King Arthur

King Arthur is a legendary British leader who, according to medieval histories and romances, led the defence of Britain against Saxon invaders in the late 5th and early 6th centuries AD. The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin.

Arthur is a central figure in the legends making up the so-called Matter of Britain. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). In some Welsh and Breton tales and poems that date from before this work, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown.

Round Table

The Round Table is King Arthur's famed table in the Arthurian legend, around which he and his Knights congregate. As its name suggests, it has no head, implying that everyone who sits there has equal status. The table was first described in 1155 by Wace, who relied on previous depictions of Arthur's fabulous retinue. The symbolism of the Round Table developed over time; by the close of the 12th century it had come to represent the chivalric order associated with Arthur's court, the Knights of the Round Table.

History

The Round Table first appears in Wace's Roman de Brut, a Norman language adaptation of Geoffrey of Monmouth's Historia Regum Britanniae finished in 1155. Wace says Arthur created the Round Table to prevent quarrels among his barons, none of whom would accept a lower place than the others.Layamon added to the story when he adapted Wace's work into the Middle English Brut in the early 13th century, saying that the quarrel between Arthur's vassals led to violence at a Yuletide feast. In response a Cornish carpenter built an enormous but easily transportable Round Table to prevent further dispute. Wace claims he was not the source of the Round Table; both he and Layamon credited it instead to the Bretons. Some scholars have doubted this claim, while others believe it may be true. There is some similarity between the chroniclers' description of the Round Table and a custom recorded in Celtic stories, in which warriors sit in a circle around the king or lead warrior, in some cases feuding over the order of precedence as in Layamon. There is a possibility that Wace, contrary to his own claims, derived Arthur's round table not from any Breton source, but rather from medieval biographies of Charlemagne—notably Einhard's Vita Caroli and Notker the Stammerer's De Carolo Magno—in which the king is said to have possessed a round table decorated with a map of Rome.

Arthur

Arthur is a common masculine given name. Its etymology is disputed, but its popularity derives from its being the name of the legendary hero King Arthur.

Art and Artie are diminutive forms of the name. A common spelling variant used in many Slavic, Romance, and Germanic languages is Artur.

Etymology

The origin of the name Arthur remains a matter of debate. Some suggest it is derived from the Roman nomen gentile (family name) Artōrius, of obscure and contested etymology (but possibly of Messapic or Etruscan origin). Some scholars have noted that the legendary King Arthur's name only appears as Arthur, or Arturus, in early Latin Arthurian texts, never as Artōrius (although the Classical Latin Artōrius became Arturius in some Vulgar Latin dialects). However, this may not say anything about the origin of the name Arthur, as Artōrius would regularly become Art(h)ur when borrowed into Welsh.

Another possibility is that it is derived from a Brittonic patronym *Arto-rīg-ios (the root of which, *arto-rīg- "bear-king" is to be found in the Old Irish personal name Art-ri) via a Latinized form Artōrius. Less likely is the commonly proposed derivation from Welsh arth "bear" + (g)wr "man" (earlier *Arto-uiros in Brittonic); there are phonological difficulties with this theory—notably that a Brittonic compound name *Arto-uiros should produce Old Welsh *Artgur and Middle/Modern Welsh *Arthwr and not Arthur (in Welsh poetry the name is always spelled Arthur and is exclusively rhymed with words ending in -ur—never words ending in -wr—which confirms that the second element cannot be [g]wr "man").

Knights of the Round

Knights of the Round may refer to:

Guy Ritchie

Guy Stuart Ritchie (born 10 September 1968) is an English filmmaker known for his crime films. He left secondary school and got entry-level jobs in the film industry in the mid-1990s. He eventually graduated to directing commercials. He directed his first film in 1995, a 20-minute short which impressed investors who backed his first feature film, the crime comedy Lock, Stock and Two Smoking Barrels (1998). He then directed another crime comedy, Snatch (2000). His next two films, the romantic comedy Swept Away (2002) and the crime drama Revolver (2005) were not commercial or critical successes. The next crime drama, RocknRolla (2008), received mixed reviews and a modest box office return. In 2009, he directed his first films in the action mystery genre, with Sherlock Holmes (2009) and its sequel Sherlock Holmes: A Game of Shadows (2011). Both films were major box office successes, and the two films received positive, and moderately positive reviews, respectively.

Early life

Ritchie was born in Hatfield, Hertfordshire, the second of two children of Amber (née Parkinson) and Captain John Vivian Ritchie (b. 1928), former Seaforth Highlanders serviceman and advertising executive. John's father was Major Stewart Ritchie, who died in France, in 1940, during World War II. John's mother was Doris Margaretta McLaughlin (b. 1896), daughter of Vivian Guy McLaughlin (b. 1865) and Edith Martineau (b. 1866), this last by whom she shares close common ancestors with Catherine, Duchess of Cambridge. The McLaughlins have a pedigree going back to King Edward I of England. Ritchie's mother, Amber, later married a baronet. His father's second marriage was to Shireen Ritchie, Baroness Ritchie of Brompton, a former model and later Conservative politician and life peer.