Rust & Bone Glenn Maynard, Luke Mulquiney, Adam Ibrahim Pic: Daisy Noyes

Three men in a violent world

THREE men confront violence and adversity in the short play Rust and Bone, adapted by Caleb Lewis from three short stories by Canadian writer, Craig Davidson, writes reviewer Kate Herbert.

Aardman characters head Down Under

Aardman characters head Down Under
Wallace and Gromit and friends: The magic of Aardman will open at ACMI next year as part of the Victorian Government’s Melbourne Winter Masterpieces series.

An elder reflects

An elder reflects
Jack Charles V the Crown is not perfect theatre but it has heart and, despite his obvious flaws, Uncle Jack Charles may win over even the hardest critic, writes reviewer Kate Herbert.

The art of writing

The art of writing
If you love words, reading fiction or have ever been a student of creative writing, the wit and rhythm of Seminar: A Comedy will tickle your fancy, writes Kate Herbert.

Our last waltz with Matilda

Our last waltz with Matilda
Brisbane set to welcome the most awarded musical in Australian history as Matilda bows out of Melbourne

Wishin’ and hopin’.

Wishin’ and hopin’.
Pop idol Dusty Springfield’s unique, sensual and soulful singing is the core of Dusty The Musical, a show that follows her career from shy, Irish Catholic schoolgirl until her death in 1999, writes reviewer Kate Herbert.

Classic comedy still gets laughs

Classic comedy still gets laughs
Though this production of The Odd Couple doesn’t hit all the necessary high points, Francis Greenslade and Shaun Micallef trade on their natural, comic instincts to make it an entertaining night in the theatre, writes Kate Herbert.

The burden of past and present

The burden of past and present
Blessed is a play filled with the pain, despair and isolation of two disenfranchised people unable to escape the dire circumstances of their past or their present, writes reviewer Kate Herbert.

Juggling life skills

Juggling life skills
Where there’s smoke, there’s fire ... and where there are cigar boxes there is often Disclocate.

Predictable Shakespeare interpretation

Predictable Shakespeare interpretation
USING Shakespeare’s Hamlet as a leaping-off point for a new play is courageous or, some might say, foolhardy, and Anti-Hamlet is a clear case of — well — both say reviewer Kate Herbert

Fortune, glory and music

Fortune, glory and music
The MSO knows how to put on a great movie night with the vastness of Hamer Hall taking on living room-comfort for a screening of Steven Spielberg’s multiple Academy Award-winning 1981 movie Raiders of the Lost Ark, writes reviewer Paul Selar.

Delta gives fans goosebumps

Delta gives fans goosebumps
REVIEW: DELTA Goodrem has given her Melbourne fans a night to remember. And with her ability to make people feel — and feel good — she needs to tour more regularly.

All hail the doomed queen

All hail the doomed queen
ANNE Boleyn, second wife of England’s King Henry VIII and familiar figure of history, is sanctified in glorious and dark dramatic form in Donizetti’s two-act opera from 1830, Anna Bolena, writes reviewer Paul Selar.

A thrill for romantics

A thrill for romantics
THE Light in the Piazza is an impassioned, contemporary musical about an old-fashioned, boy-meets-girl love story delivered with operatic passions and a neo-romantic, classical score by Adam Guettel, writes reviewer Kate Herbert.

Hewett steals the show

Hewett steals the show
Colleen Hewett’s appearance for the last 10 minutes of Godspell Reimagined elevates this cheerful, entertaining but only intermittently satisfying show to another level, and any flaws in the earlier scenes are forgiven, writes Kate Herbert.

Kalatzis hits the highest note

Kalatzis hits the highest note
SCINTILLATING soprano Panayiota Kalatzis swept all before her last night to win the 2016 Herald Sun Aria.

Kinky Boots ‘jaunty and engaging’

Kinky Boots ‘jaunty and engaging’
KINKY Boots is like a marriage of the high campery of Priscilla and Hairspray, with the gritty, British working class of Billy Elliot and The Full Monty, says Kate Herbert.

Last chance to see a five-star production

Last chance to see a five-star production
Beg, borrow or steal to get a ticket to Robert Lepage’s remarkable Melbourne Festival show 887, in which Lepage blends personal storytelling about his childhood in Quebec City in the 1960s with the political struggles of French-speaking Canadians during that same period, writes reviewer Kate Herbert.

Playful take on literary classic

Playful take on literary classic
DON’T expect grim imagery or an intensive or academic scrutiny of Leo Tolstoy from Gob Squad’s adaptation of War and Peace, because this production is playful and eccentric rather than confronting or impenetrable, writes reviewer Kate Herbert

Sprawling saga hits a high note

Sprawling saga hits a high note
THROUGH both song and story, the Melbourne stage production of The Color Purple captures the heartache and pain of Alice Walker’s 1982, Pulitzer Prize-winning novel on which the musical is based, writes reviewer Kate Herbert.

Four stories, one narrative

Four stories, one narrative
In his new play Sunshine, four, unnamed characters’ monologues tell the tale of a damp and doomed night when a marriage ends, a dead husband is mourned, a man betrays his friend and two strangers’ lives collide.

On ice

On ice
There’s an icy twist to the Melbourne Festival show Vertical Influences, which is performed by figure skaters who take their artistic impression within and beyond figure skating, writes reviewer Stephanie Glickman.

Figaro goes to the footy

Figaro goes to the footy
Aussie rules meets Mozart in this you-beaut, zany and delightful adaptation of the Marriage of Figaro, presented in true only-in-Melbourne style in the grandstand and clubrooms at the North Port Melbourne footy oval, writes Paul Selar.

A dark dance

A dark dance
Choreographer Lucy Guerin’s The Dark Chorus is an abstract but sometimes disorienting work that leaves much to personal interpretation, writes reviewer Stephanie Glickman.

Kids’ books make great story

Kids’ books make great story
Children’s books sales are booming and one Melbourne bookseller is going along for the ride with a speciality bookstore

A mixed bag of amazing offerings

A mixed bag of amazing offerings
This integrated circus, dance and theatre concoction, showing until Sunday as part of the Melbourne Festival, highlights the narrative possibilities of circus skills within a larger dramatic framework, writes Stephanie Glickman

Less than saintly

Less than saintly
Our Ladies of Perpetual Succour is a wild ride with this gang of grotesque, offensive but loveable characters whose appalling behaviour embodies all we loath about teenagers, and all that we hope to nurture, writes reviewer Kate Herbert.

Snaps highlight women across racing industry

Snaps highlight women across racing industry
THINK thoroughbred racing is a man’s world? Think again. A Melbourne photographic exhibition showcases the roles many women play in the sport.

Downton Abbey star coming to Melbourne

Downton Abbey star coming to Melbourne
A TOUCH of English elegance is being added to the Melbourne production of My Fair Lady,with a Downton Abbey star announced to play a role alongside lead Anna O’Byrne.

Melbourne’s best craft beer

Melbourne’s best craft beer
ARE these Melbourne’s best small-batch brews and breweries? As we head into the weekend, here’s an ode to the craft beer capital of the country.