- published: 28 May 2016
- views: 45420
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Director Sidney Lumet, known for "12 Angry Men," shares his book, "Making Movies," about the technique and job of filmmaking.
»»﴿───► See more on the Directors Playlist: https://www.youtube.com/playlist?list=PLIZqvqbtz9I04OH5IZee3L8FHY-Kt3I92
Check out the Patreon rewards! https://www.patreon.com/ManufacturingIntellect
Al Pacino presents an Honorary Oscar to director Sidney Lumet in recognition of his brilliant services to screenwriters, performers and the art of the motion picture, at the 77th Academy Awards.
See more 2005 Oscar highlights: https://www.youtube.com/playlist?list=PLJ8RjvesnvDOq5pI9MwC8nxRHVb4d2dl4
Become an Oscar Insider: http://www.oscars.org/insider/
Check out our Academy Originals: https://www.youtube.com/user/AcademyOriginals
ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world's preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards—in which the members vote to select the nominees and winners—the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.
- published: 11 Apr 2011
- views: 104687
For his full interview, see https://interviews.televisionacademy.com/interviews/sidney-lumet
- published: 27 Feb 2018
- views: 4539
Get Your FREE Cinematography Techniques Guide 👉👉 http://bit.ly/2S7yAbV
How do you achieve a cinematic film look for your film? It's actually not as hard as you might think.
You’ve come to the right place.
In today’s video, we explain what Sidney Lumet calls, The Lens Plot.
We define this advanced cinematic technique, and provide specific examples from popular films so that you can generate the perfect lens plot for your own project.
Add this skill to your cinematic arsenal for 2019.
A lens plot is sort of like a stylesheet for your lens and lighting. It is used by establishing a visual motif specifically through your camera lenses. It takes more than LUTs and color grading to get the film look.
A big part of that is your lens plot.
“It’s a way to make sure that your shots serve your story as a whole.”
There are 3 different types of lens plots:
1. Static lens plot refers to constant, enchanted visuals throughout a particular project or film.
2. Narrative lens plot refers to visuals that gradually change over the course of a story.
3. Elemental lens plot refers to a visuals that change with each character or story in a film.
To get this cinematic film look, you’ll want to first analyze your story. Is it a fluffy comedy, or a dark journey into the mind of a psychopath?
What lens would work well in each situation?
Once you’ve determined what your story is about, and the effects of different lenses, then you can build a lens plot that visually conveys the tone, world, and feel of your story.
A good director won’t force a specific cinematic look unless it enhances their story. A good producer will keep this in mind as well. If you’re a cinematographer, this might be a big part of your job - and it isn’t a bad thing to suggest to the director during the planning stages.
You will have a hard time establishing yourself as an auteur without this advanced film technique, and you will have a harder time getting that cinematic look you desire.
We break it down step-by-step just for you.
So enjoy our video and get your cinematic film took today!
#filmmaking #cinematography #hollywoodlook
--
SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0
Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production calendars, shot lists, storyboards, call sheets and more.
Try StudioBinder for FREE today and see the difference: https://studiobinder.com/pricing
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- published: 22 Oct 2018
- views: 125367
The movie industry is mourning one of Hollywood's most productive directors, Sidney Lumet. Terry McCarthy takes a look back at the life of a silver screen legend.
- published: 10 Apr 2011
- views: 6323
Director Sidney Lumet talks about THE GODFATHER, Parts 1 & 2 during an interview for AFI's 10 Top 10.
Two of Lumet's films, 12 ANGRY MEN and THE VERDICT made the Top 10 Best Courtroom Dramas on the list.
CONNECT WITH AFI:
http://facebook.com/AmericanFilmInstitute
http://twitter.com/AmericanFilm
http://AFI.com/members
AFI FACEBOOK APP:
http://apps.facebook.com/afiytapp/
- published: 30 Sep 2009
- views: 33532
Director Sidney Lumet talks 12 ANGRY MEN during an interview for AFI's 10 Top 10. Two of Lumet's films, 12 ANGRY MEN and THE VERDICT made the Top 10 Best Courtroom Dramas on the list.
CONNECT WITH AFI:
http://facebook.com/AmericanFilmInstitute
http://twitter.com/AmericanFilm
http://AFI.com/members
AFI FACEBOOK APP:
http://apps.facebook.com/afiytapp/
- published: 29 Sep 2009
- views: 28472
In 2007, Al Pacino was the recipient of the 35th the AFI Life Achievement Award. In this video clip, director Sidney Lumet (Dog Day Afternoon, Serpico) discusses Pacino's acting talent.
- published: 25 Apr 2011
- views: 14982
Cinco años después de su muerte, TCM rinde homenaje a Sidney Lumet con la emisión de un documental que repasa la vida y obra del director norteamericano. Dirigido por Nancy Buirski, 'By Sidney Lumet' analiza al autor de films como 'Serpico' o 'Veredicto final' a través de entrevistas realizadas al cineasta poco antes de su fallecimiento (el 9 de abril de 2011).
Suscríbete al canal de YouTube de TCM: http://www.youtube.com/subscription_c...
Consulta la programación del canal: http://www.canaltcm.com
Únete a nosotros en Facebook: http://www.facebook.com/CanalTCMES
Síguenos en Twitter: http://www.twitter.com/canaltcm
Estamos en Spotify: http://open.spotify.com/user/canal_tcm
Descubre el canal de YouTube de TCM en España, un canal en el que los espectadores de plataformas de televisión de pago pueden disfrutar tanto de los grandes clásicos de Hollywood como de las mejores películas de autor. Una programación que abarca desde Hitchcock a Buñuel, desde Spielberg hasta Lars Von Trier, desde Wilder a Fellini, y en el que el mejor cine en alta definición se complementa con entrevistas, reportajes de producción propia y documentales exclusivos que ayudan a contextualizar cada título y descubrir lo que ocurrió detrás de las cámaras. Un canal donde tienen cabida desde 'Vértigo', 'Casablanca', 'Sed de mal' o 'Sin perdón' hasta 'El graduado' o '2001: Odisea en el espacio'. TCM es propiedad de Turner Broadcasting System, una compañía del grupo Time Warner, el líder mundial en entretenimiento, y está disponible en la oferta de Movistar+ (dial 37), Vodafone (dial 24), Orange TV (dial 21), Euskaltel (dial 47), R (dial 3) y Telecable (dial 17).
- published: 08 Apr 2016
- views: 3123
Film legend Sidney Lumet (1924-2011) tells his own story in a never-before-seen interview shot in 2008.
Please SUBSCRIBE if you enjoyed! http://bit.ly/1JmUCu5
**More info & videos below**
In a never-before-seen interview filmed a few years before his death, Sidney Lumet (1924-2011) guides us through his life and his work – the powerfully dramatic and wildly entertaining movies (Serpico, Dog Day Afternoon, 12 Angry Men, Network) that make up the canon of one of the most socially conscious directors in the history of cinema. With candor, humor and grace, he reveals what matters to him as an artist and as a human being.
For full episodes, visit http://www.pbs.org/americanmasters
Find us on:
https://www.facebook.com/americanmasters
https://twitter.com/PBSAmerMasters #AmericanMasters
http://pbsamericanmasters.tumblr.com #American Masters
https://instagram.com/pbsamericanmasters #AmericanMasters
___
American Masters, THIRTEEN’s award-winning biography series, celebrates our arts and culture. Launched in 1986, the series has set the standard for documentary film profiles, accruing widespread critical acclaim. Awards include 70 Emmy nominations and 28 awards — 10 for Outstanding Non-Fiction Series since 1999 and five for Outstanding Non-Fiction Special — 12 Peabody Awards; three Grammys; an Oscar; two Producers Guild Awards for Outstanding Producer of Non-Fiction Television; and the 2012 IDA Award for Best Continuing Series. American Masters enjoys recognition from film events across the country and international festivals from London to Berlin and Toronto to Melbourne. Other honors include The Christopher Awards and the Chicago International Television Awards as Outstanding Documentary Series, and the Banff Grand Prize and the Television Critics Association Award for Outstanding Movies.
- published: 11 Oct 2016
- views: 8151
NETWORK now streaming on FilmStruck http://flms.tk/yt
Howard Beale (Peter Finch), an acclaimed anchor at the UBS Evening News, is put out to pasture because he too old. News division president Max Schumacher (William Holden), Howard's best friend, is forced to deliver the decision. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. The network wants Beale immediately fired, but Schumacher gives him a chance to apologize on the air. What he doesn't count on is Beale using this camera time to go off on another tirade that to everyone's surprise resonates with the audience. Seeing an opportunity to harness Beale's "mad as hell" energy, the head of programming, Diana Christensen (Faye Dunaway), suggests Beale be given his own show. Although Max and Diana disagree on this business proposal, they initiate a personal relationship that complicates matters further. Driven by her tireless efforts to succeed, Diana drives Max away as Beale's show becomes more crazed. And as those working in media know, fans are fickle and when Beale's ratings drop, Diana and the network execs cancel his show permanently.
Collection: Written by Paddy Chayefsky
Cast: Peter Finch, Faye Dunaway, William Holden
FilmStruck brings you the best indie, foreign, cult, classic, silent and hard-to-find films and is the exclusive streaming home of The Criterion Collection. Try FilmStruck today for 14 Days FREE and discover a world of new titles to fall in love with: www.filmstruck.com
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- published: 06 Mar 2018
- views: 966382
From his 1999 Archive of American Television interview. See Sidney Lumet's full interview at http://emmytvlegends.org/interviews/people/sidney-lumet
Full interview description:
Sidney Lumet was interviewed for three-hours in New York, NY. Mr. Lumet spoke of his work as an actor on the stage before he became a director in television. He recalled his work on the television series Danger(1950-55), and You Are There(1953-57) both "live" dramatic shows of the time. He discussed the use of blacklisted writers on these shows and how the material they wrote often reflected the era of McCarthyism. He also discussed other television dramatic anthology series he directed for including Omnibus, Goodyear Playhouse, The Alcoa Hour, Studio One, and Kraft Television Theatre. He described his direction of the well-known television special The Sacco-Vanzetti Story and The Play of the Week: "The Iceman Cometh" both of which aired in 1960. He spoke of his transition to a feature film director with "12 Angry Men" in 1957 and his work on such other feature films as the Paddy Chayefsky's satire, "Network" (1976). The interview was conducted by Dr. Ralph Engleman on October 28, 1999.
- published: 09 Apr 2011
- views: 22656
developed with YouTube
Sidney Lumet
Sidney Arthur Lumet (/luːˈmɛt/ loo-MET; June 25, 1924 – April 9, 2011) was an American director, producer and screenwriter with over 50 films to his credit. He was nominated for the Academy Award as Best Director for 12 Angry Men (1957), Dog Day Afternoon (1975), Network (1976) and The Verdict (1982). He did not win an individual Academy Award, but he did receive an Academy Honorary Award and 14 of his films were nominated for various Oscars, such as Network, which was nominated for ten, winning four.
The Encyclopedia of Hollywood states that Lumet was one of the most prolific filmmakers of the modern era, having directed more than one movie a year on average since his directorial debut in 1957. He was noted by Turner Classic Movies for his "strong direction of actors," "vigorous storytelling" and the "social realism" in his best work. Film critic Roger Ebert described him as having been "one of the finest craftsmen and warmest humanitarians among all film directors." Lumet was also known as an "actor's director," having worked with the best of them during his career, probably more than "any other director."Sean Connery, who acted in five of his films, considered him one of his favorite directors, and a director who had that "vision thing."
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Sidney_Lumet
-
Sidney Lumet interview on "Making Movies" (1995)
Director Sidney Lumet, known for "12 Angry Men," shares his book, "Making Movies," about the technique and job of filmmaking. »»﴿───► See more on the Directors Playlist: https://www.youtube.com/playlist?list=PLIZqvqbtz9I04OH5IZee3L8FHY-Kt3I92 Check out the Patreon rewards! https://www.patreon.com/ManufacturingIntellect
published: 28 May 2016 -
Sidney Lumet's Honorary Award: 2005 Oscars
Al Pacino presents an Honorary Oscar to director Sidney Lumet in recognition of his brilliant services to screenwriters, performers and the art of the motion picture, at the 77th Academy Awards. See more 2005 Oscar highlights: https://www.youtube.com/playlist?list=PLJ8RjvesnvDOq5pI9MwC8nxRHVb4d2dl4 Become an Oscar Insider: http://www.oscars.org/insider/ Check out our Academy Originals: https://www.youtube.com/user/AcademyOriginals ABOUT THE ACADEMY The Academy of Motion Picture Arts and Sciences is the world's preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards—in which the members vote to select the nominees and winners—the Academy presents a diverse year-round sl...
published: 11 Apr 2011 -
Sidney Lumet on his technique for working with actors - TelevisionAcademy.com/Interviews
For his full interview, see https://interviews.televisionacademy.com/interviews/sidney-lumet
published: 27 Feb 2018 -
How to Achieve a Cinematic Film Look [Sidney Lumet Making Movies]
Get Your FREE Cinematography Techniques Guide 👉👉 http://bit.ly/2S7yAbV How do you achieve a cinematic film look for your film? It's actually not as hard as you might think. You’ve come to the right place. In today’s video, we explain what Sidney Lumet calls, The Lens Plot. We define this advanced cinematic technique, and provide specific examples from popular films so that you can generate the perfect lens plot for your own project. Add this skill to your cinematic arsenal for 2019. A lens plot is sort of like a stylesheet for your lens and lighting. It is used by establishing a visual motif specifically through your camera lenses. It takes more than LUTs and color grading to get the film look. A big part of that is your lens plot. “It’s a way to make sure that your shots serve ...
published: 22 Oct 2018 -
Remembering Hollywood director Sidney Lumet
The movie industry is mourning one of Hollywood's most productive directors, Sidney Lumet. Terry McCarthy takes a look back at the life of a silver screen legend.
published: 10 Apr 2011 -
Sidney Lumet On THE GODFATHER
Director Sidney Lumet talks about THE GODFATHER, Parts 1 & 2 during an interview for AFI's 10 Top 10. Two of Lumet's films, 12 ANGRY MEN and THE VERDICT made the Top 10 Best Courtroom Dramas on the list. CONNECT WITH AFI: http://facebook.com/AmericanFilmInstitute http://twitter.com/AmericanFilm http://AFI.com/members AFI FACEBOOK APP: http://apps.facebook.com/afiytapp/
published: 30 Sep 2009 -
Sidney Lumet On 12 ANGRY MEN
Director Sidney Lumet talks 12 ANGRY MEN during an interview for AFI's 10 Top 10. Two of Lumet's films, 12 ANGRY MEN and THE VERDICT made the Top 10 Best Courtroom Dramas on the list. CONNECT WITH AFI: http://facebook.com/AmericanFilmInstitute http://twitter.com/AmericanFilm http://AFI.com/members AFI FACEBOOK APP: http://apps.facebook.com/afiytapp/
published: 29 Sep 2009 -
Sidney Lumet on Al Pacino
In 2007, Al Pacino was the recipient of the 35th the AFI Life Achievement Award. In this video clip, director Sidney Lumet (Dog Day Afternoon, Serpico) discusses Pacino's acting talent.
published: 25 Apr 2011 -
By Sidney Lumet | Documentales TCM | TCM
Cinco años después de su muerte, TCM rinde homenaje a Sidney Lumet con la emisión de un documental que repasa la vida y obra del director norteamericano. Dirigido por Nancy Buirski, 'By Sidney Lumet' analiza al autor de films como 'Serpico' o 'Veredicto final' a través de entrevistas realizadas al cineasta poco antes de su fallecimiento (el 9 de abril de 2011). Suscríbete al canal de YouTube de TCM: http://www.youtube.com/subscription_c... Consulta la programación del canal: http://www.canaltcm.com Únete a nosotros en Facebook: http://www.facebook.com/CanalTCMES Síguenos en Twitter: http://www.twitter.com/canaltcm Estamos en Spotify: http://open.spotify.com/user/canal_tcm Descubre el canal de YouTube de TCM en España, un canal en el que los espectadores de plataformas de televisión de ...
published: 08 Apr 2016 -
By Sidney Lumet - Trailer
Film legend Sidney Lumet (1924-2011) tells his own story in a never-before-seen interview shot in 2008. Please SUBSCRIBE if you enjoyed! http://bit.ly/1JmUCu5 **More info & videos below** In a never-before-seen interview filmed a few years before his death, Sidney Lumet (1924-2011) guides us through his life and his work – the powerfully dramatic and wildly entertaining movies (Serpico, Dog Day Afternoon, 12 Angry Men, Network) that make up the canon of one of the most socially conscious directors in the history of cinema. With candor, humor and grace, he reveals what matters to him as an artist and as a human being. For full episodes, visit http://www.pbs.org/americanmasters Find us on: https://www.facebook.com/americanmasters https://twitter.com/PBSAmerMasters #AmericanMasters http:/...
published: 11 Oct 2016 -
NETWORK, Sidney Lumet, 1976 - I'm Mad As Hell and I'm Not Gonna Take This Anymore!
NETWORK now streaming on FilmStruck http://flms.tk/yt Howard Beale (Peter Finch), an acclaimed anchor at the UBS Evening News, is put out to pasture because he too old. News division president Max Schumacher (William Holden), Howard's best friend, is forced to deliver the decision. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. The network wants Beale immediately fired, but Schumacher gives him a chance to apologize on the air. What he doesn't count on is Beale using this camera time to go off on another tirade that to everyone's surprise resonates with the audience. Seeing an opportunity to harness Beale's "mad as hell" energy, the head...
published: 06 Mar 2018 -
Remembering Sidney Lumet: his advice to aspiring directors - EMMYTVLEGENDS.ORG
From his 1999 Archive of American Television interview. See Sidney Lumet's full interview at http://emmytvlegends.org/interviews/people/sidney-lumet Full interview description: Sidney Lumet was interviewed for three-hours in New York, NY. Mr. Lumet spoke of his work as an actor on the stage before he became a director in television. He recalled his work on the television series Danger(1950-55), and You Are There(1953-57) both "live" dramatic shows of the time. He discussed the use of blacklisted writers on these shows and how the material they wrote often reflected the era of McCarthyism. He also discussed other television dramatic anthology series he directed for including Omnibus, Goodyear Playhouse, The Alcoa Hour, Studio One, and Kraft Television Theatre. He described his direct...
published: 09 Apr 2011
developed with YouTube
23:57
Sidney Lumet interview on "Making Movies" (1995)
- Order: Reorder
- Duration: 23:57
- Uploaded Date: 28 May 2016
- views: 45420
Director Sidney Lumet, known for "12 Angry Men," shares his book, "Making Movies," about the technique and job of filmmaking.
»»﴿───► See more on the Directors ...
Director Sidney Lumet, known for "12 Angry Men," shares his book, "Making Movies," about the technique and job of filmmaking.
»»﴿───► See more on the Directors Playlist: https://www.youtube.com/playlist?list=PLIZqvqbtz9I04OH5IZee3L8FHY-Kt3I92
Check out the Patreon rewards! https://www.patreon.com/ManufacturingIntellect
https://wn.com/Sidney_Lumet_Interview_On_Making_Movies_(1995)
Director Sidney Lumet, known for "12 Angry Men," shares his book, "Making Movies," about the technique and job of filmmaking.
»»﴿───► See more on the Directors Playlist: https://www.youtube.com/playlist?list=PLIZqvqbtz9I04OH5IZee3L8FHY-Kt3I92
Check out the Patreon rewards! https://www.patreon.com/ManufacturingIntellect
- published: 28 May 2016
- views: 45420
5:41
Sidney Lumet's Honorary Award: 2005 Oscars
- Order: Reorder
- Duration: 5:41
- Uploaded Date: 11 Apr 2011
- views: 104687
Al Pacino presents an Honorary Oscar to director Sidney Lumet in recognition of his brilliant services to screenwriters, performers and the art of the motion pi...
Al Pacino presents an Honorary Oscar to director Sidney Lumet in recognition of his brilliant services to screenwriters, performers and the art of the motion picture, at the 77th Academy Awards.
See more 2005 Oscar highlights: https://www.youtube.com/playlist?list=PLJ8RjvesnvDOq5pI9MwC8nxRHVb4d2dl4
Become an Oscar Insider: http://www.oscars.org/insider/
Check out our Academy Originals: https://www.youtube.com/user/AcademyOriginals
ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world's preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards—in which the members vote to select the nominees and winners—the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.
https://wn.com/Sidney_Lumet's_Honorary_Award_2005_Oscars
Al Pacino presents an Honorary Oscar to director Sidney Lumet in recognition of his brilliant services to screenwriters, performers and the art of the motion picture, at the 77th Academy Awards.
See more 2005 Oscar highlights: https://www.youtube.com/playlist?list=PLJ8RjvesnvDOq5pI9MwC8nxRHVb4d2dl4
Become an Oscar Insider: http://www.oscars.org/insider/
Check out our Academy Originals: https://www.youtube.com/user/AcademyOriginals
ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world's preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards—in which the members vote to select the nominees and winners—the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.
- published: 11 Apr 2011
- views: 104687
5:49
Sidney Lumet on his technique for working with actors - TelevisionAcademy.com/Interviews
- Order: Reorder
- Duration: 5:49
- Uploaded Date: 27 Feb 2018
- views: 4539
For his full interview, see https://interviews.televisionacademy.com/interviews/sidney-lumet
For his full interview, see https://interviews.televisionacademy.com/interviews/sidney-lumet
https://wn.com/Sidney_Lumet_On_His_Technique_For_Working_With_Actors_Televisionacademy.Com_Interviews
For his full interview, see https://interviews.televisionacademy.com/interviews/sidney-lumet
- published: 27 Feb 2018
- views: 4539
5:23
How to Achieve a Cinematic Film Look [Sidney Lumet Making Movies]
- Order: Reorder
- Duration: 5:23
- Uploaded Date: 22 Oct 2018
- views: 125367
Get Your FREE Cinematography Techniques Guide 👉👉 http://bit.ly/2S7yAbV
How do you achieve a cinematic film look for your film? It's actually not as hard as you...
Get Your FREE Cinematography Techniques Guide 👉👉 http://bit.ly/2S7yAbV
How do you achieve a cinematic film look for your film? It's actually not as hard as you might think.
You’ve come to the right place.
In today’s video, we explain what Sidney Lumet calls, The Lens Plot.
We define this advanced cinematic technique, and provide specific examples from popular films so that you can generate the perfect lens plot for your own project.
Add this skill to your cinematic arsenal for 2019.
A lens plot is sort of like a stylesheet for your lens and lighting. It is used by establishing a visual motif specifically through your camera lenses. It takes more than LUTs and color grading to get the film look.
A big part of that is your lens plot.
“It’s a way to make sure that your shots serve your story as a whole.”
There are 3 different types of lens plots:
1. Static lens plot refers to constant, enchanted visuals throughout a particular project or film.
2. Narrative lens plot refers to visuals that gradually change over the course of a story.
3. Elemental lens plot refers to a visuals that change with each character or story in a film.
To get this cinematic film look, you’ll want to first analyze your story. Is it a fluffy comedy, or a dark journey into the mind of a psychopath?
What lens would work well in each situation?
Once you’ve determined what your story is about, and the effects of different lenses, then you can build a lens plot that visually conveys the tone, world, and feel of your story.
A good director won’t force a specific cinematic look unless it enhances their story. A good producer will keep this in mind as well. If you’re a cinematographer, this might be a big part of your job - and it isn’t a bad thing to suggest to the director during the planning stages.
You will have a hard time establishing yourself as an auteur without this advanced film technique, and you will have a harder time getting that cinematic look you desire.
We break it down step-by-step just for you.
So enjoy our video and get your cinematic film took today!
#filmmaking #cinematography #hollywoodlook
--
SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0
Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production calendars, shot lists, storyboards, call sheets and more.
Try StudioBinder for FREE today and see the difference: https://studiobinder.com/pricing
––– Join us on Social Media! –––
Instagram ►► https://www.instagram.com/studiobinder
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https://wn.com/How_To_Achieve_A_Cinematic_Film_Look_Sidney_Lumet_Making_Movies
Get Your FREE Cinematography Techniques Guide 👉👉 http://bit.ly/2S7yAbV
How do you achieve a cinematic film look for your film? It's actually not as hard as you might think.
You’ve come to the right place.
In today’s video, we explain what Sidney Lumet calls, The Lens Plot.
We define this advanced cinematic technique, and provide specific examples from popular films so that you can generate the perfect lens plot for your own project.
Add this skill to your cinematic arsenal for 2019.
A lens plot is sort of like a stylesheet for your lens and lighting. It is used by establishing a visual motif specifically through your camera lenses. It takes more than LUTs and color grading to get the film look.
A big part of that is your lens plot.
“It’s a way to make sure that your shots serve your story as a whole.”
There are 3 different types of lens plots:
1. Static lens plot refers to constant, enchanted visuals throughout a particular project or film.
2. Narrative lens plot refers to visuals that gradually change over the course of a story.
3. Elemental lens plot refers to a visuals that change with each character or story in a film.
To get this cinematic film look, you’ll want to first analyze your story. Is it a fluffy comedy, or a dark journey into the mind of a psychopath?
What lens would work well in each situation?
Once you’ve determined what your story is about, and the effects of different lenses, then you can build a lens plot that visually conveys the tone, world, and feel of your story.
A good director won’t force a specific cinematic look unless it enhances their story. A good producer will keep this in mind as well. If you’re a cinematographer, this might be a big part of your job - and it isn’t a bad thing to suggest to the director during the planning stages.
You will have a hard time establishing yourself as an auteur without this advanced film technique, and you will have a harder time getting that cinematic look you desire.
We break it down step-by-step just for you.
So enjoy our video and get your cinematic film took today!
#filmmaking #cinematography #hollywoodlook
--
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- published: 22 Oct 2018
- views: 125367
2:02
Remembering Hollywood director Sidney Lumet
- Order: Reorder
- Duration: 2:02
- Uploaded Date: 10 Apr 2011
- views: 6323
The movie industry is mourning one of Hollywood's most productive directors, Sidney Lumet. Terry McCarthy takes a look back at the life of a silver screen legen...
The movie industry is mourning one of Hollywood's most productive directors, Sidney Lumet. Terry McCarthy takes a look back at the life of a silver screen legend.
https://wn.com/Remembering_Hollywood_Director_Sidney_Lumet
The movie industry is mourning one of Hollywood's most productive directors, Sidney Lumet. Terry McCarthy takes a look back at the life of a silver screen legend.
- published: 10 Apr 2011
- views: 6323
0:57
Sidney Lumet On THE GODFATHER
- Order: Reorder
- Duration: 0:57
- Uploaded Date: 30 Sep 2009
- views: 33532
Director Sidney Lumet talks about THE GODFATHER, Parts 1 & 2 during an interview for AFI's 10 Top 10.
Two of Lumet's films, 12 ANGRY MEN and THE VERDICT ma...
Director Sidney Lumet talks about THE GODFATHER, Parts 1 & 2 during an interview for AFI's 10 Top 10.
Two of Lumet's films, 12 ANGRY MEN and THE VERDICT made the Top 10 Best Courtroom Dramas on the list.
CONNECT WITH AFI:
http://facebook.com/AmericanFilmInstitute
http://twitter.com/AmericanFilm
http://AFI.com/members
AFI FACEBOOK APP:
http://apps.facebook.com/afiytapp/
https://wn.com/Sidney_Lumet_On_The_Godfather
Director Sidney Lumet talks about THE GODFATHER, Parts 1 & 2 during an interview for AFI's 10 Top 10.
Two of Lumet's films, 12 ANGRY MEN and THE VERDICT made the Top 10 Best Courtroom Dramas on the list.
CONNECT WITH AFI:
http://facebook.com/AmericanFilmInstitute
http://twitter.com/AmericanFilm
http://AFI.com/members
AFI FACEBOOK APP:
http://apps.facebook.com/afiytapp/
- published: 30 Sep 2009
- views: 33532
1:37
Sidney Lumet On 12 ANGRY MEN
- Order: Reorder
- Duration: 1:37
- Uploaded Date: 29 Sep 2009
- views: 28472
Director Sidney Lumet talks 12 ANGRY MEN during an interview for AFI's 10 Top 10. Two of Lumet's films, 12 ANGRY MEN and THE VERDICT made the Top 10 Best Court...
Director Sidney Lumet talks 12 ANGRY MEN during an interview for AFI's 10 Top 10. Two of Lumet's films, 12 ANGRY MEN and THE VERDICT made the Top 10 Best Courtroom Dramas on the list.
CONNECT WITH AFI:
http://facebook.com/AmericanFilmInstitute
http://twitter.com/AmericanFilm
http://AFI.com/members
AFI FACEBOOK APP:
http://apps.facebook.com/afiytapp/
https://wn.com/Sidney_Lumet_On_12_Angry_Men
Director Sidney Lumet talks 12 ANGRY MEN during an interview for AFI's 10 Top 10. Two of Lumet's films, 12 ANGRY MEN and THE VERDICT made the Top 10 Best Courtroom Dramas on the list.
CONNECT WITH AFI:
http://facebook.com/AmericanFilmInstitute
http://twitter.com/AmericanFilm
http://AFI.com/members
AFI FACEBOOK APP:
http://apps.facebook.com/afiytapp/
- published: 29 Sep 2009
- views: 28472
0:52
Sidney Lumet on Al Pacino
- Order: Reorder
- Duration: 0:52
- Uploaded Date: 25 Apr 2011
- views: 14982
In 2007, Al Pacino was the recipient of the 35th the AFI Life Achievement Award. In this video clip, director Sidney Lumet (Dog Day Afternoon, Serpico) discusse...
In 2007, Al Pacino was the recipient of the 35th the AFI Life Achievement Award. In this video clip, director Sidney Lumet (Dog Day Afternoon, Serpico) discusses Pacino's acting talent.
https://wn.com/Sidney_Lumet_On_Al_Pacino
In 2007, Al Pacino was the recipient of the 35th the AFI Life Achievement Award. In this video clip, director Sidney Lumet (Dog Day Afternoon, Serpico) discusses Pacino's acting talent.
- published: 25 Apr 2011
- views: 14982
3:52
By Sidney Lumet | Documentales TCM | TCM
- Order: Reorder
- Duration: 3:52
- Uploaded Date: 08 Apr 2016
- views: 3123
Cinco años después de su muerte, TCM rinde homenaje a Sidney Lumet con la emisión de un documental que repasa la vida y obra del director norteamericano. Dirigi...
Cinco años después de su muerte, TCM rinde homenaje a Sidney Lumet con la emisión de un documental que repasa la vida y obra del director norteamericano. Dirigido por Nancy Buirski, 'By Sidney Lumet' analiza al autor de films como 'Serpico' o 'Veredicto final' a través de entrevistas realizadas al cineasta poco antes de su fallecimiento (el 9 de abril de 2011).
Suscríbete al canal de YouTube de TCM: http://www.youtube.com/subscription_c...
Consulta la programación del canal: http://www.canaltcm.com
Únete a nosotros en Facebook: http://www.facebook.com/CanalTCMES
Síguenos en Twitter: http://www.twitter.com/canaltcm
Estamos en Spotify: http://open.spotify.com/user/canal_tcm
Descubre el canal de YouTube de TCM en España, un canal en el que los espectadores de plataformas de televisión de pago pueden disfrutar tanto de los grandes clásicos de Hollywood como de las mejores películas de autor. Una programación que abarca desde Hitchcock a Buñuel, desde Spielberg hasta Lars Von Trier, desde Wilder a Fellini, y en el que el mejor cine en alta definición se complementa con entrevistas, reportajes de producción propia y documentales exclusivos que ayudan a contextualizar cada título y descubrir lo que ocurrió detrás de las cámaras. Un canal donde tienen cabida desde 'Vértigo', 'Casablanca', 'Sed de mal' o 'Sin perdón' hasta 'El graduado' o '2001: Odisea en el espacio'. TCM es propiedad de Turner Broadcasting System, una compañía del grupo Time Warner, el líder mundial en entretenimiento, y está disponible en la oferta de Movistar+ (dial 37), Vodafone (dial 24), Orange TV (dial 21), Euskaltel (dial 47), R (dial 3) y Telecable (dial 17).
https://wn.com/By_Sidney_Lumet_|_Documentales_Tcm_|_Tcm
Cinco años después de su muerte, TCM rinde homenaje a Sidney Lumet con la emisión de un documental que repasa la vida y obra del director norteamericano. Dirigido por Nancy Buirski, 'By Sidney Lumet' analiza al autor de films como 'Serpico' o 'Veredicto final' a través de entrevistas realizadas al cineasta poco antes de su fallecimiento (el 9 de abril de 2011).
Suscríbete al canal de YouTube de TCM: http://www.youtube.com/subscription_c...
Consulta la programación del canal: http://www.canaltcm.com
Únete a nosotros en Facebook: http://www.facebook.com/CanalTCMES
Síguenos en Twitter: http://www.twitter.com/canaltcm
Estamos en Spotify: http://open.spotify.com/user/canal_tcm
Descubre el canal de YouTube de TCM en España, un canal en el que los espectadores de plataformas de televisión de pago pueden disfrutar tanto de los grandes clásicos de Hollywood como de las mejores películas de autor. Una programación que abarca desde Hitchcock a Buñuel, desde Spielberg hasta Lars Von Trier, desde Wilder a Fellini, y en el que el mejor cine en alta definición se complementa con entrevistas, reportajes de producción propia y documentales exclusivos que ayudan a contextualizar cada título y descubrir lo que ocurrió detrás de las cámaras. Un canal donde tienen cabida desde 'Vértigo', 'Casablanca', 'Sed de mal' o 'Sin perdón' hasta 'El graduado' o '2001: Odisea en el espacio'. TCM es propiedad de Turner Broadcasting System, una compañía del grupo Time Warner, el líder mundial en entretenimiento, y está disponible en la oferta de Movistar+ (dial 37), Vodafone (dial 24), Orange TV (dial 21), Euskaltel (dial 47), R (dial 3) y Telecable (dial 17).
- published: 08 Apr 2016
- views: 3123
2:03
By Sidney Lumet - Trailer
- Order: Reorder
- Duration: 2:03
- Uploaded Date: 11 Oct 2016
- views: 8151
Film legend Sidney Lumet (1924-2011) tells his own story in a never-before-seen interview shot in 2008.
Please SUBSCRIBE if you enjoyed! http://bit.ly/1JmUCu5
...
Film legend Sidney Lumet (1924-2011) tells his own story in a never-before-seen interview shot in 2008.
Please SUBSCRIBE if you enjoyed! http://bit.ly/1JmUCu5
**More info & videos below**
In a never-before-seen interview filmed a few years before his death, Sidney Lumet (1924-2011) guides us through his life and his work – the powerfully dramatic and wildly entertaining movies (Serpico, Dog Day Afternoon, 12 Angry Men, Network) that make up the canon of one of the most socially conscious directors in the history of cinema. With candor, humor and grace, he reveals what matters to him as an artist and as a human being.
For full episodes, visit http://www.pbs.org/americanmasters
Find us on:
https://www.facebook.com/americanmasters
https://twitter.com/PBSAmerMasters #AmericanMasters
http://pbsamericanmasters.tumblr.com #American Masters
https://instagram.com/pbsamericanmasters #AmericanMasters
___
American Masters, THIRTEEN’s award-winning biography series, celebrates our arts and culture. Launched in 1986, the series has set the standard for documentary film profiles, accruing widespread critical acclaim. Awards include 70 Emmy nominations and 28 awards — 10 for Outstanding Non-Fiction Series since 1999 and five for Outstanding Non-Fiction Special — 12 Peabody Awards; three Grammys; an Oscar; two Producers Guild Awards for Outstanding Producer of Non-Fiction Television; and the 2012 IDA Award for Best Continuing Series. American Masters enjoys recognition from film events across the country and international festivals from London to Berlin and Toronto to Melbourne. Other honors include The Christopher Awards and the Chicago International Television Awards as Outstanding Documentary Series, and the Banff Grand Prize and the Television Critics Association Award for Outstanding Movies.
https://wn.com/By_Sidney_Lumet_Trailer
Film legend Sidney Lumet (1924-2011) tells his own story in a never-before-seen interview shot in 2008.
Please SUBSCRIBE if you enjoyed! http://bit.ly/1JmUCu5
**More info & videos below**
In a never-before-seen interview filmed a few years before his death, Sidney Lumet (1924-2011) guides us through his life and his work – the powerfully dramatic and wildly entertaining movies (Serpico, Dog Day Afternoon, 12 Angry Men, Network) that make up the canon of one of the most socially conscious directors in the history of cinema. With candor, humor and grace, he reveals what matters to him as an artist and as a human being.
For full episodes, visit http://www.pbs.org/americanmasters
Find us on:
https://www.facebook.com/americanmasters
https://twitter.com/PBSAmerMasters #AmericanMasters
http://pbsamericanmasters.tumblr.com #American Masters
https://instagram.com/pbsamericanmasters #AmericanMasters
___
American Masters, THIRTEEN’s award-winning biography series, celebrates our arts and culture. Launched in 1986, the series has set the standard for documentary film profiles, accruing widespread critical acclaim. Awards include 70 Emmy nominations and 28 awards — 10 for Outstanding Non-Fiction Series since 1999 and five for Outstanding Non-Fiction Special — 12 Peabody Awards; three Grammys; an Oscar; two Producers Guild Awards for Outstanding Producer of Non-Fiction Television; and the 2012 IDA Award for Best Continuing Series. American Masters enjoys recognition from film events across the country and international festivals from London to Berlin and Toronto to Melbourne. Other honors include The Christopher Awards and the Chicago International Television Awards as Outstanding Documentary Series, and the Banff Grand Prize and the Television Critics Association Award for Outstanding Movies.
- published: 11 Oct 2016
- views: 8151
4:02
NETWORK, Sidney Lumet, 1976 - I'm Mad As Hell and I'm Not Gonna Take This Anymore!
- Order: Reorder
- Duration: 4:02
- Uploaded Date: 06 Mar 2018
- views: 966382
NETWORK now streaming on FilmStruck http://flms.tk/yt
Howard Beale (Peter Finch), an acclaimed anchor at the UBS Evening News, is put out to pasture because he...
NETWORK now streaming on FilmStruck http://flms.tk/yt
Howard Beale (Peter Finch), an acclaimed anchor at the UBS Evening News, is put out to pasture because he too old. News division president Max Schumacher (William Holden), Howard's best friend, is forced to deliver the decision. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. The network wants Beale immediately fired, but Schumacher gives him a chance to apologize on the air. What he doesn't count on is Beale using this camera time to go off on another tirade that to everyone's surprise resonates with the audience. Seeing an opportunity to harness Beale's "mad as hell" energy, the head of programming, Diana Christensen (Faye Dunaway), suggests Beale be given his own show. Although Max and Diana disagree on this business proposal, they initiate a personal relationship that complicates matters further. Driven by her tireless efforts to succeed, Diana drives Max away as Beale's show becomes more crazed. And as those working in media know, fans are fickle and when Beale's ratings drop, Diana and the network execs cancel his show permanently.
Collection: Written by Paddy Chayefsky
Cast: Peter Finch, Faye Dunaway, William Holden
FilmStruck brings you the best indie, foreign, cult, classic, silent and hard-to-find films and is the exclusive streaming home of The Criterion Collection. Try FilmStruck today for 14 Days FREE and discover a world of new titles to fall in love with: www.filmstruck.com
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https://wn.com/Network,_Sidney_Lumet,_1976_I'm_Mad_As_Hell_And_I'm_Not_Gonna_Take_This_Anymore
NETWORK now streaming on FilmStruck http://flms.tk/yt
Howard Beale (Peter Finch), an acclaimed anchor at the UBS Evening News, is put out to pasture because he too old. News division president Max Schumacher (William Holden), Howard's best friend, is forced to deliver the decision. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. The network wants Beale immediately fired, but Schumacher gives him a chance to apologize on the air. What he doesn't count on is Beale using this camera time to go off on another tirade that to everyone's surprise resonates with the audience. Seeing an opportunity to harness Beale's "mad as hell" energy, the head of programming, Diana Christensen (Faye Dunaway), suggests Beale be given his own show. Although Max and Diana disagree on this business proposal, they initiate a personal relationship that complicates matters further. Driven by her tireless efforts to succeed, Diana drives Max away as Beale's show becomes more crazed. And as those working in media know, fans are fickle and when Beale's ratings drop, Diana and the network execs cancel his show permanently.
Collection: Written by Paddy Chayefsky
Cast: Peter Finch, Faye Dunaway, William Holden
FilmStruck brings you the best indie, foreign, cult, classic, silent and hard-to-find films and is the exclusive streaming home of The Criterion Collection. Try FilmStruck today for 14 Days FREE and discover a world of new titles to fall in love with: www.filmstruck.com
Follow our Discussions:
...on Facebook: www.facebook.com/filmstruck
...on Instagram: www.instagram.com/filmstruck
...on Twitter: www.twitter.com/filmstruck
...on Tumblr: filmstruck.tumblr.com
...on GIPHY: giphy.com/filmstruck
- published: 06 Mar 2018
- views: 966382
1:29
Remembering Sidney Lumet: his advice to aspiring directors - EMMYTVLEGENDS.ORG
- Order: Reorder
- Duration: 1:29
- Uploaded Date: 09 Apr 2011
- views: 22656
From his 1999 Archive of American Television interview. See Sidney Lumet's full interview at http://emmytvlegends.org/interviews/people/sidney-lumet
Full int...
From his 1999 Archive of American Television interview. See Sidney Lumet's full interview at http://emmytvlegends.org/interviews/people/sidney-lumet
Full interview description:
Sidney Lumet was interviewed for three-hours in New York, NY. Mr. Lumet spoke of his work as an actor on the stage before he became a director in television. He recalled his work on the television series Danger(1950-55), and You Are There(1953-57) both "live" dramatic shows of the time. He discussed the use of blacklisted writers on these shows and how the material they wrote often reflected the era of McCarthyism. He also discussed other television dramatic anthology series he directed for including Omnibus, Goodyear Playhouse, The Alcoa Hour, Studio One, and Kraft Television Theatre. He described his direction of the well-known television special The Sacco-Vanzetti Story and The Play of the Week: "The Iceman Cometh" both of which aired in 1960. He spoke of his transition to a feature film director with "12 Angry Men" in 1957 and his work on such other feature films as the Paddy Chayefsky's satire, "Network" (1976). The interview was conducted by Dr. Ralph Engleman on October 28, 1999.
https://wn.com/Remembering_Sidney_Lumet_His_Advice_To_Aspiring_Directors_Emmytvlegends.Org
From his 1999 Archive of American Television interview. See Sidney Lumet's full interview at http://emmytvlegends.org/interviews/people/sidney-lumet
Full interview description:
Sidney Lumet was interviewed for three-hours in New York, NY. Mr. Lumet spoke of his work as an actor on the stage before he became a director in television. He recalled his work on the television series Danger(1950-55), and You Are There(1953-57) both "live" dramatic shows of the time. He discussed the use of blacklisted writers on these shows and how the material they wrote often reflected the era of McCarthyism. He also discussed other television dramatic anthology series he directed for including Omnibus, Goodyear Playhouse, The Alcoa Hour, Studio One, and Kraft Television Theatre. He described his direction of the well-known television special The Sacco-Vanzetti Story and The Play of the Week: "The Iceman Cometh" both of which aired in 1960. He spoke of his transition to a feature film director with "12 Angry Men" in 1957 and his work on such other feature films as the Paddy Chayefsky's satire, "Network" (1976). The interview was conducted by Dr. Ralph Engleman on October 28, 1999.
- published: 09 Apr 2011
- views: 22656
23:57
Sidney Lumet interview on "Making Movies" (1995)
Director Sidney Lumet, known for "12 Angry Men," shares his book, "Making Movies," about t...
published: 28 May 2016
Sidney Lumet interview on "Making Movies" (1995)
Sidney Lumet interview on "Making Movies" (1995)
- Report rights infringement
- published: 28 May 2016
- views: 45420
Director Sidney Lumet, known for "12 Angry Men," shares his book, "Making Movies," about the technique and job of filmmaking.
»»﴿───► See more on the Directors Playlist: https://www.youtube.com/playlist?list=PLIZqvqbtz9I04OH5IZee3L8FHY-Kt3I92
Check out the Patreon rewards! https://www.patreon.com/ManufacturingIntellect
5:41
Sidney Lumet's Honorary Award: 2005 Oscars
Al Pacino presents an Honorary Oscar to director Sidney Lumet in recognition of his brilli...
published: 11 Apr 2011
Sidney Lumet's Honorary Award: 2005 Oscars
Sidney Lumet's Honorary Award: 2005 Oscars
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- published: 11 Apr 2011
- views: 104687
Al Pacino presents an Honorary Oscar to director Sidney Lumet in recognition of his brilliant services to screenwriters, performers and the art of the motion picture, at the 77th Academy Awards.
See more 2005 Oscar highlights: https://www.youtube.com/playlist?list=PLJ8RjvesnvDOq5pI9MwC8nxRHVb4d2dl4
Become an Oscar Insider: http://www.oscars.org/insider/
Check out our Academy Originals: https://www.youtube.com/user/AcademyOriginals
ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world's preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards—in which the members vote to select the nominees and winners—the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.
5:49
Sidney Lumet on his technique for working with actors - TelevisionAcademy.com/Interviews
For his full interview, see https://interviews.televisionacademy.com/interviews/sidney-lum...
published: 27 Feb 2018
Sidney Lumet on his technique for working with actors - TelevisionAcademy.com/Interviews
Sidney Lumet on his technique for working with actors - TelevisionAcademy.com/Interviews
- Report rights infringement
- published: 27 Feb 2018
- views: 4539
For his full interview, see https://interviews.televisionacademy.com/interviews/sidney-lumet
5:23
How to Achieve a Cinematic Film Look [Sidney Lumet Making Movies]
Get Your FREE Cinematography Techniques Guide 👉👉 http://bit.ly/2S7yAbV
How do you achieve...
published: 22 Oct 2018
How to Achieve a Cinematic Film Look [Sidney Lumet Making Movies]
How to Achieve a Cinematic Film Look [Sidney Lumet Making Movies]
- Report rights infringement
- published: 22 Oct 2018
- views: 125367
Get Your FREE Cinematography Techniques Guide 👉👉 http://bit.ly/2S7yAbV
How do you achieve a cinematic film look for your film? It's actually not as hard as you might think.
You’ve come to the right place.
In today’s video, we explain what Sidney Lumet calls, The Lens Plot.
We define this advanced cinematic technique, and provide specific examples from popular films so that you can generate the perfect lens plot for your own project.
Add this skill to your cinematic arsenal for 2019.
A lens plot is sort of like a stylesheet for your lens and lighting. It is used by establishing a visual motif specifically through your camera lenses. It takes more than LUTs and color grading to get the film look.
A big part of that is your lens plot.
“It’s a way to make sure that your shots serve your story as a whole.”
There are 3 different types of lens plots:
1. Static lens plot refers to constant, enchanted visuals throughout a particular project or film.
2. Narrative lens plot refers to visuals that gradually change over the course of a story.
3. Elemental lens plot refers to a visuals that change with each character or story in a film.
To get this cinematic film look, you’ll want to first analyze your story. Is it a fluffy comedy, or a dark journey into the mind of a psychopath?
What lens would work well in each situation?
Once you’ve determined what your story is about, and the effects of different lenses, then you can build a lens plot that visually conveys the tone, world, and feel of your story.
A good director won’t force a specific cinematic look unless it enhances their story. A good producer will keep this in mind as well. If you’re a cinematographer, this might be a big part of your job - and it isn’t a bad thing to suggest to the director during the planning stages.
You will have a hard time establishing yourself as an auteur without this advanced film technique, and you will have a harder time getting that cinematic look you desire.
We break it down step-by-step just for you.
So enjoy our video and get your cinematic film took today!
#filmmaking #cinematography #hollywoodlook
--
SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0
Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production calendars, shot lists, storyboards, call sheets and more.
Try StudioBinder for FREE today and see the difference: https://studiobinder.com/pricing
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2:02
Remembering Hollywood director Sidney Lumet
The movie industry is mourning one of Hollywood's most productive directors, Sidney Lumet....
published: 10 Apr 2011
Remembering Hollywood director Sidney Lumet
Remembering Hollywood director Sidney Lumet
- Report rights infringement
- published: 10 Apr 2011
- views: 6323
The movie industry is mourning one of Hollywood's most productive directors, Sidney Lumet. Terry McCarthy takes a look back at the life of a silver screen legend.
0:57
Sidney Lumet On THE GODFATHER
Director Sidney Lumet talks about THE GODFATHER, Parts 1 & 2 during an interview for AFI's...
published: 30 Sep 2009
Sidney Lumet On THE GODFATHER
Sidney Lumet On THE GODFATHER
- Report rights infringement
- published: 30 Sep 2009
- views: 33532
Director Sidney Lumet talks about THE GODFATHER, Parts 1 & 2 during an interview for AFI's 10 Top 10.
Two of Lumet's films, 12 ANGRY MEN and THE VERDICT made the Top 10 Best Courtroom Dramas on the list.
CONNECT WITH AFI:
http://facebook.com/AmericanFilmInstitute
http://twitter.com/AmericanFilm
http://AFI.com/members
AFI FACEBOOK APP:
http://apps.facebook.com/afiytapp/
1:37
Sidney Lumet On 12 ANGRY MEN
Director Sidney Lumet talks 12 ANGRY MEN during an interview for AFI's 10 Top 10. Two of ...
published: 29 Sep 2009
Sidney Lumet On 12 ANGRY MEN
Sidney Lumet On 12 ANGRY MEN
- Report rights infringement
- published: 29 Sep 2009
- views: 28472
Director Sidney Lumet talks 12 ANGRY MEN during an interview for AFI's 10 Top 10. Two of Lumet's films, 12 ANGRY MEN and THE VERDICT made the Top 10 Best Courtroom Dramas on the list.
CONNECT WITH AFI:
http://facebook.com/AmericanFilmInstitute
http://twitter.com/AmericanFilm
http://AFI.com/members
AFI FACEBOOK APP:
http://apps.facebook.com/afiytapp/
0:52
Sidney Lumet on Al Pacino
In 2007, Al Pacino was the recipient of the 35th the AFI Life Achievement Award. In this v...
published: 25 Apr 2011
Sidney Lumet on Al Pacino
Sidney Lumet on Al Pacino
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- published: 25 Apr 2011
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In 2007, Al Pacino was the recipient of the 35th the AFI Life Achievement Award. In this video clip, director Sidney Lumet (Dog Day Afternoon, Serpico) discusses Pacino's acting talent.
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By Sidney Lumet | Documentales TCM | TCM
Cinco años después de su muerte, TCM rinde homenaje a Sidney Lumet con la emisión de un do...
published: 08 Apr 2016
By Sidney Lumet | Documentales TCM | TCM
By Sidney Lumet | Documentales TCM | TCM
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- published: 08 Apr 2016
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Cinco años después de su muerte, TCM rinde homenaje a Sidney Lumet con la emisión de un documental que repasa la vida y obra del director norteamericano. Dirigido por Nancy Buirski, 'By Sidney Lumet' analiza al autor de films como 'Serpico' o 'Veredicto final' a través de entrevistas realizadas al cineasta poco antes de su fallecimiento (el 9 de abril de 2011).
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By Sidney Lumet - Trailer
Film legend Sidney Lumet (1924-2011) tells his own story in a never-before-seen interview ...
published: 11 Oct 2016
By Sidney Lumet - Trailer
By Sidney Lumet - Trailer
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- published: 11 Oct 2016
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Film legend Sidney Lumet (1924-2011) tells his own story in a never-before-seen interview shot in 2008.
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In a never-before-seen interview filmed a few years before his death, Sidney Lumet (1924-2011) guides us through his life and his work – the powerfully dramatic and wildly entertaining movies (Serpico, Dog Day Afternoon, 12 Angry Men, Network) that make up the canon of one of the most socially conscious directors in the history of cinema. With candor, humor and grace, he reveals what matters to him as an artist and as a human being.
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American Masters, THIRTEEN’s award-winning biography series, celebrates our arts and culture. Launched in 1986, the series has set the standard for documentary film profiles, accruing widespread critical acclaim. Awards include 70 Emmy nominations and 28 awards — 10 for Outstanding Non-Fiction Series since 1999 and five for Outstanding Non-Fiction Special — 12 Peabody Awards; three Grammys; an Oscar; two Producers Guild Awards for Outstanding Producer of Non-Fiction Television; and the 2012 IDA Award for Best Continuing Series. American Masters enjoys recognition from film events across the country and international festivals from London to Berlin and Toronto to Melbourne. Other honors include The Christopher Awards and the Chicago International Television Awards as Outstanding Documentary Series, and the Banff Grand Prize and the Television Critics Association Award for Outstanding Movies.
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NETWORK, Sidney Lumet, 1976 - I'm Mad As Hell and I'm Not Gonna Take This Anymore!
NETWORK now streaming on FilmStruck http://flms.tk/yt
Howard Beale (Peter Finch), an accl...
published: 06 Mar 2018
NETWORK, Sidney Lumet, 1976 - I'm Mad As Hell and I'm Not Gonna Take This Anymore!
NETWORK, Sidney Lumet, 1976 - I'm Mad As Hell and I'm Not Gonna Take This Anymore!
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- published: 06 Mar 2018
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NETWORK now streaming on FilmStruck http://flms.tk/yt
Howard Beale (Peter Finch), an acclaimed anchor at the UBS Evening News, is put out to pasture because he too old. News division president Max Schumacher (William Holden), Howard's best friend, is forced to deliver the decision. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. The network wants Beale immediately fired, but Schumacher gives him a chance to apologize on the air. What he doesn't count on is Beale using this camera time to go off on another tirade that to everyone's surprise resonates with the audience. Seeing an opportunity to harness Beale's "mad as hell" energy, the head of programming, Diana Christensen (Faye Dunaway), suggests Beale be given his own show. Although Max and Diana disagree on this business proposal, they initiate a personal relationship that complicates matters further. Driven by her tireless efforts to succeed, Diana drives Max away as Beale's show becomes more crazed. And as those working in media know, fans are fickle and when Beale's ratings drop, Diana and the network execs cancel his show permanently.
Collection: Written by Paddy Chayefsky
Cast: Peter Finch, Faye Dunaway, William Holden
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Remembering Sidney Lumet: his advice to aspiring directors - EMMYTVLEGENDS.ORG
From his 1999 Archive of American Television interview. See Sidney Lumet's full interview ...
published: 09 Apr 2011
Remembering Sidney Lumet: his advice to aspiring directors - EMMYTVLEGENDS.ORG
Remembering Sidney Lumet: his advice to aspiring directors - EMMYTVLEGENDS.ORG
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- published: 09 Apr 2011
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From his 1999 Archive of American Television interview. See Sidney Lumet's full interview at http://emmytvlegends.org/interviews/people/sidney-lumet
Full interview description:
Sidney Lumet was interviewed for three-hours in New York, NY. Mr. Lumet spoke of his work as an actor on the stage before he became a director in television. He recalled his work on the television series Danger(1950-55), and You Are There(1953-57) both "live" dramatic shows of the time. He discussed the use of blacklisted writers on these shows and how the material they wrote often reflected the era of McCarthyism. He also discussed other television dramatic anthology series he directed for including Omnibus, Goodyear Playhouse, The Alcoa Hour, Studio One, and Kraft Television Theatre. He described his direction of the well-known television special The Sacco-Vanzetti Story and The Play of the Week: "The Iceman Cometh" both of which aired in 1960. He spoke of his transition to a feature film director with "12 Angry Men" in 1957 and his work on such other feature films as the Paddy Chayefsky's satire, "Network" (1976). The interview was conducted by Dr. Ralph Engleman on October 28, 1999.
Sidney Lumet
Sidney Arthur Lumet (/luːˈmɛt/ loo-MET; June 25, 1924 – April 9, 2011) was an American director, producer and screenwriter with over 50 films to his credit. He was nominated for the Academy Award as Best Director for 12 Angry Men (1957), Dog Day Afternoon (1975), Network (1976) and The Verdict (1982). He did not win an individual Academy Award, but he did receive an Academy Honorary Award and 14 of his films were nominated for various Oscars, such as Network, which was nominated for ten, winning four.
The Encyclopedia of Hollywood states that Lumet was one of the most prolific filmmakers of the modern era, having directed more than one movie a year on average since his directorial debut in 1957. He was noted by Turner Classic Movies for his "strong direction of actors," "vigorous storytelling" and the "social realism" in his best work. Film critic Roger Ebert described him as having been "one of the finest craftsmen and warmest humanitarians among all film directors." Lumet was also known as an "actor's director," having worked with the best of them during his career, probably more than "any other director."Sean Connery, who acted in five of his films, considered him one of his favorite directors, and a director who had that "vision thing."
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Sidney_Lumet
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Go With Me
Won't you go with me, I could take you places you wanna be ,I could take you there, take you every where, once you show me
baby that you not scared, I could take you there.
I swear you had me opened
till the point of no return
you thought I would've learn from the broken hearts that burn but this was diffrent I didnt throw myself to fast cause
usually with that shit you know it'll never last, see I'm a lady, so I present myself with class I see my time, dont wanna
get dipped and dashed, remember me boo I used to row with snaughty crew and had that attitude like, We'll body you, I was a
baby than now I'm your lady frined, I wanna show you the new ways that I presence, see everything I hold don't show but if
you wanna know than baby we could roll I'll show you all my diffrent floats, see I'm about this game, that's rising me to
fame, and yet I choose you cause I don't really fuck with lames, Love to be your only dame and no matter what you see you
never switch in lanes, who knows where this could go if you do feel the same. (Feel the same) (Feel the same)
Won't you go with me, I could take you places you wanna be ,I could take you there, take you every where, once you show me
baby that you not scared, I could take you there.
mm, mm, mm Baby girl the best thing is just to let your feelings go, I wanna get to know you intellectually or maybe even
sexually. Types of dreams but never came true look all you gotta do is open up boo and show me is you, you wanna be lonely
and blue forget about a homie or two, Is only a few that could vibe with you, you see me I'm like a theif at the night I run
the streets in the night and you, you like to stay home, but me I'm at the zone. Look trying to figure out, ma, what is all
about huh, I'm still a cabron , I put that on my own look you could hold me down ma, I take you out of town I got chickz for
that,SO you could be the one that has my only son, that growns to be a man, I put that on my right hand, I hope you
understand, I'ma holla at you later girl, I promise you would great the world, now take ie home and think about it.
Won't you go with me, I could take you places you wanna be ,I could take you there, take you every where, once you show me
baby that you not scared, I could take you there.
SO you never had a girl that's a precious as a pearl and at the same time whylin out against the world sexy and tough,
yeah, I got that stuff yeah, you stick around long enough, woudl you see what's up, yeah, you gots to tell me soemthing
about you, cause I'm hanging around here all on a good view, like can you be true blue your words you stick too, would you
be the type to make me catch a quick flu, and if you catch a case I feel like sticking it thourgh, are you the kinda guy
that's gonna take it through, are you the kinda guy that's gonna take me high and have me saying word like love and never
lie, don't let that pass relation bullshit get in my eyes, you thinking we could rise, than baby we could rise and if you
having worries push it all aside and if at the end it works out is all because we tried and if you looking for love, you
know with me you find
Won't you go with me, I could take you places you wanna be ,I could take you there, take you every where, once you show me
Latest News for: lumet
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Jenny Lumet, Alex Kurtzman Launch New Production Company at CBS Studios Focused on BIPOC Stories
Jenny Lumet and Alex Kurtzman are partnering on a new production ...
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Alex Kurtzman and Jenny Lumet Form BIPOC-Focused Production Venture With CBS Studios
Alex Kurtzman and Jenny Lumet are forming a new multiplatform production company with the backing of CBS Studios that will be aimed at promoting nonwhite voices ... CBS Studios will support Lumet, Kurtzman and Evans as they develop content for linear, premium cable and streaming platforms.
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Jenny Lumet, Alex Kurtzman Team to Amplify Voices of Color
Longtime friends and collaborators Jenny Lumet and Alex Kurtzman are extending their relationship to launch a new production company with a purpose ... The banner will be housed at CBS Studios, where Kurtzman and Lumet are each based with their own respective overall deals ... Kurtzman and Lumet met years ago and have been frequent collaborators since.
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The 10 best things we saw at the Academy Museum Of Motion Pictures
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NETWORK, Sidney Lumet, 1976 - I'm Mad As Hell and I'm Not Gonna Take This Anymore!
Go to the source via the article link to view the video ....
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Showtime presidents on giving Dexter a “proper finale” and finding a new home for Halo
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Star Trek Legend Kate Mulgrew Is Joining the Man Who Fell to Earth Remake
One to beam down, which is, occasional accidents aside, much safer than falling, we reckon. Read more... .
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The Pawnbroker (1964) review — Lumet at his most experimental
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NETWORK SIDNEY LUMET THE TUBE LIES (SRPSKI PREVOD)
Go to the source via the link below to view the video ....
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NETWORK, Sidney Lumet, 1976 - The Tube Lies
Go to the source via the link below to view the video..
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Philip Seymour Hoffman should’ve been nominated for his other rageaholic in 2007
This week ... Read more... .
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Napa Valley Register
01 Apr 2021
2011: Sidney Lumet
Napa Valley Register
01 Apr 2021
Ten years ago. Sidney Lumet, the award-winning director of such American film classics as “Network,” “Serpico,” “Dog Day Afternoon” and “12 Angry Men,” died in New York at age 86 ....
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‘Clarice’ Co-Creator Jenny Lumet Sets CBS Studios Overall Deal
Jenny Lumet has signed a four-year overall deal with CBS Studios ... Lumet ...
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‘Clarice’ Co-Creator Jenny Lumet Signs Overall Deal With CBS Studios
“Clarice” co-creator Jenny Lumet has signed a four-year overall deal with CBS Studios. Under the new deal, the studio has the exclusive rights to produce all television content created and developed by Lumet ... “I feel genuine support and creative partnership at CBS Studios,” Lumet said.
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Jenny Lumet Inks Big CBS Studios Overall Deal
CBS Studios is keeping Jenny Lumet in-house. Lumet has signed a big four-year overall deal with the studio for whom she has co-created CBS' Clarice and Paramount+'s The Man Who Fell to Earth and Star Trek ... Under the pact, the David Stapf-led studio will have exclusive rights to produce all TV fare created and developed by Lumet.
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