![Taking aim: Ruby Rose in the new <i>xXx</i> action thriller.](/web/20161120080222im_/http://www.smh.com.au/content/dam/images/g/s/t/b/9/g/image.related.wideLandscape.300x169.gstb3h.png/1479614931401.jpg)
Ruby Rose is a natural with a gun but don't call her badass
Ruby Rose shows off some awesome sniper work in her new action blockbuster, but she says don't mistake skills for a bad attitude.
Ruby Rose shows off some awesome sniper work in her new action blockbuster, but she says don't mistake skills for a bad attitude.
It doesn't always pay to make copyright claims against big studios like DreamWorks, especially when the claim is false.
She joined forces with Reese Witherspoon to create more roles for women. In her latest project Australian producer Bruna Papandrea has hit paydirt.
His film shocked audiences on its release, so maybe it is fitting that Ted Kotcheff should be taken aback by the idea it would be remade for TV
A retrospective of films by Roman Polanski will shine a light on the confounding director.
Director Ang Lee sent his cast to boot camp for an extreme bonding exercise.
It seems when Italians hear 'Moana', they don't think of a cute kid's cartoon.
After seven years of vampires and a swing at Tarzan, Alexander Skarsgard plays a bad cop.
A major exhibition dedicated to the claymation creations of Aardman will arrive in Melbourne next year.
New clips from the National Film & Sound Archive show Australian stars before they were famous.
JK Rowling's reign remains intact, even if Newt Scamander tale could have done with an edit.
Our pick of what's showing on the big screen this week.
Sure, okay.
The incredible is still close at hand but the menace isn't as compelling.
The 40-year-old actor said the movie was produced on such a tight budget they couldn't afford props in certain scenes.
Ken Loach screenwriter Paul Laverty keep making films about characters and issues few filmmakers seem inclined to tackle.
A groundbreaking report has put both a cultural and an economic value on Australia's screen industry.
At Monsterfest the morbid, the mutated and masterclasses mingle.
The director of the best film of 2014 gives us the worst film of 2016.
The long-awaited Beauty and the Beast remake with Emma Watson is a mess of CGI from what appears to be a trigger-happy animation department.
Michael Keaton shines as the travelling salesman who set the McDonald's arches on the march.
Having narrowly missed out in 2015 with Birdman, Michael Keaton is once again stirring Oscar talk with The Founder. But, he tells Karl Quinn, he won't let the chatter go to his head.
Gender gets a smart treatment in this flawed story on artificial life.
The in-demand director is set to follow the release of his sequel Red Dog: True Blue with a documentary on legendary Brisbane band The Go-Betweens.
The search is on for a new director of the National Film and Sound Archive, with the announcement Monday that chief executive Michael Loebenstein has resigned.
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