- published: 23 May 2020
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Philo of Alexandria (/ˈfaɪloʊ/; Greek: Φίλων, Philōn; Hebrew: ידידיה הכהן, Yedidia (Jedediah) HaCohen; c. 25 BCE – c. 50 CE), also called Philo Judaeus, was a Hellenistic Jewish philosopher who lived in Alexandria, in the Roman province of Egypt.
Philo used philosophical allegory to attempt to fuse and harmonize Greek philosophy with Jewish philosophy. His method followed the practices of both Jewish exegesis and Stoic philosophy. His allegorical exegesis was important for several Christian Church Fathers, but he has barely any reception history within Rabbinic Judaism. He believed that literal interpretations of the Hebrew Bible would stifle humanity's view and perception of a God too complex and marvelous to be understood in literal human terms.
Some scholars hold that his concept of the Logos as God's creative principle influenced early Christology. Other scholars, however, deny direct influence but say both Philo and Early Christianity borrow from a common source.
The few biographical details known about Philo are found in his own works, especially in Legatio ad Gaium (Embassy to Gaius) of which only two of the original five volumes survive, and in Josephus. The only event in his life that can be decisively dated is his participation in the embassy to Rome in 40 CE. He represented the Alexandrian Jews before Roman Emperor Caligula because of civil strife between the Alexandrian Jewish and Greek communities.
Philia (/ˈfɪljə/ or /ˈfɪliə/; Ancient Greek: φιλία), often translated "brotherly love", is one of the four ancient Greek words for love: philia, storge, agape and eros. In Aristotle's Nicomachean Ethics, philia is usually translated as "friendship" or affection. The complete opposite is called a phobia.
As Gerard Hughes points out, in Books VIII and IX Aristotle gives examples of philia including:
All of these different relationships involve getting on well with someone, though Aristotle at times implies that something more like actual liking is required. When he is talking about the character or disposition that falls between obsequiousness or flattery on the one hand and surliness or quarrelsomeness on the other, he says that this state:
This passage indicates also that, though broad, the notion of philia must be mutual, and thus excludes relationships with inanimate objects, though philia with animals, such as pets, is allowed for (see 1155b27–31).
In his Rhetoric, Aristotle defines the activity involved in philia (τὸ φιλεῖν) as:
Philo is the Hellenistic Jewish author of an epic poem in Greek hexameters on the history of Jerusalem. He lived at an earlier date than Philo the philosopher. Alexander Polyhistor (c. 105-35 B.C.) quotes several passages of the poem, and is the source of the extracts in Eusebius (Praeparatio evangelica, ix. 20, 24, 37). This is probably the Philo who is mentioned by Clemens Alexandrinus (Strom, i. 21, 141) and by Josephus (Contra Apionem, i. 23), who calls him "the elder".
Philo knows that there's no better time to confess your love than when you're both in jail. SUBSCRIBE: http://www.youtube.com/channel/UCwSIJCMWZC5GDM59wj7pMsg?sub_confirmation=1 With a serial killer loose on Carnival Row, and a government that turns a blind eye to the deaths of its lower class citizens, Rycroft Philostrate, a war-hardened investigator, is the only person willing to stop the murders and maintain the fragile peace. Get More Prime Video: Watch More: http://bit.ly/WatchPrimeVideoUKNow Facebook: http://bit.ly/PrimeVideoUKFacebook Twitter: http://bit.ly/PrimeVideoUKTwitter Instagram: http://bit.ly/PrimeVideoUKInstagram About Prime Video: Want to watch it now? We've got it. This week's newest movies, last night's TV shows, classic favourites, and more are available to stream...
A Morte Não Manda Aviso (1966), George Segal, Alec Guinness & Senta Berger, Legendado Sinopse e Detalhes: Quiller(George Segal), um agente secreto inglês na Alemanha dos anos 60, investiga o movimento neonazista e um meio de descobrir seus principais líderes. Com o inteligente roteiro de Harold Pinter, baseado no romance de Elleston Trevor, o filme mostra, por meio de um clima tenso, sombrio e um certo cinismo, o mundo dos espiões durante a guerra fria. As dúvidas e a existência do personagem vivido por Segal lembram os romances de John Le Carre. Sem dúvida, um dos melhores filmes de espionagem dos anos 60. Obra-prima do gênero. The Quiller Memorandum A Morte Não Manda Aviso O Processo Quiller Reino Unido Estados Unidos 1966 • cor • 105 min Direção: Michael Anderson Roteiro: Har...
Título original The House of the Seven Hawks Año 1959 Duración 92 min. País Reino Unido Reino Unido Dirección Richard Thorpe Guion Jo Eisinger (Novela: Victor Canning) Música Clifton Parker Fotografía Edward Scaife Reparto Robert Taylor, Nicole Maurey, Linda Christian, Donald Wolfit, David Kossoff, Eric Pohlmann, Philo Hauser Productora Metro-Goldwyn-Mayer (MGM) Género Intriga Sinopsis Un hombre misterioso le ofrece una gran suma de dinero al dueño de un pequeño barco para que lo lleve a un puerto holandés. Cuando el capitán de la embarcación va a despertar al pasajero, descubre que ha muerto y que tiene en su poder el plano de un tesoro
Give Us This Day is a 1949 British film, directed by Edward Dmytryk. This film was released in the United States as Christ in Concrete. Another alternate title was Salt to the Devil. The film was based on the 1939 novel Christ in Concrete by Pietro Di Donato. The title is taken from the Lord's Prayer. Geremio is an Italian bricklayer living with his family. The film depicts how Geremio and his family endure the struggles of living in Brooklyn during the Great Depression. Cast: Sam Wanamaker.....Geremio Lea Padovani.....Annunziata Kathleen Ryan.....Kathleen Charles Goldner.....Luigi Bonar Colleano.....Giulio William Sylvester.....Giovanni George Pastell.....The Lucy (as Nino Pastellides) Philo Hauser.....Head of Pig Sid James.....Murdin Karel Stepanek.....Jaroslav Ina De La Haye.....Dame...
Philo of Alexandria (/ˈfaɪloʊ/; Greek: Φίλων, Philōn; Hebrew: ידידיה הכהן, Yedidia (Jedediah) HaCohen; c. 25 BCE – c. 50 CE), also called Philo Judaeus, was a Hellenistic Jewish philosopher who lived in Alexandria, in the Roman province of Egypt.
Philo used philosophical allegory to attempt to fuse and harmonize Greek philosophy with Jewish philosophy. His method followed the practices of both Jewish exegesis and Stoic philosophy. His allegorical exegesis was important for several Christian Church Fathers, but he has barely any reception history within Rabbinic Judaism. He believed that literal interpretations of the Hebrew Bible would stifle humanity's view and perception of a God too complex and marvelous to be understood in literal human terms.
Some scholars hold that his concept of the Logos as God's creative principle influenced early Christology. Other scholars, however, deny direct influence but say both Philo and Early Christianity borrow from a common source.
The few biographical details known about Philo are found in his own works, especially in Legatio ad Gaium (Embassy to Gaius) of which only two of the original five volumes survive, and in Josephus. The only event in his life that can be decisively dated is his participation in the embassy to Rome in 40 CE. He represented the Alexandrian Jews before Roman Emperor Caligula because of civil strife between the Alexandrian Jewish and Greek communities.
Valzer camminava proprio come un valzer
cucinava male come te
Valzer la mattina si svegliava triste
tu col primo freddo ti rivesti
lei girava nuda come un valzer.
tempo d'inverno tempo di te
altro lavoro lasciarti entrare piano in me
farti un regalo già fatto a lei
e sentirsi meno solo
anche quando non ci sei
tempo di valzer qualcosa non va
pensi ad un altro
non dirmi che sarò papà
avvelenarsi in trattoria
spender più di quel che posso
per sentirti un po' più mia
Valzer camminare e bere a una fontana
bella nel riflesso della luna
io stasera voglio te o nessuna
Valzer
Valzer sei leggera in collo sulle scale
con un calcio il mondo è chiuso fuori
e ridendo a valzer far l'amore
Tempo di valzer
qualcosa non va
pensi ad un altro
non dirmi che sarò papà
avvelenarsi in trattoria
spender più di quel che posso
per sentirti un po' più mia
ah ah ah…