How High the Moon

"How High the Moon" is a jazz standard with lyrics by Nancy Hamilton and music by Morgan Lewis. It was first featured in the 1940 Broadway revue Two for the Show, where it was sung by Alfred Drake and Frances Comstock. In Two for the Show, this was a rare serious moment in an otherwise humorous revue.

The song is best known in a 1951 recording by Les Paul and Mary Ford.

Most notable recordings

The earliest recorded hit version was by Benny Goodman & His Orchestra. It was recorded on February 7, 1940, and released by Columbia Records as catalog number 35391, with the flip side "Fable of the Rose". The Les Paul Trio recorded a version released as V-Disc 540B with a spoken introduction which was issued in November, 1945 by the U.S. War Department. In 1948, bandleader Stan Kenton enjoyed some success with his version of the tune. The recording, with a vocal by June Christy, was released by Capitol Records as catalog number 911 (with the flip side "Willow, Weep for Me") and 15117(with the flip side "Interlude"). It reached the Billboard magazine Best Seller chart on July 9, 1948, its only week on the chart, at #27.

How High

How High is a 2001 stoner film starring Method Man and Redman, written by Dustin Lee Abraham, and director Jesse Dylan's debut feature film.

Plot

The plot is centered on two underachieving pot smokers: Silas (Method Man) and Jamal (Redman). When Silas's friend Ivory (Chuck Davis) dies, Silas uses his ashes as fertilizer for a new batch of marijuana. While both are sitting in the parking lot before taking their "THC" (Testing for Higher Credentials, a parody of the SAT in allusion to Tetrahydrocannabinol) exams for college, neither is able to smoke his individual marijuana stash without the help of the other.

They soon discover that smoking Silas's new batch summons the ghost of the recently deceased Ivory, visible to just the two of them. Ivory tells them the test answers as they take the test and they both score perfect scores. Several dubious colleges offer the pair scholarships, but none of them are appealing. Eventually, Chancellor Huntley (Fred Willard) suggests the two apply to Harvard University.

Les Paul

Lester William Polsfuss (June 9, 1915 – August 12, 2009), known as Les Paul, was an American jazz, country, and blues guitarist, songwriter, luthier, and inventor. He was one of the pioneers of the solid-body electric guitar, which made the sound of rock and roll possible. Paul taught himself how to play guitar and while he is mainly known for rock music, he had an early career in country music. He is credited with many recording innovations. Although he was not the first to use the technique, his early experiments with overdubbing (also known as sound on sound),delay effects such as tape delay, phasing effects and multitrack recording were among the first to attract widespread attention.

His innovative talents extended into his playing style, including licks, trills, chording sequences, fretting techniques and timing, which set him apart from his contemporaries and inspired many guitarists of the present day. He recorded with his wife Mary Ford in the 1950s, and they sold millions of records.

Louis Armstrong

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Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter, composer and singer who became one of the pivotal and most influential figures in jazz music. His career spanned from the 1920s to the 1960s, covering many different eras of jazz.

Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.

Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era.

June Christy

June Christy (November 20, 1925 – June 21, 1990), born Shirley Luster, was an American singer, known for her work in the cool jazz genre and for her silky smooth vocals. Her success as a singer began with The Stan Kenton Orchestra. She pursued a solo career from 1954 and is best known for her debut album Something Cool. After her death, she was hailed as "one of the finest and most neglected singers of her time."

Biography

Early life

Shirley Luster was born in Springfield, Illinois, and moved with her family to Decatur, Illinois, when she was three years old. She began to sing with the Decatur-based Bill Oetzel Orchestra at thirteen. While attending Decatur High School she appeared with Oetzel and his society band, the Ben Bradley Band, and Bill Madden's Band. After high school she moved to Chicago, changed her name to Sharon Leslie, and sang with a group led by Boyd Raeburn. Later she joined Benny Strong's band. In 1944, Strong's band moved to New York at the same time Christy was quarantined in Chicago with scarlet fever.