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Laurie Penny: What really happened in Trafalgar Square

Neither mindless nor violent, young protesters were forced into a stand-off with police.

"We're fucked," says the young man in the hoodie, staring out through the police cordon of Trafalgar Square, towards parliament. "Who's going to listen to us now?"

It's midnight on 26 March, a day that saw almost half a million students, trades unionists, parents, children and concerned citizens from all over Britain demonstrate against the government's austerity programme. All day, street fights across London between anti-cuts protestors and the police have turned this city into a little warzone. Barricades burned in Piccadilly as militant groups escalated the vandalism; the shopfronts of major banks and tax-avoiding companies have been smashed and daubed with graffiti, and Oxford Street was occupied and turned into a mass street party. Now, night is falling on the Trafalgar kettle, and the square stinks of cordite, emptied kidneys and anxiety. We've been here for three hours, and it's freezing; we burn placards and share cigarettes to maintain an illusion of warmth.

Commander Bob Broadhurst, who was in charge of the Metropolitan Police operation on the day, later states that the clashes in Trafalgar square began because "for some reason one of [the protestors] made an attack on the Olympic clock." That is not what happened. Instead, I witness the attempted snatch arrest of a 23 year-old man who they suspect of damaging the shop front of a major chain bank earlier in the day.

It starts when a handful of police officers moved through the quiet crowd, past circles of young people sharing snacks, smoking, playing guitars and chatting. They move in to grab the young man, but his friends scrambled to prevent the arrest being made, dragging him away from the police by his legs. Batons are drawn; a scuffle breaks out, and that scuffle becomes a fight, and then suddenly hundreds of armoured riot police are swarming in, seemingly from nowhere, sweeping up the steps of the National Gallery, beating back protesters as they go.

Things escalate very quickly. In the space of a minute and a half, the police find themselves surrounded on both sides by enraged young people who had gathered for a peaceful sit-in at the end of the largest workers' protest in a generation. The riot line advances on both sides, forcing protesters back into the square; police officers are bellowing and laying into the demonstrators with their shields.

Both sides begin to panic. Some of them start to throw sticks, and as the police surge forward, shouting and raising their weapons, others band together to charge the lines with heavy pieces of metal railing, which hit several protestors on their way past. Next to me, young people are raising their hands and screaming "don't hit us!"; some are yelling at the armoured police - "shame on you! Your job's next!"

I find myself in front of the riot line, taking a blow to the head and a kick to the shin; I am dragged to my feet by a girl with blue hair who squeezes my arm and then raises a union flag defiantly at the cops. "We are peaceful, what are you?" chant the protestors. I'm chanting it too, my head ringing with pain and rage and adrenaline; a boy with dreadlocks puts an arm around me. "Don't scream at them," he says. "We're peaceful, so let's not provoke."

A clear-eyed young man called Martin throws himself between the kids and the cops, his hands raised, telling us all to calm down, stand firm,stop throwing things and link arms; the police grab him, mistaking him for a rabble-rouser and toss him violently back into the line. The cops seal off the square. Those of us behind the lines are kettled, trapped in the sterile zone, shoved back towards Nelson's column as flares are lit and the fires begin to go out.

It would be naive to suggest that small numbers of people did not come to London today intent on breaking windows should the opportunity arise. It would be equally naive to suggest that no other groups had action plans that involved rather more than munching houmous in Hyde park and listening to some speeches. Few of those plans, however, come to fruition: however the papers choose to report the events of 26 March, there is no organised minority kicking things in for the hell of it. Instead, a few passionate, peaceful protest groups attempt to carry out direct action plans, plans that quickly become overwhelmed by crowds of angry, unaffiliated young people and a handful of genuinely violent agitators.

Those young people are from all over the country, and when the word goes out at 2pm that something was happening in Oxford Street, they headed down in their thousands. By the time the twenty-foot-high Trojan Horse arrives at Oxford Circus in the early afternoon, a full-blown rave is under way, coherent politics subsumed by the sheer defiant energy of the crowd. Chants about saving public services and education quickly merge into a thunderous, wordless cheer, erupting every time the traffic light countdowns flash towards. "Five-Four-Three-Two-One..." hollers the crowd, as bank branches are shut down, paint bombs thrown at the police, and small scuffles break out.

When UK Uncut's well-publicised secret occupation plan kicks into action at 3.30pm, the numbers and the energy quickly become overwhelming. As we follow the high-profile direct action group's red umbrella down Regent Street, we learn that the target is Fortnum and Mason's - the "Royal grocer's", as the news are now insisting on calling it, as though the stunt were a yobbish personal assault on the Queen's marmalade. The crowd is too big to stop, and protesters stream into the store, rushing past the police who are too late to barricade the doors.

Once inside, squeezing each other in shock at their own daring, everyone does a bit of excited chanting and then down for a polite impromptu picnic. Placards are erected by the famously opulent coffee counters, and tape wound around displays of expensive truffles imprecating the holding company to pay all its taxes. Tax avoidance is the ostensible reason for this occupation; the class factor remains unspoken, but deeply felt.

The posh sweets, however, remain untouched, as do all the other luxury goodies in the store, as protestors share prepacked crisps and squash and decide that it'd be rude to smoke indoors. When someone accidentally-on-purpose knocks over a display of chocolate bunny rabbits, priced at fifteen pounds each, two girls sternly advise them to clear up the mess without delay. "It's just unnecessary."

Refined middle-aged couples who had been having quiet cream teas in Fortnum's downstairs restaurant stare blinkingly at the occupiers, who are organising themselves into a non-hierarchial consensus-building team. "I oppose the cuts, I'm a socialist, but I think this type of thing is too much," says property manager Kat, 32. "There are old ladies upstairs. And I just came in to buy some fresh marshmallows, and now I can't."

Outside the building, the crowd is going wild. Some scale the building and scrawl slogans onto the brickwork; others turn their attention to the bank branches across the road. I leave Fortnum's and make my way down Piccadilly under a leaden sky, past the ruined fronts of Lloyds and Santander, to Picadilly Circus, where the riots - and make no mistake, these are now riots - have momentarily descended into an eerie standoff. The police raise their batons; the crowd yells abuse at them. Noone is chanting about government cuts anymore: instead, they are chanting about police violence. "No justice, no peace, fuck the police!' yells a middle-aged man in a wheelchair. I scramble onto some railings for safety as a cohort of riot police move into the crowd, find themselves surrounded and are beaten back by thrown sticks. Someone yells that a police officer is being stretchered to safety. Flares and crackers are let off; red smoke trails in the air.

"A riot," said martin Luther King Jr, "is the language of the unheard." There are an awful lot of unheard voices in this country. What differentiates the rioters in Picadilly and Oxford Circus from the rally attendees in Hyde Park is not the fact that the latter are "real" protestors and the former merely "anarchists" (still an unthinking synonym for "hooligans" in the language of the press). The difference is that many unions and affiliated citizens still hold out hope that if they behave civilly, this government will do likewise.

The younger generation in particular, who reached puberty just in time to see a huge, peaceful march in 2003 change absolutely nothing, can't be expected to have any such confidence. We can hardly blame a cohort that has been roundly sold out, priced out, ignored, and now shoved onto the dole as the Chancellor announces yet another tax break for bankers, for such skepticism. If they do not believe the government cares one jot about what young or working-class people really think, it may be because any evidence of such concern is sorely lacking.

A large number of young people in Britain have become radicalised in a hurry, and not all of their energies are properly directed, explaining in part the confusion on the streets yesterday. Among their number, however, are many principled, determined and peaceful groups working to affect change and build resistance in any way they can.

One of these groups is UK Uncut. I return to Fortnum's in time to see dozens of key members of the group herded in front of the store and let out one by one, to be photographed, handcuffed and arrested. With the handful of real, random agitators easy to identify as they tear through the streets of Mayfair, the met has chosen instead to concentrate its energies on UK Uncut - the most successful, high-profile and democratic anti-cuts group in Britain.

UK Uncut has embarrassed both the government and the police with its gentle, inclusive, imaginative direct action days over the past six months. As its members are manhandled onto police coaches, waiting patiently to be taken to jail whilst career troublemakers run free and unarrested in the streets outside, one has to ask oneself why.

Shaken, I make my way through the streets of Mayfair towards Trafalgar to meet friends and debrief. In the dark, groups of people wearing trades union tabards and carrying placards wander hither and thither down burning sidestreets as oblivious shoppers eat salad in Pret A manger.

By 8pm, there's a party going on under Nelson's Column. Groups of anti-cuts protestors, many of whom have come down from Hyde Park, have congregated in the square to eat biscuits, drink cheap supermarket wine, share stories and socialise after a long and confusing day.

‘'These young people are right to be angry. I don't think people are angry enough, actually, given that the NHS is being destroyed before our eyes," says Barry, 61, a retired social worker. "The rally was alright, but a huge march didn't make Tony Blair change his mind about Iraq, and another huge march isn't going to make David Cameron change his mind now. So what are people supposed to do?"

That's a tough question in a country where almost every form of political dissent apart from shuffling in an orderly queue from one march point to the other is now a crime.

"I don't have a problem with people smashing up banks, I think that's fine, given that the banks have done so much damage to the country," says Barry, getting into his stride. "Violence against real people - that's wrong."

Minutes after the fights begin in Trafalgar square, so does the backlash. Radio broadcasters imply that anyone who left the pre-ordained march route is a hooligan, and police chiefs rush to assure the public that this "mindless violence" has "nothing to do with protest."

The young people being battered in Trafalgar square, however, are neither mindless nor violent. In front of the lines, a teenage girl is crying and shaking after being shoved to the ground. "I'm not moving, I'm not moving," she mutters, her face smeared with tears and makeup. "I've been on every protest, I won't let this government destroy our future without a fight. I won't stand back, I'm not moving." A police officer charges, smacking her with his baton as she flings up her hands.

The cops cram us further back into the square, pushing people off the plinths where they have tried to scramble for safety. By now there are about 150 young people left in the square, and only one trained medic, who has just been batoned in the face; his friends hold him up as he blacks out, and carry him to the police lines, but they won't let him leave. By the makeshift fire, I meet the young man whose attempted arrest started all this. "I feel responsible," he said, "I never wanted any of this. None of us did"

Back on the column, a boy in a black hoodie and facerag hollers through his hands to his friends, who have linked arms in front of the police line. "This is what they want!" he yells, pointing at the Houses of Parliament. "They want us to fight each other. They want us to fight each other!

“They're laughing all the way to the bank!"

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

BBC/SImon Frederick
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With migrant stories under attack, the BBC’s Black is the New Black has come at the right time

As a British second-generation Nigerian immigrant, this new series reminds me of the experiences I share with my father.

In 2004, my friend and I walked into a pub in south London and sat down by a screen to watch a Premier League game. The manager at the bar walked over and told us that we couldn’t stay unless we bought a drink. I politely told him I had intended to and a minute later walked to the bar. When I asked if I could order, he refused, telling me that my friend and I should leave.

My dad, who had arrived in Britain in the early Eighties had often spoken – quite animatedly, where his voice would shrill in a way that often made me want to laugh – about dealing with racism. But until then, I never internalised his experiences. Being born in Britain, of Nigerian origin but with a British accent, felt in some ways like a completely different identity and race to his.

He would constantly reiterate that my name and skin colour meant that I had to be more aware of my behaviour, more determined at school, more hardworking than my white, British friends and peers. This is a common trope for African parents. But I had mostly seen his experiences in Britain as to some extent distant from my own.

However, after that day, my distance from his experiences decreased. I pressed the manager for an explanation until he told us his pub “wasn’t for your type”. Rarely have I been subjected to such brazen displays of racism, as my dad experienced. But as a black, British, second-generation immigrant, your awareness of your difference, and the prejudices it can provoke, is always there. Both where it is clear-cut and less so.

Black is the New Black – a new series on BBC Two as a part of the BBC’s Black and British season – brilliantly explores the experiences of black British immigrant life, and how those experiences have changed over time.

In each of the two episodes thus far, interwoven conversations from a reel of prominent black British figures – Naomi Campbell, Malorie Blackman, Trevor McDonald, to name a few – make up an emotional snapshot of their lives. From the “children of the empire” – the generation that came to Britain in the Fifties and Sixties – to later generations, the show moves through more contemporary experiences of younger public figures like Thandie Newton and Reggie Yates.

It highlights where their experiences diverge and which common threads persist today – from the brazen racism of signs on shop windows barring entry to blacks, Irish and dogs to the more covert kind.

Each of the talking heads speak to an interviewer who stays behind the camera, and detail how their backgrounds have shaped how they feel about Britain.

Some of the anecdotes are light-hearted. Trevor McDonald’s disdain for snow and the excessive number of pockets in winter jackets that he struggled with from the moment he arrived in London from Trinidad. Bill Morris, the first black general secretary of the Transport and General Workers’ Union, laughing at how his first sight of smoke coming out of chimneys made him think that houses were actually on fire.

Morris, often nostalgic about first coming to Britain and living in small spaces in London that he was proud to be able to afford, was nonetheless afraid to leave his home alone throughout the Fifties – for fear of being attacked.

It’s this variety of memories that the show handles so brilliantly. It airs the adventure of immigrant experiences, which make it intriguing – and close to home. Hand-in-hand with the challenges of moving to a new environment was the exhilaration of being in a place that was, in many Commonwealth countries, romanticised. Old pictures of the numerous dirty, cramped, barely affordable shared flats in Stockwell and Oval that my dad bounced between often bely the excitement with which he remembers that time.

The series is also timely. Immigrant stories are increasingly portrayed as negative. Perfectly normal and widespread motives for travelling to a new place, to pursue either a better or different life, are increasingly depicted as perverse and wrong. Growing anti-immigrant populism in Britain, and a normalising of dehumanising rhetoric prevalent in the press and public discourse, makes this series’ empathy and revelations all the more important.

Black is the New Black is on Sundays at 10pm, BBC Two.

Emmanuel Akinwotu is a journalist based between Lagos and London who writes about Africa, migration, and specialises in Nigeria.