Running rings around himself
From the overblown pomp of political rallies to the environmental ravages of capitalism, Neil Armfield finds new themes resonating in the return of his Opera Australia production of Wagner's four-opera epic The Ring.
From the overblown pomp of political rallies to the environmental ravages of capitalism, Neil Armfield finds new themes resonating in the return of his Opera Australia production of Wagner's four-opera epic The Ring.
The floor shakes and rolls as the women struggle to stay standing while they negotiate the debris-ridden room.
Based on the life of Dusty Springfield, this jukebox musical has its share of flaws and triumphs.
Michael Frayn's comedy presents a play-within-a-play coming apart as it goes along.
The Belarus Free Theatre joins forces with Pussy Riot's Maria Alyokhina to share stories of persecuted Russian artists in a brutal new work.
Casting Shaun Micallef and Francis Greenslade as the two halves of this classic comedy duo pays off.
The floor shakes and rolls as the women struggle to stay standing while they negotiate the debris-ridden room.
John Neumeier's ballet Nijinsky has all the ingredients for drama and the Australian Ballet did not disappoint.
Isn't it enough for Ella Havelka to succeed in an enormously taxing and competitive profession, without having to be a symbol as well?
The Canberra premiere of this musical benefits from excellent performances by both its older and younger cast members.
Based on the life of Dusty Springfield, this jukebox musical has its share of flaws and triumphs.
Phoenix Players presents the Canberra premiere of the award-winning musical about German adolescents grappling with romance and sexuality in a repressive environment.
From the overblown pomp of political rallies to the environmental ravages of capitalism, Neil Armfield finds new themes resonating in the return of his Opera Australia production of Wagner's four-opera epic The Ring.
The steely voice of soprano Elena Xanthoudakis sliced through the orchestra like a freshly sharpened axe blade.
For Stuart Skelton, 2016 has been the Year of the Tristan. By the time the avuncular Sydney-born heldentenor reaches Hobart to sing in a concert performance of Wagner's Tristan und Isolde, it will be his 25th performance of this lengthy and arduous role.
The English stand-up comedian knows how it feels to be torn down by the tabloids, but it hasn't quite stopped him speaking his mind.
The master of observational comedy will perform Down Under for the first time in almost 20 years next August. But don't expect any cracks at Melbourne's expense.
Lawrence Mooney reflects on a year of living dangerously in his show Moonman.
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