherly love. Marcaniello (Luggrezia's father) has promised her to Carlo. In return, Carlo promises to marry his two nieces to old man Marcaniello and his eldest son Don Pietro. However, the three girls love Ascanio and do not consent to the arranged marriages. Frustrated, Don Pietro asks his brother Ascanio, to plead with the sisters. The sisters confess their love for Ascanio and Don Pietro takes his brother to task. Ascanio, the enamoured brother of the title, confesses that he loves all three women and cannot choose between them. Don Pietro is infuriated and wounds his brother in a duel. As Carlo treats Ascanio's wound, he recognises a birthmark and realises Ascanio is his long lost nephew and brother of the sisters. This explains Ascanio's affection for the girls. Ascanio declares his love for Luggrezia and the unsuccessful suitors confess themselves defeated. .... The musical pieces of the opera consist of an introduction (overture) and 28 vocal movements including 1 accompanied recitative, 2 duets, 1 trio, 1 quintet to end of act 2, and a 1 and a half minute finale to end the opera. The short finale, continuous music sung by the whole cast, is feature of the comedy operas of this time. Finales only became extended from the middle of the 18th century. With Lo Frate Nnamorato, Pergolesi is often credited with the creation of a new comic style. This is not true. Pergolesi was simply one of a number of Neapolitan exploit an already popular form. Opera Buffa developed from the comic scenes that originally interlaced the action of serious operas. In keeping with its traditions, Opera Buffa usually involved a bass and soprano in the crudest of slapstick farces. In Naples, the masters portrayed in these farces were often drawn from the large prosperous middle class. It was only a matter of time before librettists realised that it was more profitable to laugh with the middle classes, than at them. At this point, the plots of Opera Buffa became soap operas in which the serious characters were mixed with locals (who sang in dialect). In keeping with the rules of opera seria, castratos played the romantic young men, while a bass, specialising in buffo roles, played the clown. -
2:25Monteverdi: L'Orfeo (Teatro alla Scala)
Monteverdi: L'Orfeo (Teatro alla Scala)Monteverdi: L'Orfeo (Teatro alla Scala)
Monteverdi's seminal first opera tells the dramatic story from Ovid's Metamorphoses of the descent of Orfeo (Georg Nigl) into the underworld to recover his beloved wife Euridice (Roberta Invernizzi), who has died from a snake bite. In a new production for La Scala, based on a painting by Titian and directed by Robert Wilson, the opera receives a powerful and inspiring performance from a fine cast, the Orchestra of Teatro alla Scala and Concerto Italiano under the much-admired Italian early music specialist, Rinaldo Alessandrini. Orfeo: Georg Nigl Euridice: Roberta Invernizzi Messaggera: Sara Mingardo Speranza: Sara Mingardo Caronte: Luigi De Donato Proserpina: Raffaella Milanesi Plutone: Giovanni Battista Parodi Eco: Roberta Invernezzi Apollo: Furio Zanasi Solo Dancer: Nicola Strada Orchestra of Teatro alla Scala Basso continuo: Concerto Italiano Conductor: Rinaldo Alessandrini Director: Robert Wilson Recorded live at La Teatro alla Scala 21st & 23rd December 2009 Available from Opus Arte on DVD & Blu-ray http://www.opusarte.com/en/opusarte/monteverdi-lorfeo-scala.html http://www.opusarte.com/en/opusarte/monteverdi-l-orfeo-teatro-alla-scala-blu-ray.html Please "Like" us at http://www.facebook.com/opusarte -
4:19Monteverdi - L' Incoronazione di Poppea 3
Monteverdi - L' Incoronazione di Poppea 3Monteverdi - L' Incoronazione di Poppea 3
Poppea and Nerone's final duet Act III: "Pur ti Miro". Poppea and Nerone sing of their love for one another, oblivious to the death and destruction they have meted out to all around them in order to enjoy it. NIkolaus Harnoncourt & Das Monteverdi Ensemble Zürich. Poppea: Rachel Yakar & Nerone: Eric Tappy. -
3:03Janet Baker "Care selve" Atalanta
Janet Baker "Care selve" AtalantaJanet Baker "Care selve" Atalanta
Janet Baker sings "Care selve" from Atalanta by Georg Friedrich Händel English Chamber Orchestra Raymond Leppard, conductor XII. 1972 -
40:22Handel - Dixit Dominus - Gardiner
Handel - Dixit Dominus - GardinerHandel - Dixit Dominus - Gardiner
George Frideric Handel Dixit Dominus, HWV 232 Monteverdi Choir English Baroque Soloists Sir John Eliot Gardiner June 2014 -
2:30Georg Nigl - L'Orfeo - Monteverdi - Tu se' morta
Georg Nigl - L'Orfeo - Monteverdi - Tu se' mortaGeorg Nigl - L'Orfeo - Monteverdi - Tu se' morta
Watch the opera in full at http://www.medici.tv/#!/l-orfeo-monteverdi-rinaldo-alessandrini-robert-wilson-teatro-alla-scala Subscribe to our channel for more videos http://ow.ly/ugONZ Claudio Monteverdi L'Orfeo Favola pastorale in un prologo e cinque atti. Libretto di Alessandro Striggio. Aria: Tu se' morta (Act II) Georg Nigl (Orfeo) Rinaldo Alessandrini, director Robert Wilson, stage director, lighting design Teatro alla Scala, 2009 Also with Roberta Invernizzi (Euridice, La Musica) and Sara Mingardo (La Messaggera, La Speranza). -
13:03Frederica von Stade: Torna, torna (Il Ritorno d'Ulisse in Patria) Monteverdi
Frederica von Stade: Torna, torna (Il Ritorno d'Ulisse in Patria) MonteverdiFrederica von Stade: Torna, torna (Il Ritorno d'Ulisse in Patria) Monteverdi
Claudio Monteverdi (1567-1643) Aria: "Torna, torna" (from Il ritorno d'Ulisse in patria) Frederica von Stade, mezzo-soprano with Janice Taylor, mezzo-soprano National Arts Centre Orchestra Conducted by Mario Bernardi 1978 _ -
7:41Frederica von Stade & Benjamin Luxon sing Monteverdi - LIVE!
Frederica von Stade & Benjamin Luxon sing Monteverdi - LIVE!Frederica von Stade & Benjamin Luxon sing Monteverdi - LIVE!
Video footage from 1992 of these two great artists performing "Illustratevi, o Cieli" (or Reconciliation Duet) from Monteverdi's opera "Il Ritorno d'Ulisse in Patria". Here is a link to my main Luxon playlist: http://www.youtube.com/playlist?list=PL87CC7692620EA641&feature;=plcp And here is a link to my Frederica von Stade playlist: http://www.youtube.com/playlist?list=PLCC842EF9858E2660&feature;=plcp Ulysses gives Penelope a secret sign to prove his true identity: he alone knows that she has a silk coverlet on her bed, woven by her own hands, depicting Diana, and this memory has comforted him in his travels. At last she recognizes him, and a rapturous love-duet is called for: the flowers are blooming, the birds are singing, and the phoenix has risen from the ashes of Troy; no more torment and sorrow, only gladness and enjoyment, happiness and pleasure. "Del piacer, del goder venuto è il dì!" -
9:42Huttenlochner sings - Possente spirito - L'Orfeo, Monteverdi
Huttenlochner sings - Possente spirito - L'Orfeo, MonteverdiHuttenlochner sings - Possente spirito - L'Orfeo, Monteverdi
Orfeo is performed by Philippe Huttenlochner in this Monteverdi's L'Orfeo adaptation. Nikolaus Harnoncurt conducting a superb period-instruments ensemble. Staged, directed and designed by Jean Pierre Ponnelle. -
42:57Monteverdi Return of Ulysses excerpts (TVP)
Monteverdi Return of Ulysses excerpts (TVP)Monteverdi Return of Ulysses excerpts (TVP)
Opera in 3 acts (1641) The story, taken from the second half of Homer's Odyssey, tells how constancy and virtue are ultimately rewarded, treachery and deception overcome. After his long journey home from the Trojan Wars Ulysses, king of Ithaca, finally returns to his kingdom where he finds that a trio of villainous suitors have seized the realm and are importuning his faithful queen, Penelope. With the assistance of the gods, his son Telemaco and a staunch friend Eumete, Ulysses vanquishes the suitors and recovers his kingdom. Act 1 Sinfonia Torna il tranquillo al mare Superbo é l'uom Cara e lieta gioventu Colli, campagne e boschi Act II Lieto cammino,dolce viaggio Amor é un armonia Generosa regina Act III Or si ti riconosco Neptune: Eduard Wollitz Minerva: Antonia Fahberg Ulysses: Gerald English Penelope: Maureen Lehane Telemachus: William Whitesides Antinous: Edourd Wollitz Peisander: Reinhold Bartel Amphinomus: Andre Peysang Eumaeus: Helmut Kretschmer Irus: Berhard Michaelis Santini Chamber Orchestra Rudolf Ewerhart -
2:56:06Il ritorno d´Ulisse in patria. de Monteverdi. Buenos Aires Lírica: Temporada 2009
Il ritorno d´Ulisse in patria. de Monteverdi. Buenos Aires Lírica: Temporada 2009Il ritorno d´Ulisse in patria. de Monteverdi. Buenos Aires Lírica: Temporada 2009
Dirección musical: Juan Manuel Quintana Puesta en escena: Alejandro Bonatto Diseño de escenografía: Alejandro Bonatto y Jerónimo Basso Diseño de vestuario: Sofía Di Nunzio Diseño de iluminación: Gonzalo Córdova Con Gustavo Zahnstecher, María Cristina Kiehr, Víctor Torres, Evelyn Ramírez, Franco Fagioli, Oreste Chlopecki, Damián Ramírez, Pablo Pollitzer, Jaime Caicompai, Pilar Aguilera, Carlos Ullán, Osvaldo Peroni. Coro Buenos Aires Lírica y Orquesta. -
10:11Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)
Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker and the London Philharmonic Choir & Orchestra in a few moments from Elgar's great oratorio. The other soloists were Peter Pears and John Shirley-Quirk. The performance was filmed in Canterbury Cathedral in 1968 and has been sumptuously restored by 'ICA Classics' (Catalogue No. ICAD 5140). This 2-DVD set also includes a 1989 TV documentary about Boult presented by Vernon Handley. -
31:11Monteverdi - L'incoronazione di Poppea (acte 3) (ST it-eng-fr-de-esp)
Monteverdi - L'incoronazione di Poppea (acte 3) (ST it-eng-fr-de-esp)Monteverdi - L'incoronazione di Poppea (acte 3) (ST it-eng-fr-de-esp)
"Opera musicale" en 1 prologue et 3 actes de Claudio Monteverdi, créé en 1642 à Venise Livret en italien : Gian Francesco Busenello, d'après les "Annales" de Tacite ST : italiano, english, deutsch, français, español Arrangement et direction musicale : Nikolaus Harnoncourt Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich Mise en scène et réalisation (1979) : Jean-Pierre Ponnelle La Fortune : Renate Lenhart (soprano) La Vertu : Helrun Gardow (soprano) L'Amour : Klaus Brettschneider (soprano) Poppée, favorite de Néron : Rachel Yakar (soprano) Octavie, femme de Néron : Trudeliese Schmidt (mezzo-soprano) Néron, empereur : Eric Tappy (ténor) Othon, chevalier : Paul Esswood (ténor) Sénèque, philosophe : Matti Salminen (basse) Drusilla, courtisane : Janet Perry (soprano) Arnalta, nourrice de Poppée : Alexander Oliver (ténor aigu) La nourrice d'Octavie : Maria Minetto (soprano) Lucain, poète : Philippe Huttenlocher (ténor) Un page d'Octavie : Peter Keller (ténor) Une dame d'honneur d'Octavie : Suzanne Calabro (soprano) Libertus, capitaine de la garde : Rudolf A. Hartmann Soldats : Peter Straka - Fritz Peter Amis de Sénèque : Francisco Araiza - Werner Gröschel - Peter Keller -
3:38Dame Janet Baker: Caccini, 'Amarilli mia bella'
Dame Janet Baker: Caccini, 'Amarilli mia bella'Dame Janet Baker: Caccini, 'Amarilli mia bella'
Dame Janet Abbott Baker, CH, DBE, FRSA (born 21 August 1933) is an English mezzo-soprano best known as an opera, concert, and lieder singer. She was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten. During her career, which spanned the 1950s to the 1980s, she was considered an outstanding singing actress and widely admired for her dramatic intensity, perhaps best represented in her famous portrayal as Dido, the tragic heroine of Berlioz's magnum opus Les Troyens. As a concert performer, Dame Janet was noted for her interpretations of the music of Gustav Mahler and Edward Elgar. David Gutman, writing in the Gramophone, described her performance of Mahler's Kindertotenlieder as "intimate, almost self-communing. In 1956, she made her stage debut with the Oxford University Opera Club as Miss Róza in Smetana's The Secret. That year, she also made her debut at Glyndebourne. In 1959, she sang Eduige in the Handel Opera Society's Rodelinda; other Handel roles included Ariodante (1964), of which she later made an outstanding recording with Raymond Leppard, and Orlando (1966), which she sang at the Barber Institute, Birmingham. With the English Opera Group at Aldeburgh, Baker sang Purcell's Dido and Aeneas in 1962, Polly (in Benjamin Britten's version of The Beggar's Opera) and Lucretia (in Britten's The Rape of Lucretia). At Glyndebourne she appeared again as Dido (1966) and as Diana/Jupiter in Francesco Cavalli's La Calisto, and Penelope in Monteverdi's Il ritorno d'Ulisse in Patria. For Scottish Opera she sang Dorabella in Mozart's Così fan tutte, Dido in Berlioz's The Trojans as well as Dido in Purcell's Dido and Aeneas, Octavian in Richard Strauss's Der Rosenkavalier, the Composer in Ariadne auf Naxos and the role of Orfeo in Gluck's Orfeo ed Euridice. The latter was considered her signature role; she sang it in many productions and a videotaped performance from Glyndebourne is available. In 1966, Dame Janet made her debut as Hermia at the Royal Opera House, Covent Garden, and went on to sing Berlioz's Dido, Kate in Britten's Owen Wingrave, Mozart's Vitellia and Idamante, Cressida in William Walton's Troilus and Cressida and the title role in Gluck's Alceste (1981) there. For the English National Opera, she sang the title role in Monteverdi's L'incoronazione di Poppea (1971), Charlotte in Massenet's Werther, and the title roles in Donizetti's Maria Stuarda and Handel's Giulio Cesare. During this same period she made an equally strong impact on audiences in the concert hall, both in oratorio roles and solo recitals. Among her most notable achievements are her recordings of the Angel in Elgar's The Dream of Gerontius, made with Sir John Barbirolli in December 1964 and Sir Simon Rattle over twenty years later; her 1965 performances of Elgar's Sea Pictures and Mahler's Rückert-Lieder, also recorded with Barbirolli; and, also from 1965, the first commercial recording of Ralph Vaughan Williams's Christmas oratorio Hodie under Sir David Willcocks... http://en.wikipedia.org/wiki/Janet_Baker Lyrics & English Translation Amaryllis, my lovely one, Do you not believe, o my heart's sweet desire, That you are my love? Believe it thus: and if fear assails you, Doubt not its truth. Open my breast and see written on my heart: Amaryllis, Amaryllis, Amaryllis, Is my beloved.. A link to this wonderful artists personal web site: http://www.allmusic.com/artist/janet-baker-mn0000765084 Please Enjoy! I send my kind and warm regards,
Monteverde, Jynett Filmography
-
2010, role: miscellaneous crew
-
2009, role: miscellaneous crew
-
2009, role: miscellaneous crew
-
2009, role: miscellaneous crew
-
2009, role: miscellaneous crew
-
2009, role: miscellaneous crew
-
2008, role: miscellaneous crew
-
2008, role: miscellaneous crew
-
2008, role: miscellaneous crew
-
2008, role: miscellaneous crew
-
2008, role: miscellaneous crew
-
2007, role: miscellaneous crew
-
2007, role: miscellaneous crew
-
2007, role: miscellaneous crew
-
2006, role: miscellaneous crew
-
2006, role: miscellaneous crew
-
2006, role: miscellaneous crew
-
2006, role: miscellaneous crew
-
2006, role: miscellaneous crew
-
2005, role: miscellaneous crew
-
2005, role: miscellaneous crew
-
2005, role: miscellaneous crew
-
2004, role: miscellaneous crew
-
2004, role: miscellaneous crew
-
2004, role: miscellaneous crew
-
2004, role: miscellaneous crew
-
2004, role: miscellaneous crew
-
2004, role: miscellaneous crew
-
2004, role: miscellaneous crew
-
2003, role: miscellaneous crew
-
2003, role: miscellaneous crew
-
2002, role: miscellaneous crew
-
2002, role: miscellaneous crew
-
2002, role: miscellaneous crew
-
2002, role: producer
-
2002, role: miscellaneous crew
-
2002, role: miscellaneous crew
-
2002, role: miscellaneous crew
-
2002, role: miscellaneous crew
-
2002, role: miscellaneous crew
-
2001, role: miscellaneous crew
-
2001, role: miscellaneous crew
-
2001, role: miscellaneous crew
-
2001, role: miscellaneous crew
-
2001, role: miscellaneous crew
Monteverde
ALBUMS
- Academy of Trance: Club Gorgeous.dk, Volume 2 released: 2000
- Electric Daisy Carnival released: 2000
Academy of Trance: Club Gorgeous.dk, Volume 2
Released 2000- add to main playlist Play in Full Screen Relieve My Pain (Tandu~Mcloud remix)
- add to main playlist Play in Full Screen Enlightenment (original mix)
- add to main playlist Play in Full Screen Silence (original mix)
- add to main playlist Play in Full Screen On the Border (Schiller remix)
- add to main playlist Play in Full Screen Komodo (Save a Soul) (Megavoices Claxixx mix)
- add to main playlist Play in Full Screen Julika (Tandu~Mcloud remix)
- add to main playlist Play in Full Screen Tenshi (original mix)
- add to main playlist Play in Full Screen All My Passions (original mix)
- add to main playlist Play in Full Screen The Beauty of Silence (original mix)
- add to main playlist Play in Full Screen Path to Utopia (original mix)
- add to main playlist Play in Full Screen Eternity (Darren Tate mix)
- add to main playlist Play in Full Screen Kernkraft 400 (DJ Gius remix)
- add to main playlist Play in Full Screen Dooms Night (Timo Mass remix)
Electric Daisy Carnival
Released 2000- add to main playlist Play in Full Screen Tulare (EDC mix)
- add to main playlist Play in Full Screen Crystal
- add to main playlist Play in Full Screen Krakatao
- add to main playlist Play in Full Screen Your Spirit (Magic Alex mix)
- add to main playlist Play in Full Screen Interface
- add to main playlist Play in Full Screen Touch Me (Thrillseekers mix)
- add to main playlist Play in Full Screen If You Love Me
- add to main playlist Play in Full Screen Redivider (Dorans Euroflex mix)
- add to main playlist Play in Full Screen Face to Face
- add to main playlist Play in Full Screen The Forgotten Dream
- add to main playlist Play in Full Screen Superstring (Rank 1 mix)
-
Janet Baker - Disprezzata regina (Monteverdi)
Janet Baker sings "Disprezzata regina" (Ottavia's Lament) from Monteverdi's "L'incoronazione di Poppea." English Chamber Orchestra; Raymond Leppard, conductor. 1969.
published: 20 Apr 2010 -
Monteverdi - L'incoronazione di Poppea (actes 1-2) (ST it-eng-fr-de-esp)
"Opera musicale" en 1 prologue et 3 actes de Claudio Monteverdi, créé en 1642 à Venise Livret en italien : Gian Francesco Busenello, d'après les "Annales" de Tacite ST : italiano, english, deutsch, français, español Arrangement et direction musicale : Nikolaus Harnoncourt Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich Mise en scène et réalisation (1979) : Jean-Pierre Ponnelle La Fortune : Renate Lenhart (soprano) La Vertu : Helrun Gardow (soprano) L'Amour : Klaus Brettschneider (soprano) Poppée, favorite de Néron : Rachel Yakar (soprano) Octavie, femme de Néron : Trudeliese Schmidt (mezzo-soprano) Néron, empereur : Eric Tappy (ténor) Othon, chevalier : Paul Esswood (ténor) Sénèque, philosophe : Matti Salminen (basse) Drusilla, courtisane : Janet Perry (soprano) Ar...
published: 10 Aug 2013 -
'Il ritorno d'Ulisse in patria' * Excerpt 10 FINALE * JANET BAKER * Glyndebourne 1973
Tenth and FINAL installment of *selected* excerpts from the Glyndebourne Festival Operas 1973 production of 'Il ritorno dUlisse in patria' - Opera in a Prologue and Two Acts. Music by Claudio Monteverdi and libretto by Giacomo Badoaro. Ulisse is home...at last! Penelope sings a song of joy that is akin to springtime breaking upon the land. A duet between the reunited couple follows, ending upon a cathartic denouement to close the play. Penelope . . . Janet Baker Ulisse . . . Benjamin Luxon Peter Hall, Producer (Director) Raymond Leppard, Conductor The London Philharmonic Orchestra ----------------- To purchase the DVD, please visit the following sites (among others): http://www.glyndebourne.com/shop/glyndebourne_dvds/monteverdi_il_ritorno_dulisse_1973dbvvd_/ htt...
published: 24 Mar 2010 -
Monteverdi Il ritorno di Ulisse in patria Hanna Bayodi-Hirt Melanto Ed Lyon Eurimaco
Les Arts Florissants dir. William Christie Teatro Real Madrid 2009 Published with courtesy of Dynamic s.r.l
published: 27 Sep 2010 -
J.S. Bach: Christmas Oratorio, part 2/2
From the Herderkirche in Weimar, Germany John Eliot Gardiner - conductor Monteverdi Choir English Baroque Soloists Claron McFadden - soprano Christoph Genz - tenor Bernarda Fink - alto Dietrich Henschel - bass Katharine Fuge 0:47 IV. Fallt mit Danken, fallt mit Loben 23:26 V. Ehre sei dir, Gott, gesungen 46:00 VI. Herr, wenn die stolzen Feinde schnauben Go to part 1: https://youtu.be/zpaNo4mWRBE Watch also the documentary "J.S. Bach: Jachzet, frohlocket! - An introduction to the Bach Christmas Oratorio": https://youtu.be/ZTnrjuALzzQ Watch also the documentary "Bach revisited - John Eliot Gardiner in Saxony and Thuringia": https://youtu.be/Hq2h5vuPiLE Subscribe: https://goo.gl/jrui3M
published: 01 Dec 2016 -
Monteverdi - Il ritorno d'Ulisse in patria (actes 1-2) (ST it-eng-fr-de-esp)
"Drame en musique" ("dramma per musica") en 1 prologue et 3 actes de Claudio Monteverdi, créé en février 1640 au Teatro SS Giovannie Paolo à Venise Livret en italien : Giacomo Badoaro, d'après la fin de l'"Odyssée" d'Homère ST : italiano, english, deutsch, français, español Arrangement et direction musicale : Nikolaus Harnoncourt Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich Mise en scène et réalisation (1979) : Jean-Pierre Ponnelle La Fragilité humaine : Werner Hollweg (ténor) Le Temps : Werner Gröschel (basse) La Fortune : Renate Lenhart (soprano) L'Amour : Klaus Brettschneider (soprano) Jupiter : József Dene (ténor) Neptune : Hans Franzen (basse) Minerve : Helrun Gardow (soprano) Junon : Renate Lenhart (soprano) Ulysse : Werner Hollweg (ténor) Pénélope, sa fe...
published: 09 Aug 2013 -
Pergolesi "Ogni pena più spietata" Janet Baker
(Sorry for the downhill score on some parts..) Dame Janet Baker Ogni pena più spietata from "Lo frate 'nnamorato", musical comedy in 3 acts Act 1. Giovanni Battista Pergolesi (1710 - 1736) Biography: http://en.wikipedia.org/wiki/Giovanni_Battista_Pergolesi http://www.goldbergweb.com/en/history/composers/11747.php Music by Giovanni B. Pergolesi Libretto: Gennaro Antonio Federico Date Written: 1732 Key: A minor Voicing: Mezzo Soprano Character: Ascanio In this recording: Dame Janet Baker with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Conducted by Neville Marriner Text: Ogni pena più spietata Soffrirìa quest'alma afflitta e desolata, Se godesse una speranza di potersi consolar. Ma, ...
published: 18 Feb 2008 -
Monteverdi: L'Orfeo (Teatro alla Scala)
Monteverdi's seminal first opera tells the dramatic story from Ovid's Metamorphoses of the descent of Orfeo (Georg Nigl) into the underworld to recover his beloved wife Euridice (Roberta Invernizzi), who has died from a snake bite. In a new production for La Scala, based on a painting by Titian and directed by Robert Wilson, the opera receives a powerful and inspiring performance from a fine cast, the Orchestra of Teatro alla Scala and Concerto Italiano under the much-admired Italian early music specialist, Rinaldo Alessandrini. Orfeo: Georg Nigl Euridice: Roberta Invernizzi Messaggera: Sara Mingardo Speranza: Sara Mingardo Caronte: Luigi De Donato Proserpina: Raffaella Milanesi Plutone: Giovanni Battista Parodi Eco: Roberta Invernezzi Apollo: Furio Zanasi Solo Dancer: Nicola S...
published: 27 Jan 2011 -
Monteverdi - L' Incoronazione di Poppea 3
Poppea and Nerone's final duet Act III: "Pur ti Miro". Poppea and Nerone sing of their love for one another, oblivious to the death and destruction they have meted out to all around them in order to enjoy it. NIkolaus Harnoncourt & Das Monteverdi Ensemble Zürich. Poppea: Rachel Yakar & Nerone: Eric Tappy.
published: 23 May 2008 -
Janet Baker "Care selve" Atalanta
Janet Baker sings "Care selve" from Atalanta by Georg Friedrich Händel English Chamber Orchestra Raymond Leppard, conductor XII. 1972
published: 10 Aug 2014 -
Handel - Dixit Dominus - Gardiner
George Frideric Handel Dixit Dominus, HWV 232 Monteverdi Choir English Baroque Soloists Sir John Eliot Gardiner June 2014
published: 05 Feb 2015 -
Georg Nigl - L'Orfeo - Monteverdi - Tu se' morta
Watch the opera in full at http://www.medici.tv/#!/l-orfeo-monteverdi-rinaldo-alessandrini-robert-wilson-teatro-alla-scala Subscribe to our channel for more videos http://ow.ly/ugONZ Claudio Monteverdi L'Orfeo Favola pastorale in un prologo e cinque atti. Libretto di Alessandro Striggio. Aria: Tu se' morta (Act II) Georg Nigl (Orfeo) Rinaldo Alessandrini, director Robert Wilson, stage director, lighting design Teatro alla Scala, 2009 Also with Roberta Invernizzi (Euridice, La Musica) and Sara Mingardo (La Messaggera, La Speranza).
published: 03 Sep 2012 -
Frederica von Stade: Torna, torna (Il Ritorno d'Ulisse in Patria) Monteverdi
Claudio Monteverdi (1567-1643) Aria: "Torna, torna" (from Il ritorno d'Ulisse in patria) Frederica von Stade, mezzo-soprano with Janice Taylor, mezzo-soprano National Arts Centre Orchestra Conducted by Mario Bernardi 1978 _
published: 26 Dec 2014 -
Frederica von Stade & Benjamin Luxon sing Monteverdi - LIVE!
Video footage from 1992 of these two great artists performing "Illustratevi, o Cieli" (or Reconciliation Duet) from Monteverdi's opera "Il Ritorno d'Ulisse in Patria". Here is a link to my main Luxon playlist: http://www.youtube.com/playlist?list=PL87CC7692620EA641&feature;=plcp And here is a link to my Frederica von Stade playlist: http://www.youtube.com/playlist?list=PLCC842EF9858E2660&feature;=plcp Ulysses gives Penelope a secret sign to prove his true identity: he alone knows that she has a silk coverlet on her bed, woven by her own hands, depicting Diana, and this memory has comforted him in his travels. At last she recognizes him, and a rapturous love-duet is called for: the flowers are blooming, the birds are singing, and the phoenix has risen from the ashes of Troy; no more tormen...
published: 18 Jun 2011 -
Huttenlochner sings - Possente spirito - L'Orfeo, Monteverdi
Orfeo is performed by Philippe Huttenlochner in this Monteverdi's L'Orfeo adaptation. Nikolaus Harnoncurt conducting a superb period-instruments ensemble. Staged, directed and designed by Jean Pierre Ponnelle.
published: 03 Nov 2008 -
Monteverdi Return of Ulysses excerpts (TVP)
Opera in 3 acts (1641) The story, taken from the second half of Homer's Odyssey, tells how constancy and virtue are ultimately rewarded, treachery and deception overcome. After his long journey home from the Trojan Wars Ulysses, king of Ithaca, finally returns to his kingdom where he finds that a trio of villainous suitors have seized the realm and are importuning his faithful queen, Penelope. With the assistance of the gods, his son Telemaco and a staunch friend Eumete, Ulysses vanquishes the suitors and recovers his kingdom. Act 1 Sinfonia Torna il tranquillo al mare Superbo é l'uom Cara e lieta gioventu Colli, campagne e boschi Act II Lieto cammino,dolce viaggio Amor é un armonia Generosa regina Act III Or si ti riconosco Neptune: Eduard Wollitz Minerva: Antonia Fahberg Ulysses: G...
published: 28 Oct 2014 -
Il ritorno d´Ulisse in patria. de Monteverdi. Buenos Aires Lírica: Temporada 2009
Dirección musical: Juan Manuel Quintana Puesta en escena: Alejandro Bonatto Diseño de escenografía: Alejandro Bonatto y Jerónimo Basso Diseño de vestuario: Sofía Di Nunzio Diseño de iluminación: Gonzalo Córdova Con Gustavo Zahnstecher, María Cristina Kiehr, Víctor Torres, Evelyn Ramírez, Franco Fagioli, Oreste Chlopecki, Damián Ramírez, Pablo Pollitzer, Jaime Caicompai, Pilar Aguilera, Carlos Ullán, Osvaldo Peroni. Coro Buenos Aires Lírica y Orquesta.
published: 17 Jan 2017 -
Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker and the London Philharmonic Choir & Orchestra in a few moments from Elgar's great oratorio. The other soloists were Peter Pears and John Shirley-Quirk. The performance was filmed in Canterbury Cathedral in 1968 and has been sumptuously restored by 'ICA Classics' (Catalogue No. ICAD 5140). This 2-DVD set also includes a 1989 TV documentary about Boult presented by Vernon Handley.
published: 04 Nov 2016 -
Monteverdi - L'incoronazione di Poppea (acte 3) (ST it-eng-fr-de-esp)
"Opera musicale" en 1 prologue et 3 actes de Claudio Monteverdi, créé en 1642 à Venise Livret en italien : Gian Francesco Busenello, d'après les "Annales" de Tacite ST : italiano, english, deutsch, français, español Arrangement et direction musicale : Nikolaus Harnoncourt Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich Mise en scène et réalisation (1979) : Jean-Pierre Ponnelle La Fortune : Renate Lenhart (soprano) La Vertu : Helrun Gardow (soprano) L'Amour : Klaus Brettschneider (soprano) Poppée, favorite de Néron : Rachel Yakar (soprano) Octavie, femme de Néron : Trudeliese Schmidt (mezzo-soprano) Néron, empereur : Eric Tappy (ténor) Othon, chevalier : Paul Esswood (ténor) Sénèque, philosophe : Matti Salminen (basse) Drusilla, courtisane : Janet Perry (soprano) Ar...
published: 10 Aug 2013 -
Dame Janet Baker: Caccini, 'Amarilli mia bella'
Dame Janet Abbott Baker, CH, DBE, FRSA (born 21 August 1933) is an English mezzo-soprano best known as an opera, concert, and lieder singer. She was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten. During her career, which spanned the 1950s to the 1980s, she was considered an outstanding singing actress and widely admired for her dramatic intensity, perhaps best represented in her famous portrayal as Dido, the tragic heroine of Berlioz's magnum opus Les Troyens. As a concert performer, Dame Janet was noted for her interpretations of the music of Gustav Mahler and Edward Elgar. David Gutman, writing in the Gramophone, described her performance of Mahler's Kindertotenlieder as "intimate, almost self-communing. In 1956, she made her stage...
published: 17 Apr 2013
Janet Baker - Disprezzata regina (Monteverdi)
- Order: Reorder
- Duration: 6:54
- Updated: 20 Apr 2010
- views: 17574
Janet Baker sings "Disprezzata regina" (Ottavia's Lament) from Monteverdi's "L'incoronazione di Poppea." English Chamber Orchestra; Raymond Leppard, conductor. ...
Janet Baker sings "Disprezzata regina" (Ottavia's Lament) from Monteverdi's "L'incoronazione di Poppea." English Chamber Orchestra; Raymond Leppard, conductor. 1969.
https://wn.com/Janet_Baker_Disprezzata_Regina_(Monteverdi)
Janet Baker sings "Disprezzata regina" (Ottavia's Lament) from Monteverdi's "L'incoronazione di Poppea." English Chamber Orchestra; Raymond Leppard, conductor. 1969.
- published: 20 Apr 2010
- views: 17574
Monteverdi - L'incoronazione di Poppea (actes 1-2) (ST it-eng-fr-de-esp)
- Order: Reorder
- Duration: 2:10:40
- Updated: 10 Aug 2013
- views: 141276
"Opera musicale" en 1 prologue et 3 actes de Claudio Monteverdi, créé en 1642 à Venise
Livret en italien : Gian Francesco Busenello, d'après les "Annales" de T...
"Opera musicale" en 1 prologue et 3 actes de Claudio Monteverdi, créé en 1642 à Venise
Livret en italien : Gian Francesco Busenello, d'après les "Annales" de Tacite
ST : italiano, english, deutsch, français, español
Arrangement et direction musicale : Nikolaus Harnoncourt
Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich
Mise en scène et réalisation (1979) : Jean-Pierre Ponnelle
La Fortune : Renate Lenhart (soprano)
La Vertu : Helrun Gardow (soprano)
L'Amour : Klaus Brettschneider (soprano)
Poppée, favorite de Néron : Rachel Yakar (soprano)
Octavie, femme de Néron : Trudeliese Schmidt (mezzo-soprano)
Néron, empereur : Eric Tappy (ténor)
Othon, chevalier : Paul Esswood (ténor)
Sénèque, philosophe : Matti Salminen (basse)
Drusilla, courtisane : Janet Perry (soprano)
Arnalta, nourrice de Poppée : Alexander Oliver (ténor aigu)
La nourrice d'Octavie : Maria Minetto (soprano)
Lucain, poète : Philippe Huttenlocher (ténor)
Un page d'Octavie : Peter Keller (ténor)
Une dame d'honneur d'Octavie : Suzanne Calabro (soprano)
Libertus, capitaine de la garde : Rudolf A. Hartmann
Soldats : Peter Straka - Fritz Peter
Amis de Sénèque : Francisco Araiza - Werner Gröschel - Peter Keller
https://wn.com/Monteverdi_L'Incoronazione_Di_Poppea_(Actes_1_2)_(St_It_Eng_Fr_De_Esp)
"Opera musicale" en 1 prologue et 3 actes de Claudio Monteverdi, créé en 1642 à Venise
Livret en italien : Gian Francesco Busenello, d'après les "Annales" de Tacite
ST : italiano, english, deutsch, français, español
Arrangement et direction musicale : Nikolaus Harnoncourt
Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich
Mise en scène et réalisation (1979) : Jean-Pierre Ponnelle
La Fortune : Renate Lenhart (soprano)
La Vertu : Helrun Gardow (soprano)
L'Amour : Klaus Brettschneider (soprano)
Poppée, favorite de Néron : Rachel Yakar (soprano)
Octavie, femme de Néron : Trudeliese Schmidt (mezzo-soprano)
Néron, empereur : Eric Tappy (ténor)
Othon, chevalier : Paul Esswood (ténor)
Sénèque, philosophe : Matti Salminen (basse)
Drusilla, courtisane : Janet Perry (soprano)
Arnalta, nourrice de Poppée : Alexander Oliver (ténor aigu)
La nourrice d'Octavie : Maria Minetto (soprano)
Lucain, poète : Philippe Huttenlocher (ténor)
Un page d'Octavie : Peter Keller (ténor)
Une dame d'honneur d'Octavie : Suzanne Calabro (soprano)
Libertus, capitaine de la garde : Rudolf A. Hartmann
Soldats : Peter Straka - Fritz Peter
Amis de Sénèque : Francisco Araiza - Werner Gröschel - Peter Keller
- published: 10 Aug 2013
- views: 141276
'Il ritorno d'Ulisse in patria' * Excerpt 10 FINALE * JANET BAKER * Glyndebourne 1973
- Order: Reorder
- Duration: 9:37
- Updated: 24 Mar 2010
- views: 8670
Tenth and FINAL installment of *selected* excerpts from the Glyndebourne Festival Operas 1973 production of 'Il ritorno dUlisse in patria' - Opera in a Prologu...
Tenth and FINAL installment of *selected* excerpts from the Glyndebourne Festival Operas 1973 production of 'Il ritorno dUlisse in patria' - Opera in a Prologue and Two Acts. Music by Claudio Monteverdi and libretto by Giacomo Badoaro.
Ulisse is home...at last! Penelope sings a song of joy that is akin to springtime breaking upon the land. A duet between the reunited couple follows, ending upon a cathartic denouement to close the play.
Penelope . . . Janet Baker
Ulisse . . . Benjamin Luxon
Peter Hall, Producer (Director)
Raymond Leppard, Conductor
The London Philharmonic Orchestra
-----------------
To purchase the DVD, please visit the following sites (among others):
http://www.glyndebourne.com/shop/glyndebourne_dvds/monteverdi_il_ritorno_dulisse_1973dbvvd_/
http://www.amazon.com/Monteverdi-Ritorno-dUlisse-Benjamin-Glyndebourne/dp/B000C1V880
http://www.prestoclassical.co.uk/w/59386/Claudio-Giovanni-Antonio-Monteverdi-Il-ritorno-d%27Ulisse-in-patria
https://wn.com/'Il_Ritorno_D'Ulisse_In_Patria'_Excerpt_10_Finale_Janet_Baker_Glyndebourne_1973
Tenth and FINAL installment of *selected* excerpts from the Glyndebourne Festival Operas 1973 production of 'Il ritorno dUlisse in patria' - Opera in a Prologue and Two Acts. Music by Claudio Monteverdi and libretto by Giacomo Badoaro.
Ulisse is home...at last! Penelope sings a song of joy that is akin to springtime breaking upon the land. A duet between the reunited couple follows, ending upon a cathartic denouement to close the play.
Penelope . . . Janet Baker
Ulisse . . . Benjamin Luxon
Peter Hall, Producer (Director)
Raymond Leppard, Conductor
The London Philharmonic Orchestra
-----------------
To purchase the DVD, please visit the following sites (among others):
http://www.glyndebourne.com/shop/glyndebourne_dvds/monteverdi_il_ritorno_dulisse_1973dbvvd_/
http://www.amazon.com/Monteverdi-Ritorno-dUlisse-Benjamin-Glyndebourne/dp/B000C1V880
http://www.prestoclassical.co.uk/w/59386/Claudio-Giovanni-Antonio-Monteverdi-Il-ritorno-d%27Ulisse-in-patria
- published: 24 Mar 2010
- views: 8670
Monteverdi Il ritorno di Ulisse in patria Hanna Bayodi-Hirt Melanto Ed Lyon Eurimaco
- Order: Reorder
- Duration: 10:32
- Updated: 27 Sep 2010
- views: 63298
Les Arts Florissants dir. William Christie
Teatro Real Madrid 2009
Published with courtesy of Dynamic s.r.l
Les Arts Florissants dir. William Christie
Teatro Real Madrid 2009
Published with courtesy of Dynamic s.r.l
https://wn.com/Monteverdi_Il_Ritorno_Di_Ulisse_In_Patria_Hanna_Bayodi_Hirt_Melanto_Ed_Lyon_Eurimaco
Les Arts Florissants dir. William Christie
Teatro Real Madrid 2009
Published with courtesy of Dynamic s.r.l
- published: 27 Sep 2010
- views: 63298
J.S. Bach: Christmas Oratorio, part 2/2
- Order: Reorder
- Duration: 1:11:08
- Updated: 01 Dec 2016
- views: 7571
From the Herderkirche in Weimar, Germany
John Eliot Gardiner - conductor
Monteverdi Choir
English Baroque Soloists
Claron McFadden - soprano
Christoph Genz - te...
From the Herderkirche in Weimar, Germany
John Eliot Gardiner - conductor
Monteverdi Choir
English Baroque Soloists
Claron McFadden - soprano
Christoph Genz - tenor
Bernarda Fink - alto
Dietrich Henschel - bass
Katharine Fuge
0:47 IV. Fallt mit Danken, fallt mit Loben
23:26 V. Ehre sei dir, Gott, gesungen
46:00 VI. Herr, wenn die stolzen Feinde schnauben
Go to part 1: https://youtu.be/zpaNo4mWRBE
Watch also the documentary "J.S. Bach: Jachzet, frohlocket! - An introduction to the Bach Christmas Oratorio": https://youtu.be/ZTnrjuALzzQ
Watch also the documentary "Bach revisited - John Eliot Gardiner in Saxony and Thuringia": https://youtu.be/Hq2h5vuPiLE
Subscribe: https://goo.gl/jrui3M
https://wn.com/J.S._Bach_Christmas_Oratorio,_Part_2_2
From the Herderkirche in Weimar, Germany
John Eliot Gardiner - conductor
Monteverdi Choir
English Baroque Soloists
Claron McFadden - soprano
Christoph Genz - tenor
Bernarda Fink - alto
Dietrich Henschel - bass
Katharine Fuge
0:47 IV. Fallt mit Danken, fallt mit Loben
23:26 V. Ehre sei dir, Gott, gesungen
46:00 VI. Herr, wenn die stolzen Feinde schnauben
Go to part 1: https://youtu.be/zpaNo4mWRBE
Watch also the documentary "J.S. Bach: Jachzet, frohlocket! - An introduction to the Bach Christmas Oratorio": https://youtu.be/ZTnrjuALzzQ
Watch also the documentary "Bach revisited - John Eliot Gardiner in Saxony and Thuringia": https://youtu.be/Hq2h5vuPiLE
Subscribe: https://goo.gl/jrui3M
- published: 01 Dec 2016
- views: 7571
Monteverdi - Il ritorno d'Ulisse in patria (actes 1-2) (ST it-eng-fr-de-esp)
- Order: Reorder
- Duration: 1:56:23
- Updated: 09 Aug 2013
- views: 64788
"Drame en musique" ("dramma per musica") en 1 prologue et 3 actes de Claudio Monteverdi, créé en février 1640 au Teatro SS Giovannie Paolo à Venise
Livret en i...
"Drame en musique" ("dramma per musica") en 1 prologue et 3 actes de Claudio Monteverdi, créé en février 1640 au Teatro SS Giovannie Paolo à Venise
Livret en italien : Giacomo Badoaro, d'après la fin de l'"Odyssée" d'Homère
ST : italiano, english, deutsch, français, español
Arrangement et direction musicale : Nikolaus Harnoncourt
Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich
Mise en scène et réalisation (1979) : Jean-Pierre Ponnelle
La Fragilité humaine : Werner Hollweg (ténor)
Le Temps : Werner Gröschel (basse)
La Fortune : Renate Lenhart (soprano)
L'Amour : Klaus Brettschneider (soprano)
Jupiter : József Dene (ténor)
Neptune : Hans Franzen (basse)
Minerve : Helrun Gardow (soprano)
Junon : Renate Lenhart (soprano)
Ulysse : Werner Hollweg (ténor)
Pénélope, sa femme : Trudeliese Schmidt (alto)
Télémaque, leur fils : Francesco Araiza (ténor)
Antinoüs, prétendant : Simon Estes (basse)
Pisandre, prétendant : Peter Straka (contre-ténor)
Amphinome, prétendant : Paul Esswood (ténor)
Eurymaque, amoureux de Mélanthe : Peter Keller (ténor)
Mélanthe, suivante de Pénélope : Janet Perry (soprano)
Eumée, berger : Philippe Huttenlocher (ténor)
Irus, serviteur des prétendants : Arley Reece (ténor)
Euryclée, nourrice d'Ulysse : Maria Minetto (soprano)
Chœurs de marins, de Phéaciens
https://wn.com/Monteverdi_Il_Ritorno_D'Ulisse_In_Patria_(Actes_1_2)_(St_It_Eng_Fr_De_Esp)
"Drame en musique" ("dramma per musica") en 1 prologue et 3 actes de Claudio Monteverdi, créé en février 1640 au Teatro SS Giovannie Paolo à Venise
Livret en italien : Giacomo Badoaro, d'après la fin de l'"Odyssée" d'Homère
ST : italiano, english, deutsch, français, español
Arrangement et direction musicale : Nikolaus Harnoncourt
Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich
Mise en scène et réalisation (1979) : Jean-Pierre Ponnelle
La Fragilité humaine : Werner Hollweg (ténor)
Le Temps : Werner Gröschel (basse)
La Fortune : Renate Lenhart (soprano)
L'Amour : Klaus Brettschneider (soprano)
Jupiter : József Dene (ténor)
Neptune : Hans Franzen (basse)
Minerve : Helrun Gardow (soprano)
Junon : Renate Lenhart (soprano)
Ulysse : Werner Hollweg (ténor)
Pénélope, sa femme : Trudeliese Schmidt (alto)
Télémaque, leur fils : Francesco Araiza (ténor)
Antinoüs, prétendant : Simon Estes (basse)
Pisandre, prétendant : Peter Straka (contre-ténor)
Amphinome, prétendant : Paul Esswood (ténor)
Eurymaque, amoureux de Mélanthe : Peter Keller (ténor)
Mélanthe, suivante de Pénélope : Janet Perry (soprano)
Eumée, berger : Philippe Huttenlocher (ténor)
Irus, serviteur des prétendants : Arley Reece (ténor)
Euryclée, nourrice d'Ulysse : Maria Minetto (soprano)
Chœurs de marins, de Phéaciens
- published: 09 Aug 2013
- views: 64788
Pergolesi "Ogni pena più spietata" Janet Baker
- Order: Reorder
- Duration: 5:51
- Updated: 18 Feb 2008
- views: 112035
(Sorry for the downhill score on some parts..)
Dame Janet Baker
Ogni pena più spietata
from "Lo frate 'nnamorato", musical comedy in 3 acts Act 1.
Giova...
(Sorry for the downhill score on some parts..)
Dame Janet Baker
Ogni pena più spietata
from "Lo frate 'nnamorato", musical comedy in 3 acts Act 1.
Giovanni Battista Pergolesi (1710 - 1736)
Biography:
http://en.wikipedia.org/wiki/Giovanni_Battista_Pergolesi
http://www.goldbergweb.com/en/history/composers/11747.php
Music by Giovanni B. Pergolesi
Libretto: Gennaro Antonio Federico
Date Written: 1732
Key: A minor
Voicing: Mezzo Soprano
Character: Ascanio
In this recording:
Dame Janet Baker
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin,
Conducted by Neville Marriner
Text:
Ogni pena più spietata
Soffrirìa quest'alma afflitta e desolata,
Se godesse una speranza di potersi consolar.
Ma, ohimè, cade ogni speme,
Non c'è luogo, non c'è vita [via],
Non c'è modo di sperar.
Translation:(Thanks to MehdiCaps)
"My grieved and distressed heart
would be able to suffer more pitiless pains,
if I had a hope of finding comfort.
But, alas, there is no reason, no opportunity,
no possibility to hope."
Lo Frate 'nnamorato or The Enamoured Brother was Pergolesi's first operatic comedy. It was premiered in 1734 at the Teatro dei Fiorientini in Naples and met with immediate success.
Synopsis:
The plot concerns love triangles and mistaken identity. It is the usual Neapolitan comedy fare of the time. Ascanio is adopted. He loves his adopted sister Luggrezia, but thinks it is simply brotherly love. Marcaniello (Luggrezia's father) has promised her to Carlo. In return, Carlo promises to marry his two nieces to old man Marcaniello and his eldest son Don Pietro. However, the three girls love Ascanio and do not consent to the arranged marriages. Frustrated, Don Pietro asks his brother Ascanio, to plead with the sisters.
The sisters confess their love for Ascanio and Don Pietro takes his brother to task. Ascanio, the enamoured brother of the title, confesses that he loves all three women and cannot choose between them. Don Pietro is infuriated and wounds his brother in a duel. As Carlo treats Ascanio's wound, he recognises a birthmark and realises Ascanio is his long lost nephew and brother of the sisters. This explains Ascanio's affection for the girls. Ascanio declares his love for Luggrezia and the unsuccessful suitors confess themselves defeated.
....
The musical pieces of the opera consist of an introduction (overture) and 28 vocal movements including 1 accompanied recitative, 2 duets, 1 trio, 1 quintet to end of act 2, and a 1 and a half minute finale to end the opera. The short finale, continuous music sung by the whole cast, is feature of the comedy operas of this time. Finales only became extended from the middle of the 18th century.
With Lo Frate Nnamorato, Pergolesi is often credited with the creation of a new comic style. This is not true. Pergolesi was simply one of a number of Neapolitan exploit an already popular form.
Opera Buffa developed from the comic scenes that originally interlaced the action of serious operas. In keeping with its traditions, Opera Buffa usually involved a bass and soprano in the crudest of slapstick farces. In Naples, the masters portrayed in these farces were often drawn from the large prosperous middle class. It was only a matter of time before librettists realised that it was more profitable to laugh with the middle classes, than at them. At this point, the plots of Opera Buffa became soap operas in which the serious characters were mixed with locals (who sang in dialect). In keeping with the rules of opera seria, castratos played the romantic young men, while a bass, specialising in buffo roles, played the clown.
https://wn.com/Pergolesi_Ogni_Pena_Più_Spietata_Janet_Baker
(Sorry for the downhill score on some parts..)
Dame Janet Baker
Ogni pena più spietata
from "Lo frate 'nnamorato", musical comedy in 3 acts Act 1.
Giovanni Battista Pergolesi (1710 - 1736)
Biography:
http://en.wikipedia.org/wiki/Giovanni_Battista_Pergolesi
http://www.goldbergweb.com/en/history/composers/11747.php
Music by Giovanni B. Pergolesi
Libretto: Gennaro Antonio Federico
Date Written: 1732
Key: A minor
Voicing: Mezzo Soprano
Character: Ascanio
In this recording:
Dame Janet Baker
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin,
Conducted by Neville Marriner
Text:
Ogni pena più spietata
Soffrirìa quest'alma afflitta e desolata,
Se godesse una speranza di potersi consolar.
Ma, ohimè, cade ogni speme,
Non c'è luogo, non c'è vita [via],
Non c'è modo di sperar.
Translation:(Thanks to MehdiCaps)
"My grieved and distressed heart
would be able to suffer more pitiless pains,
if I had a hope of finding comfort.
But, alas, there is no reason, no opportunity,
no possibility to hope."
Lo Frate 'nnamorato or The Enamoured Brother was Pergolesi's first operatic comedy. It was premiered in 1734 at the Teatro dei Fiorientini in Naples and met with immediate success.
Synopsis:
The plot concerns love triangles and mistaken identity. It is the usual Neapolitan comedy fare of the time. Ascanio is adopted. He loves his adopted sister Luggrezia, but thinks it is simply brotherly love. Marcaniello (Luggrezia's father) has promised her to Carlo. In return, Carlo promises to marry his two nieces to old man Marcaniello and his eldest son Don Pietro. However, the three girls love Ascanio and do not consent to the arranged marriages. Frustrated, Don Pietro asks his brother Ascanio, to plead with the sisters.
The sisters confess their love for Ascanio and Don Pietro takes his brother to task. Ascanio, the enamoured brother of the title, confesses that he loves all three women and cannot choose between them. Don Pietro is infuriated and wounds his brother in a duel. As Carlo treats Ascanio's wound, he recognises a birthmark and realises Ascanio is his long lost nephew and brother of the sisters. This explains Ascanio's affection for the girls. Ascanio declares his love for Luggrezia and the unsuccessful suitors confess themselves defeated.
....
The musical pieces of the opera consist of an introduction (overture) and 28 vocal movements including 1 accompanied recitative, 2 duets, 1 trio, 1 quintet to end of act 2, and a 1 and a half minute finale to end the opera. The short finale, continuous music sung by the whole cast, is feature of the comedy operas of this time. Finales only became extended from the middle of the 18th century.
With Lo Frate Nnamorato, Pergolesi is often credited with the creation of a new comic style. This is not true. Pergolesi was simply one of a number of Neapolitan exploit an already popular form.
Opera Buffa developed from the comic scenes that originally interlaced the action of serious operas. In keeping with its traditions, Opera Buffa usually involved a bass and soprano in the crudest of slapstick farces. In Naples, the masters portrayed in these farces were often drawn from the large prosperous middle class. It was only a matter of time before librettists realised that it was more profitable to laugh with the middle classes, than at them. At this point, the plots of Opera Buffa became soap operas in which the serious characters were mixed with locals (who sang in dialect). In keeping with the rules of opera seria, castratos played the romantic young men, while a bass, specialising in buffo roles, played the clown.
- published: 18 Feb 2008
- views: 112035
Monteverdi: L'Orfeo (Teatro alla Scala)
- Order: Reorder
- Duration: 2:25
- Updated: 27 Jan 2011
- views: 34786
Monteverdi's seminal first opera tells the dramatic story from Ovid's Metamorphoses of the descent of Orfeo (Georg Nigl) into the underworld to recover his belo...
Monteverdi's seminal first opera tells the dramatic story from Ovid's Metamorphoses of the descent of Orfeo (Georg Nigl) into the underworld to recover his beloved wife Euridice (Roberta Invernizzi), who has died from a snake bite. In a new production for La Scala, based on a painting by Titian and directed by Robert Wilson, the opera receives a powerful and inspiring performance from a fine cast, the Orchestra of Teatro alla Scala and Concerto Italiano under the much-admired Italian early music specialist, Rinaldo Alessandrini.
Orfeo: Georg Nigl
Euridice: Roberta Invernizzi
Messaggera: Sara Mingardo
Speranza: Sara Mingardo
Caronte: Luigi De Donato
Proserpina: Raffaella Milanesi
Plutone: Giovanni Battista Parodi
Eco: Roberta Invernezzi
Apollo: Furio Zanasi
Solo Dancer: Nicola Strada
Orchestra of Teatro alla Scala
Basso continuo: Concerto Italiano
Conductor: Rinaldo Alessandrini
Director: Robert Wilson
Recorded live at La Teatro alla Scala
21st & 23rd December 2009
Available from Opus Arte on DVD & Blu-ray
http://www.opusarte.com/en/opusarte/monteverdi-lorfeo-scala.html
http://www.opusarte.com/en/opusarte/monteverdi-l-orfeo-teatro-alla-scala-blu-ray.html
Please "Like" us at http://www.facebook.com/opusarte
https://wn.com/Monteverdi_L'Orfeo_(Teatro_Alla_Scala)
Monteverdi's seminal first opera tells the dramatic story from Ovid's Metamorphoses of the descent of Orfeo (Georg Nigl) into the underworld to recover his beloved wife Euridice (Roberta Invernizzi), who has died from a snake bite. In a new production for La Scala, based on a painting by Titian and directed by Robert Wilson, the opera receives a powerful and inspiring performance from a fine cast, the Orchestra of Teatro alla Scala and Concerto Italiano under the much-admired Italian early music specialist, Rinaldo Alessandrini.
Orfeo: Georg Nigl
Euridice: Roberta Invernizzi
Messaggera: Sara Mingardo
Speranza: Sara Mingardo
Caronte: Luigi De Donato
Proserpina: Raffaella Milanesi
Plutone: Giovanni Battista Parodi
Eco: Roberta Invernezzi
Apollo: Furio Zanasi
Solo Dancer: Nicola Strada
Orchestra of Teatro alla Scala
Basso continuo: Concerto Italiano
Conductor: Rinaldo Alessandrini
Director: Robert Wilson
Recorded live at La Teatro alla Scala
21st & 23rd December 2009
Available from Opus Arte on DVD & Blu-ray
http://www.opusarte.com/en/opusarte/monteverdi-lorfeo-scala.html
http://www.opusarte.com/en/opusarte/monteverdi-l-orfeo-teatro-alla-scala-blu-ray.html
Please "Like" us at http://www.facebook.com/opusarte
- published: 27 Jan 2011
- views: 34786
Monteverdi - L' Incoronazione di Poppea 3
- Order: Reorder
- Duration: 4:19
- Updated: 23 May 2008
- views: 97893
Poppea and Nerone's final duet Act III: "Pur ti Miro". Poppea and Nerone sing of their love for one another, oblivious to the death and destruction they have me...
Poppea and Nerone's final duet Act III: "Pur ti Miro". Poppea and Nerone sing of their love for one another, oblivious to the death and destruction they have meted out to all around them in order to enjoy it.
NIkolaus Harnoncourt & Das Monteverdi Ensemble Zürich. Poppea: Rachel Yakar & Nerone: Eric Tappy.
https://wn.com/Monteverdi_L'_Incoronazione_Di_Poppea_3
Poppea and Nerone's final duet Act III: "Pur ti Miro". Poppea and Nerone sing of their love for one another, oblivious to the death and destruction they have meted out to all around them in order to enjoy it.
NIkolaus Harnoncourt & Das Monteverdi Ensemble Zürich. Poppea: Rachel Yakar & Nerone: Eric Tappy.
- published: 23 May 2008
- views: 97893
Janet Baker "Care selve" Atalanta
- Order: Reorder
- Duration: 3:03
- Updated: 10 Aug 2014
- views: 1595
Janet Baker sings "Care selve" from Atalanta
by Georg Friedrich Händel
English Chamber Orchestra
Raymond Leppard, conductor
XII. 1972
Janet Baker sings "Care selve" from Atalanta
by Georg Friedrich Händel
English Chamber Orchestra
Raymond Leppard, conductor
XII. 1972
https://wn.com/Janet_Baker_Care_Selve_Atalanta
Janet Baker sings "Care selve" from Atalanta
by Georg Friedrich Händel
English Chamber Orchestra
Raymond Leppard, conductor
XII. 1972
- published: 10 Aug 2014
- views: 1595
Handel - Dixit Dominus - Gardiner
- Order: Reorder
- Duration: 40:22
- Updated: 05 Feb 2015
- views: 165674
George Frideric Handel
Dixit Dominus, HWV 232
Monteverdi Choir
English Baroque Soloists
Sir John Eliot Gardiner
June 2014
George Frideric Handel
Dixit Dominus, HWV 232
Monteverdi Choir
English Baroque Soloists
Sir John Eliot Gardiner
June 2014
https://wn.com/Handel_Dixit_Dominus_Gardiner
George Frideric Handel
Dixit Dominus, HWV 232
Monteverdi Choir
English Baroque Soloists
Sir John Eliot Gardiner
June 2014
- published: 05 Feb 2015
- views: 165674
Georg Nigl - L'Orfeo - Monteverdi - Tu se' morta
- Order: Reorder
- Duration: 2:30
- Updated: 03 Sep 2012
- views: 84823
Watch the opera in full at http://www.medici.tv/#!/l-orfeo-monteverdi-rinaldo-alessandrini-robert-wilson-teatro-alla-scala
Subscribe to our channel for more vid...
Watch the opera in full at http://www.medici.tv/#!/l-orfeo-monteverdi-rinaldo-alessandrini-robert-wilson-teatro-alla-scala
Subscribe to our channel for more videos http://ow.ly/ugONZ
Claudio Monteverdi
L'Orfeo
Favola pastorale in un prologo e cinque atti. Libretto di Alessandro Striggio.
Aria: Tu se' morta (Act II)
Georg Nigl (Orfeo)
Rinaldo Alessandrini, director
Robert Wilson, stage director, lighting design
Teatro alla Scala, 2009
Also with Roberta Invernizzi (Euridice, La Musica) and Sara Mingardo (La Messaggera, La Speranza).
https://wn.com/Georg_Nigl_L'Orfeo_Monteverdi_Tu_Se'_Morta
Watch the opera in full at http://www.medici.tv/#!/l-orfeo-monteverdi-rinaldo-alessandrini-robert-wilson-teatro-alla-scala
Subscribe to our channel for more videos http://ow.ly/ugONZ
Claudio Monteverdi
L'Orfeo
Favola pastorale in un prologo e cinque atti. Libretto di Alessandro Striggio.
Aria: Tu se' morta (Act II)
Georg Nigl (Orfeo)
Rinaldo Alessandrini, director
Robert Wilson, stage director, lighting design
Teatro alla Scala, 2009
Also with Roberta Invernizzi (Euridice, La Musica) and Sara Mingardo (La Messaggera, La Speranza).
- published: 03 Sep 2012
- views: 84823
Frederica von Stade: Torna, torna (Il Ritorno d'Ulisse in Patria) Monteverdi
- Order: Reorder
- Duration: 13:03
- Updated: 26 Dec 2014
- views: 2064
Claudio Monteverdi (1567-1643)
Aria: "Torna, torna" (from Il ritorno d'Ulisse in patria)
Frederica von Stade, mezzo-soprano
with Janice Taylor, mezzo-soprano
...
Claudio Monteverdi (1567-1643)
Aria: "Torna, torna" (from Il ritorno d'Ulisse in patria)
Frederica von Stade, mezzo-soprano
with Janice Taylor, mezzo-soprano
National Arts Centre Orchestra
Conducted by Mario Bernardi
1978
_
https://wn.com/Frederica_Von_Stade_Torna,_Torna_(Il_Ritorno_D'Ulisse_In_Patria)_Monteverdi
Claudio Monteverdi (1567-1643)
Aria: "Torna, torna" (from Il ritorno d'Ulisse in patria)
Frederica von Stade, mezzo-soprano
with Janice Taylor, mezzo-soprano
National Arts Centre Orchestra
Conducted by Mario Bernardi
1978
_
- published: 26 Dec 2014
- views: 2064
Frederica von Stade & Benjamin Luxon sing Monteverdi - LIVE!
- Order: Reorder
- Duration: 7:41
- Updated: 18 Jun 2011
- views: 10360
Video footage from 1992 of these two great artists performing "Illustratevi, o Cieli" (or Reconciliation Duet) from Monteverdi's opera "Il Ritorno d'Ulisse in P...
Video footage from 1992 of these two great artists performing "Illustratevi, o Cieli" (or Reconciliation Duet) from Monteverdi's opera "Il Ritorno d'Ulisse in Patria".
Here is a link to my main Luxon playlist:
http://www.youtube.com/playlist?list=PL87CC7692620EA641&feature;=plcp
And here is a link to my Frederica von Stade playlist: http://www.youtube.com/playlist?list=PLCC842EF9858E2660&feature;=plcp
Ulysses gives Penelope a secret sign to prove his true identity: he alone knows that she has a silk coverlet on her bed, woven by her own hands, depicting Diana, and this memory has comforted him in his travels. At last she recognizes him, and a rapturous love-duet is called for: the flowers are blooming, the birds are singing, and the phoenix has risen from the ashes of Troy; no more torment and sorrow, only gladness and enjoyment, happiness and pleasure.
"Del piacer, del goder venuto è il dì!"
https://wn.com/Frederica_Von_Stade_Benjamin_Luxon_Sing_Monteverdi_Live
Video footage from 1992 of these two great artists performing "Illustratevi, o Cieli" (or Reconciliation Duet) from Monteverdi's opera "Il Ritorno d'Ulisse in Patria".
Here is a link to my main Luxon playlist:
http://www.youtube.com/playlist?list=PL87CC7692620EA641&feature;=plcp
And here is a link to my Frederica von Stade playlist: http://www.youtube.com/playlist?list=PLCC842EF9858E2660&feature;=plcp
Ulysses gives Penelope a secret sign to prove his true identity: he alone knows that she has a silk coverlet on her bed, woven by her own hands, depicting Diana, and this memory has comforted him in his travels. At last she recognizes him, and a rapturous love-duet is called for: the flowers are blooming, the birds are singing, and the phoenix has risen from the ashes of Troy; no more torment and sorrow, only gladness and enjoyment, happiness and pleasure.
"Del piacer, del goder venuto è il dì!"
- published: 18 Jun 2011
- views: 10360
Huttenlochner sings - Possente spirito - L'Orfeo, Monteverdi
- Order: Reorder
- Duration: 9:42
- Updated: 03 Nov 2008
- views: 87089
Orfeo is performed by Philippe Huttenlochner in this Monteverdi's L'Orfeo adaptation. Nikolaus Harnoncurt conducting a superb period-instruments ensemble. Stage...
Orfeo is performed by Philippe Huttenlochner in this Monteverdi's L'Orfeo adaptation. Nikolaus Harnoncurt conducting a superb period-instruments ensemble. Staged, directed and designed by Jean Pierre Ponnelle.
https://wn.com/Huttenlochner_Sings_Possente_Spirito_L'Orfeo,_Monteverdi
Orfeo is performed by Philippe Huttenlochner in this Monteverdi's L'Orfeo adaptation. Nikolaus Harnoncurt conducting a superb period-instruments ensemble. Staged, directed and designed by Jean Pierre Ponnelle.
- published: 03 Nov 2008
- views: 87089
Monteverdi Return of Ulysses excerpts (TVP)
- Order: Reorder
- Duration: 42:57
- Updated: 28 Oct 2014
- views: 940
Opera in 3 acts (1641)
The story, taken from the second half of Homer's Odyssey, tells how constancy and virtue are ultimately rewarded, treachery and deceptio...
Opera in 3 acts (1641)
The story, taken from the second half of Homer's Odyssey, tells how constancy and virtue are ultimately rewarded, treachery and deception overcome. After his long journey home from the Trojan Wars Ulysses, king of Ithaca, finally returns to his kingdom where he finds that a trio of villainous suitors have seized the realm and are importuning his faithful queen, Penelope. With the assistance of the gods, his son Telemaco and a staunch friend Eumete, Ulysses vanquishes the suitors and recovers his kingdom.
Act 1
Sinfonia
Torna il tranquillo al mare
Superbo é l'uom
Cara e lieta gioventu
Colli, campagne e boschi
Act II
Lieto cammino,dolce viaggio
Amor é un armonia
Generosa regina
Act III
Or si ti riconosco
Neptune: Eduard Wollitz
Minerva: Antonia Fahberg
Ulysses: Gerald English
Penelope: Maureen Lehane
Telemachus: William Whitesides
Antinous: Edourd Wollitz
Peisander: Reinhold Bartel
Amphinomus: Andre Peysang
Eumaeus: Helmut Kretschmer
Irus: Berhard Michaelis
Santini Chamber Orchestra
Rudolf Ewerhart
https://wn.com/Monteverdi_Return_Of_Ulysses_Excerpts_(Tvp)
Opera in 3 acts (1641)
The story, taken from the second half of Homer's Odyssey, tells how constancy and virtue are ultimately rewarded, treachery and deception overcome. After his long journey home from the Trojan Wars Ulysses, king of Ithaca, finally returns to his kingdom where he finds that a trio of villainous suitors have seized the realm and are importuning his faithful queen, Penelope. With the assistance of the gods, his son Telemaco and a staunch friend Eumete, Ulysses vanquishes the suitors and recovers his kingdom.
Act 1
Sinfonia
Torna il tranquillo al mare
Superbo é l'uom
Cara e lieta gioventu
Colli, campagne e boschi
Act II
Lieto cammino,dolce viaggio
Amor é un armonia
Generosa regina
Act III
Or si ti riconosco
Neptune: Eduard Wollitz
Minerva: Antonia Fahberg
Ulysses: Gerald English
Penelope: Maureen Lehane
Telemachus: William Whitesides
Antinous: Edourd Wollitz
Peisander: Reinhold Bartel
Amphinomus: Andre Peysang
Eumaeus: Helmut Kretschmer
Irus: Berhard Michaelis
Santini Chamber Orchestra
Rudolf Ewerhart
- published: 28 Oct 2014
- views: 940
Il ritorno d´Ulisse in patria. de Monteverdi. Buenos Aires Lírica: Temporada 2009
- Order: Reorder
- Duration: 2:56:06
- Updated: 17 Jan 2017
- views: 1083
Dirección musical: Juan Manuel Quintana
Puesta en escena: Alejandro Bonatto
Diseño de escenografía: Alejandro Bonatto y Jerónimo Basso
Diseño de vestuario: Sofí...
Dirección musical: Juan Manuel Quintana
Puesta en escena: Alejandro Bonatto
Diseño de escenografía: Alejandro Bonatto y Jerónimo Basso
Diseño de vestuario: Sofía Di Nunzio
Diseño de iluminación: Gonzalo Córdova
Con Gustavo Zahnstecher, María Cristina Kiehr, Víctor Torres, Evelyn Ramírez, Franco Fagioli, Oreste Chlopecki, Damián Ramírez, Pablo Pollitzer, Jaime Caicompai, Pilar Aguilera, Carlos Ullán, Osvaldo Peroni.
Coro Buenos Aires Lírica y Orquesta.
https://wn.com/Il_Ritorno_D´Ulisse_In_Patria._De_Monteverdi._Buenos_Aires_Lírica_Temporada_2009
Dirección musical: Juan Manuel Quintana
Puesta en escena: Alejandro Bonatto
Diseño de escenografía: Alejandro Bonatto y Jerónimo Basso
Diseño de vestuario: Sofía Di Nunzio
Diseño de iluminación: Gonzalo Córdova
Con Gustavo Zahnstecher, María Cristina Kiehr, Víctor Torres, Evelyn Ramírez, Franco Fagioli, Oreste Chlopecki, Damián Ramírez, Pablo Pollitzer, Jaime Caicompai, Pilar Aguilera, Carlos Ullán, Osvaldo Peroni.
Coro Buenos Aires Lírica y Orquesta.
- published: 17 Jan 2017
- views: 1083
Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)
- Order: Reorder
- Duration: 10:11
- Updated: 04 Nov 2016
- views: 1556
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker and the London Philharmonic Choir & Orchestra in a few moments from E...
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker and the London Philharmonic Choir & Orchestra in a few moments from Elgar's great oratorio. The other soloists were Peter Pears and John Shirley-Quirk. The performance was filmed in Canterbury Cathedral in 1968 and has been sumptuously restored by 'ICA Classics' (Catalogue No. ICAD 5140). This 2-DVD set also includes a 1989 TV documentary about Boult presented by Vernon Handley.
https://wn.com/Elgar_'The_Dream_Of_Gerontius'_Janet_Baker_Sir_Adrian_Boult_(Excerpts)
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker and the London Philharmonic Choir & Orchestra in a few moments from Elgar's great oratorio. The other soloists were Peter Pears and John Shirley-Quirk. The performance was filmed in Canterbury Cathedral in 1968 and has been sumptuously restored by 'ICA Classics' (Catalogue No. ICAD 5140). This 2-DVD set also includes a 1989 TV documentary about Boult presented by Vernon Handley.
- published: 04 Nov 2016
- views: 1556
Monteverdi - L'incoronazione di Poppea (acte 3) (ST it-eng-fr-de-esp)
- Order: Reorder
- Duration: 31:11
- Updated: 10 Aug 2013
- views: 25016
"Opera musicale" en 1 prologue et 3 actes de Claudio Monteverdi, créé en 1642 à Venise
Livret en italien : Gian Francesco Busenello, d'après les "Annales" de T...
"Opera musicale" en 1 prologue et 3 actes de Claudio Monteverdi, créé en 1642 à Venise
Livret en italien : Gian Francesco Busenello, d'après les "Annales" de Tacite
ST : italiano, english, deutsch, français, español
Arrangement et direction musicale : Nikolaus Harnoncourt
Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich
Mise en scène et réalisation (1979) : Jean-Pierre Ponnelle
La Fortune : Renate Lenhart (soprano)
La Vertu : Helrun Gardow (soprano)
L'Amour : Klaus Brettschneider (soprano)
Poppée, favorite de Néron : Rachel Yakar (soprano)
Octavie, femme de Néron : Trudeliese Schmidt (mezzo-soprano)
Néron, empereur : Eric Tappy (ténor)
Othon, chevalier : Paul Esswood (ténor)
Sénèque, philosophe : Matti Salminen (basse)
Drusilla, courtisane : Janet Perry (soprano)
Arnalta, nourrice de Poppée : Alexander Oliver (ténor aigu)
La nourrice d'Octavie : Maria Minetto (soprano)
Lucain, poète : Philippe Huttenlocher (ténor)
Un page d'Octavie : Peter Keller (ténor)
Une dame d'honneur d'Octavie : Suzanne Calabro (soprano)
Libertus, capitaine de la garde : Rudolf A. Hartmann
Soldats : Peter Straka - Fritz Peter
Amis de Sénèque : Francisco Araiza - Werner Gröschel - Peter Keller
https://wn.com/Monteverdi_L'Incoronazione_Di_Poppea_(Acte_3)_(St_It_Eng_Fr_De_Esp)
"Opera musicale" en 1 prologue et 3 actes de Claudio Monteverdi, créé en 1642 à Venise
Livret en italien : Gian Francesco Busenello, d'après les "Annales" de Tacite
ST : italiano, english, deutsch, français, español
Arrangement et direction musicale : Nikolaus Harnoncourt
Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich
Mise en scène et réalisation (1979) : Jean-Pierre Ponnelle
La Fortune : Renate Lenhart (soprano)
La Vertu : Helrun Gardow (soprano)
L'Amour : Klaus Brettschneider (soprano)
Poppée, favorite de Néron : Rachel Yakar (soprano)
Octavie, femme de Néron : Trudeliese Schmidt (mezzo-soprano)
Néron, empereur : Eric Tappy (ténor)
Othon, chevalier : Paul Esswood (ténor)
Sénèque, philosophe : Matti Salminen (basse)
Drusilla, courtisane : Janet Perry (soprano)
Arnalta, nourrice de Poppée : Alexander Oliver (ténor aigu)
La nourrice d'Octavie : Maria Minetto (soprano)
Lucain, poète : Philippe Huttenlocher (ténor)
Un page d'Octavie : Peter Keller (ténor)
Une dame d'honneur d'Octavie : Suzanne Calabro (soprano)
Libertus, capitaine de la garde : Rudolf A. Hartmann
Soldats : Peter Straka - Fritz Peter
Amis de Sénèque : Francisco Araiza - Werner Gröschel - Peter Keller
- published: 10 Aug 2013
- views: 25016
Dame Janet Baker: Caccini, 'Amarilli mia bella'
- Order: Reorder
- Duration: 3:38
- Updated: 17 Apr 2013
- views: 37024
Dame Janet Abbott Baker, CH, DBE, FRSA (born 21 August 1933) is an English mezzo-soprano best known as an opera, concert, and lieder singer. She was particularl...
Dame Janet Abbott Baker, CH, DBE, FRSA (born 21 August 1933) is an English mezzo-soprano best known as an opera, concert, and lieder singer. She was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten. During her career, which spanned the 1950s to the 1980s, she was considered an outstanding singing actress and widely admired for her dramatic intensity, perhaps best represented in her famous portrayal as Dido, the tragic heroine of Berlioz's magnum opus Les Troyens. As a concert performer, Dame Janet was noted for her interpretations of the music of Gustav Mahler and Edward Elgar. David Gutman, writing in the Gramophone, described her performance of Mahler's Kindertotenlieder as "intimate, almost self-communing. In 1956, she made her stage debut with the Oxford University Opera Club as Miss Róza in Smetana's The Secret. That year, she also made her debut at Glyndebourne. In 1959, she sang Eduige in the Handel Opera Society's Rodelinda; other Handel roles included Ariodante (1964), of which she later made an outstanding recording with Raymond Leppard, and Orlando (1966), which she sang at the Barber Institute, Birmingham. With the English Opera Group at Aldeburgh, Baker sang Purcell's Dido and Aeneas in 1962, Polly (in Benjamin Britten's version of The Beggar's Opera) and Lucretia (in Britten's The Rape of Lucretia). At Glyndebourne she appeared again as Dido (1966) and as Diana/Jupiter in Francesco Cavalli's La Calisto, and Penelope in Monteverdi's Il ritorno d'Ulisse in Patria. For Scottish Opera she sang Dorabella in Mozart's Così fan tutte, Dido in Berlioz's The Trojans as well as Dido in Purcell's Dido and Aeneas, Octavian in Richard Strauss's Der Rosenkavalier, the Composer in Ariadne auf Naxos and the role of Orfeo in Gluck's Orfeo ed Euridice. The latter was considered her signature role; she sang it in many productions and a videotaped performance from Glyndebourne is available. In 1966, Dame Janet made her debut as Hermia at the Royal Opera House, Covent Garden, and went on to sing Berlioz's Dido, Kate in Britten's Owen Wingrave, Mozart's Vitellia and Idamante, Cressida in William Walton's Troilus and Cressida and the title role in Gluck's Alceste (1981) there. For the English National Opera, she sang the title role in Monteverdi's L'incoronazione di Poppea (1971), Charlotte in Massenet's Werther, and the title roles in Donizetti's Maria Stuarda and Handel's Giulio Cesare. During this same period she made an equally strong impact on audiences in the concert hall, both in oratorio roles and solo recitals. Among her most notable achievements are her recordings of the Angel in Elgar's The Dream of Gerontius, made with Sir John Barbirolli in December 1964 and Sir Simon Rattle over twenty years later; her 1965 performances of Elgar's Sea Pictures and Mahler's Rückert-Lieder, also recorded with Barbirolli; and, also from 1965, the first commercial recording of Ralph Vaughan Williams's Christmas oratorio Hodie under Sir David Willcocks... http://en.wikipedia.org/wiki/Janet_Baker
Lyrics & English Translation
Amaryllis, my lovely one,
Do you not believe, o my heart's sweet desire,
That you are my love?
Believe it thus: and if fear assails you,
Doubt not its truth.
Open my breast and see written on my heart:
Amaryllis, Amaryllis, Amaryllis,
Is my beloved..
A link to this wonderful artists personal web site: http://www.allmusic.com/artist/janet-baker-mn0000765084
Please Enjoy!
I send my kind and warm regards,
https://wn.com/Dame_Janet_Baker_Caccini,_'Amarilli_Mia_Bella'
Dame Janet Abbott Baker, CH, DBE, FRSA (born 21 August 1933) is an English mezzo-soprano best known as an opera, concert, and lieder singer. She was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten. During her career, which spanned the 1950s to the 1980s, she was considered an outstanding singing actress and widely admired for her dramatic intensity, perhaps best represented in her famous portrayal as Dido, the tragic heroine of Berlioz's magnum opus Les Troyens. As a concert performer, Dame Janet was noted for her interpretations of the music of Gustav Mahler and Edward Elgar. David Gutman, writing in the Gramophone, described her performance of Mahler's Kindertotenlieder as "intimate, almost self-communing. In 1956, she made her stage debut with the Oxford University Opera Club as Miss Róza in Smetana's The Secret. That year, she also made her debut at Glyndebourne. In 1959, she sang Eduige in the Handel Opera Society's Rodelinda; other Handel roles included Ariodante (1964), of which she later made an outstanding recording with Raymond Leppard, and Orlando (1966), which she sang at the Barber Institute, Birmingham. With the English Opera Group at Aldeburgh, Baker sang Purcell's Dido and Aeneas in 1962, Polly (in Benjamin Britten's version of The Beggar's Opera) and Lucretia (in Britten's The Rape of Lucretia). At Glyndebourne she appeared again as Dido (1966) and as Diana/Jupiter in Francesco Cavalli's La Calisto, and Penelope in Monteverdi's Il ritorno d'Ulisse in Patria. For Scottish Opera she sang Dorabella in Mozart's Così fan tutte, Dido in Berlioz's The Trojans as well as Dido in Purcell's Dido and Aeneas, Octavian in Richard Strauss's Der Rosenkavalier, the Composer in Ariadne auf Naxos and the role of Orfeo in Gluck's Orfeo ed Euridice. The latter was considered her signature role; she sang it in many productions and a videotaped performance from Glyndebourne is available. In 1966, Dame Janet made her debut as Hermia at the Royal Opera House, Covent Garden, and went on to sing Berlioz's Dido, Kate in Britten's Owen Wingrave, Mozart's Vitellia and Idamante, Cressida in William Walton's Troilus and Cressida and the title role in Gluck's Alceste (1981) there. For the English National Opera, she sang the title role in Monteverdi's L'incoronazione di Poppea (1971), Charlotte in Massenet's Werther, and the title roles in Donizetti's Maria Stuarda and Handel's Giulio Cesare. During this same period she made an equally strong impact on audiences in the concert hall, both in oratorio roles and solo recitals. Among her most notable achievements are her recordings of the Angel in Elgar's The Dream of Gerontius, made with Sir John Barbirolli in December 1964 and Sir Simon Rattle over twenty years later; her 1965 performances of Elgar's Sea Pictures and Mahler's Rückert-Lieder, also recorded with Barbirolli; and, also from 1965, the first commercial recording of Ralph Vaughan Williams's Christmas oratorio Hodie under Sir David Willcocks... http://en.wikipedia.org/wiki/Janet_Baker
Lyrics & English Translation
Amaryllis, my lovely one,
Do you not believe, o my heart's sweet desire,
That you are my love?
Believe it thus: and if fear assails you,
Doubt not its truth.
Open my breast and see written on my heart:
Amaryllis, Amaryllis, Amaryllis,
Is my beloved..
A link to this wonderful artists personal web site: http://www.allmusic.com/artist/janet-baker-mn0000765084
Please Enjoy!
I send my kind and warm regards,
- published: 17 Apr 2013
- views: 37024
-
Janet Baker sings "Alto Rhapsody" - LIVE!
Here is a wonderful performance of the Brahms Rhapsody with Dame Janet Baker and the Danish Radio Symphony Orchestra under the baton of János Ferencsik from 1979. "Vater der Liebe, ein Tonseinem Ohre vernehmlich, so erquicke sein Herz!" Here is a link to her singing Britten's cantata "Phaedra" from the same concert: http://youtu.be/BHGE-6SUUwI
published: 17 Apr 2013 -
'Où suis-je?' / 'Alceste' * Gluck * JANET BAKER * LIVE!
From 'Alceste': Act 1, Scene 5. Recorded live at the Royal Opera House, 12 December 1981. SEE BELOW FOR LYRICS. (A big Thank You to agnesrobert for corrections to the French text! 2-14-11) This opera was 1 of 3 (the others being Donizetti's 'Mary Stuart' at English National Opera and Gluck's 'Orfeo ed Euridice' at Glyndebourne) that Dame Janet Baker performed as a farewell to the operatic stage (altho' concert recitals continued for a few more years). This is also the only recording that documents her singing this most demanding part--she sings almost throughout the entire evening, proof of her great stamina--and more than meets the dramatic exigencies of the role. In this scene, Alceste, Queen of Thessaly, ponders the fate of her gravely ill husband, King Admetus, whom the oracle a...
published: 17 Feb 2010 -
Dame Janet Baker - Strauss' Morgen
Dame Janet Baker sings Richard Strauss' beautiful lied 'Morgen'.
published: 22 Jul 2007 -
Janet Baker sings "Geist und Seele" - LIVE!
Bach's Cantata 35, "Geist und Seele wird verwirret", performed by Janet Baker and the English Chamber Orchestra, Benjamin Briiten, conducting. From Blythburgh Church, 12 June 1969. Part I 1. Sinfonia 2. Aria: Geist und Seele wird verwirret 3. Recitativo: Ich wundre mich 4. Aria: Gott hat alles wohlgemacht Part 2 5. Sinfonia 6. Recitativo: Ach, starker Gott 7. Aria: Ich wünsche nur bei Gott zu leben Here is a link to a live performance of Britten's "Abraham and Isaac" with Janet Baker and Peter Pears: http://www.youtube.com/watch?v=RkIcsT_fjAI
published: 27 Nov 2012 -
Mary Stuart curses Elizabeth - Janet Baker - LIVE (1973)
Please click for more information and analysis. For non commercial educational purposes. Please message me if there is a problem with this video. December 13th, 1973 Live ENO Maria Stuarda Mary Stuart: Janet Baker Elizabeth: Pauline Tinsley Conductor: Charles Mackerras In the early 1970s several major sopranos essayed this role, but Mary Stuart has never been more present as a character than here, which Baker sings in the "Malibran" version. Baker is on astonishing form vocally, and her pointing of the text has so much authority that you almost feel it's been written in English, especially when the legato is so brilliantly maintained. I have posted other excerpts on this channel. Here Baker turns what is not Donizetti's most interesting vocal line into a truly thrilling moment of vocal...
published: 30 Mar 2017 -
Interview with Dame Janet Baker
Dame Janet Baker in conversation with Norbert Meyn In this interview Janet Baker talks about her work with Austrian singing teacher Helene Isepp, the conductor Peter Gellhorn and the pianist Paul Hamburger as well as other émigré musicians. She also discusses the overall importance of émigré musicians from Germany and Austria on music in Britain. This interview is presented as part of the ORAL HISTORY PROJECT "Singing a Song in a Foreign Land", which focuses on musicians who emigrated from Central Europe because of Nazi persecution in the 1930s and 40s. Visit the SINGING A SONG IN A FOREIGN LAND - ONLINE RESOURCE for more interviews and further information: http://www.rcm.ac.uk/singingasong This project has been generously supported by the Heritage Lottery Fund and the Rothschild Foun...
published: 01 May 2015 -
Janet Baker sings "Phaedra" - LIVE!
Here is a wonderful performance of the Britten Cantata which was written for Dame Janet Baker. She is accompanied by the Danish Radio Symphony Orchestra under the baton of János Ferencsik from 1979. Here is a link to Brahms' "Alto Rhapsody" from the same concert: http://www.youtube.com/watch?v=zXEHmtyN7Do
published: 17 Apr 2013 -
Dame Janet Baker - She Moved Through the Fair
published: 30 Jul 2016 -
Janet Baker and Joyce DiDonato's tips for singers (The Royal Opera)
Janet Baker and Joyce DiDonato discuss what makes a great singer, and offer their advice on how to approach an opera performance. Find out more at http://www.roh.org.uk Janet Baker was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten. During her career, which spanned the 1950s to the 1980s, she was considered an outstanding singing actress and widely admired for her dramatic intensity, perhaps best represented in her famous portrayal as Dido, the tragic heroine of Berlioz's magnum opus, Les Troyens.
published: 06 Jul 2016 -
Janet Baker as Mary Stuart faces her Demons (1973) LIVE "Delle miei colpe Io squallido"
Please click for more information and analysis. For non commercial educational purposes. Please message me if there is a problem with this video. "Delle miei colpe Io squallido" (0:00) "Nightmares and Visions..." (3:11) "Once all the radiant joys of youth" December 13th, 1973 Live ENO Maria Stuarda Mary Stuart: Janet Baker Talbot: Don Garrard Conductor: Charles Mackerras In the early 1970s several major sopranos essayed this role, but Mary Stuart has never been more present as a character than here, which Baker sings in the "Malibran" version. Baker is on astonishing form vocally, and her pointing of the text has so much authority that you almost feel it's been written in English, especially when the legato is so brilliantly maintained. The terrifying opening has Baker in tremendo...
published: 30 Mar 2017 -
-
Janet Baker Maria Stuarda Finale Live
Janet Baker in a stunning performance of the opera's finale. Conductor: Charles Mackerras. The performance is a live recording from the ENO dating December 13, 1973.
published: 24 Aug 2008 -
Janet Baker - Dido & Aeneas - When I am laid in earth
Dame Janet Baker sings one of the most beautiful arias of all opera, from Purcell's Dido and Aeneas. Glyndebourne, 1966. Conductor: Charles Mackerras.
published: 18 Apr 2007 -
Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker and the London Philharmonic Choir & Orchestra in a few moments from Elgar's great oratorio. The other soloists were Peter Pears and John Shirley-Quirk. The performance was filmed in Canterbury Cathedral in 1968 and has been sumptuously restored by 'ICA Classics' (Catalogue No. ICAD 5140). This 2-DVD set also includes a 1989 TV documentary about Boult presented by Vernon Handley.
published: 04 Nov 2016 -
Janet Baker sings the Finale of Maria Stuarda LIVE (1973) "Ah! Se un giorno"
Please click for more information and analysis. For non commercial educational purposes. Please message me if there is a problem with this video. December 13th, 1973 Live ENO Mary Stuart: Janet Baker Liecester: Keith Erwen Talbot: Don Garrard Cecil: Christian Du Plessis Hannah: Audrey Gunn Conductor: Charles Mackerras In the early 1970s several major sopranos essayed this role, but Mary Stuart has never been more present as a character than here, which Baker sings in Donizetti's version of the role that he wrote for Malibran. Baker is on astonishing form vocally, and her pointing of the text has so much authority that you almost feel it's been written in English, especially when the legato is so brilliantly maintained. The final aria-cabaletta "Ah! Se un giorno" (7:15) is awe inspiring...
published: 30 Mar 2017 -
Dame Janet Baker: Lied von der Erde - Mahler/Kubelik (Live Munich 1970)
This the final part of "Der Abschied" (Departure). Thanks again to Joe in Berlin, who sent the whole recording to me in 2007. He feels that it is one of the greatest live performances ever by orchestra, conductor and singer. An extraordinary number made it a favorite over the 3 year period that it was live. I do hope that they find it again.
published: 31 Jul 2011 -
Dame JANET BAKER ~ " Dopo notte, atra e funesta"~ from "Ariodante"~ Leppard
The magnificent voice of mezzo-soprano Janet Baker as she sings from Handel's opera "Ariodante" No one does this better than JANET BAKER~~!!!!!! non ORIGINAL PITCH VERSION
published: 16 Sep 2011 -
'Werther' Letter Scene / Massenet * JANET BAKER * LIVE! [in English]
Dame Janet Baker sings Charlotte in 'Werther', produced in English at the ENO, 1977. This is taken from a live performance. Another wonderfully sung and acted role by the great Dame Janet. (I've omitted any libretto text here just because the singer's diction is clear and intelligible.) This is the famous 'Letter Scene' from Jules Massenet's tragic opera whose libretto (by Edouard Balu, Paul Milliet and Henri Grémont Hartmann) is based on a novel, 'The Sorrows of Young Werther,' (1774) by Johann Wolfgang von Goethe. The English translation is by Norman Tucker. Massenet's music is sensitively played by the Orchestra of the English National Opera, conducted by Sir Charles Mackerras. ========== CD set can be purchased at the following sites (among others): http://www.am...
published: 15 Mar 2010 -
Peter Pears & Janet Baker: "Abraham and Isaac" - LIVE!
From 1977, here is a live Aldeburgh performance of Benjamin Britten's Canticle II, "Abraham and Isaac" performed by Peter Pears and Janet Baker, with Graham Johnson, piano. Link to my Peter Pears playlist: http://www.youtube.com/playlist?list=PL56BC9315D6954644&feature;=plcp And here is a link to a live performance with Janet Baker performing Bach's Cantata 35 with Britten conducting: http://youtu.be/1EiRoifxknk
published: 19 Aug 2012 -
Dame JANET BAKER - " Plaisir d' Amour"/ "Che faro senza Eurodice" re-edited HQ
Hear Janet Baker sing from "Orfeo et Eurodice" live performance at: https://www.youtube.com/watch?v=jB-vei2aVAg RE- EDITED audio and video Janet Baker seen here in 2 wonderful live performances. Plaisir d' Amour has stood out from her early Decca recordings as a signature aria for her. Also, she sings her famous aria from Gluck's "Orfeo et Eurodice"; Che faro senza Eurodice"?. Janet Baker was an extraordinary mezzo-soprano from the last century, having retired in the late 1980's. She resides in England.
published: 16 Sep 2014
Janet Baker sings "Alto Rhapsody" - LIVE!
- Order: Reorder
- Duration: 13:32
- Updated: 17 Apr 2013
- views: 16857
Here is a wonderful performance of the Brahms Rhapsody with Dame Janet Baker and the Danish Radio Symphony Orchestra under the baton of János Ferencsik from 197...
Here is a wonderful performance of the Brahms Rhapsody with Dame Janet Baker and the Danish Radio Symphony Orchestra under the baton of János Ferencsik from 1979.
"Vater der Liebe, ein Tonseinem Ohre vernehmlich, so erquicke sein Herz!"
Here is a link to her singing Britten's cantata "Phaedra" from the same concert:
http://youtu.be/BHGE-6SUUwI
https://wn.com/Janet_Baker_Sings_Alto_Rhapsody_Live
Here is a wonderful performance of the Brahms Rhapsody with Dame Janet Baker and the Danish Radio Symphony Orchestra under the baton of János Ferencsik from 1979.
"Vater der Liebe, ein Tonseinem Ohre vernehmlich, so erquicke sein Herz!"
Here is a link to her singing Britten's cantata "Phaedra" from the same concert:
http://youtu.be/BHGE-6SUUwI
- published: 17 Apr 2013
- views: 16857
'Où suis-je?' / 'Alceste' * Gluck * JANET BAKER * LIVE!
- Order: Reorder
- Duration: 7:22
- Updated: 17 Feb 2010
- views: 9576
From 'Alceste': Act 1, Scene 5. Recorded live at the Royal Opera House, 12 December 1981. SEE BELOW FOR LYRICS. (A big Thank You to agnesrobert for correctio...
From 'Alceste': Act 1, Scene 5. Recorded live at the Royal Opera House, 12 December 1981. SEE BELOW FOR LYRICS. (A big Thank You to agnesrobert for corrections to the French text! 2-14-11)
This opera was 1 of 3 (the others being Donizetti's 'Mary Stuart' at English National Opera and Gluck's 'Orfeo ed Euridice' at Glyndebourne) that Dame Janet Baker performed as a farewell to the operatic stage (altho' concert recitals continued for a few more years).
This is also the only recording that documents her singing this most demanding part--she sings almost throughout the entire evening, proof of her great stamina--and more than meets the dramatic exigencies of the role.
In this scene, Alceste, Queen of Thessaly, ponders the fate of her gravely ill husband, King Admetus, whom the oracle at the temple of Apollo has said will die -- unless someone else sacrifices his or her own life for the King's. She agonises on whether she will give her life for that of her husband. (Part 1 of 2 in this final segment of Act 1.)
Alceste . . . Dame Janet Baker
Music by Christoph Willibald von Gluck
Libretto by Ranieri de' Calzabigi
The Royal Opera House Chorus
The Orchestra of the Royal Opera House
Charles Mackerras, conductor
Royal Opera House Heritage Series
(Technically, this off-the-air recording could be better; there is audible audience coughing ['twas wintertime-flu season?].The sound seems to float randomly from one channel to the other. Some of Dame Janet's top notes sound a tad shrill, despite her secure technique--she doesn't sound this way in 'Mary Stuart' or 'Orfeo ed Euridice'.)
==========
"Scène cinquième
Alceste seule:
(Recitatif)
Où suis-je? Ah! Malheureuse Alceste !
Voilà donc le secours que j'attendais de vous,
Dieux puissants ! Cher époux, tu vas perdre la vie,
Sans espoir elle t'est ravie,
Si quelqu'autre pour toi ne se livre à la mort.
Il n'est plus pour moi d'espérance ;
Tout fuit, tout m'abandonne à mon funeste sort:
De l'amitié, de la reconnaissance,
J'espérais en vain un si pénible effort:
(avec résolution)
Ah ! l'amour seul en est capable:
Cher époux ! tu vivras, tu me devras le jour,
Ce jour dont te privais la Parque impitoyable,
Te sera rendu par l'amour.
(Air)
Non, ce n'est pas un sacrifice,
Eh ! Pourrais-je vivre sans toi?
Sans toi, cher Admète ! Ah ! Pour moi la vie est un affreux supplice:
Effort cruel ! ô désespoir !
Il faut donc renoncer, cher objet de ma flamme,
Renoncer pour jamais à régner dans ton âme,
Au plaisir de t'aimer; au bonheur de te voir.
Non, ce n'est point un sacrifice.
Eh ! Pourrais-je vivre sans toi ?
Ô mes enfants ! ô regrets superflus !
Objets si chers, ô tendresse extrême,
Images d'un époux que j'adore, qui m'aime,
Ô mes fils, mes chers fils, je ne vous verrai plus !
Non, ce n'est point un sacrifice, etc. . . .
(Récitatif)
Arbitres du sort des humains,
Terribles Déités, qui tenez dans vos mains nos fragiles destinées,
J'invoque vos serments, ne les trahissez pas !
Tranchez le fil de mes années ;
Pour mon époux; je me livre au trépas."
---------
ENGLISH
Scene 5
Alcestis alone.
(Recitative)
Alcestis
Where am I? Oh, unhappy Alcestis!
So that is the help that I hoped for from you, mighty gods! Dear husband, you will lose your life,
It will be snatched from you without further hope
Unless another dies in your place.
There is no further hope for me;
They have all left me, abandoned me to my dreadful fate.
In vain could I expect so terrible a sacrifice from friendship, from gratitude.
(resolutely)
Ah, love alone is capable.
Dear husband, you shall live, you shall owe your life to me,
The life that merciless fate was taking from you
Shall be restored to you by love.
(Air)
No, this is hardly a sacrifice.
Ah, how could I live without you?
Without you, dear Admetus? Ah, living is for me a terrible torment.
Cruel act! O despair!
I must then abandon, dear object of my love,
Abandon for ever my place in your heart,
The pleasure of loving you, the joy of seeing you.
No, this is hardly a sacrifice.
Ah, how could I live without you?
O my children! O vain regrets!
Beloved objects of my vast tenderness,
Images of the husband I love and who loves me
O my sons, my dear sons, I shall see you no more!
No, this is hardly a sacrifice, etc. . . .
(Recitative)
You arbiters of human fate,
Terrible deities who hold in your hands out frail destinies,
I invoke your oaths, do not betray them!
Cut short the thread of my life,
For my husbands sake I give myself to death.
---------
(From the booklet in the CD box.)
=========
CD set can be purchased at the following sites:
http://www.amazon.com/Christoph-Willibald-Gluck-Alceste/dp/B0013ND3AW/ref=sr_1_11?ie=UTF8&s;=music&qid;=1266373728&sr;=8-11
http://www.amazon.co.uk/Gluck-Covent-Garden-Royal-Orchestra/dp/B0013ND3AW/ref=tag_tdp_sv_edpp_i
http://www.roh.org.uk/merchandise/display.aspx?id=556&showcase;=174&category;=417
https://wn.com/'Où_Suis_Je_'_'Alceste'_Gluck_Janet_Baker_Live
From 'Alceste': Act 1, Scene 5. Recorded live at the Royal Opera House, 12 December 1981. SEE BELOW FOR LYRICS. (A big Thank You to agnesrobert for corrections to the French text! 2-14-11)
This opera was 1 of 3 (the others being Donizetti's 'Mary Stuart' at English National Opera and Gluck's 'Orfeo ed Euridice' at Glyndebourne) that Dame Janet Baker performed as a farewell to the operatic stage (altho' concert recitals continued for a few more years).
This is also the only recording that documents her singing this most demanding part--she sings almost throughout the entire evening, proof of her great stamina--and more than meets the dramatic exigencies of the role.
In this scene, Alceste, Queen of Thessaly, ponders the fate of her gravely ill husband, King Admetus, whom the oracle at the temple of Apollo has said will die -- unless someone else sacrifices his or her own life for the King's. She agonises on whether she will give her life for that of her husband. (Part 1 of 2 in this final segment of Act 1.)
Alceste . . . Dame Janet Baker
Music by Christoph Willibald von Gluck
Libretto by Ranieri de' Calzabigi
The Royal Opera House Chorus
The Orchestra of the Royal Opera House
Charles Mackerras, conductor
Royal Opera House Heritage Series
(Technically, this off-the-air recording could be better; there is audible audience coughing ['twas wintertime-flu season?].The sound seems to float randomly from one channel to the other. Some of Dame Janet's top notes sound a tad shrill, despite her secure technique--she doesn't sound this way in 'Mary Stuart' or 'Orfeo ed Euridice'.)
==========
"Scène cinquième
Alceste seule:
(Recitatif)
Où suis-je? Ah! Malheureuse Alceste !
Voilà donc le secours que j'attendais de vous,
Dieux puissants ! Cher époux, tu vas perdre la vie,
Sans espoir elle t'est ravie,
Si quelqu'autre pour toi ne se livre à la mort.
Il n'est plus pour moi d'espérance ;
Tout fuit, tout m'abandonne à mon funeste sort:
De l'amitié, de la reconnaissance,
J'espérais en vain un si pénible effort:
(avec résolution)
Ah ! l'amour seul en est capable:
Cher époux ! tu vivras, tu me devras le jour,
Ce jour dont te privais la Parque impitoyable,
Te sera rendu par l'amour.
(Air)
Non, ce n'est pas un sacrifice,
Eh ! Pourrais-je vivre sans toi?
Sans toi, cher Admète ! Ah ! Pour moi la vie est un affreux supplice:
Effort cruel ! ô désespoir !
Il faut donc renoncer, cher objet de ma flamme,
Renoncer pour jamais à régner dans ton âme,
Au plaisir de t'aimer; au bonheur de te voir.
Non, ce n'est point un sacrifice.
Eh ! Pourrais-je vivre sans toi ?
Ô mes enfants ! ô regrets superflus !
Objets si chers, ô tendresse extrême,
Images d'un époux que j'adore, qui m'aime,
Ô mes fils, mes chers fils, je ne vous verrai plus !
Non, ce n'est point un sacrifice, etc. . . .
(Récitatif)
Arbitres du sort des humains,
Terribles Déités, qui tenez dans vos mains nos fragiles destinées,
J'invoque vos serments, ne les trahissez pas !
Tranchez le fil de mes années ;
Pour mon époux; je me livre au trépas."
---------
ENGLISH
Scene 5
Alcestis alone.
(Recitative)
Alcestis
Where am I? Oh, unhappy Alcestis!
So that is the help that I hoped for from you, mighty gods! Dear husband, you will lose your life,
It will be snatched from you without further hope
Unless another dies in your place.
There is no further hope for me;
They have all left me, abandoned me to my dreadful fate.
In vain could I expect so terrible a sacrifice from friendship, from gratitude.
(resolutely)
Ah, love alone is capable.
Dear husband, you shall live, you shall owe your life to me,
The life that merciless fate was taking from you
Shall be restored to you by love.
(Air)
No, this is hardly a sacrifice.
Ah, how could I live without you?
Without you, dear Admetus? Ah, living is for me a terrible torment.
Cruel act! O despair!
I must then abandon, dear object of my love,
Abandon for ever my place in your heart,
The pleasure of loving you, the joy of seeing you.
No, this is hardly a sacrifice.
Ah, how could I live without you?
O my children! O vain regrets!
Beloved objects of my vast tenderness,
Images of the husband I love and who loves me
O my sons, my dear sons, I shall see you no more!
No, this is hardly a sacrifice, etc. . . .
(Recitative)
You arbiters of human fate,
Terrible deities who hold in your hands out frail destinies,
I invoke your oaths, do not betray them!
Cut short the thread of my life,
For my husbands sake I give myself to death.
---------
(From the booklet in the CD box.)
=========
CD set can be purchased at the following sites:
http://www.amazon.com/Christoph-Willibald-Gluck-Alceste/dp/B0013ND3AW/ref=sr_1_11?ie=UTF8&s;=music&qid;=1266373728&sr;=8-11
http://www.amazon.co.uk/Gluck-Covent-Garden-Royal-Orchestra/dp/B0013ND3AW/ref=tag_tdp_sv_edpp_i
http://www.roh.org.uk/merchandise/display.aspx?id=556&showcase;=174&category;=417
- published: 17 Feb 2010
- views: 9576
Dame Janet Baker - Strauss' Morgen
- Order: Reorder
- Duration: 4:11
- Updated: 22 Jul 2007
- views: 118201
Dame Janet Baker sings Richard Strauss' beautiful lied 'Morgen'.
- published: 22 Jul 2007
- views: 118201
Janet Baker sings "Geist und Seele" - LIVE!
- Order: Reorder
- Duration: 31:40
- Updated: 27 Nov 2012
- views: 5238
Bach's Cantata 35, "Geist und Seele wird verwirret", performed by Janet Baker and the English Chamber Orchestra, Benjamin Briiten, conducting. From Blythburgh ...
Bach's Cantata 35, "Geist und Seele wird verwirret", performed by Janet Baker and the English Chamber Orchestra, Benjamin Briiten, conducting. From Blythburgh Church, 12 June 1969.
Part I
1. Sinfonia
2. Aria: Geist und Seele wird verwirret
3. Recitativo: Ich wundre mich
4. Aria: Gott hat alles wohlgemacht
Part 2
5. Sinfonia
6. Recitativo: Ach, starker Gott
7. Aria: Ich wünsche nur bei Gott zu leben
Here is a link to a live performance of Britten's "Abraham and Isaac" with Janet Baker and Peter Pears:
http://www.youtube.com/watch?v=RkIcsT_fjAI
https://wn.com/Janet_Baker_Sings_Geist_Und_Seele_Live
Bach's Cantata 35, "Geist und Seele wird verwirret", performed by Janet Baker and the English Chamber Orchestra, Benjamin Briiten, conducting. From Blythburgh Church, 12 June 1969.
Part I
1. Sinfonia
2. Aria: Geist und Seele wird verwirret
3. Recitativo: Ich wundre mich
4. Aria: Gott hat alles wohlgemacht
Part 2
5. Sinfonia
6. Recitativo: Ach, starker Gott
7. Aria: Ich wünsche nur bei Gott zu leben
Here is a link to a live performance of Britten's "Abraham and Isaac" with Janet Baker and Peter Pears:
http://www.youtube.com/watch?v=RkIcsT_fjAI
- published: 27 Nov 2012
- views: 5238
Mary Stuart curses Elizabeth - Janet Baker - LIVE (1973)
- Order: Reorder
- Duration: 2:00
- Updated: 30 Mar 2017
- views: 57
Please click for more information and analysis. For non commercial educational purposes. Please message me if there is a problem with this video.
December 13th...
Please click for more information and analysis. For non commercial educational purposes. Please message me if there is a problem with this video.
December 13th, 1973 Live ENO Maria Stuarda
Mary Stuart: Janet Baker
Elizabeth: Pauline Tinsley
Conductor: Charles Mackerras
In the early 1970s several major sopranos essayed this role, but Mary Stuart has never been more present as a character than here, which Baker sings in the "Malibran" version. Baker is on astonishing form vocally, and her pointing of the text has so much authority that you almost feel it's been written in English, especially when the legato is so brilliantly maintained. I have posted other excerpts on this channel.
Here Baker turns what is not Donizetti's most interesting vocal line into a truly thrilling moment of vocalism. The way she colours the word "crown" is incredible, and her intensity is spine tingling. (I know the photo I used is the wrong period but there weren't that many photos of Baker looking angry on stage!)
This live 1973 recording comes from Baker's prime and is even more thrilling than either the famous Chandos live CD (also with Mackerras) or the filmed version she chose to sing in the final year of her operatic career. Baker was never considered a bel canto specialist, which makes her mastery here all the more impressive.
https://wn.com/Mary_Stuart_Curses_Elizabeth_Janet_Baker_Live_(1973)
Please click for more information and analysis. For non commercial educational purposes. Please message me if there is a problem with this video.
December 13th, 1973 Live ENO Maria Stuarda
Mary Stuart: Janet Baker
Elizabeth: Pauline Tinsley
Conductor: Charles Mackerras
In the early 1970s several major sopranos essayed this role, but Mary Stuart has never been more present as a character than here, which Baker sings in the "Malibran" version. Baker is on astonishing form vocally, and her pointing of the text has so much authority that you almost feel it's been written in English, especially when the legato is so brilliantly maintained. I have posted other excerpts on this channel.
Here Baker turns what is not Donizetti's most interesting vocal line into a truly thrilling moment of vocalism. The way she colours the word "crown" is incredible, and her intensity is spine tingling. (I know the photo I used is the wrong period but there weren't that many photos of Baker looking angry on stage!)
This live 1973 recording comes from Baker's prime and is even more thrilling than either the famous Chandos live CD (also with Mackerras) or the filmed version she chose to sing in the final year of her operatic career. Baker was never considered a bel canto specialist, which makes her mastery here all the more impressive.
- published: 30 Mar 2017
- views: 57
Interview with Dame Janet Baker
- Order: Reorder
- Duration: 1:09:26
- Updated: 01 May 2015
- views: 33738
Dame Janet Baker in conversation with Norbert Meyn
In this interview Janet Baker talks about her work with Austrian singing teacher Helene Isepp, the conductor...
Dame Janet Baker in conversation with Norbert Meyn
In this interview Janet Baker talks about her work with Austrian singing teacher Helene Isepp, the conductor Peter Gellhorn and the pianist Paul Hamburger as well as other émigré musicians. She also discusses the overall importance of émigré musicians from Germany and Austria on music in Britain.
This interview is presented as part of the ORAL HISTORY PROJECT "Singing a Song in a Foreign Land", which focuses on musicians who emigrated from Central Europe because of Nazi persecution in the 1930s and 40s.
Visit the SINGING A SONG IN A FOREIGN LAND - ONLINE RESOURCE for more interviews and further information:
http://www.rcm.ac.uk/singingasong
This project has been generously supported by the Heritage Lottery Fund and the Rothschild Foundation
https://wn.com/Interview_With_Dame_Janet_Baker
Dame Janet Baker in conversation with Norbert Meyn
In this interview Janet Baker talks about her work with Austrian singing teacher Helene Isepp, the conductor Peter Gellhorn and the pianist Paul Hamburger as well as other émigré musicians. She also discusses the overall importance of émigré musicians from Germany and Austria on music in Britain.
This interview is presented as part of the ORAL HISTORY PROJECT "Singing a Song in a Foreign Land", which focuses on musicians who emigrated from Central Europe because of Nazi persecution in the 1930s and 40s.
Visit the SINGING A SONG IN A FOREIGN LAND - ONLINE RESOURCE for more interviews and further information:
http://www.rcm.ac.uk/singingasong
This project has been generously supported by the Heritage Lottery Fund and the Rothschild Foundation
- published: 01 May 2015
- views: 33738
Janet Baker sings "Phaedra" - LIVE!
- Order: Reorder
- Duration: 16:20
- Updated: 17 Apr 2013
- views: 2222
Here is a wonderful performance of the Britten Cantata which was written for Dame Janet Baker. She is accompanied by the Danish Radio Symphony Orchestra under ...
Here is a wonderful performance of the Britten Cantata which was written for Dame Janet Baker. She is accompanied by the Danish Radio Symphony Orchestra under the baton of János Ferencsik from 1979.
Here is a link to Brahms' "Alto Rhapsody" from the same concert:
http://www.youtube.com/watch?v=zXEHmtyN7Do
https://wn.com/Janet_Baker_Sings_Phaedra_Live
Here is a wonderful performance of the Britten Cantata which was written for Dame Janet Baker. She is accompanied by the Danish Radio Symphony Orchestra under the baton of János Ferencsik from 1979.
Here is a link to Brahms' "Alto Rhapsody" from the same concert:
http://www.youtube.com/watch?v=zXEHmtyN7Do
- published: 17 Apr 2013
- views: 2222
Dame Janet Baker - She Moved Through the Fair
- Order: Reorder
- Duration: 3:38
- Updated: 30 Jul 2016
- views: 653
- published: 30 Jul 2016
- views: 653
Janet Baker and Joyce DiDonato's tips for singers (The Royal Opera)
- Order: Reorder
- Duration: 3:53
- Updated: 06 Jul 2016
- views: 4754
Janet Baker and Joyce DiDonato discuss what makes a great singer, and offer their advice on how to approach an opera performance. Find out more at http://www.ro...
Janet Baker and Joyce DiDonato discuss what makes a great singer, and offer their advice on how to approach an opera performance. Find out more at http://www.roh.org.uk
Janet Baker was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten. During her career, which spanned the 1950s to the 1980s, she was considered an outstanding singing actress and widely admired for her dramatic intensity, perhaps best represented in her famous portrayal as Dido, the tragic heroine of Berlioz's magnum opus, Les Troyens.
https://wn.com/Janet_Baker_And_Joyce_Didonato's_Tips_For_Singers_(The_Royal_Opera)
Janet Baker and Joyce DiDonato discuss what makes a great singer, and offer their advice on how to approach an opera performance. Find out more at http://www.roh.org.uk
Janet Baker was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten. During her career, which spanned the 1950s to the 1980s, she was considered an outstanding singing actress and widely admired for her dramatic intensity, perhaps best represented in her famous portrayal as Dido, the tragic heroine of Berlioz's magnum opus, Les Troyens.
- published: 06 Jul 2016
- views: 4754
Janet Baker as Mary Stuart faces her Demons (1973) LIVE "Delle miei colpe Io squallido"
- Order: Reorder
- Duration: 7:38
- Updated: 30 Mar 2017
- views: 59
Please click for more information and analysis. For non commercial educational purposes. Please message me if there is a problem with this video.
"Delle miei c...
Please click for more information and analysis. For non commercial educational purposes. Please message me if there is a problem with this video.
"Delle miei colpe Io squallido"
(0:00) "Nightmares and Visions..."
(3:11) "Once all the radiant joys of youth"
December 13th, 1973 Live ENO Maria Stuarda
Mary Stuart: Janet Baker
Talbot: Don Garrard
Conductor: Charles Mackerras
In the early 1970s several major sopranos essayed this role, but Mary Stuart has never been more present as a character than here, which Baker sings in the "Malibran" version. Baker is on astonishing form vocally, and her pointing of the text has so much authority that you almost feel it's been written in English, especially when the legato is so brilliantly maintained.
The terrifying opening has Baker in tremendous dramatic form, followed by the heartbreaking aria where in which she looks back over her life. The sheer number of vocal colours she manages to create is extraordinary.
This live 1973 recording comes from Baker's prime and is even more thrilling than either the famous Chandos live CD (also with Mackerras) or the filmed version she chose to sing in the final year of her operatic career. Baker was never considered a bel canto specialist, which makes her mastery here all the more impressive.
https://wn.com/Janet_Baker_As_Mary_Stuart_Faces_Her_Demons_(1973)_Live_Delle_Miei_Colpe_Io_Squallido
Please click for more information and analysis. For non commercial educational purposes. Please message me if there is a problem with this video.
"Delle miei colpe Io squallido"
(0:00) "Nightmares and Visions..."
(3:11) "Once all the radiant joys of youth"
December 13th, 1973 Live ENO Maria Stuarda
Mary Stuart: Janet Baker
Talbot: Don Garrard
Conductor: Charles Mackerras
In the early 1970s several major sopranos essayed this role, but Mary Stuart has never been more present as a character than here, which Baker sings in the "Malibran" version. Baker is on astonishing form vocally, and her pointing of the text has so much authority that you almost feel it's been written in English, especially when the legato is so brilliantly maintained.
The terrifying opening has Baker in tremendous dramatic form, followed by the heartbreaking aria where in which she looks back over her life. The sheer number of vocal colours she manages to create is extraordinary.
This live 1973 recording comes from Baker's prime and is even more thrilling than either the famous Chandos live CD (also with Mackerras) or the filmed version she chose to sing in the final year of her operatic career. Baker was never considered a bel canto specialist, which makes her mastery here all the more impressive.
- published: 30 Mar 2017
- views: 59
Dame Janet Baker; "Nacht und Träume"; Franz Schubert
- Order: Reorder
- Duration: 4:37
- Updated: 21 Sep 2016
- views: 483
Janet Baker Maria Stuarda Finale Live
- Order: Reorder
- Duration: 5:16
- Updated: 24 Aug 2008
- views: 4538
Janet Baker in a stunning performance of the opera's finale.
Conductor: Charles Mackerras.
The performance is a live recording from the ENO dating December 13...
Janet Baker in a stunning performance of the opera's finale.
Conductor: Charles Mackerras.
The performance is a live recording from the ENO dating December 13, 1973.
https://wn.com/Janet_Baker_Maria_Stuarda_Finale_Live
Janet Baker in a stunning performance of the opera's finale.
Conductor: Charles Mackerras.
The performance is a live recording from the ENO dating December 13, 1973.
- published: 24 Aug 2008
- views: 4538
Janet Baker - Dido & Aeneas - When I am laid in earth
- Order: Reorder
- Duration: 5:19
- Updated: 18 Apr 2007
- views: 705933
Dame Janet Baker sings one of the most beautiful arias of all opera, from Purcell's Dido and Aeneas.
Glyndebourne, 1966. Conductor: Charles Mackerras.
Dame Janet Baker sings one of the most beautiful arias of all opera, from Purcell's Dido and Aeneas.
Glyndebourne, 1966. Conductor: Charles Mackerras.
https://wn.com/Janet_Baker_Dido_Aeneas_When_I_Am_Laid_In_Earth
Dame Janet Baker sings one of the most beautiful arias of all opera, from Purcell's Dido and Aeneas.
Glyndebourne, 1966. Conductor: Charles Mackerras.
- published: 18 Apr 2007
- views: 705933
Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)
- Order: Reorder
- Duration: 10:11
- Updated: 04 Nov 2016
- views: 1556
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker and the London Philharmonic Choir & Orchestra in a few moments from E...
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker and the London Philharmonic Choir & Orchestra in a few moments from Elgar's great oratorio. The other soloists were Peter Pears and John Shirley-Quirk. The performance was filmed in Canterbury Cathedral in 1968 and has been sumptuously restored by 'ICA Classics' (Catalogue No. ICAD 5140). This 2-DVD set also includes a 1989 TV documentary about Boult presented by Vernon Handley.
https://wn.com/Elgar_'The_Dream_Of_Gerontius'_Janet_Baker_Sir_Adrian_Boult_(Excerpts)
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker and the London Philharmonic Choir & Orchestra in a few moments from Elgar's great oratorio. The other soloists were Peter Pears and John Shirley-Quirk. The performance was filmed in Canterbury Cathedral in 1968 and has been sumptuously restored by 'ICA Classics' (Catalogue No. ICAD 5140). This 2-DVD set also includes a 1989 TV documentary about Boult presented by Vernon Handley.
- published: 04 Nov 2016
- views: 1556
Janet Baker sings the Finale of Maria Stuarda LIVE (1973) "Ah! Se un giorno"
- Order: Reorder
- Duration: 12:31
- Updated: 30 Mar 2017
- views: 56
Please click for more information and analysis. For non commercial educational purposes. Please message me if there is a problem with this video.
December 13th...
Please click for more information and analysis. For non commercial educational purposes. Please message me if there is a problem with this video.
December 13th, 1973 Live ENO
Mary Stuart: Janet Baker
Liecester: Keith Erwen
Talbot: Don Garrard
Cecil: Christian Du Plessis
Hannah: Audrey Gunn
Conductor: Charles Mackerras
In the early 1970s several major sopranos essayed this role, but Mary Stuart has never been more present as a character than here, which Baker sings in Donizetti's version of the role that he wrote for Malibran. Baker is on astonishing form vocally, and her pointing of the text has so much authority that you almost feel it's been written in English, especially when the legato is so brilliantly maintained. The final aria-cabaletta "Ah! Se un giorno" (7:15) is awe inspiring, Baker pushing her voice to its limits for expressive effect. It's impossible not to believe she means every word.
This live 1973 recording comes from Baker's prime and is even more thrilling than either the famous Chandos live CD (also with Mackerras) or the filmed version she chose to sing in the final year of her operatic career. Baker was never considered a bel canto specialist, which makes her mastery here all the more impressive.
https://wn.com/Janet_Baker_Sings_The_Finale_Of_Maria_Stuarda_Live_(1973)_Ah_Se_Un_Giorno
Please click for more information and analysis. For non commercial educational purposes. Please message me if there is a problem with this video.
December 13th, 1973 Live ENO
Mary Stuart: Janet Baker
Liecester: Keith Erwen
Talbot: Don Garrard
Cecil: Christian Du Plessis
Hannah: Audrey Gunn
Conductor: Charles Mackerras
In the early 1970s several major sopranos essayed this role, but Mary Stuart has never been more present as a character than here, which Baker sings in Donizetti's version of the role that he wrote for Malibran. Baker is on astonishing form vocally, and her pointing of the text has so much authority that you almost feel it's been written in English, especially when the legato is so brilliantly maintained. The final aria-cabaletta "Ah! Se un giorno" (7:15) is awe inspiring, Baker pushing her voice to its limits for expressive effect. It's impossible not to believe she means every word.
This live 1973 recording comes from Baker's prime and is even more thrilling than either the famous Chandos live CD (also with Mackerras) or the filmed version she chose to sing in the final year of her operatic career. Baker was never considered a bel canto specialist, which makes her mastery here all the more impressive.
- published: 30 Mar 2017
- views: 56
Dame Janet Baker: Lied von der Erde - Mahler/Kubelik (Live Munich 1970)
- Order: Reorder
- Duration: 10:02
- Updated: 31 Jul 2011
- views: 5732
This the final part of "Der Abschied" (Departure).
Thanks again to Joe in Berlin, who sent the whole recording to me in 2007. He feels that it is one of the...
This the final part of "Der Abschied" (Departure).
Thanks again to Joe in Berlin, who sent the whole recording to me in 2007. He feels that it is one of the greatest live performances ever by orchestra, conductor and singer. An extraordinary number made it a favorite over the 3 year period that it was live. I do hope that they find it again.
https://wn.com/Dame_Janet_Baker_Lied_Von_Der_Erde_Mahler_Kubelik_(Live_Munich_1970)
This the final part of "Der Abschied" (Departure).
Thanks again to Joe in Berlin, who sent the whole recording to me in 2007. He feels that it is one of the greatest live performances ever by orchestra, conductor and singer. An extraordinary number made it a favorite over the 3 year period that it was live. I do hope that they find it again.
- published: 31 Jul 2011
- views: 5732
Dame JANET BAKER ~ " Dopo notte, atra e funesta"~ from "Ariodante"~ Leppard
- Order: Reorder
- Duration: 6:55
- Updated: 16 Sep 2011
- views: 22740
The magnificent voice of mezzo-soprano Janet Baker as she sings from Handel's opera "Ariodante" No one does this better than JANET BAKER~~!!!!!!
non ORIGINAL PI...
The magnificent voice of mezzo-soprano Janet Baker as she sings from Handel's opera "Ariodante" No one does this better than JANET BAKER~~!!!!!!
non ORIGINAL PITCH VERSION
https://wn.com/Dame_Janet_Baker_~_Dopo_Notte,_Atra_E_Funesta_~_From_Ariodante_~_Leppard
The magnificent voice of mezzo-soprano Janet Baker as she sings from Handel's opera "Ariodante" No one does this better than JANET BAKER~~!!!!!!
non ORIGINAL PITCH VERSION
- published: 16 Sep 2011
- views: 22740
'Werther' Letter Scene / Massenet * JANET BAKER * LIVE! [in English]
- Order: Reorder
- Duration: 10:06
- Updated: 15 Mar 2010
- views: 2698
Dame Janet Baker sings Charlotte in 'Werther', produced in English at the ENO, 1977. This is taken from a live performance.
Another wonderfully sung and a...
Dame Janet Baker sings Charlotte in 'Werther', produced in English at the ENO, 1977. This is taken from a live performance.
Another wonderfully sung and acted role by the great Dame Janet. (I've omitted any libretto text here just because the singer's diction is clear and intelligible.)
This is the famous 'Letter Scene' from Jules Massenet's tragic opera whose libretto (by Edouard Balu, Paul Milliet and Henri Grémont Hartmann) is based on a novel, 'The Sorrows of Young Werther,' (1774) by Johann Wolfgang von Goethe. The English translation is by Norman Tucker.
Massenet's music is sensitively played by the Orchestra of the English National Opera, conducted by Sir Charles Mackerras.
==========
CD set can be purchased at the following sites (among others):
http://www.amazon.com/Massenet-Werther-Jules/dp/B00004SUD1
http://www.cdwow.nl/CD/baker-massenet-werther-baker-mackerr/dp/705477
http://www.cdwow.com/CD/baker-massenet-werther-baker-mackerr/dp/705477
https://wn.com/'Werther'_Letter_Scene_Massenet_Janet_Baker_Live_In_English
Dame Janet Baker sings Charlotte in 'Werther', produced in English at the ENO, 1977. This is taken from a live performance.
Another wonderfully sung and acted role by the great Dame Janet. (I've omitted any libretto text here just because the singer's diction is clear and intelligible.)
This is the famous 'Letter Scene' from Jules Massenet's tragic opera whose libretto (by Edouard Balu, Paul Milliet and Henri Grémont Hartmann) is based on a novel, 'The Sorrows of Young Werther,' (1774) by Johann Wolfgang von Goethe. The English translation is by Norman Tucker.
Massenet's music is sensitively played by the Orchestra of the English National Opera, conducted by Sir Charles Mackerras.
==========
CD set can be purchased at the following sites (among others):
http://www.amazon.com/Massenet-Werther-Jules/dp/B00004SUD1
http://www.cdwow.nl/CD/baker-massenet-werther-baker-mackerr/dp/705477
http://www.cdwow.com/CD/baker-massenet-werther-baker-mackerr/dp/705477
- published: 15 Mar 2010
- views: 2698
Peter Pears & Janet Baker: "Abraham and Isaac" - LIVE!
- Order: Reorder
- Duration: 16:16
- Updated: 19 Aug 2012
- views: 8224
From 1977, here is a live Aldeburgh performance of Benjamin Britten's Canticle II, "Abraham and Isaac" performed by Peter Pears and Janet Baker, with Graham Joh...
From 1977, here is a live Aldeburgh performance of Benjamin Britten's Canticle II, "Abraham and Isaac" performed by Peter Pears and Janet Baker, with Graham Johnson, piano.
Link to my Peter Pears playlist:
http://www.youtube.com/playlist?list=PL56BC9315D6954644&feature;=plcp
And here is a link to a live performance with Janet Baker performing Bach's Cantata 35 with Britten conducting: http://youtu.be/1EiRoifxknk
https://wn.com/Peter_Pears_Janet_Baker_Abraham_And_Isaac_Live
From 1977, here is a live Aldeburgh performance of Benjamin Britten's Canticle II, "Abraham and Isaac" performed by Peter Pears and Janet Baker, with Graham Johnson, piano.
Link to my Peter Pears playlist:
http://www.youtube.com/playlist?list=PL56BC9315D6954644&feature;=plcp
And here is a link to a live performance with Janet Baker performing Bach's Cantata 35 with Britten conducting: http://youtu.be/1EiRoifxknk
- published: 19 Aug 2012
- views: 8224
Dame JANET BAKER - " Plaisir d' Amour"/ "Che faro senza Eurodice" re-edited HQ
- Order: Reorder
- Duration: 8:35
- Updated: 16 Sep 2014
- views: 2530
Hear Janet Baker sing from "Orfeo et Eurodice" live performance
at: https://www.youtube.com/watch?v=jB-vei2aVAg
RE- EDITED audio and video
Janet Baker seen here...
Hear Janet Baker sing from "Orfeo et Eurodice" live performance
at: https://www.youtube.com/watch?v=jB-vei2aVAg
RE- EDITED audio and video
Janet Baker seen here in 2 wonderful live performances. Plaisir d' Amour has stood out from her early Decca recordings as a signature aria for her. Also, she sings her famous aria from Gluck's "Orfeo et Eurodice"; Che faro senza Eurodice"?.
Janet Baker was an extraordinary mezzo-soprano from the last century, having retired in the late 1980's. She resides in England.
https://wn.com/Dame_Janet_Baker_Plaisir_D'_Amour_Che_Faro_Senza_Eurodice_Re_Edited_Hq
Hear Janet Baker sing from "Orfeo et Eurodice" live performance
at: https://www.youtube.com/watch?v=jB-vei2aVAg
RE- EDITED audio and video
Janet Baker seen here in 2 wonderful live performances. Plaisir d' Amour has stood out from her early Decca recordings as a signature aria for her. Also, she sings her famous aria from Gluck's "Orfeo et Eurodice"; Che faro senza Eurodice"?.
Janet Baker was an extraordinary mezzo-soprano from the last century, having retired in the late 1980's. She resides in England.
- published: 16 Sep 2014
- views: 2530
-
Interview with Dame Janet Baker
Dame Janet Baker in conversation with Norbert Meyn In this interview Janet Baker talks about her work with Austrian singing teacher Helene Isepp, the conductor Peter Gellhorn and the pianist Paul Hamburger as well as other émigré musicians. She also discusses the overall importance of émigré musicians from Germany and Austria on music in Britain. This interview is presented as part of the ORAL HISTORY PROJECT "Singing a Song in a Foreign Land", which focuses on musicians who emigrated from Central Europe because of Nazi persecution in the 1930s and 40s. Visit the SINGING A SONG IN A FOREIGN LAND - ONLINE RESOURCE for more interviews and further information: http://www.rcm.ac.uk/singingasong This project has been generously supported by the Heritage Lottery Fund and the Rothschild Foun...
published: 01 May 2015 -
Janet Baker: The complete "Sea pictures Op. 37" (Elgar)
Sea pictures (Op. 37): I. Sea slumber-song 00:00 II. In haven 05:04 III. Sabbath morning at sea 07:10 IV. Where corals lie 13:29 V. The swimmer 17:39 Elgar, Edward (1857-1934) -composer Dame Janet Baker -mezzosoprano Sir John Barbirolli -conductor London Symphony Orchestra Score: http://conquest.imslp.info/files/imglnks/usimg/c/cb/IMSLP32145-PMLP73121-elgar_sea_pictures_piano_score.pdf Playlist: "The art of British song: Elgar, Somervell, Williams, Finzi..": https://www.youtube.com/playlist?action_edit=1&list;=PLdM8VSWYvcWG_X-lGBATHMoJTGPlAV1TQ Sea Pictures, Op. 37 is a song cycle by Sir Edward Elgar consisting of five songs written by various poets. It was set for contralto and orchestra, though a distinct version for piano was often performed by Elgar. Many mezzo-sopranos have sung th...
published: 04 Mar 2014 -
Janet Baker and Joyce DiDonato In Conversation (The Royal Opera)
A unique event with two of the greatest mezzo-sopranos of their generations. Watch Joyce DiDonato and Dame Janet Baker discuss the roles that have inspired them, the technique of singing and advice for the next generation. They also discuss what the artform of opera needs to do to survive. Find out more at http://www.roh.org.uk American mezzo-soprano Joyce DiDonato made her Royal Opera debut in 2003 as Fox (The Cunning Little Vixen), and has since returned to sing Rosina (Il barbiere di Siviglia), Donna Elvira (Don Giovanni, including on tour with The Royal Opera to Japan), Cendrillon, Elena (La donna del lago), Maria Stuarda and in Plácido Domingo’s 2012 Operalia concert. She returns in the 2015/16 Season to sing Charlotte (Werther). DiDonato grew up in Kansas and studied music educat...
published: 22 Jun 2016 -
In conversation with Dame Janet Baker : the full interview
In what was one of the most special hours of my life, I had the great privilege of sitting down with legendary artist, Dame Janet Baker, to discuss her career, her artistic integrity, and her view on the power of music. Celebrating her 80th Birthday, a 20-CD set of her greatest recordings was released, and it seemed a good occasion to look back on her storied, impeccable career. Filmed on site at Wigmore Hall in London.
published: 30 Aug 2013 -
Dame Janet Baker - The Fall of Troy 1966
published: 30 Dec 2012 -
Janet Baker - Mahler - Kindertotenlieder - Horenstein
Gustav Mahler Kindertotenlieder Janet Baker, mezzo-soprano Scottish National Orchestra Jascha Horenstein Edinburgh, March 1967
published: 19 Nov 2014 -
Brahms - 13 Lieder - Baker / Lush
Johannes Brahms Heimweh II op.63 n°8 0:00 O kühler Wald op.72 n°3 3:31 Geheimnis op.71 n°1 5:52 Wir wandelten op.96 n°2 9:17 Meerfahrt op.96 n°4 11:54 Ständchen op.106 n°1 14:20 Ein Wanderer op.106 n°5 15:50 Regenlied WoO 23 18:46 Das Mädchen spricht op.107 n°3 20:28 Mädchenlied op.107 n°5 21:54 Mondnacht WoO 21 23:43 Auf dem Kirchhofe op.105 n°4 26:24 Von ewiger Liebe op.43 n°1 29:24 Janet Baker Ernest Lush Radio recording, London, 16.IX.1960 & 7.II.1961 (op.43/1)
published: 23 Feb 2013 -
Janet Baker Sings an Anthology of English Song
1963 UK Saga – XID 5213 A1 The Call Composed By – Ralph Vaughan Williams A2 Youth And Love Composed By – Ralph Vaughan Williams A3 A Thanksgiving Composed By – John Ireland A4 Her Song Composed By – John Ireland A5 A Piper Composed By – Michael Head (2) A6 This Is A Sacred City (By A Bierside) Composed By – Armstrong Gibbs A7 Love Is A Sickness Composed By – Armstrong Gibbs A8 The Cloths Of Heaven Composed By – Thomas Dunhill A9 Balulalow Composed By – Peter Warlock A10 Youth Composed By – Peter Warlock B1 King David Composed By – Herbert Howells B2 Come Sing And Dance Composed By – Herbert Howells B3 Sleep Composed By – Ivor Gurney B4 I Will Go With My Father A-Ploughing Composed By – Ivor Gurney B5 To The Queen Of Heaven Composed By – Thomas Dunhill B6 Come Away, Come Away, Death Compo...
published: 30 Apr 2016 -
Mahler : Symphony 2 " Resurrection" (Full) Janet Baker / CBSO / Rattle ***
Critic's choice. "Rattle's reading is superlative in breadth and vividness of sound and with a spacious reading which is in its natural intensity unerringly sustains generally slow, steady speeds to underline the epic grandeur of Mahler's vision. The heartfelt singing of Arleen Auger and Janet Baker is equally distinguished and characterful.". ( Penguin guide) .
published: 26 Feb 2017 -
Janet Baker - Chausson - Poème de l'amour et de la mer, Op 19
Ernest Chausson Poème de l'amour et de la mer, Op 19 Janet Baker, mezzo-soprano London Symphony Orchestra Evgeny Svetlanov London, April 1975
published: 19 Dec 2014 -
Mahler "Kindertotenlieder" (L. Bernstein, J. Baker)
Be apart of my Facebook page! http://www.facebook.com/Blop888 Conductor: Leonard Bernstein Soloist: Janet Baker Orchestra: Israeli Philharmonic Orchestra
published: 31 Aug 2013 -
-
Janet Baker sings "Geist und Seele" - LIVE!
Bach's Cantata 35, "Geist und Seele wird verwirret", performed by Janet Baker and the English Chamber Orchestra, Benjamin Briiten, conducting. From Blythburgh Church, 12 June 1969. Part I 1. Sinfonia 2. Aria: Geist und Seele wird verwirret 3. Recitativo: Ich wundre mich 4. Aria: Gott hat alles wohlgemacht Part 2 5. Sinfonia 6. Recitativo: Ach, starker Gott 7. Aria: Ich wünsche nur bei Gott zu leben Here is a link to a live performance of Britten's "Abraham and Isaac" with Janet Baker and Peter Pears: http://www.youtube.com/watch?v=RkIcsT_fjAI
published: 27 Nov 2012 -
Janet Baker - Berlioz - Les nuits d'été, Op 7
Hector Berlioz Les nuits d'été, Op 7 Janet Baker, mezzo-soprano London Philharmonic Orchestra Carlo Maria Giulini London, May 1975
published: 16 Dec 2014 -
Schumann - Frauenliebe und -leben - Baker / Parsons
Robert Schumann Frauenliebe und -leben op.42 Seit ich ihn gesehen 0:00 Er, der Herrlichste von allen 2:59 Ich kann' nicht fassen, nicht glauben 6:29 Du Ring an meinem Finger 8:24 Helft mir, ihr Schwestern 11:36 Süsser Freund, du blickest 13:42 An meinem Herzen, an meiner Brust 19:06 Nun hast du mir den ersten Schmerz getan 20:29 Janet Baker Geoffrey Parsons
published: 02 May 2013 -
La Calisto 1971 - Dame Janet Baker & Ileana Cotrubas
published: 15 Sep 2012 -
Janet Baker: The Music Makers Op.69 by Elgar
Edward Elgar (1857-1934) The Music Makers, Op.69 1. Introduction - Moderato e nobilmente 2. We are the music makers 3. With wonderful deathless ditties 4. We, in the ages lying 5. A breath of our inspiration 6. They had no vision amazing 15:08 (Janet Baker) 7. And therefore today is thrilling 18: 30 (Janet Baker) 8. But we with our dreaming and singing 9. For we are afar with the dawning 10. Great hail! We cry to the corners 29:05 (Janet Baker) Janet Baker, mezzo-soprano London Philharmonic Choir (chorus master: Frederic Jackson) London Philharmonic Orchestra Conducted by Adrian Boult 1967 Version by Sarah Connolly: https://youtu.be/8a89tSjs-uI _
published: 29 Feb 2016 -
Elgar: The Dream of Gerontius [Barbirolli] Janet Baker, Richard Lewis, Kim Borg
Edward Elgar (1857-1934) The Dream of Gerontius, Op. 38 Janet Baker, mezzo-soprano (The Angel) Richard Lewis, tenor (Gerontius, Soul of Gerontius) Kim Borg, bass (The Priest, The Angel of Agony) The combined Hallé Choir and Sheffild Philharmonic Chorus (chorus master: Eric Chadwick) Ambrosian Singers (chorus master: John McCarthy) Hallé Orchestra, leader: Martin Milner Conducted by John Barbirolli 1965 _
published: 05 Nov 2015 -
Janet Baker: Les Nuits d'été [Barbirolli] by Berlioz
Hector Berlioz (1803-1869) Les Nuits d'été, Op. 7 (poems by Théophile Gautier) 1. Villanelle 2. Le spectre de la rose 3. Sur les lagunes 4. Absence 5. Au cimetière 6. L'Île Inconnue Janet Baker, mezzo-soprano New Philharmonia Orchestra Conducted by John Barbirolli 23 Aug 1967 _
published: 02 Aug 2016 -
Janet Baker; "Wesendonck Lieder"; Richard Wagner
Janet Baker--Mezzo-soprano Sir Adrian Boult--Conductor London Philharmonic Orchestra 1975
published: 20 Sep 2016
Interview with Dame Janet Baker
- Order: Reorder
- Duration: 1:09:26
- Updated: 01 May 2015
- views: 33738
Dame Janet Baker in conversation with Norbert Meyn
In this interview Janet Baker talks about her work with Austrian singing teacher Helene Isepp, the conductor...
Dame Janet Baker in conversation with Norbert Meyn
In this interview Janet Baker talks about her work with Austrian singing teacher Helene Isepp, the conductor Peter Gellhorn and the pianist Paul Hamburger as well as other émigré musicians. She also discusses the overall importance of émigré musicians from Germany and Austria on music in Britain.
This interview is presented as part of the ORAL HISTORY PROJECT "Singing a Song in a Foreign Land", which focuses on musicians who emigrated from Central Europe because of Nazi persecution in the 1930s and 40s.
Visit the SINGING A SONG IN A FOREIGN LAND - ONLINE RESOURCE for more interviews and further information:
http://www.rcm.ac.uk/singingasong
This project has been generously supported by the Heritage Lottery Fund and the Rothschild Foundation
https://wn.com/Interview_With_Dame_Janet_Baker
Dame Janet Baker in conversation with Norbert Meyn
In this interview Janet Baker talks about her work with Austrian singing teacher Helene Isepp, the conductor Peter Gellhorn and the pianist Paul Hamburger as well as other émigré musicians. She also discusses the overall importance of émigré musicians from Germany and Austria on music in Britain.
This interview is presented as part of the ORAL HISTORY PROJECT "Singing a Song in a Foreign Land", which focuses on musicians who emigrated from Central Europe because of Nazi persecution in the 1930s and 40s.
Visit the SINGING A SONG IN A FOREIGN LAND - ONLINE RESOURCE for more interviews and further information:
http://www.rcm.ac.uk/singingasong
This project has been generously supported by the Heritage Lottery Fund and the Rothschild Foundation
- published: 01 May 2015
- views: 33738
Janet Baker: The complete "Sea pictures Op. 37" (Elgar)
- Order: Reorder
- Duration: 23:45
- Updated: 04 Mar 2014
- views: 58847
Sea pictures (Op. 37):
I. Sea slumber-song 00:00
II. In haven 05:04
III. Sabbath morning at sea 07:10
IV. Where corals lie 13:29
V. The swimmer 17:39
Elgar, Ed...
Sea pictures (Op. 37):
I. Sea slumber-song 00:00
II. In haven 05:04
III. Sabbath morning at sea 07:10
IV. Where corals lie 13:29
V. The swimmer 17:39
Elgar, Edward (1857-1934) -composer
Dame Janet Baker -mezzosoprano
Sir John Barbirolli -conductor
London Symphony Orchestra
Score: http://conquest.imslp.info/files/imglnks/usimg/c/cb/IMSLP32145-PMLP73121-elgar_sea_pictures_piano_score.pdf
Playlist: "The art of British song: Elgar, Somervell, Williams, Finzi..": https://www.youtube.com/playlist?action_edit=1&list;=PLdM8VSWYvcWG_X-lGBATHMoJTGPlAV1TQ
Sea Pictures, Op. 37 is a song cycle by Sir Edward Elgar consisting of five songs written by various poets. It was set for contralto and orchestra, though a distinct version for piano was often performed by Elgar. Many mezzo-sopranos have sung the piece. Much of the vocal line of the first song, "Sea Slumber Song," is heard again in other parts of the cycle; most notably, the second stanza is heard again almost in its entirety as part of the finale.
Elgar composed the piece on his 1844 Broadwood Square piano while residing at Birchwood Lodge, Great Storridge in Herefordshire. The songs were originally written in high keys for a soprano voice, but transposed to lower keys for the orchestral version, largely at the request of the contralto Clara Butt. The songs were composed in July 1899 (apart from "In Haven (Capri)", which was a reworking of his 1897 "Love alone will stay").
The premiere was on 5 October 1899 at the Norfolk and Norwich Festival with Elgar himself conducting and Clara Butt singing, dressed as a mermaid. On 7 October, Clara Butt gave the first London performance at St. James's Hall, with Elgar at the piano. Nearly two weeks later, on 20 October, Butt performed it for Queen Victoria at Balmoral.
Until August 1900, Elgar's songs had been published by Novello: but Elgar had a disagreement with them, and from then his songs, including "The Pipes of Pan" and Sea Pictures were published by Boosey & Hawkes, who bought the copyright for £50, with a small royalty per copy of the songs published separately.
Sea Pictures was published in the following languages:
German: See-Bilder with words by Dr. Wilhelm Henzen
French: Marines with words by George Petilleau.
Source: http://en.wikipedia.org/wiki/Sea_Pictures
Buy the CD here: http://www.amazon.com/Elgar-Cello-Concerto-Sea-Pictures/dp/B000VSURC2/ref=sr_1_5?ie=UTF8&qid;=1393951422&sr;=8-5&keywords;=barbirolli+elgar+baker
https://wn.com/Janet_Baker_The_Complete_Sea_Pictures_Op._37_(Elgar)
Sea pictures (Op. 37):
I. Sea slumber-song 00:00
II. In haven 05:04
III. Sabbath morning at sea 07:10
IV. Where corals lie 13:29
V. The swimmer 17:39
Elgar, Edward (1857-1934) -composer
Dame Janet Baker -mezzosoprano
Sir John Barbirolli -conductor
London Symphony Orchestra
Score: http://conquest.imslp.info/files/imglnks/usimg/c/cb/IMSLP32145-PMLP73121-elgar_sea_pictures_piano_score.pdf
Playlist: "The art of British song: Elgar, Somervell, Williams, Finzi..": https://www.youtube.com/playlist?action_edit=1&list;=PLdM8VSWYvcWG_X-lGBATHMoJTGPlAV1TQ
Sea Pictures, Op. 37 is a song cycle by Sir Edward Elgar consisting of five songs written by various poets. It was set for contralto and orchestra, though a distinct version for piano was often performed by Elgar. Many mezzo-sopranos have sung the piece. Much of the vocal line of the first song, "Sea Slumber Song," is heard again in other parts of the cycle; most notably, the second stanza is heard again almost in its entirety as part of the finale.
Elgar composed the piece on his 1844 Broadwood Square piano while residing at Birchwood Lodge, Great Storridge in Herefordshire. The songs were originally written in high keys for a soprano voice, but transposed to lower keys for the orchestral version, largely at the request of the contralto Clara Butt. The songs were composed in July 1899 (apart from "In Haven (Capri)", which was a reworking of his 1897 "Love alone will stay").
The premiere was on 5 October 1899 at the Norfolk and Norwich Festival with Elgar himself conducting and Clara Butt singing, dressed as a mermaid. On 7 October, Clara Butt gave the first London performance at St. James's Hall, with Elgar at the piano. Nearly two weeks later, on 20 October, Butt performed it for Queen Victoria at Balmoral.
Until August 1900, Elgar's songs had been published by Novello: but Elgar had a disagreement with them, and from then his songs, including "The Pipes of Pan" and Sea Pictures were published by Boosey & Hawkes, who bought the copyright for £50, with a small royalty per copy of the songs published separately.
Sea Pictures was published in the following languages:
German: See-Bilder with words by Dr. Wilhelm Henzen
French: Marines with words by George Petilleau.
Source: http://en.wikipedia.org/wiki/Sea_Pictures
Buy the CD here: http://www.amazon.com/Elgar-Cello-Concerto-Sea-Pictures/dp/B000VSURC2/ref=sr_1_5?ie=UTF8&qid;=1393951422&sr;=8-5&keywords;=barbirolli+elgar+baker
- published: 04 Mar 2014
- views: 58847
Janet Baker and Joyce DiDonato In Conversation (The Royal Opera)
- Order: Reorder
- Duration: 55:35
- Updated: 22 Jun 2016
- views: 21955
A unique event with two of the greatest mezzo-sopranos of their generations. Watch Joyce DiDonato and Dame Janet Baker discuss the roles that have inspired them...
A unique event with two of the greatest mezzo-sopranos of their generations. Watch Joyce DiDonato and Dame Janet Baker discuss the roles that have inspired them, the technique of singing and advice for the next generation.
They also discuss what the artform of opera needs to do to survive.
Find out more at http://www.roh.org.uk
American mezzo-soprano Joyce DiDonato made her Royal Opera debut in 2003 as Fox (The Cunning Little Vixen), and has since returned to sing Rosina (Il barbiere di Siviglia), Donna Elvira (Don Giovanni, including on tour with The Royal Opera to Japan), Cendrillon, Elena (La donna del lago), Maria Stuarda and in Plácido Domingo’s 2012 Operalia concert. She returns in the 2015/16 Season to sing Charlotte (Werther).
DiDonato grew up in Kansas and studied music education at Wichita State University and singing at the Academy of Vocal Arts, Philadelphia, on the Santa Fe Opera’s Apprentice Singer Program (1995) and on San Francisco Opera’s Merola Young Artists Program (1997). She won second prize in Operalia in 1998 and has gone on to win international acclaim in bel canto and other repertories. Engagements include Composer (Ariadne auf Naxos), Sycorax (The Enchanted Island), Angelina (La Cenerentola), Isolier (Le Comte Ory) and Maria Stuarda for the Metropolitan Opera, New York, Cendrillon for the Liceu, Barcelona, Rosina for Vienna State Opera, Octavian (Der Rosenkavalier) for La Scala, Milan, Idamante (Idomeneo) for Paris Opéra and Edinburgh Festival, Elena for Paris Opéra and Santa Fe Festival and Sister Helen Prejean (Heggie’s Dead Man Walking), Béatrice (Béatrice et Bénédict) for Houston Grand Opera and Romeo (I Capuleti e i Montecchi) in concert for Deutsche Oper Berlin.
DiDonato appears regularly at the world’s leading concert halls and sang at the 2013 BBC Last Night of the Proms. Her wide discography includes seven solo albums. She was the 2010 Gramophone Artist of the Year, won a Grammy Award for Best Classical Vocal Solo in 2012 and in 2015 won Female Singer of the Year at the ECHO Klassik Awards.
https://wn.com/Janet_Baker_And_Joyce_Didonato_In_Conversation_(The_Royal_Opera)
A unique event with two of the greatest mezzo-sopranos of their generations. Watch Joyce DiDonato and Dame Janet Baker discuss the roles that have inspired them, the technique of singing and advice for the next generation.
They also discuss what the artform of opera needs to do to survive.
Find out more at http://www.roh.org.uk
American mezzo-soprano Joyce DiDonato made her Royal Opera debut in 2003 as Fox (The Cunning Little Vixen), and has since returned to sing Rosina (Il barbiere di Siviglia), Donna Elvira (Don Giovanni, including on tour with The Royal Opera to Japan), Cendrillon, Elena (La donna del lago), Maria Stuarda and in Plácido Domingo’s 2012 Operalia concert. She returns in the 2015/16 Season to sing Charlotte (Werther).
DiDonato grew up in Kansas and studied music education at Wichita State University and singing at the Academy of Vocal Arts, Philadelphia, on the Santa Fe Opera’s Apprentice Singer Program (1995) and on San Francisco Opera’s Merola Young Artists Program (1997). She won second prize in Operalia in 1998 and has gone on to win international acclaim in bel canto and other repertories. Engagements include Composer (Ariadne auf Naxos), Sycorax (The Enchanted Island), Angelina (La Cenerentola), Isolier (Le Comte Ory) and Maria Stuarda for the Metropolitan Opera, New York, Cendrillon for the Liceu, Barcelona, Rosina for Vienna State Opera, Octavian (Der Rosenkavalier) for La Scala, Milan, Idamante (Idomeneo) for Paris Opéra and Edinburgh Festival, Elena for Paris Opéra and Santa Fe Festival and Sister Helen Prejean (Heggie’s Dead Man Walking), Béatrice (Béatrice et Bénédict) for Houston Grand Opera and Romeo (I Capuleti e i Montecchi) in concert for Deutsche Oper Berlin.
DiDonato appears regularly at the world’s leading concert halls and sang at the 2013 BBC Last Night of the Proms. Her wide discography includes seven solo albums. She was the 2010 Gramophone Artist of the Year, won a Grammy Award for Best Classical Vocal Solo in 2012 and in 2015 won Female Singer of the Year at the ECHO Klassik Awards.
- published: 22 Jun 2016
- views: 21955
In conversation with Dame Janet Baker : the full interview
- Order: Reorder
- Duration: 31:53
- Updated: 30 Aug 2013
- views: 33422
In what was one of the most special hours of my life, I had the great privilege of sitting down with legendary artist, Dame Janet Baker, to discuss her career, ...
In what was one of the most special hours of my life, I had the great privilege of sitting down with legendary artist, Dame Janet Baker, to discuss her career, her artistic integrity, and her view on the power of music. Celebrating her 80th Birthday, a 20-CD set of her greatest recordings was released, and it seemed a good occasion to look back on her storied, impeccable career. Filmed on site at Wigmore Hall in London.
https://wn.com/In_Conversation_With_Dame_Janet_Baker_The_Full_Interview
In what was one of the most special hours of my life, I had the great privilege of sitting down with legendary artist, Dame Janet Baker, to discuss her career, her artistic integrity, and her view on the power of music. Celebrating her 80th Birthday, a 20-CD set of her greatest recordings was released, and it seemed a good occasion to look back on her storied, impeccable career. Filmed on site at Wigmore Hall in London.
- published: 30 Aug 2013
- views: 33422
Dame Janet Baker - The Fall of Troy 1966
- Order: Reorder
- Duration: 1:26:32
- Updated: 30 Dec 2012
- views: 260
- published: 30 Dec 2012
- views: 260
Janet Baker - Mahler - Kindertotenlieder - Horenstein
- Order: Reorder
- Duration: 25:44
- Updated: 19 Nov 2014
- views: 3228
Gustav Mahler
Kindertotenlieder
Janet Baker, mezzo-soprano
Scottish National Orchestra
Jascha Horenstein
Edinburgh, March 1967
Gustav Mahler
Kindertotenlieder
Janet Baker, mezzo-soprano
Scottish National Orchestra
Jascha Horenstein
Edinburgh, March 1967
https://wn.com/Janet_Baker_Mahler_Kindertotenlieder_Horenstein
Gustav Mahler
Kindertotenlieder
Janet Baker, mezzo-soprano
Scottish National Orchestra
Jascha Horenstein
Edinburgh, March 1967
- published: 19 Nov 2014
- views: 3228
Brahms - 13 Lieder - Baker / Lush
- Order: Reorder
- Duration: 34:11
- Updated: 23 Feb 2013
- views: 27437
Johannes Brahms
Heimweh II op.63 n°8 0:00
O kühler Wald op.72 n°3 3:31
Geheimnis op.71 n°1 5:52
Wir wandelten op.96 n°2 9:17
Meerfahrt op.96 n°4 11:54
Ständche...
Johannes Brahms
Heimweh II op.63 n°8 0:00
O kühler Wald op.72 n°3 3:31
Geheimnis op.71 n°1 5:52
Wir wandelten op.96 n°2 9:17
Meerfahrt op.96 n°4 11:54
Ständchen op.106 n°1 14:20
Ein Wanderer op.106 n°5 15:50
Regenlied WoO 23 18:46
Das Mädchen spricht op.107 n°3 20:28
Mädchenlied op.107 n°5 21:54
Mondnacht WoO 21 23:43
Auf dem Kirchhofe op.105 n°4 26:24
Von ewiger Liebe op.43 n°1 29:24
Janet Baker
Ernest Lush
Radio recording, London, 16.IX.1960 & 7.II.1961 (op.43/1)
https://wn.com/Brahms_13_Lieder_Baker_Lush
Johannes Brahms
Heimweh II op.63 n°8 0:00
O kühler Wald op.72 n°3 3:31
Geheimnis op.71 n°1 5:52
Wir wandelten op.96 n°2 9:17
Meerfahrt op.96 n°4 11:54
Ständchen op.106 n°1 14:20
Ein Wanderer op.106 n°5 15:50
Regenlied WoO 23 18:46
Das Mädchen spricht op.107 n°3 20:28
Mädchenlied op.107 n°5 21:54
Mondnacht WoO 21 23:43
Auf dem Kirchhofe op.105 n°4 26:24
Von ewiger Liebe op.43 n°1 29:24
Janet Baker
Ernest Lush
Radio recording, London, 16.IX.1960 & 7.II.1961 (op.43/1)
- published: 23 Feb 2013
- views: 27437
Janet Baker Sings an Anthology of English Song
- Order: Reorder
- Duration: 43:26
- Updated: 30 Apr 2016
- views: 1254
1963 UK Saga – XID 5213
A1 The Call
Composed By – Ralph Vaughan Williams
A2 Youth And Love
Composed By – Ralph Vaughan Williams
A3 A Thanksgiving
Composed By ...
1963 UK Saga – XID 5213
A1 The Call
Composed By – Ralph Vaughan Williams
A2 Youth And Love
Composed By – Ralph Vaughan Williams
A3 A Thanksgiving
Composed By – John Ireland
A4 Her Song
Composed By – John Ireland
A5 A Piper
Composed By – Michael Head (2)
A6 This Is A Sacred City (By A Bierside)
Composed By – Armstrong Gibbs
A7 Love Is A Sickness
Composed By – Armstrong Gibbs
A8 The Cloths Of Heaven
Composed By – Thomas Dunhill
A9 Balulalow
Composed By – Peter Warlock
A10 Youth
Composed By – Peter Warlock
B1 King David
Composed By – Herbert Howells
B2 Come Sing And Dance
Composed By – Herbert Howells
B3 Sleep
Composed By – Ivor Gurney
B4 I Will Go With My Father A-Ploughing
Composed By – Ivor Gurney
B5 To The Queen Of Heaven
Composed By – Thomas Dunhill
B6 Come Away, Come Away, Death
Composed By – Gerald Finzi
B7 It Was A Lover And His Lass
Composed By – Gerald Finzi
https://wn.com/Janet_Baker_Sings_An_Anthology_Of_English_Song
1963 UK Saga – XID 5213
A1 The Call
Composed By – Ralph Vaughan Williams
A2 Youth And Love
Composed By – Ralph Vaughan Williams
A3 A Thanksgiving
Composed By – John Ireland
A4 Her Song
Composed By – John Ireland
A5 A Piper
Composed By – Michael Head (2)
A6 This Is A Sacred City (By A Bierside)
Composed By – Armstrong Gibbs
A7 Love Is A Sickness
Composed By – Armstrong Gibbs
A8 The Cloths Of Heaven
Composed By – Thomas Dunhill
A9 Balulalow
Composed By – Peter Warlock
A10 Youth
Composed By – Peter Warlock
B1 King David
Composed By – Herbert Howells
B2 Come Sing And Dance
Composed By – Herbert Howells
B3 Sleep
Composed By – Ivor Gurney
B4 I Will Go With My Father A-Ploughing
Composed By – Ivor Gurney
B5 To The Queen Of Heaven
Composed By – Thomas Dunhill
B6 Come Away, Come Away, Death
Composed By – Gerald Finzi
B7 It Was A Lover And His Lass
Composed By – Gerald Finzi
- published: 30 Apr 2016
- views: 1254
Mahler : Symphony 2 " Resurrection" (Full) Janet Baker / CBSO / Rattle ***
- Order: Reorder
- Duration: 1:26:12
- Updated: 26 Feb 2017
- views: 1382
Critic's choice. "Rattle's reading is superlative in breadth and vividness of sound and with a spacious reading which is in its natural intensity unerringly su...
Critic's choice. "Rattle's reading is superlative in breadth and vividness of sound and with a spacious reading which is in its natural intensity unerringly sustains generally slow, steady speeds to underline the epic grandeur of Mahler's vision. The heartfelt singing of Arleen Auger and Janet Baker is equally distinguished and characterful.". ( Penguin guide) .
https://wn.com/Mahler_Symphony_2_Resurrection_(Full)_Janet_Baker_Cbso_Rattle
Critic's choice. "Rattle's reading is superlative in breadth and vividness of sound and with a spacious reading which is in its natural intensity unerringly sustains generally slow, steady speeds to underline the epic grandeur of Mahler's vision. The heartfelt singing of Arleen Auger and Janet Baker is equally distinguished and characterful.". ( Penguin guide) .
- published: 26 Feb 2017
- views: 1382
Janet Baker - Chausson - Poème de l'amour et de la mer, Op 19
- Order: Reorder
- Duration: 27:55
- Updated: 19 Dec 2014
- views: 6455
Ernest Chausson
Poème de l'amour et de la mer, Op 19
Janet Baker, mezzo-soprano
London Symphony Orchestra
Evgeny Svetlanov
London, April 1975
Ernest Chausson
Poème de l'amour et de la mer, Op 19
Janet Baker, mezzo-soprano
London Symphony Orchestra
Evgeny Svetlanov
London, April 1975
https://wn.com/Janet_Baker_Chausson_Poème_De_L'Amour_Et_De_La_Mer,_Op_19
Ernest Chausson
Poème de l'amour et de la mer, Op 19
Janet Baker, mezzo-soprano
London Symphony Orchestra
Evgeny Svetlanov
London, April 1975
- published: 19 Dec 2014
- views: 6455
Mahler "Kindertotenlieder" (L. Bernstein, J. Baker)
- Order: Reorder
- Duration: 28:33
- Updated: 31 Aug 2013
- views: 47184
Be apart of my Facebook page! http://www.facebook.com/Blop888
Conductor: Leonard Bernstein
Soloist: Janet Baker
Orchestra: Israeli Philharmonic Orchestra
Be apart of my Facebook page! http://www.facebook.com/Blop888
Conductor: Leonard Bernstein
Soloist: Janet Baker
Orchestra: Israeli Philharmonic Orchestra
https://wn.com/Mahler_Kindertotenlieder_(L._Bernstein,_J._Baker)
Be apart of my Facebook page! http://www.facebook.com/Blop888
Conductor: Leonard Bernstein
Soloist: Janet Baker
Orchestra: Israeli Philharmonic Orchestra
- published: 31 Aug 2013
- views: 47184
Dame Janet Baker; "Frauenliebe und -leben"; Robert Schumann
- Order: Reorder
- Duration: 23:14
- Updated: 21 Sep 2016
- views: 132
Janet Baker sings "Geist und Seele" - LIVE!
- Order: Reorder
- Duration: 31:40
- Updated: 27 Nov 2012
- views: 5238
Bach's Cantata 35, "Geist und Seele wird verwirret", performed by Janet Baker and the English Chamber Orchestra, Benjamin Briiten, conducting. From Blythburgh ...
Bach's Cantata 35, "Geist und Seele wird verwirret", performed by Janet Baker and the English Chamber Orchestra, Benjamin Briiten, conducting. From Blythburgh Church, 12 June 1969.
Part I
1. Sinfonia
2. Aria: Geist und Seele wird verwirret
3. Recitativo: Ich wundre mich
4. Aria: Gott hat alles wohlgemacht
Part 2
5. Sinfonia
6. Recitativo: Ach, starker Gott
7. Aria: Ich wünsche nur bei Gott zu leben
Here is a link to a live performance of Britten's "Abraham and Isaac" with Janet Baker and Peter Pears:
http://www.youtube.com/watch?v=RkIcsT_fjAI
https://wn.com/Janet_Baker_Sings_Geist_Und_Seele_Live
Bach's Cantata 35, "Geist und Seele wird verwirret", performed by Janet Baker and the English Chamber Orchestra, Benjamin Briiten, conducting. From Blythburgh Church, 12 June 1969.
Part I
1. Sinfonia
2. Aria: Geist und Seele wird verwirret
3. Recitativo: Ich wundre mich
4. Aria: Gott hat alles wohlgemacht
Part 2
5. Sinfonia
6. Recitativo: Ach, starker Gott
7. Aria: Ich wünsche nur bei Gott zu leben
Here is a link to a live performance of Britten's "Abraham and Isaac" with Janet Baker and Peter Pears:
http://www.youtube.com/watch?v=RkIcsT_fjAI
- published: 27 Nov 2012
- views: 5238
Janet Baker - Berlioz - Les nuits d'été, Op 7
- Order: Reorder
- Duration: 33:02
- Updated: 16 Dec 2014
- views: 3750
Hector Berlioz
Les nuits d'été, Op 7
Janet Baker, mezzo-soprano
London Philharmonic Orchestra
Carlo Maria Giulini
London, May 1975
Hector Berlioz
Les nuits d'été, Op 7
Janet Baker, mezzo-soprano
London Philharmonic Orchestra
Carlo Maria Giulini
London, May 1975
https://wn.com/Janet_Baker_Berlioz_Les_Nuits_D'Été,_Op_7
Hector Berlioz
Les nuits d'été, Op 7
Janet Baker, mezzo-soprano
London Philharmonic Orchestra
Carlo Maria Giulini
London, May 1975
- published: 16 Dec 2014
- views: 3750
Schumann - Frauenliebe und -leben - Baker / Parsons
- Order: Reorder
- Duration: 25:22
- Updated: 02 May 2013
- views: 51939
Robert Schumann
Frauenliebe und -leben op.42
Seit ich ihn gesehen 0:00
Er, der Herrlichste von allen 2:59
Ich kann' nicht fassen, nicht glauben 6:29
Du Ring a...
Robert Schumann
Frauenliebe und -leben op.42
Seit ich ihn gesehen 0:00
Er, der Herrlichste von allen 2:59
Ich kann' nicht fassen, nicht glauben 6:29
Du Ring an meinem Finger 8:24
Helft mir, ihr Schwestern 11:36
Süsser Freund, du blickest 13:42
An meinem Herzen, an meiner Brust 19:06
Nun hast du mir den ersten Schmerz getan 20:29
Janet Baker
Geoffrey Parsons
https://wn.com/Schumann_Frauenliebe_Und_Leben_Baker_Parsons
Robert Schumann
Frauenliebe und -leben op.42
Seit ich ihn gesehen 0:00
Er, der Herrlichste von allen 2:59
Ich kann' nicht fassen, nicht glauben 6:29
Du Ring an meinem Finger 8:24
Helft mir, ihr Schwestern 11:36
Süsser Freund, du blickest 13:42
An meinem Herzen, an meiner Brust 19:06
Nun hast du mir den ersten Schmerz getan 20:29
Janet Baker
Geoffrey Parsons
- published: 02 May 2013
- views: 51939
La Calisto 1971 - Dame Janet Baker & Ileana Cotrubas
- Order: Reorder
- Duration: 2:03:29
- Updated: 15 Sep 2012
- views: 20693
- published: 15 Sep 2012
- views: 20693
Janet Baker: The Music Makers Op.69 by Elgar
- Order: Reorder
- Duration: 37:57
- Updated: 29 Feb 2016
- views: 3881
Edward Elgar (1857-1934)
The Music Makers, Op.69
1. Introduction - Moderato e nobilmente
2. We are the music makers
3. With wonderful deathless ditties
4. We, ...
Edward Elgar (1857-1934)
The Music Makers, Op.69
1. Introduction - Moderato e nobilmente
2. We are the music makers
3. With wonderful deathless ditties
4. We, in the ages lying
5. A breath of our inspiration
6. They had no vision amazing 15:08 (Janet Baker)
7. And therefore today is thrilling 18: 30 (Janet Baker)
8. But we with our dreaming and singing
9. For we are afar with the dawning
10. Great hail! We cry to the corners 29:05 (Janet Baker)
Janet Baker, mezzo-soprano
London Philharmonic Choir (chorus master: Frederic Jackson)
London Philharmonic Orchestra
Conducted by Adrian Boult
1967
Version by Sarah Connolly: https://youtu.be/8a89tSjs-uI
_
https://wn.com/Janet_Baker_The_Music_Makers_Op.69_By_Elgar
Edward Elgar (1857-1934)
The Music Makers, Op.69
1. Introduction - Moderato e nobilmente
2. We are the music makers
3. With wonderful deathless ditties
4. We, in the ages lying
5. A breath of our inspiration
6. They had no vision amazing 15:08 (Janet Baker)
7. And therefore today is thrilling 18: 30 (Janet Baker)
8. But we with our dreaming and singing
9. For we are afar with the dawning
10. Great hail! We cry to the corners 29:05 (Janet Baker)
Janet Baker, mezzo-soprano
London Philharmonic Choir (chorus master: Frederic Jackson)
London Philharmonic Orchestra
Conducted by Adrian Boult
1967
Version by Sarah Connolly: https://youtu.be/8a89tSjs-uI
_
- published: 29 Feb 2016
- views: 3881
Elgar: The Dream of Gerontius [Barbirolli] Janet Baker, Richard Lewis, Kim Borg
- Order: Reorder
- Duration: 1:36:58
- Updated: 05 Nov 2015
- views: 9718
Edward Elgar (1857-1934)
The Dream of Gerontius, Op. 38
Janet Baker, mezzo-soprano (The Angel)
Richard Lewis, tenor (Gerontius, Soul of Gerontius)
Kim Borg, b...
Edward Elgar (1857-1934)
The Dream of Gerontius, Op. 38
Janet Baker, mezzo-soprano (The Angel)
Richard Lewis, tenor (Gerontius, Soul of Gerontius)
Kim Borg, bass (The Priest, The Angel of Agony)
The combined Hallé Choir and Sheffild Philharmonic Chorus
(chorus master: Eric Chadwick)
Ambrosian Singers (chorus master: John McCarthy)
Hallé Orchestra, leader: Martin Milner
Conducted by John Barbirolli
1965
_
https://wn.com/Elgar_The_Dream_Of_Gerontius_Barbirolli_Janet_Baker,_Richard_Lewis,_Kim_Borg
Edward Elgar (1857-1934)
The Dream of Gerontius, Op. 38
Janet Baker, mezzo-soprano (The Angel)
Richard Lewis, tenor (Gerontius, Soul of Gerontius)
Kim Borg, bass (The Priest, The Angel of Agony)
The combined Hallé Choir and Sheffild Philharmonic Chorus
(chorus master: Eric Chadwick)
Ambrosian Singers (chorus master: John McCarthy)
Hallé Orchestra, leader: Martin Milner
Conducted by John Barbirolli
1965
_
- published: 05 Nov 2015
- views: 9718
Janet Baker: Les Nuits d'été [Barbirolli] by Berlioz
- Order: Reorder
- Duration: 31:34
- Updated: 02 Aug 2016
- views: 400
Hector Berlioz (1803-1869)
Les Nuits d'été, Op. 7 (poems by Théophile Gautier)
1. Villanelle
2. Le spectre de la rose
3. Sur les lagunes
4. Absence
5. Au cimet...
Hector Berlioz (1803-1869)
Les Nuits d'été, Op. 7 (poems by Théophile Gautier)
1. Villanelle
2. Le spectre de la rose
3. Sur les lagunes
4. Absence
5. Au cimetière
6. L'Île Inconnue
Janet Baker, mezzo-soprano
New Philharmonia Orchestra
Conducted by John Barbirolli
23 Aug 1967
_
https://wn.com/Janet_Baker_Les_Nuits_D'Été_Barbirolli_By_Berlioz
Hector Berlioz (1803-1869)
Les Nuits d'été, Op. 7 (poems by Théophile Gautier)
1. Villanelle
2. Le spectre de la rose
3. Sur les lagunes
4. Absence
5. Au cimetière
6. L'Île Inconnue
Janet Baker, mezzo-soprano
New Philharmonia Orchestra
Conducted by John Barbirolli
23 Aug 1967
_
- published: 02 Aug 2016
- views: 400
Janet Baker; "Wesendonck Lieder"; Richard Wagner
- Order: Reorder
- Duration: 23:52
- Updated: 20 Sep 2016
- views: 198
Janet Baker--Mezzo-soprano
Sir Adrian Boult--Conductor
London Philharmonic Orchestra
1975
- published: 20 Sep 2016
- views: 198
-
Interview with Dame Janet Baker
Dame Janet Baker in conversation with Norbert Meyn In this interview Janet Baker talks about her work with Austrian singing teacher Helene Isepp, the conductor Peter Gellhorn and the pianist Paul Hamburger as well as other émigré musicians. She also discusses the overall importance of émigré musicians from Germany and Austria on music in Britain. This interview is presented as part of the ORAL HISTORY PROJECT "Singing a Song in a Foreign Land", which focuses on musicians who emigrated from Central Europe because of Nazi persecution in the 1930s and 40s. Visit the SINGING A SONG IN A FOREIGN LAND - ONLINE RESOURCE for more interviews and further information: http://www.rcm.ac.uk/singingasong This project has been generously supported by the Heritage Lottery Fund and the Rothschild Foun...
published: 01 May 2015 -
In conversation with Dame Janet Baker : the full interview
In what was one of the most special hours of my life, I had the great privilege of sitting down with legendary artist, Dame Janet Baker, to discuss her career, her artistic integrity, and her view on the power of music. Celebrating her 80th Birthday, a 20-CD set of her greatest recordings was released, and it seemed a good occasion to look back on her storied, impeccable career. Filmed on site at Wigmore Hall in London.
published: 30 Aug 2013 -
Dame Janet Baker talks about stagefright
From the documentary Full Circle. Her words of wisdom on those rotten little things called nerves. :D
published: 28 Apr 2013 -
Janet Baker and Joyce DiDonato In Conversation (The Royal Opera)
A unique event with two of the greatest mezzo-sopranos of their generations. Watch Joyce DiDonato and Dame Janet Baker discuss the roles that have inspired them, the technique of singing and advice for the next generation. They also discuss what the artform of opera needs to do to survive. Find out more at http://www.roh.org.uk American mezzo-soprano Joyce DiDonato made her Royal Opera debut in 2003 as Fox (The Cunning Little Vixen), and has since returned to sing Rosina (Il barbiere di Siviglia), Donna Elvira (Don Giovanni, including on tour with The Royal Opera to Japan), Cendrillon, Elena (La donna del lago), Maria Stuarda and in Plácido Domingo’s 2012 Operalia concert. She returns in the 2015/16 Season to sing Charlotte (Werther). DiDonato grew up in Kansas and studied music educat...
published: 22 Jun 2016 -
Dame Janet Baker on Britten
The mezzo-soprano Dame Janet Baker on Benjamin Britten as composer, conductor and pianist. Just one of the Britten fans celebrating the composer's centenary at www.britten100.org.
published: 01 Oct 2012 -
Dame Janet Baker in conversation with Presto Classical
In the lead-up to her 80th birthday, Dame Janet Baker talks to Presto Classical's Katherine Cooper about her career, life since retirement and thoughts on a new generation of singers.
published: 14 Aug 2013 -
Dame Janet Baker, Interview 1982 and part of Sea pictures.
Dame Janet Baker, Interview 1982 and part of Sea pictures.
published: 08 Jul 2013 -
Janet Baker and Joyce DiDonato's tips for singers (The Royal Opera)
Janet Baker and Joyce DiDonato discuss what makes a great singer, and offer their advice on how to approach an opera performance. Find out more at http://www.roh.org.uk Janet Baker was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten. During her career, which spanned the 1950s to the 1980s, she was considered an outstanding singing actress and widely admired for her dramatic intensity, perhaps best represented in her famous portrayal as Dido, the tragic heroine of Berlioz's magnum opus, Les Troyens.
published: 06 Jul 2016 -
-
Dame Janet Baker - The Fall of Troy 1966
published: 30 Dec 2012 -
Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker and the London Philharmonic Choir & Orchestra in a few moments from Elgar's great oratorio. The other soloists were Peter Pears and John Shirley-Quirk. The performance was filmed in Canterbury Cathedral in 1968 and has been sumptuously restored by 'ICA Classics' (Catalogue No. ICAD 5140). This 2-DVD set also includes a 1989 TV documentary about Boult presented by Vernon Handley.
published: 04 Nov 2016 -
Janet Baker Sings an Anthology of English Song
1963 UK Saga – XID 5213 A1 The Call Composed By – Ralph Vaughan Williams A2 Youth And Love Composed By – Ralph Vaughan Williams A3 A Thanksgiving Composed By – John Ireland A4 Her Song Composed By – John Ireland A5 A Piper Composed By – Michael Head (2) A6 This Is A Sacred City (By A Bierside) Composed By – Armstrong Gibbs A7 Love Is A Sickness Composed By – Armstrong Gibbs A8 The Cloths Of Heaven Composed By – Thomas Dunhill A9 Balulalow Composed By – Peter Warlock A10 Youth Composed By – Peter Warlock B1 King David Composed By – Herbert Howells B2 Come Sing And Dance Composed By – Herbert Howells B3 Sleep Composed By – Ivor Gurney B4 I Will Go With My Father A-Ploughing Composed By – Ivor Gurney B5 To The Queen Of Heaven Composed By – Thomas Dunhill B6 Come Away, Come Away, Death Compo...
published: 30 Apr 2016 -
Where Corals Lie Dame Janet Baker
A lovely version of this song.
published: 29 Mar 2009 -
-
Dame Janet Baker - Strauss' Morgen
Dame Janet Baker sings Richard Strauss' beautiful lied 'Morgen'.
published: 22 Jul 2007 -
Dame Janet Baker - Schubert's An die Musik
Dame Janet Baker sings this beautiful Schubert song. Murray Perahia, piano Covent Garden.
published: 18 Apr 2007 -
Dame Janet Baker - She Moved Through the Fair
published: 30 Jul 2016 -
Janet Baker - Dido & Aeneas - When I am laid in earth
Dame Janet Baker sings one of the most beautiful arias of all opera, from Purcell's Dido and Aeneas. Glyndebourne, 1966. Conductor: Charles Mackerras.
published: 18 Apr 2007 -
Janet Baker sings "Alto Rhapsody" - LIVE!
Here is a wonderful performance of the Brahms Rhapsody with Dame Janet Baker and the Danish Radio Symphony Orchestra under the baton of János Ferencsik from 1979. "Vater der Liebe, ein Tonseinem Ohre vernehmlich, so erquicke sein Herz!" Here is a link to her singing Britten's cantata "Phaedra" from the same concert: http://youtu.be/BHGE-6SUUwI
published: 17 Apr 2013 -
La Calisto 1971 - Dame Janet Baker & Ileana Cotrubas
published: 15 Sep 2012
Interview with Dame Janet Baker
- Order: Reorder
- Duration: 1:09:26
- Updated: 01 May 2015
- views: 33738
Dame Janet Baker in conversation with Norbert Meyn
In this interview Janet Baker talks about her work with Austrian singing teacher Helene Isepp, the conductor...
Dame Janet Baker in conversation with Norbert Meyn
In this interview Janet Baker talks about her work with Austrian singing teacher Helene Isepp, the conductor Peter Gellhorn and the pianist Paul Hamburger as well as other émigré musicians. She also discusses the overall importance of émigré musicians from Germany and Austria on music in Britain.
This interview is presented as part of the ORAL HISTORY PROJECT "Singing a Song in a Foreign Land", which focuses on musicians who emigrated from Central Europe because of Nazi persecution in the 1930s and 40s.
Visit the SINGING A SONG IN A FOREIGN LAND - ONLINE RESOURCE for more interviews and further information:
http://www.rcm.ac.uk/singingasong
This project has been generously supported by the Heritage Lottery Fund and the Rothschild Foundation
https://wn.com/Interview_With_Dame_Janet_Baker
Dame Janet Baker in conversation with Norbert Meyn
In this interview Janet Baker talks about her work with Austrian singing teacher Helene Isepp, the conductor Peter Gellhorn and the pianist Paul Hamburger as well as other émigré musicians. She also discusses the overall importance of émigré musicians from Germany and Austria on music in Britain.
This interview is presented as part of the ORAL HISTORY PROJECT "Singing a Song in a Foreign Land", which focuses on musicians who emigrated from Central Europe because of Nazi persecution in the 1930s and 40s.
Visit the SINGING A SONG IN A FOREIGN LAND - ONLINE RESOURCE for more interviews and further information:
http://www.rcm.ac.uk/singingasong
This project has been generously supported by the Heritage Lottery Fund and the Rothschild Foundation
- published: 01 May 2015
- views: 33738
In conversation with Dame Janet Baker : the full interview
- Order: Reorder
- Duration: 31:53
- Updated: 30 Aug 2013
- views: 33422
In what was one of the most special hours of my life, I had the great privilege of sitting down with legendary artist, Dame Janet Baker, to discuss her career, ...
In what was one of the most special hours of my life, I had the great privilege of sitting down with legendary artist, Dame Janet Baker, to discuss her career, her artistic integrity, and her view on the power of music. Celebrating her 80th Birthday, a 20-CD set of her greatest recordings was released, and it seemed a good occasion to look back on her storied, impeccable career. Filmed on site at Wigmore Hall in London.
https://wn.com/In_Conversation_With_Dame_Janet_Baker_The_Full_Interview
In what was one of the most special hours of my life, I had the great privilege of sitting down with legendary artist, Dame Janet Baker, to discuss her career, her artistic integrity, and her view on the power of music. Celebrating her 80th Birthday, a 20-CD set of her greatest recordings was released, and it seemed a good occasion to look back on her storied, impeccable career. Filmed on site at Wigmore Hall in London.
- published: 30 Aug 2013
- views: 33422
Dame Janet Baker talks about stagefright
- Order: Reorder
- Duration: 4:19
- Updated: 28 Apr 2013
- views: 20162
From the documentary Full Circle. Her words of wisdom on those rotten little things called nerves. :D
From the documentary Full Circle. Her words of wisdom on those rotten little things called nerves. :D
https://wn.com/Dame_Janet_Baker_Talks_About_Stagefright
From the documentary Full Circle. Her words of wisdom on those rotten little things called nerves. :D
- published: 28 Apr 2013
- views: 20162
Janet Baker and Joyce DiDonato In Conversation (The Royal Opera)
- Order: Reorder
- Duration: 55:35
- Updated: 22 Jun 2016
- views: 21955
A unique event with two of the greatest mezzo-sopranos of their generations. Watch Joyce DiDonato and Dame Janet Baker discuss the roles that have inspired them...
A unique event with two of the greatest mezzo-sopranos of their generations. Watch Joyce DiDonato and Dame Janet Baker discuss the roles that have inspired them, the technique of singing and advice for the next generation.
They also discuss what the artform of opera needs to do to survive.
Find out more at http://www.roh.org.uk
American mezzo-soprano Joyce DiDonato made her Royal Opera debut in 2003 as Fox (The Cunning Little Vixen), and has since returned to sing Rosina (Il barbiere di Siviglia), Donna Elvira (Don Giovanni, including on tour with The Royal Opera to Japan), Cendrillon, Elena (La donna del lago), Maria Stuarda and in Plácido Domingo’s 2012 Operalia concert. She returns in the 2015/16 Season to sing Charlotte (Werther).
DiDonato grew up in Kansas and studied music education at Wichita State University and singing at the Academy of Vocal Arts, Philadelphia, on the Santa Fe Opera’s Apprentice Singer Program (1995) and on San Francisco Opera’s Merola Young Artists Program (1997). She won second prize in Operalia in 1998 and has gone on to win international acclaim in bel canto and other repertories. Engagements include Composer (Ariadne auf Naxos), Sycorax (The Enchanted Island), Angelina (La Cenerentola), Isolier (Le Comte Ory) and Maria Stuarda for the Metropolitan Opera, New York, Cendrillon for the Liceu, Barcelona, Rosina for Vienna State Opera, Octavian (Der Rosenkavalier) for La Scala, Milan, Idamante (Idomeneo) for Paris Opéra and Edinburgh Festival, Elena for Paris Opéra and Santa Fe Festival and Sister Helen Prejean (Heggie’s Dead Man Walking), Béatrice (Béatrice et Bénédict) for Houston Grand Opera and Romeo (I Capuleti e i Montecchi) in concert for Deutsche Oper Berlin.
DiDonato appears regularly at the world’s leading concert halls and sang at the 2013 BBC Last Night of the Proms. Her wide discography includes seven solo albums. She was the 2010 Gramophone Artist of the Year, won a Grammy Award for Best Classical Vocal Solo in 2012 and in 2015 won Female Singer of the Year at the ECHO Klassik Awards.
https://wn.com/Janet_Baker_And_Joyce_Didonato_In_Conversation_(The_Royal_Opera)
A unique event with two of the greatest mezzo-sopranos of their generations. Watch Joyce DiDonato and Dame Janet Baker discuss the roles that have inspired them, the technique of singing and advice for the next generation.
They also discuss what the artform of opera needs to do to survive.
Find out more at http://www.roh.org.uk
American mezzo-soprano Joyce DiDonato made her Royal Opera debut in 2003 as Fox (The Cunning Little Vixen), and has since returned to sing Rosina (Il barbiere di Siviglia), Donna Elvira (Don Giovanni, including on tour with The Royal Opera to Japan), Cendrillon, Elena (La donna del lago), Maria Stuarda and in Plácido Domingo’s 2012 Operalia concert. She returns in the 2015/16 Season to sing Charlotte (Werther).
DiDonato grew up in Kansas and studied music education at Wichita State University and singing at the Academy of Vocal Arts, Philadelphia, on the Santa Fe Opera’s Apprentice Singer Program (1995) and on San Francisco Opera’s Merola Young Artists Program (1997). She won second prize in Operalia in 1998 and has gone on to win international acclaim in bel canto and other repertories. Engagements include Composer (Ariadne auf Naxos), Sycorax (The Enchanted Island), Angelina (La Cenerentola), Isolier (Le Comte Ory) and Maria Stuarda for the Metropolitan Opera, New York, Cendrillon for the Liceu, Barcelona, Rosina for Vienna State Opera, Octavian (Der Rosenkavalier) for La Scala, Milan, Idamante (Idomeneo) for Paris Opéra and Edinburgh Festival, Elena for Paris Opéra and Santa Fe Festival and Sister Helen Prejean (Heggie’s Dead Man Walking), Béatrice (Béatrice et Bénédict) for Houston Grand Opera and Romeo (I Capuleti e i Montecchi) in concert for Deutsche Oper Berlin.
DiDonato appears regularly at the world’s leading concert halls and sang at the 2013 BBC Last Night of the Proms. Her wide discography includes seven solo albums. She was the 2010 Gramophone Artist of the Year, won a Grammy Award for Best Classical Vocal Solo in 2012 and in 2015 won Female Singer of the Year at the ECHO Klassik Awards.
- published: 22 Jun 2016
- views: 21955
Dame Janet Baker on Britten
- Order: Reorder
- Duration: 2:56
- Updated: 01 Oct 2012
- views: 15109
The mezzo-soprano Dame Janet Baker on Benjamin Britten as composer, conductor and pianist. Just one of the Britten fans celebrating the composer's centenary at ...
The mezzo-soprano Dame Janet Baker on Benjamin Britten as composer, conductor and pianist. Just one of the Britten fans celebrating the composer's centenary at www.britten100.org.
https://wn.com/Dame_Janet_Baker_On_Britten
The mezzo-soprano Dame Janet Baker on Benjamin Britten as composer, conductor and pianist. Just one of the Britten fans celebrating the composer's centenary at www.britten100.org.
- published: 01 Oct 2012
- views: 15109
Dame Janet Baker in conversation with Presto Classical
- Order: Reorder
- Duration: 19:18
- Updated: 14 Aug 2013
- views: 8037
In the lead-up to her 80th birthday, Dame Janet Baker talks to Presto Classical's Katherine Cooper about her career, life since retirement and thoughts on a new...
In the lead-up to her 80th birthday, Dame Janet Baker talks to Presto Classical's Katherine Cooper about her career, life since retirement and thoughts on a new generation of singers.
https://wn.com/Dame_Janet_Baker_In_Conversation_With_Presto_Classical
In the lead-up to her 80th birthday, Dame Janet Baker talks to Presto Classical's Katherine Cooper about her career, life since retirement and thoughts on a new generation of singers.
- published: 14 Aug 2013
- views: 8037
Dame Janet Baker, Interview 1982 and part of Sea pictures.
- Order: Reorder
- Duration: 35:34
- Updated: 08 Jul 2013
- views: 1432
Janet Baker and Joyce DiDonato's tips for singers (The Royal Opera)
- Order: Reorder
- Duration: 3:53
- Updated: 06 Jul 2016
- views: 4754
Janet Baker and Joyce DiDonato discuss what makes a great singer, and offer their advice on how to approach an opera performance. Find out more at http://www.ro...
Janet Baker and Joyce DiDonato discuss what makes a great singer, and offer their advice on how to approach an opera performance. Find out more at http://www.roh.org.uk
Janet Baker was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten. During her career, which spanned the 1950s to the 1980s, she was considered an outstanding singing actress and widely admired for her dramatic intensity, perhaps best represented in her famous portrayal as Dido, the tragic heroine of Berlioz's magnum opus, Les Troyens.
https://wn.com/Janet_Baker_And_Joyce_Didonato's_Tips_For_Singers_(The_Royal_Opera)
Janet Baker and Joyce DiDonato discuss what makes a great singer, and offer their advice on how to approach an opera performance. Find out more at http://www.roh.org.uk
Janet Baker was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten. During her career, which spanned the 1950s to the 1980s, she was considered an outstanding singing actress and widely admired for her dramatic intensity, perhaps best represented in her famous portrayal as Dido, the tragic heroine of Berlioz's magnum opus, Les Troyens.
- published: 06 Jul 2016
- views: 4754
JANET BAKER's BBC Interview : What would your "desert island" discs be?
- Order: Reorder
- Duration: 31:38
- Updated: 25 Jan 2013
- views: 8310
Dame Janet Baker - The Fall of Troy 1966
- Order: Reorder
- Duration: 1:26:32
- Updated: 30 Dec 2012
- views: 260
- published: 30 Dec 2012
- views: 260
Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)
- Order: Reorder
- Duration: 10:11
- Updated: 04 Nov 2016
- views: 1556
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker and the London Philharmonic Choir & Orchestra in a few moments from E...
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker and the London Philharmonic Choir & Orchestra in a few moments from Elgar's great oratorio. The other soloists were Peter Pears and John Shirley-Quirk. The performance was filmed in Canterbury Cathedral in 1968 and has been sumptuously restored by 'ICA Classics' (Catalogue No. ICAD 5140). This 2-DVD set also includes a 1989 TV documentary about Boult presented by Vernon Handley.
https://wn.com/Elgar_'The_Dream_Of_Gerontius'_Janet_Baker_Sir_Adrian_Boult_(Excerpts)
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker and the London Philharmonic Choir & Orchestra in a few moments from Elgar's great oratorio. The other soloists were Peter Pears and John Shirley-Quirk. The performance was filmed in Canterbury Cathedral in 1968 and has been sumptuously restored by 'ICA Classics' (Catalogue No. ICAD 5140). This 2-DVD set also includes a 1989 TV documentary about Boult presented by Vernon Handley.
- published: 04 Nov 2016
- views: 1556
Janet Baker Sings an Anthology of English Song
- Order: Reorder
- Duration: 43:26
- Updated: 30 Apr 2016
- views: 1254
1963 UK Saga – XID 5213
A1 The Call
Composed By – Ralph Vaughan Williams
A2 Youth And Love
Composed By – Ralph Vaughan Williams
A3 A Thanksgiving
Composed By ...
1963 UK Saga – XID 5213
A1 The Call
Composed By – Ralph Vaughan Williams
A2 Youth And Love
Composed By – Ralph Vaughan Williams
A3 A Thanksgiving
Composed By – John Ireland
A4 Her Song
Composed By – John Ireland
A5 A Piper
Composed By – Michael Head (2)
A6 This Is A Sacred City (By A Bierside)
Composed By – Armstrong Gibbs
A7 Love Is A Sickness
Composed By – Armstrong Gibbs
A8 The Cloths Of Heaven
Composed By – Thomas Dunhill
A9 Balulalow
Composed By – Peter Warlock
A10 Youth
Composed By – Peter Warlock
B1 King David
Composed By – Herbert Howells
B2 Come Sing And Dance
Composed By – Herbert Howells
B3 Sleep
Composed By – Ivor Gurney
B4 I Will Go With My Father A-Ploughing
Composed By – Ivor Gurney
B5 To The Queen Of Heaven
Composed By – Thomas Dunhill
B6 Come Away, Come Away, Death
Composed By – Gerald Finzi
B7 It Was A Lover And His Lass
Composed By – Gerald Finzi
https://wn.com/Janet_Baker_Sings_An_Anthology_Of_English_Song
1963 UK Saga – XID 5213
A1 The Call
Composed By – Ralph Vaughan Williams
A2 Youth And Love
Composed By – Ralph Vaughan Williams
A3 A Thanksgiving
Composed By – John Ireland
A4 Her Song
Composed By – John Ireland
A5 A Piper
Composed By – Michael Head (2)
A6 This Is A Sacred City (By A Bierside)
Composed By – Armstrong Gibbs
A7 Love Is A Sickness
Composed By – Armstrong Gibbs
A8 The Cloths Of Heaven
Composed By – Thomas Dunhill
A9 Balulalow
Composed By – Peter Warlock
A10 Youth
Composed By – Peter Warlock
B1 King David
Composed By – Herbert Howells
B2 Come Sing And Dance
Composed By – Herbert Howells
B3 Sleep
Composed By – Ivor Gurney
B4 I Will Go With My Father A-Ploughing
Composed By – Ivor Gurney
B5 To The Queen Of Heaven
Composed By – Thomas Dunhill
B6 Come Away, Come Away, Death
Composed By – Gerald Finzi
B7 It Was A Lover And His Lass
Composed By – Gerald Finzi
- published: 30 Apr 2016
- views: 1254
Where Corals Lie Dame Janet Baker
- Order: Reorder
- Duration: 4:08
- Updated: 29 Mar 2009
- views: 51114
A lovely version of this song.
A lovely version of this song.
https://wn.com/Where_Corals_Lie_Dame_Janet_Baker
A lovely version of this song.
- published: 29 Mar 2009
- views: 51114
Dame Janet Baker; "Nacht und Träume"; Franz Schubert
- Order: Reorder
- Duration: 4:37
- Updated: 21 Sep 2016
- views: 483
Dame Janet Baker - Strauss' Morgen
- Order: Reorder
- Duration: 4:11
- Updated: 22 Jul 2007
- views: 118201
Dame Janet Baker sings Richard Strauss' beautiful lied 'Morgen'.
- published: 22 Jul 2007
- views: 118201
Dame Janet Baker - Schubert's An die Musik
- Order: Reorder
- Duration: 2:57
- Updated: 18 Apr 2007
- views: 308330
Dame Janet Baker sings this beautiful Schubert song.
Murray Perahia, piano
Covent Garden.
- published: 18 Apr 2007
- views: 308330
Dame Janet Baker - She Moved Through the Fair
- Order: Reorder
- Duration: 3:38
- Updated: 30 Jul 2016
- views: 653
- published: 30 Jul 2016
- views: 653
Janet Baker - Dido & Aeneas - When I am laid in earth
- Order: Reorder
- Duration: 5:19
- Updated: 18 Apr 2007
- views: 705933
Dame Janet Baker sings one of the most beautiful arias of all opera, from Purcell's Dido and Aeneas.
Glyndebourne, 1966. Conductor: Charles Mackerras.
Dame Janet Baker sings one of the most beautiful arias of all opera, from Purcell's Dido and Aeneas.
Glyndebourne, 1966. Conductor: Charles Mackerras.
https://wn.com/Janet_Baker_Dido_Aeneas_When_I_Am_Laid_In_Earth
Dame Janet Baker sings one of the most beautiful arias of all opera, from Purcell's Dido and Aeneas.
Glyndebourne, 1966. Conductor: Charles Mackerras.
- published: 18 Apr 2007
- views: 705933
Janet Baker sings "Alto Rhapsody" - LIVE!
- Order: Reorder
- Duration: 13:32
- Updated: 17 Apr 2013
- views: 16857
Here is a wonderful performance of the Brahms Rhapsody with Dame Janet Baker and the Danish Radio Symphony Orchestra under the baton of János Ferencsik from 197...
Here is a wonderful performance of the Brahms Rhapsody with Dame Janet Baker and the Danish Radio Symphony Orchestra under the baton of János Ferencsik from 1979.
"Vater der Liebe, ein Tonseinem Ohre vernehmlich, so erquicke sein Herz!"
Here is a link to her singing Britten's cantata "Phaedra" from the same concert:
http://youtu.be/BHGE-6SUUwI
https://wn.com/Janet_Baker_Sings_Alto_Rhapsody_Live
Here is a wonderful performance of the Brahms Rhapsody with Dame Janet Baker and the Danish Radio Symphony Orchestra under the baton of János Ferencsik from 1979.
"Vater der Liebe, ein Tonseinem Ohre vernehmlich, so erquicke sein Herz!"
Here is a link to her singing Britten's cantata "Phaedra" from the same concert:
http://youtu.be/BHGE-6SUUwI
- published: 17 Apr 2013
- views: 16857
La Calisto 1971 - Dame Janet Baker & Ileana Cotrubas
- Order: Reorder
- Duration: 2:03:29
- Updated: 15 Sep 2012
- views: 20693
- published: 15 Sep 2012
- views: 20693
- Playlist
- Chat
- Playlist
- Chat
6:54
Janet Baker - Disprezzata regina (Monteverdi)
Janet Baker sings "Disprezzata regina" (Ottavia's Lament) from Monteverdi's "L'incoronazio...
published: 20 Apr 2010
Janet Baker - Disprezzata regina (Monteverdi)
Janet Baker - Disprezzata regina (Monteverdi)
- Report rights infringement
- published: 20 Apr 2010
- views: 17574
2:10:40
Monteverdi - L'incoronazione di Poppea (actes 1-2) (ST it-eng-fr-de-esp)
"Opera musicale" en 1 prologue et 3 actes de Claudio Monteverdi, créé en 1642 à Venise
Li...
published: 10 Aug 2013
Monteverdi - L'incoronazione di Poppea (actes 1-2) (ST it-eng-fr-de-esp)
Monteverdi - L'incoronazione di Poppea (actes 1-2) (ST it-eng-fr-de-esp)
- Report rights infringement
- published: 10 Aug 2013
- views: 141276
9:37
'Il ritorno d'Ulisse in patria' * Excerpt 10 FINALE * JANET BAKER * Glyndebourne 1973
Tenth and FINAL installment of *selected* excerpts from the Glyndebourne Festival Operas 1...
published: 24 Mar 2010
'Il ritorno d'Ulisse in patria' * Excerpt 10 FINALE * JANET BAKER * Glyndebourne 1973
'Il ritorno d'Ulisse in patria' * Excerpt 10 FINALE * JANET BAKER * Glyndebourne 1973
- Report rights infringement
- published: 24 Mar 2010
- views: 8670
10:32
Monteverdi Il ritorno di Ulisse in patria Hanna Bayodi-Hirt Melanto Ed Lyon Eurimaco
Les Arts Florissants dir. William Christie
Teatro Real Madrid 2009
Published with courte...
published: 27 Sep 2010
Monteverdi Il ritorno di Ulisse in patria Hanna Bayodi-Hirt Melanto Ed Lyon Eurimaco
Monteverdi Il ritorno di Ulisse in patria Hanna Bayodi-Hirt Melanto Ed Lyon Eurimaco
- Report rights infringement
- published: 27 Sep 2010
- views: 63298
1:11:08
J.S. Bach: Christmas Oratorio, part 2/2
From the Herderkirche in Weimar, Germany
John Eliot Gardiner - conductor
Monteverdi Choir
...
published: 01 Dec 2016
J.S. Bach: Christmas Oratorio, part 2/2
J.S. Bach: Christmas Oratorio, part 2/2
- Report rights infringement
- published: 01 Dec 2016
- views: 7571
1:56:23
Monteverdi - Il ritorno d'Ulisse in patria (actes 1-2) (ST it-eng-fr-de-esp)
"Drame en musique" ("dramma per musica") en 1 prologue et 3 actes de Claudio Monteverdi, c...
published: 09 Aug 2013
Monteverdi - Il ritorno d'Ulisse in patria (actes 1-2) (ST it-eng-fr-de-esp)
Monteverdi - Il ritorno d'Ulisse in patria (actes 1-2) (ST it-eng-fr-de-esp)
- Report rights infringement
- published: 09 Aug 2013
- views: 64788
5:51
Pergolesi "Ogni pena più spietata" Janet Baker
(Sorry for the downhill score on some parts..)
Dame Janet Baker
Ogni pena più spietata...
published: 18 Feb 2008
Pergolesi "Ogni pena più spietata" Janet Baker
Pergolesi "Ogni pena più spietata" Janet Baker
- Report rights infringement
- published: 18 Feb 2008
- views: 112035
2:25
Monteverdi: L'Orfeo (Teatro alla Scala)
Monteverdi's seminal first opera tells the dramatic story from Ovid's Metamorphoses of the...
published: 27 Jan 2011
Monteverdi: L'Orfeo (Teatro alla Scala)
Monteverdi: L'Orfeo (Teatro alla Scala)
- Report rights infringement
- published: 27 Jan 2011
- views: 34786
4:19
Monteverdi - L' Incoronazione di Poppea 3
Poppea and Nerone's final duet Act III: "Pur ti Miro". Poppea and Nerone sing of their lov...
published: 23 May 2008
Monteverdi - L' Incoronazione di Poppea 3
Monteverdi - L' Incoronazione di Poppea 3
- Report rights infringement
- published: 23 May 2008
- views: 97893
3:03
Janet Baker "Care selve" Atalanta
Janet Baker sings "Care selve" from Atalanta
by Georg Friedrich Händel
English Chamber Orc...
published: 10 Aug 2014
Janet Baker "Care selve" Atalanta
Janet Baker "Care selve" Atalanta
- Report rights infringement
- published: 10 Aug 2014
- views: 1595
40:22
Handel - Dixit Dominus - Gardiner
George Frideric Handel
Dixit Dominus, HWV 232
Monteverdi Choir
English Baroque Soloists
S...
published: 05 Feb 2015
Handel - Dixit Dominus - Gardiner
Handel - Dixit Dominus - Gardiner
- Report rights infringement
- published: 05 Feb 2015
- views: 165674
2:30
Georg Nigl - L'Orfeo - Monteverdi - Tu se' morta
Watch the opera in full at http://www.medici.tv/#!/l-orfeo-monteverdi-rinaldo-alessandrini...
published: 03 Sep 2012
Georg Nigl - L'Orfeo - Monteverdi - Tu se' morta
Georg Nigl - L'Orfeo - Monteverdi - Tu se' morta
- Report rights infringement
- published: 03 Sep 2012
- views: 84823
13:03
Frederica von Stade: Torna, torna (Il Ritorno d'Ulisse in Patria) Monteverdi
Claudio Monteverdi (1567-1643)
Aria: "Torna, torna" (from Il ritorno d'Ulisse in patria)
...
published: 26 Dec 2014
Frederica von Stade: Torna, torna (Il Ritorno d'Ulisse in Patria) Monteverdi
Frederica von Stade: Torna, torna (Il Ritorno d'Ulisse in Patria) Monteverdi
- Report rights infringement
- published: 26 Dec 2014
- views: 2064
7:41
Frederica von Stade & Benjamin Luxon sing Monteverdi - LIVE!
Video footage from 1992 of these two great artists performing "Illustratevi, o Cieli" (or ...
published: 18 Jun 2011
Frederica von Stade & Benjamin Luxon sing Monteverdi - LIVE!
Frederica von Stade & Benjamin Luxon sing Monteverdi - LIVE!
- Report rights infringement
- published: 18 Jun 2011
- views: 10360
- Playlist
- Chat
13:32
Janet Baker sings "Alto Rhapsody" - LIVE!
Here is a wonderful performance of the Brahms Rhapsody with Dame Janet Baker and the Danis...
published: 17 Apr 2013
Janet Baker sings "Alto Rhapsody" - LIVE!
Janet Baker sings "Alto Rhapsody" - LIVE!
- Report rights infringement
- published: 17 Apr 2013
- views: 16857
7:22
'Où suis-je?' / 'Alceste' * Gluck * JANET BAKER * LIVE!
From 'Alceste': Act 1, Scene 5. Recorded live at the Royal Opera House, 12 December 1981....
published: 17 Feb 2010
'Où suis-je?' / 'Alceste' * Gluck * JANET BAKER * LIVE!
'Où suis-je?' / 'Alceste' * Gluck * JANET BAKER * LIVE!
- Report rights infringement
- published: 17 Feb 2010
- views: 9576
4:11
Dame Janet Baker - Strauss' Morgen
Dame Janet Baker sings Richard Strauss' beautiful lied 'Morgen'.
published: 22 Jul 2007
Dame Janet Baker - Strauss' Morgen
Dame Janet Baker - Strauss' Morgen
- Report rights infringement
- published: 22 Jul 2007
- views: 118201
31:40
Janet Baker sings "Geist und Seele" - LIVE!
Bach's Cantata 35, "Geist und Seele wird verwirret", performed by Janet Baker and the Engl...
published: 27 Nov 2012
Janet Baker sings "Geist und Seele" - LIVE!
Janet Baker sings "Geist und Seele" - LIVE!
- Report rights infringement
- published: 27 Nov 2012
- views: 5238
2:00
Mary Stuart curses Elizabeth - Janet Baker - LIVE (1973)
Please click for more information and analysis. For non commercial educational purposes. P...
published: 30 Mar 2017
Mary Stuart curses Elizabeth - Janet Baker - LIVE (1973)
Mary Stuart curses Elizabeth - Janet Baker - LIVE (1973)
- Report rights infringement
- published: 30 Mar 2017
- views: 57
1:09:26
Interview with Dame Janet Baker
Dame Janet Baker in conversation with Norbert Meyn
In this interview Janet Baker talks ab...
published: 01 May 2015
Interview with Dame Janet Baker
Interview with Dame Janet Baker
- Report rights infringement
- published: 01 May 2015
- views: 33738
16:20
Janet Baker sings "Phaedra" - LIVE!
Here is a wonderful performance of the Britten Cantata which was written for Dame Janet Ba...
published: 17 Apr 2013
Janet Baker sings "Phaedra" - LIVE!
Janet Baker sings "Phaedra" - LIVE!
- Report rights infringement
- published: 17 Apr 2013
- views: 2222
3:38
Dame Janet Baker - She Moved Through the Fair
published: 30 Jul 2016
Dame Janet Baker - She Moved Through the Fair
Dame Janet Baker - She Moved Through the Fair
- Report rights infringement
- published: 30 Jul 2016
- views: 653
3:53
Janet Baker and Joyce DiDonato's tips for singers (The Royal Opera)
Janet Baker and Joyce DiDonato discuss what makes a great singer, and offer their advice o...
published: 06 Jul 2016
Janet Baker and Joyce DiDonato's tips for singers (The Royal Opera)
Janet Baker and Joyce DiDonato's tips for singers (The Royal Opera)
- Report rights infringement
- published: 06 Jul 2016
- views: 4754
7:38
Janet Baker as Mary Stuart faces her Demons (1973) LIVE "Delle miei colpe Io squallido"
Please click for more information and analysis. For non commercial educational purposes. P...
published: 30 Mar 2017
Janet Baker as Mary Stuart faces her Demons (1973) LIVE "Delle miei colpe Io squallido"
Janet Baker as Mary Stuart faces her Demons (1973) LIVE "Delle miei colpe Io squallido"
- Report rights infringement
- published: 30 Mar 2017
- views: 59
4:37
Dame Janet Baker; "Nacht und Träume"; Franz Schubert
Janet Baker--Mezzo-soprano
Geoffrey Parsons--Piano
1980
published: 21 Sep 2016
Dame Janet Baker; "Nacht und Träume"; Franz Schubert
Dame Janet Baker; "Nacht und Träume"; Franz Schubert
- Report rights infringement
- published: 21 Sep 2016
- views: 483
5:16
Janet Baker Maria Stuarda Finale Live
Janet Baker in a stunning performance of the opera's finale.
Conductor: Charles Mackerras...
published: 24 Aug 2008
Janet Baker Maria Stuarda Finale Live
Janet Baker Maria Stuarda Finale Live
- Report rights infringement
- published: 24 Aug 2008
- views: 4538
5:19
Janet Baker - Dido & Aeneas - When I am laid in earth
Dame Janet Baker sings one of the most beautiful arias of all opera, from Purcell's Dido a...
published: 18 Apr 2007
Janet Baker - Dido & Aeneas - When I am laid in earth
Janet Baker - Dido & Aeneas - When I am laid in earth
- Report rights infringement
- published: 18 Apr 2007
- views: 705933
10:11
Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker...
published: 04 Nov 2016
Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)
Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)
- Report rights infringement
- published: 04 Nov 2016
- views: 1556
- Playlist
- Chat
1:09:26
Interview with Dame Janet Baker
Dame Janet Baker in conversation with Norbert Meyn
In this interview Janet Baker talks ab...
published: 01 May 2015
Interview with Dame Janet Baker
Interview with Dame Janet Baker
- Report rights infringement
- published: 01 May 2015
- views: 33738
23:45
Janet Baker: The complete "Sea pictures Op. 37" (Elgar)
Sea pictures (Op. 37):
I. Sea slumber-song 00:00
II. In haven 05:04
III. Sabbath morning a...
published: 04 Mar 2014
Janet Baker: The complete "Sea pictures Op. 37" (Elgar)
Janet Baker: The complete "Sea pictures Op. 37" (Elgar)
- Report rights infringement
- published: 04 Mar 2014
- views: 58847
55:35
Janet Baker and Joyce DiDonato In Conversation (The Royal Opera)
A unique event with two of the greatest mezzo-sopranos of their generations. Watch Joyce D...
published: 22 Jun 2016
Janet Baker and Joyce DiDonato In Conversation (The Royal Opera)
Janet Baker and Joyce DiDonato In Conversation (The Royal Opera)
- Report rights infringement
- published: 22 Jun 2016
- views: 21955
31:53
In conversation with Dame Janet Baker : the full interview
In what was one of the most special hours of my life, I had the great privilege of sitting...
published: 30 Aug 2013
In conversation with Dame Janet Baker : the full interview
In conversation with Dame Janet Baker : the full interview
- Report rights infringement
- published: 30 Aug 2013
- views: 33422
1:26:32
Dame Janet Baker - The Fall of Troy 1966
published: 30 Dec 2012
Dame Janet Baker - The Fall of Troy 1966
Dame Janet Baker - The Fall of Troy 1966
- Report rights infringement
- published: 30 Dec 2012
- views: 260
25:44
Janet Baker - Mahler - Kindertotenlieder - Horenstein
Gustav Mahler
Kindertotenlieder
Janet Baker, mezzo-soprano
Scottish National Orchestra
J...
published: 19 Nov 2014
Janet Baker - Mahler - Kindertotenlieder - Horenstein
Janet Baker - Mahler - Kindertotenlieder - Horenstein
- Report rights infringement
- published: 19 Nov 2014
- views: 3228
34:11
Brahms - 13 Lieder - Baker / Lush
Johannes Brahms
Heimweh II op.63 n°8 0:00
O kühler Wald op.72 n°3 3:31
Geheimnis op.71 n°...
published: 23 Feb 2013
Brahms - 13 Lieder - Baker / Lush
Brahms - 13 Lieder - Baker / Lush
- Report rights infringement
- published: 23 Feb 2013
- views: 27437
43:26
Janet Baker Sings an Anthology of English Song
1963 UK Saga – XID 5213
A1 The Call
Composed By – Ralph Vaughan Williams
A2 Youth And Lo...
published: 30 Apr 2016
Janet Baker Sings an Anthology of English Song
Janet Baker Sings an Anthology of English Song
- Report rights infringement
- published: 30 Apr 2016
- views: 1254
1:26:12
Mahler : Symphony 2 " Resurrection" (Full) Janet Baker / CBSO / Rattle ***
Critic's choice. "Rattle's reading is superlative in breadth and vividness of sound and w...
published: 26 Feb 2017
Mahler : Symphony 2 " Resurrection" (Full) Janet Baker / CBSO / Rattle ***
Mahler : Symphony 2 " Resurrection" (Full) Janet Baker / CBSO / Rattle ***
- Report rights infringement
- published: 26 Feb 2017
- views: 1382
27:55
Janet Baker - Chausson - Poème de l'amour et de la mer, Op 19
Ernest Chausson
Poème de l'amour et de la mer, Op 19
Janet Baker, mezzo-soprano
London S...
published: 19 Dec 2014
Janet Baker - Chausson - Poème de l'amour et de la mer, Op 19
Janet Baker - Chausson - Poème de l'amour et de la mer, Op 19
- Report rights infringement
- published: 19 Dec 2014
- views: 6455
28:33
Mahler "Kindertotenlieder" (L. Bernstein, J. Baker)
Be apart of my Facebook page! http://www.facebook.com/Blop888
Conductor: Leonard Bernstein...
published: 31 Aug 2013
Mahler "Kindertotenlieder" (L. Bernstein, J. Baker)
Mahler "Kindertotenlieder" (L. Bernstein, J. Baker)
- Report rights infringement
- published: 31 Aug 2013
- views: 47184
23:14
Dame Janet Baker; "Frauenliebe und -leben"; Robert Schumann
Janet Baker--Mezzo-soprano
Daniel Barenboim--Piano
1968/1975
published: 21 Sep 2016
Dame Janet Baker; "Frauenliebe und -leben"; Robert Schumann
Dame Janet Baker; "Frauenliebe und -leben"; Robert Schumann
- Report rights infringement
- published: 21 Sep 2016
- views: 132
31:40
Janet Baker sings "Geist und Seele" - LIVE!
Bach's Cantata 35, "Geist und Seele wird verwirret", performed by Janet Baker and the Engl...
published: 27 Nov 2012
Janet Baker sings "Geist und Seele" - LIVE!
Janet Baker sings "Geist und Seele" - LIVE!
- Report rights infringement
- published: 27 Nov 2012
- views: 5238
33:02
Janet Baker - Berlioz - Les nuits d'été, Op 7
Hector Berlioz
Les nuits d'été, Op 7
Janet Baker, mezzo-soprano
London Philharmonic Orch...
published: 16 Dec 2014
Janet Baker - Berlioz - Les nuits d'été, Op 7
Janet Baker - Berlioz - Les nuits d'été, Op 7
- Report rights infringement
- published: 16 Dec 2014
- views: 3750
- Playlist
- Chat
1:09:26
Interview with Dame Janet Baker
Dame Janet Baker in conversation with Norbert Meyn
In this interview Janet Baker talks ab...
published: 01 May 2015
Interview with Dame Janet Baker
Interview with Dame Janet Baker
- Report rights infringement
- published: 01 May 2015
- views: 33738
31:53
In conversation with Dame Janet Baker : the full interview
In what was one of the most special hours of my life, I had the great privilege of sitting...
published: 30 Aug 2013
In conversation with Dame Janet Baker : the full interview
In conversation with Dame Janet Baker : the full interview
- Report rights infringement
- published: 30 Aug 2013
- views: 33422
4:19
Dame Janet Baker talks about stagefright
From the documentary Full Circle. Her words of wisdom on those rotten little things called...
published: 28 Apr 2013
Dame Janet Baker talks about stagefright
Dame Janet Baker talks about stagefright
- Report rights infringement
- published: 28 Apr 2013
- views: 20162
55:35
Janet Baker and Joyce DiDonato In Conversation (The Royal Opera)
A unique event with two of the greatest mezzo-sopranos of their generations. Watch Joyce D...
published: 22 Jun 2016
Janet Baker and Joyce DiDonato In Conversation (The Royal Opera)
Janet Baker and Joyce DiDonato In Conversation (The Royal Opera)
- Report rights infringement
- published: 22 Jun 2016
- views: 21955
2:56
Dame Janet Baker on Britten
The mezzo-soprano Dame Janet Baker on Benjamin Britten as composer, conductor and pianist....
published: 01 Oct 2012
Dame Janet Baker on Britten
Dame Janet Baker on Britten
- Report rights infringement
- published: 01 Oct 2012
- views: 15109
19:18
Dame Janet Baker in conversation with Presto Classical
In the lead-up to her 80th birthday, Dame Janet Baker talks to Presto Classical's Katherin...
published: 14 Aug 2013
Dame Janet Baker in conversation with Presto Classical
Dame Janet Baker in conversation with Presto Classical
- Report rights infringement
- published: 14 Aug 2013
- views: 8037
35:34
Dame Janet Baker, Interview 1982 and part of Sea pictures.
Dame Janet Baker, Interview 1982 and part of Sea pictures.
published: 08 Jul 2013
Dame Janet Baker, Interview 1982 and part of Sea pictures.
Dame Janet Baker, Interview 1982 and part of Sea pictures.
- Report rights infringement
- published: 08 Jul 2013
- views: 1432
3:53
Janet Baker and Joyce DiDonato's tips for singers (The Royal Opera)
Janet Baker and Joyce DiDonato discuss what makes a great singer, and offer their advice o...
published: 06 Jul 2016
Janet Baker and Joyce DiDonato's tips for singers (The Royal Opera)
Janet Baker and Joyce DiDonato's tips for singers (The Royal Opera)
- Report rights infringement
- published: 06 Jul 2016
- views: 4754
31:38
JANET BAKER's BBC Interview : What would your "desert island" discs be?
BBC radio; 1982.
published: 25 Jan 2013
JANET BAKER's BBC Interview : What would your "desert island" discs be?
JANET BAKER's BBC Interview : What would your "desert island" discs be?
- Report rights infringement
- published: 25 Jan 2013
- views: 8310
1:26:32
Dame Janet Baker - The Fall of Troy 1966
published: 30 Dec 2012
Dame Janet Baker - The Fall of Troy 1966
Dame Janet Baker - The Fall of Troy 1966
- Report rights infringement
- published: 30 Dec 2012
- views: 260
10:11
Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)
From a newly released DVD of 'The Dream of Gerontius' we see Sir Adrian Boult, Janet Baker...
published: 04 Nov 2016
Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)
Elgar 'The Dream of Gerontius' - Janet Baker & Sir Adrian Boult (excerpts)
- Report rights infringement
- published: 04 Nov 2016
- views: 1556
43:26
Janet Baker Sings an Anthology of English Song
1963 UK Saga – XID 5213
A1 The Call
Composed By – Ralph Vaughan Williams
A2 Youth And Lo...
published: 30 Apr 2016
Janet Baker Sings an Anthology of English Song
Janet Baker Sings an Anthology of English Song
- Report rights infringement
- published: 30 Apr 2016
- views: 1254
4:08
Where Corals Lie Dame Janet Baker
A lovely version of this song.
published: 29 Mar 2009
Where Corals Lie Dame Janet Baker
Where Corals Lie Dame Janet Baker
- Report rights infringement
- published: 29 Mar 2009
- views: 51114
4:37
Dame Janet Baker; "Nacht und Träume"; Franz Schubert
Janet Baker--Mezzo-soprano
Geoffrey Parsons--Piano
1980
published: 21 Sep 2016
Dame Janet Baker; "Nacht und Träume"; Franz Schubert
Dame Janet Baker; "Nacht und Träume"; Franz Schubert
- Report rights infringement
- published: 21 Sep 2016
- views: 483
Interview with Dame Janet Baker...
In conversation with Dame Janet Baker : the full i...
Dame Janet Baker talks about stagefright...
Janet Baker and Joyce DiDonato In Conversation (Th...
Dame Janet Baker on Britten...
Dame Janet Baker in conversation with Presto Class...
Dame Janet Baker, Interview 1982 and part of Sea ...
Janet Baker and Joyce DiDonato's tips for singers ...
JANET BAKER's BBC Interview : What would your "des...
Dame Janet Baker - The Fall of Troy 1966...
Elgar 'The Dream of Gerontius' - Janet Baker & Sir...
Janet Baker Sings an Anthology of English Song...
Where Corals Lie Dame Janet Baker...
Dame Janet Baker; "Nacht und Träume"; Franz Schube...
Dame Janet Baker - Strauss' Morgen...
Dame Janet Baker - Schubert's An die Musik...
Dame Janet Baker - She Moved Through the Fair...
Janet Baker - Dido & Aeneas - When I am laid in ea...
Janet Baker sings "Alto Rhapsody" - LIVE!...
La Calisto 1971 - Dame Janet Baker & Ileana Cotrub...
back
Report: Trump Frustrated With Secretary Of State Tillerson, May Replace Him With Haley
Edit WorldNews.com 28 Aug 2017
A news report from Axios says U.S. President Donald Trump is losing his patience with his Secretary of State Rex Tillerson and is considering shuffling his cabinet to replace the one-time Exxon Mobil executive, Mediaite reported Monday. Axios’ Jonathan Swan said Trump is “growing increasingly frustrated with his Secretary of State” and is considering U.N. Ambassador Nikki Haley as a possible replacement....
back
BREAKING: No. Korean Missile Flies Over Northern Japan Early Tuesday Morning
Edit WorldNews.com 28 Aug 2017
local time (2106 GMT), NBC News reported.Tensions between the Asian neighbors have been escalating, The Washington Post reported, and the Tuesday missile firing drew an angry rebuke from the Japanese government.WN.com will update this story. ....
back
[UPDATE]: Agitated Japanese PM Abe Vows To Protect Public After No. Korea Launches Missile
Edit WorldNews.com 29 Aug 2017
Residents of the Japanese island of Hokkaido were on alert early Tuesday morning local time following the launch of a North Korean ballistic missile that flew over the island, public broadcaster NHK reported. In 1998, North Korea fired a missile over Japan, but the launch Tuesday, The Washington Post reported, comes at a time of heightened tensions in the region ... The threat brought a swift and threatening response from U.S....
back
Newly Discovered Letters By Codebreaker Alan Turing Reveal Dislike For U.S.
Edit WorldNews.com 29 Aug 2017
in April 1953, Turing replied that he would rather not attend ... Turing was deputy director of the university’s computing laboratory from 1948, after his heroic wartime codebreaking at Bletchley Park.Turing was a visionary mathematician and is regarded today as the father of modern computing who broke the Nazis’ second world war Enigma code ... His life was featured in the 2014 film “The Imitation Game.”Prof ... WN.com, Jim Berrie ....
back
Trump Associate Brags That Moscow Trump Tower Deal 'Will Get Donald Elected'
Edit WorldNews.com 28 Aug 2017
<p><br></p>. A business associate of Donald Trump promised to engineer a real estate deal in Moscow with the help of Russian President Vladimir Putin that would help guarantee Trump the presidency, according to The New York Times ... “Our boy can become president of the USA and we can engineer it,” Mr. Sater wrote in an email ... Cohen later suggested that Sater was exaggerating in the emails....
6Nt Costa Rica Escorted Tour & Hotel Package for $1,318 for 2
Edit CNET 28 Aug 2017
Globus via Dunhill Travel offers a 6-Night Costa Rica Escape Hotel and Escorted Tour Package for two, with prices starting from $1,318. That's the lowest price we could find for such a tour by $280. Book this travel deal by September 3 for travel from January 2, 2018, through March 23, 2019. Highlights include. Hotel stays in San Jose, Monteverde, and Arenal escorted rainforest tours daily breakfast Note ... ....
Touching
Edit Journal Online 25 Aug 2017
IG post ni Scarlet Snow, nakaw-atensyon. NAKAW-ATENSYON ang nakaraang Instagram post ni Scarlet Snow Belo, anak nina Dra. Vicki Belo at Hayden Kho. Of course, bigyan natin ng benefit of the doubt na ’yung bata ang naglagay ng caption pero touching pa rin ... * * * ... No wonder, dama ang tuwa kay Mother Lily Monteverde sa nakaraan naming pag-uusap para sabihing malakas sa takilya ang Vhong Navarro-Lovi Poe starrer ... * * * ... ....
Nadurog!
Edit Journal Online 23 Aug 2017
Gary V, nakiramay sa pamilya ni Kian ... “Somehow I believe that Kian is now in a place where no man can cause him harm any longer ... * * *. DINAGSA ng mga kaibigan sa showbiz at pamilya ang post-birthday celebration ni Mother Lily Monteverde last Tuesday sa Choi Gardens sa Annapolis St., Greenhills ... King at Boots Anson-Rodrigo ... Siyempre, hindi nawala ang mga anak ni Mother Lily na sina Roselle, Dondon at Grace Monteverde ... ....
Vhong and Lovi star in body-swap movie
Edit The Daily Tribune 22 Aug 2017
It's not another gender-bending and body-swap movie, says the director and writers of Regal Films' Woke Up Like This, now showing in theaters nationwide ... Joel Ferrer, however, says his first big studio film is among the country's first few of what Hollywood has already exploited ... A fan of comedies and movies in general, the director was entrusted with this project, which is a brainchild of Roselle Monteverde-Teo ... ....
Where lovebirds flock for Qixi
Edit China Daily 21 Aug 2017
Many lovebirds are splurging on long-haul flights for Qixi, or "Chinese Valentine's Day", which falls on Aug 28 this year. Bookings with HHtravel, a luxury brand under China's biggest online travel agency, Ctrip, surged 35 percent during this period, chief operating officer Guo Ming says ... Sardinia ... The Monteverde Cloud Forest Reserve possesses a natural appeal, in every sense ... ....
SHAREHOLDER ALERT: Monteverde & Associates PC Announces An Investigation Of Atwood Oceanics, Inc. - ATW
Edit Stockhouse 19 Aug 2017
PR Newswire. NEW YORK, Aug. 18, 2017 ....
FESSAP gets thumbs up from FISU
Edit Journal Online 19 Aug 2017
TAIPEI -- The Federation of School Sports Association of the Philippines (FESSAP) continues to enjoy wide support and acceptance from the International University Sports Federation (FISU) family ... FESSAP vice president for corporate affairs Atty ... Ariel Querubin, Christian Tan, Jeanne Monteverde and Robert Milton Calo ... ....
Ogie tightly guarding daughter Leila
Edit Journal Online 18 Aug 2017
OGIE Alcasid was born on August 27, 1967 so he will be a golden boy this year. To celebrate, he will have a birthday concert at KIA Theater on August 25, Friday. The beneficiary will be the charitable organization, World Vision and its projects against child exploitation, a very noble cause indeed ... TODAY is Mother Lily Monteverde’s 78th birthday and her birthday presentation for Regal is their latest release, “Woke Up Like This” ... ....
SHAREHOLDER ALERT: Monteverde & Associates PC Announces An Investigation Of SciClone Pharmaceuticals, Inc. - SCLN
Edit Stockhouse 17 Aug 2017
PR Newswire. NEW YORK, Aug. 17, 2017 ....
R.J. Barrett, nation's No. 1 2018 prospect, has Oregon Ducks in top five
Edit The Oregonian 17 Aug 2017
It's been quite a summer for Rivals five-star small forward R.J. Barrett. The 6-foot-7, 200-pound prospect, out of Monteverde Academy (Florida), led Team Canada to a FIBA U19 World Cup gold medal, highlighted by a 38-point, 13-rebound, 5-assist performance in a 99-87 semifinal win over Team USA. Barrett then announced his decision to reclassify from the class of 2019 to 2018, which immediately vaulted him to the No ... No surprise ... ....
The secret art of a J.P. Graziano sandwich
Edit The Oklahoman 17 Aug 2017
Along with business partner Meg Sahs, Grueneberg opened Italian restaurant Monteverde in 2015 on West Madison Street, where sleek condo buildings have sprouted on sites once occupied by restaurant supply stores ... Behind Monteverde's bar, a pasta-making station outfitted with a mirror reflects hands hard at work on ravioli and tortelli verdi, showing the attention to detail that sets these pastas apart ... On Randolph's Restaurant Row....
Taipei welcomes Pinoy bets to Universiade
Edit Journal Online 17 Aug 2017
TAIPEI -- The Philippines was formally recognized by the Taipei Universiade Organizing Committee (TUOC) here Thursday, two days before the formal opening ceremony of the 29th Summer Universiade ... Also with the group are FESSAP deputy secretary-general and SMC representative Col. Ariel Querubin, FESSAPvice chairman Danilo Madlansacay, FESSAP treasurer Jean Monteverde and FESSAP preparation and monitiring chair Robert Milton Calo ... 19 ... 23 ... ....
SHAREHOLDER ALERT: Monteverde & Associates PC Announces an Investigation of China Commercial Credit, Inc. - CCCR
Edit PR Newswire 16 Aug 2017
NEW YORK, Aug. 15, 2017 /PRNewswire/ -- Juan Monteverde, founder and managing partner at Monteverde & Associates PC, a boutique securities firm headquartered at the Empire State Building in New York City, is investigating China Commercial Credit, Inc. ("China Commercial Credit" or the ... ....
- 1
- 2
- 3
- 4
- 5
- Next page »
