The Madcap Laughs

The Madcap Laughs is the debut solo album by the English singer-songwriter Syd Barrett. It was recorded after Barrett had left Pink Floyd in April 1968. The album had a chequered recording history, with work beginning in mid-1968, but the bulk of the sessions taking place between April and July 1969, for which five different producers were credited − including Barrett, Peter Jenner (1968 sessions), Malcolm Jones (early-to-mid-1969 sessions), and fellow Pink Floyd members David Gilmour and Roger Waters (mid-1969 sessions). Among the guest musicians are Willie Wilson from (Gilmour's old band) Jokers Wild and Robert Wyatt of the band Soft Machine.

The Madcap Laughs, released in January 1970 on Harvest in the UK, and on Capitol Records in the US, enjoyed minimal commercial success on release, reaching number 40 on the UK's official albums chart, while failing to hit the US charts. It was re-released in 1974 as part of Syd Barrett (which contained The Madcap Laughs and Barrett). The album was remastered and reissued in 1993, along with Barrett's other albums, Barrett (1970) and Opel (1988), independently and as part of the Crazy Diamond box set. A newly remastered version was released in 2010.

Feel (Feel album)

Feel is first album released by a Polish pop rock band Feel. The album has earned Diamond certification in Poland.

Track listing

References

Feel (Kumi Koda song)

"Feel" (stylized as feel) is a smooth R&B song by Japanese singer and songwriter Kumi Koda. For the song, she worked closely with composer Hitoshi Shimono, who had composed the instrumental. The single is Kumi's sixth single in her 12 Singles Collection and charted at #1 on Oricon with 39,110 copies sold within the first week. As with some of the other singles released in the collection, feel was limited to 50,000 copies.

The song also became Koda Kumi's second song to have a chorus completely in English (first being 24, which was also written and composed by Hitoshi Shimono).

The music video for the single tied into the four others in the storyline: Candy feat. Mr. Blistah, you, Lies and Someday/Boys♥Girls.

The love interest in the music video was played by Shugo Oshinari. Shugo Oshinari is best known for his portrayals of Teru Mikami in the Death Note TV series and Takuma Aoi in Battle Royale II: Requiem.

Cover

As with the other 11 singles in this collection, this single cover represents a stylized version of a traditional dress from a culture; this time it draws its inspiration from Spain and the costume of matadors.

Nail (unit)

A nail, as a unit of cloth measurement, is generally a sixteenth of a yard or 2¹⁄₄ inches (5.715 cm). The nail was apparently named after the practice of hammering brass nails into the counter at shops where cloth was sold. On the other hand, R D Connor, in The weights and measures of England (p 84) states that the nail was the 16th part of a Roman foot, i.e., digitus or finger, although he provides no reference to support this.Zupko's A dictionary of weights and measures for the British Isles (p 256) states that the nail was originally the distance from the thumbnail to the joint at the base of the thumb, or alternately, from the end of the middle finger to the second joint.

An archaic usage of the term nail is as a sixteenth of a (long) hundredweight for mass, or 1 clove of 7 pound avoirdupois (3.175 kg).

The nail in literature

Thou yard, three-quarters, half-yard, quarter, nail
Thou flea, thou nit, thou winter cricket thou:―
Brav'd in mine own house with a skein of
thread!

Explanation: Katherine and Petruchio are getting married. At the tailor shop, they examine the wedding dress, which is nearly finished. Petruchio is concerned that it has too many frills, wonders what it will cost, and suspects that he has been cheated. Katherine says she likes it, and complains that Petruchio is making a fool of her. The taylor repeats Katherine's words: Sir, she says you're making a fool of her. This is where Petruchio launches into the above-quoted tirade. Monstrous may be a double-entendre for cuckold. The half-yard, quarter and nail were divisions of the yard used in cloth measurement.

Nail (fastener)

In woodworking and construction, a nail is a pin-shaped object of metal (or wood, called a treenail or "trunnel") which is used as a fastener, as a peg to hang something, or sometimes as a decoration. Generally nails have a sharp point on one end and a flattened head on the other, but headless nails are available. Nails are made in a great variety of forms for specialized purposes. The most common is a wire nail. Other types of nails include pins, tacks, brads, and spikes.

Nails are typically driven into the workpiece by a hammer, a pneumatic nail gun, or a small explosive charge or primer. A nail holds materials together by friction in the axial direction and shear strength laterally. The point of the nail is also sometimes bent over or clinched after driving to prevent pulling out.

History

The history of the nail is divided roughly into three distinct periods:

Nail (album)

Nail is the fourth studio album by Scraping Foetus Off the Wheel. It was released in October 1985, through record labels Self Immolation and Some Bizzare.

Background

The album incorporates a variety of musical genres, including classical and industrial rock, and the lyrics are often esoteric. For example, the tempo and instrumentation in "Descent into the Inferno" is infrequent: the song's first half is sparse and percussive; in the latter stages the song gathers momentum and features synthesizers. "The Overture from Pigdom Come", a composition resembling a classical piece of music, is juxtaposed with perhaps the most brutal track on the album, "Private War", a track that features one minute of various grinding noises.

There are various obscure references within the songs, some more lucid than others. "The Throne of Agony" has the lyrics "Alas, poor Yorick, I knew me well", a paraphrase of a line from Shakespeare's Hamlet (Hamlet: "Alas, poor Yorick! I knew him, Horatio..."). The line "Turn on, tune in, drop out" in "DI-1-9026" refers to the Timothy Leary phrase. Jack and the Beanstalk is also referenced, with a variation of the chant "Fee, fie, foe, fum!" appearing in the final track.