- published: 17 Dec 2020
- views: 4133960
-
remove the playlistKing Crimson
- remove the playlistKing Crimson
back to playlist
EPITAPH
including MARCH FOR NO REASON and TOMORROW AND TOMORROW
(Fripp, Lake, McDonald, Giles, Sinfield)
The wall on which the prophets wrote
Is cracking at the seams.
Upon the instruments of death
The sunlight brightly gleams.
When every man is torn apart
With nightmares and with dreams,
Will no one lay the laurel wreath
As silence drowns the screams.
Between the iron gates of fate,
The seeds of time were sown,
And watered by the deeds of those
Who know and who are known;
Knowledge is a deadly friend
When no-one sets the rules.
The fate of all mankind I see
Is in the hands of fools.
Confusion will be my epitaph.
As I crawl a cracked and broken path
If we make it we can all sit back and laugh.
But I fear tomorrow I'll be crying,
Yes I fear tomorrow I'll be crying.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
THE COURT OF THE CRIMSON KING
including THE RETURN OF THE FIRE WITCH and THE DANCE OF THE PUPPETS
(McDonald, Sinfield)
The rusted chains of prison moons
Are shattered by the sun.
I walk a road, horizons change
The tournament's begun.
The purple piper plays his tune,
The choir softly sing;
Three lullabies in an ancient tongue,
For the court of the crimson king.
The keeper of the city keys
Put shutters on the dreams.
I wait outside the pilgrim's door
With insufficient schemes.
The black queen chants
the funeral march,
The cracked brass bells will ring;
To summon back the fire witch
To the court of the crimson king.
The gardener plants an evergreen
Whilst trampling on a flower.
I chase the wind of a prism ship
To taste the sweet and sour.
The pattern juggler lifts his hand;
The orchestra begin.
As slowly turns the grinding wheel
In the court of the crimson king.
On soft grey mornings widows cry
The wise men share a joke;
I run to grasp divining signs
To satisfy the hoax.
The yellow jester does not play
But gently pulls the strings
And smiles as the puppets dance
In the court of the crimson king.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
- published: 17 Dec 2020
- views: 4422097
Starless by King Crimson. Another taster from the new King Crimson album - "Radical Action to Unseat the Hold of Monkey Mind".
As those lucky enough to have seen it live will know, the opening chord of this song are often accompanied by an intake of breath. Like an incoming tide of realisation, all the variations on "I never thought I’d hear this live", or "crikey, this is my favourite", "OMG I’ve died and gone to heaven" and a few more sentiments besides.
The complexities behind capturing the seven-headed Crimson on video are described in David Singleton's liner notes :
"It is something of a truism in the history of Crimson that any show that is filmed will not be one when heaven meets earth and the angels descend. The presence of cameras and cameramen iintroduces an intrusive element into the relationship between the artist, the music and the audience. Our solution was to return to the concept of "BootlegTV" and prioritise the music and the performance rather than the pictures. We embedded a single cameraman (the long-suffering Trevor Wilkins) on this tour, and he filmed every night with a a series of cameras hidden discreetly on the stage where they would intrude on neither artist nor audience. The compromise is thus in the visuals and not in the music."
The set was recently described by John Kelman in "All about jazz" as "the definitive live Crimson release from the definitive live Crimson lineup; a landmark recording from a group whose discography is filled with them."
- published: 20 Sep 2016
- views: 12319123
Robert Fripp guitars & Mellotron, Michael Giles drums, Peter Giles bass Greg Lake vocals with guests Mel Collins saxes & flute, Keith Tippett piano, Gordon Haskell vocals. Appears on In The Wake of Poseidon (1970)
- published: 18 Nov 2016
- views: 4797877
21ST CENTURY SCHIZOID MAN including MIRRORS
(Fripp, Lake, McDonald, Giles, Sinfield)
Cat's foot iron claw
Neuro-surgeons scream for more
At paranoia's poison door
Twenty first century schizoid man.
Blood rack barbed wire
Politicians' funeral pyre
Innocents raped with napalm fire
Twenty first century schizoid man.
Death seed blind man's greed
Poets' starving children bleed
Nothing he's got he really needs
Twenty first century schizoid man.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
- published: 17 Dec 2020
- views: 3113413
Everything you'd expect from a main villain stand. Aggressive, bass boosted sounds.
All credit goes to sound director Yoshikazu Iwanami and David Production.
- published: 03 May 2019
- views: 3941288
Robert Fripp guitar & Mellotron, John Wetton bass & vocals, Bill Bruford, drums and percussion with guests Mel Collins sax, Robin Miller, oboe. Appears on Red (1974)
- published: 18 Nov 2016
- views: 6876000
21st Century Schizoid Man by KIng Crimson. Filmed in Japan December 2015.
An album and DVD from the 2015 tour, Radical Action to Unseat the Hold of Monkey Mind, can be purchased from https://www.dgmlive.com as well as audio downloads from the recent 2016 tour and updates on all things Crimson.
- published: 07 Jun 2018
- views: 4836780
Starless by King Crimson. Another taster from the new King Crimson album - ""Radical Action to Unseat the Hold of Monkey Mind".
As those lucky enough to have seen it live will know, the opening chord of this song are often accompanied by an intake of breath. Like an incoming tide of realisation, all the variations on "I never thought I’d hear this live", or "crikey, this is my favourite", "OMG I’ve died and gone to heaven" and a few more sentiments besides.
The complexities behind capturing the seven-headed Crimson on video are described in David Singleton's liner notes :
"It is something of a truism in the history of Crimson that any show that is filmed will not be one when heaven meets earth and the angels descend. The presence of cameras and cameramen iintroduces an intrusive element into the relationship between the artist, the music and the audience. Our solution was to return to the concept of ""BootlegTV"" and prioritise the music and the performance rather than the pictures. We embedded a single cameraman (the long-suffering Trevor Wilkins) on this tour, and he filmed every night with a a series of cameras hidden discreetly on the stage where they would intrude on neither artist nor audience. The compromise is thus in the visuals and not in the music."
The set was recently described by John Kelman in "All about jazz" as ""the definitive live Crimson release from the definitive live Crimson lineup; a landmark recording from a group whose discography is filled with them.
http://vevo.ly/VzICJ0
- published: 30 Jan 2017
- views: 1794481
A clip of King Crimson's legendary performance at Hyde Park, supporting the Rolling Stones, 1969.
http://vevo.ly/YG0xox
- published: 23 Dec 2016
- views: 3900611
developed with YouTube
Level 5
Level 5, Level-5, Level Five, or Level V may refer to:
Gradings
Other
- Level-5 Stadium, a stadium in Fukuoka, with naming rights by the Fukuoka game and software company
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Level_5
King Crimson
King Crimson are an English rock band formed in London in 1968. The band have undergone numerous formations throughout its history of which 21 musicians have been members; since 2013 it has consisted of Robert Fripp, Jakko Jakszyk, Tony Levin, Mel Collins, Pat Mastelotto, Gavin Harrison and Bill Rieflin. Fripp is the only consistent member of the group, and is considered their leader and motive force. The band has earned a large cult following.
Developed from the unsuccessful trio Giles, Giles and Fripp, the band were seminal in the progressive rock genre in their first five years with their standard of instrumentation and complex song structures. Their debut album, In the Court of the Crimson King (1969), remains their most successful and influential with its elements of jazz, classical, and experimental music. Their success increased following an opening act performance for The Rolling Stones at Hyde Park, London, in 1969. Following the less successful In the Wake of Poseidon (1970), Lizard (1970), and Islands (1971), the group reached a new creative peak with Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (1974). Fripp disbanded the group in 1974.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/King_Crimson
Level Five (film)
Level Five is a 1997 French film, directed by the media artist Chris Marker, starring Catherine Belkhodja as the only human actor within a virtual reality world.
Cast
Supporting contributions
References
External links
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Level_Five_(film)
Podcasts:
-
King Crimson - Epitaph (Including "March For No Reason" and "Tomorrow And Tomorrow")
EPITAPH including MARCH FOR NO REASON and TOMORROW AND TOMORROW (Fripp, Lake, McDonald, Giles, Sinfield) The wall on which the prophets wrote Is cracking at the seams. Upon the instruments of death The sunlight brightly gleams. When every man is torn apart With nightmares and with dreams, Will no one lay the laurel wreath As silence drowns the screams. Between the iron gates of fate, The seeds of time were sown, And watered by the deeds of those Who know and who are known; Knowledge is a deadly friend When no-one sets the rules. The fate of all mankind I see Is in the hands of fools. Confusion will be my epitaph. As I crawl a cracked and broken path If we make it we can all sit back and laugh. But I fear tomorrow I'll be crying, Yes I fear tomorrow I'll be cryi...
published: 17 Dec 2020 -
King Crimson - The Court Of The Crimson King
THE COURT OF THE CRIMSON KING including THE RETURN OF THE FIRE WITCH and THE DANCE OF THE PUPPETS (McDonald, Sinfield) The rusted chains of prison moons Are shattered by the sun. I walk a road, horizons change The tournament's begun. The purple piper plays his tune, The choir softly sing; Three lullabies in an ancient tongue, For the court of the crimson king. The keeper of the city keys Put shutters on the dreams. I wait outside the pilgrim's door With insufficient schemes. The black queen chants the funeral march, The cracked brass bells will ring; To summon back the fire witch To the court of the crimson king. The gardener plants an evergreen Whilst trampling on a flower. I chase the wind of a prism ship To taste the sweet and sour. The pattern juggler lifts h...
published: 17 Dec 2020 -
King Crimson - Starless
Starless by King Crimson. Another taster from the new King Crimson album - "Radical Action to Unseat the Hold of Monkey Mind". As those lucky enough to have seen it live will know, the opening chord of this song are often accompanied by an intake of breath. Like an incoming tide of realisation, all the variations on "I never thought I’d hear this live", or "crikey, this is my favourite", "OMG I’ve died and gone to heaven" and a few more sentiments besides. The complexities behind capturing the seven-headed Crimson on video are described in David Singleton's liner notes : "It is something of a truism in the history of Crimson that any show that is filmed will not be one when heaven meets earth and the angels descend. The presence of cameras and cameramen iintroduces an intrusive elemen...
published: 20 Sep 2016 -
King Crimson - In The Wake Of Poseidon (OFFICIAL)
Robert Fripp guitars & Mellotron, Michael Giles drums, Peter Giles bass Greg Lake vocals with guests Mel Collins saxes & flute, Keith Tippett piano, Gordon Haskell vocals. Appears on In The Wake of Poseidon (1970)
published: 18 Nov 2016 -
King Crimson - 21st Century Schizoid Man (Including "Mirrors")
21ST CENTURY SCHIZOID MAN including MIRRORS (Fripp, Lake, McDonald, Giles, Sinfield) Cat's foot iron claw Neuro-surgeons scream for more At paranoia's poison door Twenty first century schizoid man. Blood rack barbed wire Politicians' funeral pyre Innocents raped with napalm fire Twenty first century schizoid man. Death seed blind man's greed Poets' starving children bleed Nothing he's got he really needs Twenty first century schizoid man. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Robert Fripp–guitar Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals Greg Lake–bass guitar, lead vocals Michael Giles–drums, percussion, vocals Peter Sinfield–words and illumination Cover by Barry Godber Equipment by Vick and Dik Recorded at Wessex Sound ...
published: 17 Dec 2020 -
King Crimson: Part 1 - Stand Sound Profiles
Everything you'd expect from a main villain stand. Aggressive, bass boosted sounds. All credit goes to sound director Yoshikazu Iwanami and David Production.
published: 03 May 2019 -
King Crimson - Starless (OFFICIAL)
Robert Fripp guitar & Mellotron, John Wetton bass & vocals, Bill Bruford, drums and percussion with guests Mel Collins sax, Robin Miller, oboe. Appears on Red (1974)
published: 18 Nov 2016 -
King Crimson - 21st Century Schizoid Man
21st Century Schizoid Man by KIng Crimson. Filmed in Japan December 2015. An album and DVD from the 2015 tour, Radical Action to Unseat the Hold of Monkey Mind, can be purchased from https://www.dgmlive.com as well as audio downloads from the recent 2016 tour and updates on all things Crimson.
published: 07 Jun 2018 -
King Crimson - Starless (Live in Takamatsu, Japan 2015)
Starless by King Crimson. Another taster from the new King Crimson album - ""Radical Action to Unseat the Hold of Monkey Mind". As those lucky enough to have seen it live will know, the opening chord of this song are often accompanied by an intake of breath. Like an incoming tide of realisation, all the variations on "I never thought I’d hear this live", or "crikey, this is my favourite", "OMG I’ve died and gone to heaven" and a few more sentiments besides. The complexities behind capturing the seven-headed Crimson on video are described in David Singleton's liner notes : "It is something of a truism in the history of Crimson that any show that is filmed will not be one when heaven meets earth and the angels descend. The presence of cameras and cameramen iintroduces an intrusive element...
published: 30 Jan 2017 -
King Crimson - 21st Century Schizoid Man (Live at Hyde Park 1969)
A clip of King Crimson's legendary performance at Hyde Park, supporting the Rolling Stones, 1969. http://vevo.ly/YG0xox
published: 23 Dec 2016
developed with YouTube
8:47
King Crimson - Epitaph (Including "March For No Reason" and "Tomorrow And Tomorrow")
- Order: Reorder
- Duration: 8:47
- Uploaded Date: 17 Dec 2020
- views: 4133960
EPITAPH
including MARCH FOR NO REASON and TOMORROW AND TOMORROW
(Fripp, Lake, McDonald, Giles, Sinfield)
The wall on which the prophets wrote
Is cracking ...
EPITAPH
including MARCH FOR NO REASON and TOMORROW AND TOMORROW
(Fripp, Lake, McDonald, Giles, Sinfield)
The wall on which the prophets wrote
Is cracking at the seams.
Upon the instruments of death
The sunlight brightly gleams.
When every man is torn apart
With nightmares and with dreams,
Will no one lay the laurel wreath
As silence drowns the screams.
Between the iron gates of fate,
The seeds of time were sown,
And watered by the deeds of those
Who know and who are known;
Knowledge is a deadly friend
When no-one sets the rules.
The fate of all mankind I see
Is in the hands of fools.
Confusion will be my epitaph.
As I crawl a cracked and broken path
If we make it we can all sit back and laugh.
But I fear tomorrow I'll be crying,
Yes I fear tomorrow I'll be crying.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
https://wn.com/King_Crimson_Epitaph_(Including_March_For_No_Reason_And_Tomorrow_And_Tomorrow_)
EPITAPH
including MARCH FOR NO REASON and TOMORROW AND TOMORROW
(Fripp, Lake, McDonald, Giles, Sinfield)
The wall on which the prophets wrote
Is cracking at the seams.
Upon the instruments of death
The sunlight brightly gleams.
When every man is torn apart
With nightmares and with dreams,
Will no one lay the laurel wreath
As silence drowns the screams.
Between the iron gates of fate,
The seeds of time were sown,
And watered by the deeds of those
Who know and who are known;
Knowledge is a deadly friend
When no-one sets the rules.
The fate of all mankind I see
Is in the hands of fools.
Confusion will be my epitaph.
As I crawl a cracked and broken path
If we make it we can all sit back and laugh.
But I fear tomorrow I'll be crying,
Yes I fear tomorrow I'll be crying.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
- published: 17 Dec 2020
- views: 4133960
10:03
King Crimson - The Court Of The Crimson King
- Order: Reorder
- Duration: 10:03
- Uploaded Date: 17 Dec 2020
- views: 4422097
THE COURT OF THE CRIMSON KING
including THE RETURN OF THE FIRE WITCH and THE DANCE OF THE PUPPETS
(McDonald, Sinfield)
The rusted chains of prison moons
Ar...
THE COURT OF THE CRIMSON KING
including THE RETURN OF THE FIRE WITCH and THE DANCE OF THE PUPPETS
(McDonald, Sinfield)
The rusted chains of prison moons
Are shattered by the sun.
I walk a road, horizons change
The tournament's begun.
The purple piper plays his tune,
The choir softly sing;
Three lullabies in an ancient tongue,
For the court of the crimson king.
The keeper of the city keys
Put shutters on the dreams.
I wait outside the pilgrim's door
With insufficient schemes.
The black queen chants
the funeral march,
The cracked brass bells will ring;
To summon back the fire witch
To the court of the crimson king.
The gardener plants an evergreen
Whilst trampling on a flower.
I chase the wind of a prism ship
To taste the sweet and sour.
The pattern juggler lifts his hand;
The orchestra begin.
As slowly turns the grinding wheel
In the court of the crimson king.
On soft grey mornings widows cry
The wise men share a joke;
I run to grasp divining signs
To satisfy the hoax.
The yellow jester does not play
But gently pulls the strings
And smiles as the puppets dance
In the court of the crimson king.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
https://wn.com/King_Crimson_The_Court_Of_The_Crimson_King
THE COURT OF THE CRIMSON KING
including THE RETURN OF THE FIRE WITCH and THE DANCE OF THE PUPPETS
(McDonald, Sinfield)
The rusted chains of prison moons
Are shattered by the sun.
I walk a road, horizons change
The tournament's begun.
The purple piper plays his tune,
The choir softly sing;
Three lullabies in an ancient tongue,
For the court of the crimson king.
The keeper of the city keys
Put shutters on the dreams.
I wait outside the pilgrim's door
With insufficient schemes.
The black queen chants
the funeral march,
The cracked brass bells will ring;
To summon back the fire witch
To the court of the crimson king.
The gardener plants an evergreen
Whilst trampling on a flower.
I chase the wind of a prism ship
To taste the sweet and sour.
The pattern juggler lifts his hand;
The orchestra begin.
As slowly turns the grinding wheel
In the court of the crimson king.
On soft grey mornings widows cry
The wise men share a joke;
I run to grasp divining signs
To satisfy the hoax.
The yellow jester does not play
But gently pulls the strings
And smiles as the puppets dance
In the court of the crimson king.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
- published: 17 Dec 2020
- views: 4422097
12:37
King Crimson - Starless
- Order: Reorder
- Duration: 12:37
- Uploaded Date: 20 Sep 2016
- views: 12319123
Starless by King Crimson. Another taster from the new King Crimson album - "Radical Action to Unseat the Hold of Monkey Mind".
As those lucky enough to have s...
Starless by King Crimson. Another taster from the new King Crimson album - "Radical Action to Unseat the Hold of Monkey Mind".
As those lucky enough to have seen it live will know, the opening chord of this song are often accompanied by an intake of breath. Like an incoming tide of realisation, all the variations on "I never thought I’d hear this live", or "crikey, this is my favourite", "OMG I’ve died and gone to heaven" and a few more sentiments besides.
The complexities behind capturing the seven-headed Crimson on video are described in David Singleton's liner notes :
"It is something of a truism in the history of Crimson that any show that is filmed will not be one when heaven meets earth and the angels descend. The presence of cameras and cameramen iintroduces an intrusive element into the relationship between the artist, the music and the audience. Our solution was to return to the concept of "BootlegTV" and prioritise the music and the performance rather than the pictures. We embedded a single cameraman (the long-suffering Trevor Wilkins) on this tour, and he filmed every night with a a series of cameras hidden discreetly on the stage where they would intrude on neither artist nor audience. The compromise is thus in the visuals and not in the music."
The set was recently described by John Kelman in "All about jazz" as "the definitive live Crimson release from the definitive live Crimson lineup; a landmark recording from a group whose discography is filled with them."
https://wn.com/King_Crimson_Starless
Starless by King Crimson. Another taster from the new King Crimson album - "Radical Action to Unseat the Hold of Monkey Mind".
As those lucky enough to have seen it live will know, the opening chord of this song are often accompanied by an intake of breath. Like an incoming tide of realisation, all the variations on "I never thought I’d hear this live", or "crikey, this is my favourite", "OMG I’ve died and gone to heaven" and a few more sentiments besides.
The complexities behind capturing the seven-headed Crimson on video are described in David Singleton's liner notes :
"It is something of a truism in the history of Crimson that any show that is filmed will not be one when heaven meets earth and the angels descend. The presence of cameras and cameramen iintroduces an intrusive element into the relationship between the artist, the music and the audience. Our solution was to return to the concept of "BootlegTV" and prioritise the music and the performance rather than the pictures. We embedded a single cameraman (the long-suffering Trevor Wilkins) on this tour, and he filmed every night with a a series of cameras hidden discreetly on the stage where they would intrude on neither artist nor audience. The compromise is thus in the visuals and not in the music."
The set was recently described by John Kelman in "All about jazz" as "the definitive live Crimson release from the definitive live Crimson lineup; a landmark recording from a group whose discography is filled with them."
- published: 20 Sep 2016
- views: 12319123
8:13
King Crimson - In The Wake Of Poseidon (OFFICIAL)
- Order: Reorder
- Duration: 8:13
- Uploaded Date: 18 Nov 2016
- views: 4797877
Robert Fripp guitars & Mellotron, Michael Giles drums, Peter Giles bass Greg Lake vocals with guests Mel Collins saxes & flute, Keith Tippett piano, Gordon Hask...
Robert Fripp guitars & Mellotron, Michael Giles drums, Peter Giles bass Greg Lake vocals with guests Mel Collins saxes & flute, Keith Tippett piano, Gordon Haskell vocals. Appears on In The Wake of Poseidon (1970)
https://wn.com/King_Crimson_In_The_Wake_Of_Poseidon_(Official)
Robert Fripp guitars & Mellotron, Michael Giles drums, Peter Giles bass Greg Lake vocals with guests Mel Collins saxes & flute, Keith Tippett piano, Gordon Haskell vocals. Appears on In The Wake of Poseidon (1970)
- published: 18 Nov 2016
- views: 4797877
7:23
King Crimson - 21st Century Schizoid Man (Including "Mirrors")
- Order: Reorder
- Duration: 7:23
- Uploaded Date: 17 Dec 2020
- views: 3113413
21ST CENTURY SCHIZOID MAN including MIRRORS
(Fripp, Lake, McDonald, Giles, Sinfield)
Cat's foot iron claw
Neuro-surgeons scream for more
At paranoia's pois...
21ST CENTURY SCHIZOID MAN including MIRRORS
(Fripp, Lake, McDonald, Giles, Sinfield)
Cat's foot iron claw
Neuro-surgeons scream for more
At paranoia's poison door
Twenty first century schizoid man.
Blood rack barbed wire
Politicians' funeral pyre
Innocents raped with napalm fire
Twenty first century schizoid man.
Death seed blind man's greed
Poets' starving children bleed
Nothing he's got he really needs
Twenty first century schizoid man.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
https://wn.com/King_Crimson_21St_Century_Schizoid_Man_(Including_Mirrors_)
21ST CENTURY SCHIZOID MAN including MIRRORS
(Fripp, Lake, McDonald, Giles, Sinfield)
Cat's foot iron claw
Neuro-surgeons scream for more
At paranoia's poison door
Twenty first century schizoid man.
Blood rack barbed wire
Politicians' funeral pyre
Innocents raped with napalm fire
Twenty first century schizoid man.
Death seed blind man's greed
Poets' starving children bleed
Nothing he's got he really needs
Twenty first century schizoid man.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
- published: 17 Dec 2020
- views: 3113413
3:39
King Crimson: Part 1 - Stand Sound Profiles
- Order: Reorder
- Duration: 3:39
- Uploaded Date: 03 May 2019
- views: 3941288
Everything you'd expect from a main villain stand. Aggressive, bass boosted sounds.
All credit goes to sound director Yoshikazu Iwanami and David Production.
Everything you'd expect from a main villain stand. Aggressive, bass boosted sounds.
All credit goes to sound director Yoshikazu Iwanami and David Production.
https://wn.com/King_Crimson_Part_1_Stand_Sound_Profiles
Everything you'd expect from a main villain stand. Aggressive, bass boosted sounds.
All credit goes to sound director Yoshikazu Iwanami and David Production.
- published: 03 May 2019
- views: 3941288
12:31
King Crimson - Starless (OFFICIAL)
- Order: Reorder
- Duration: 12:31
- Uploaded Date: 18 Nov 2016
- views: 6876000
Robert Fripp guitar & Mellotron, John Wetton bass & vocals, Bill Bruford, drums and percussion with guests Mel Collins sax, Robin Miller, oboe. Appears on Red (...
Robert Fripp guitar & Mellotron, John Wetton bass & vocals, Bill Bruford, drums and percussion with guests Mel Collins sax, Robin Miller, oboe. Appears on Red (1974)
https://wn.com/King_Crimson_Starless_(Official)
Robert Fripp guitar & Mellotron, John Wetton bass & vocals, Bill Bruford, drums and percussion with guests Mel Collins sax, Robin Miller, oboe. Appears on Red (1974)
- published: 18 Nov 2016
- views: 6876000
10:58
King Crimson - 21st Century Schizoid Man
- Order: Reorder
- Duration: 10:58
- Uploaded Date: 07 Jun 2018
- views: 4836780
21st Century Schizoid Man by KIng Crimson. Filmed in Japan December 2015.
An album and DVD from the 2015 tour, Radical Action to Unseat the Hold of Monkey Min...
21st Century Schizoid Man by KIng Crimson. Filmed in Japan December 2015.
An album and DVD from the 2015 tour, Radical Action to Unseat the Hold of Monkey Mind, can be purchased from https://www.dgmlive.com as well as audio downloads from the recent 2016 tour and updates on all things Crimson.
https://wn.com/King_Crimson_21St_Century_Schizoid_Man
21st Century Schizoid Man by KIng Crimson. Filmed in Japan December 2015.
An album and DVD from the 2015 tour, Radical Action to Unseat the Hold of Monkey Mind, can be purchased from https://www.dgmlive.com as well as audio downloads from the recent 2016 tour and updates on all things Crimson.
- published: 07 Jun 2018
- views: 4836780
12:23
King Crimson - Starless (Live in Takamatsu, Japan 2015)
- Order: Reorder
- Duration: 12:23
- Uploaded Date: 30 Jan 2017
- views: 1794481
Starless by King Crimson. Another taster from the new King Crimson album - ""Radical Action to Unseat the Hold of Monkey Mind".
As those lucky enough to have s...
Starless by King Crimson. Another taster from the new King Crimson album - ""Radical Action to Unseat the Hold of Monkey Mind".
As those lucky enough to have seen it live will know, the opening chord of this song are often accompanied by an intake of breath. Like an incoming tide of realisation, all the variations on "I never thought I’d hear this live", or "crikey, this is my favourite", "OMG I’ve died and gone to heaven" and a few more sentiments besides.
The complexities behind capturing the seven-headed Crimson on video are described in David Singleton's liner notes :
"It is something of a truism in the history of Crimson that any show that is filmed will not be one when heaven meets earth and the angels descend. The presence of cameras and cameramen iintroduces an intrusive element into the relationship between the artist, the music and the audience. Our solution was to return to the concept of ""BootlegTV"" and prioritise the music and the performance rather than the pictures. We embedded a single cameraman (the long-suffering Trevor Wilkins) on this tour, and he filmed every night with a a series of cameras hidden discreetly on the stage where they would intrude on neither artist nor audience. The compromise is thus in the visuals and not in the music."
The set was recently described by John Kelman in "All about jazz" as ""the definitive live Crimson release from the definitive live Crimson lineup; a landmark recording from a group whose discography is filled with them.
http://vevo.ly/VzICJ0
https://wn.com/King_Crimson_Starless_(Live_In_Takamatsu,_Japan_2015)
Starless by King Crimson. Another taster from the new King Crimson album - ""Radical Action to Unseat the Hold of Monkey Mind".
As those lucky enough to have seen it live will know, the opening chord of this song are often accompanied by an intake of breath. Like an incoming tide of realisation, all the variations on "I never thought I’d hear this live", or "crikey, this is my favourite", "OMG I’ve died and gone to heaven" and a few more sentiments besides.
The complexities behind capturing the seven-headed Crimson on video are described in David Singleton's liner notes :
"It is something of a truism in the history of Crimson that any show that is filmed will not be one when heaven meets earth and the angels descend. The presence of cameras and cameramen iintroduces an intrusive element into the relationship between the artist, the music and the audience. Our solution was to return to the concept of ""BootlegTV"" and prioritise the music and the performance rather than the pictures. We embedded a single cameraman (the long-suffering Trevor Wilkins) on this tour, and he filmed every night with a a series of cameras hidden discreetly on the stage where they would intrude on neither artist nor audience. The compromise is thus in the visuals and not in the music."
The set was recently described by John Kelman in "All about jazz" as ""the definitive live Crimson release from the definitive live Crimson lineup; a landmark recording from a group whose discography is filled with them.
http://vevo.ly/VzICJ0
- published: 30 Jan 2017
- views: 1794481
1:46
King Crimson - 21st Century Schizoid Man (Live at Hyde Park 1969)
- Order: Reorder
- Duration: 1:46
- Uploaded Date: 23 Dec 2016
- views: 3900611
A clip of King Crimson's legendary performance at Hyde Park, supporting the Rolling Stones, 1969.
http://vevo.ly/YG0xox
A clip of King Crimson's legendary performance at Hyde Park, supporting the Rolling Stones, 1969.
http://vevo.ly/YG0xox
https://wn.com/King_Crimson_21St_Century_Schizoid_Man_(Live_At_Hyde_Park_1969)
A clip of King Crimson's legendary performance at Hyde Park, supporting the Rolling Stones, 1969.
http://vevo.ly/YG0xox
- published: 23 Dec 2016
- views: 3900611
8:47
King Crimson - Epitaph (Including "March For No Reason" and "Tomorrow And Tomorrow")
EPITAPH
including MARCH FOR NO REASON and TOMORROW AND TOMORROW
(Fripp, Lake, McDonald,...
published: 17 Dec 2020
King Crimson - Epitaph (Including "March For No Reason" and "Tomorrow And Tomorrow")
King Crimson - Epitaph (Including "March For No Reason" and "Tomorrow And Tomorrow")
- Report rights infringement
- published: 17 Dec 2020
- views: 4133960
EPITAPH
including MARCH FOR NO REASON and TOMORROW AND TOMORROW
(Fripp, Lake, McDonald, Giles, Sinfield)
The wall on which the prophets wrote
Is cracking at the seams.
Upon the instruments of death
The sunlight brightly gleams.
When every man is torn apart
With nightmares and with dreams,
Will no one lay the laurel wreath
As silence drowns the screams.
Between the iron gates of fate,
The seeds of time were sown,
And watered by the deeds of those
Who know and who are known;
Knowledge is a deadly friend
When no-one sets the rules.
The fate of all mankind I see
Is in the hands of fools.
Confusion will be my epitaph.
As I crawl a cracked and broken path
If we make it we can all sit back and laugh.
But I fear tomorrow I'll be crying,
Yes I fear tomorrow I'll be crying.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
10:03
King Crimson - The Court Of The Crimson King
THE COURT OF THE CRIMSON KING
including THE RETURN OF THE FIRE WITCH and THE DANCE OF THE...
published: 17 Dec 2020
King Crimson - The Court Of The Crimson King
King Crimson - The Court Of The Crimson King
- Report rights infringement
- published: 17 Dec 2020
- views: 4422097
THE COURT OF THE CRIMSON KING
including THE RETURN OF THE FIRE WITCH and THE DANCE OF THE PUPPETS
(McDonald, Sinfield)
The rusted chains of prison moons
Are shattered by the sun.
I walk a road, horizons change
The tournament's begun.
The purple piper plays his tune,
The choir softly sing;
Three lullabies in an ancient tongue,
For the court of the crimson king.
The keeper of the city keys
Put shutters on the dreams.
I wait outside the pilgrim's door
With insufficient schemes.
The black queen chants
the funeral march,
The cracked brass bells will ring;
To summon back the fire witch
To the court of the crimson king.
The gardener plants an evergreen
Whilst trampling on a flower.
I chase the wind of a prism ship
To taste the sweet and sour.
The pattern juggler lifts his hand;
The orchestra begin.
As slowly turns the grinding wheel
In the court of the crimson king.
On soft grey mornings widows cry
The wise men share a joke;
I run to grasp divining signs
To satisfy the hoax.
The yellow jester does not play
But gently pulls the strings
And smiles as the puppets dance
In the court of the crimson king.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
12:37
King Crimson - Starless
Starless by King Crimson. Another taster from the new King Crimson album - "Radical Action...
published: 20 Sep 2016
King Crimson - Starless
King Crimson - Starless
- Report rights infringement
- published: 20 Sep 2016
- views: 12319123
Starless by King Crimson. Another taster from the new King Crimson album - "Radical Action to Unseat the Hold of Monkey Mind".
As those lucky enough to have seen it live will know, the opening chord of this song are often accompanied by an intake of breath. Like an incoming tide of realisation, all the variations on "I never thought I’d hear this live", or "crikey, this is my favourite", "OMG I’ve died and gone to heaven" and a few more sentiments besides.
The complexities behind capturing the seven-headed Crimson on video are described in David Singleton's liner notes :
"It is something of a truism in the history of Crimson that any show that is filmed will not be one when heaven meets earth and the angels descend. The presence of cameras and cameramen iintroduces an intrusive element into the relationship between the artist, the music and the audience. Our solution was to return to the concept of "BootlegTV" and prioritise the music and the performance rather than the pictures. We embedded a single cameraman (the long-suffering Trevor Wilkins) on this tour, and he filmed every night with a a series of cameras hidden discreetly on the stage where they would intrude on neither artist nor audience. The compromise is thus in the visuals and not in the music."
The set was recently described by John Kelman in "All about jazz" as "the definitive live Crimson release from the definitive live Crimson lineup; a landmark recording from a group whose discography is filled with them."
8:13
King Crimson - In The Wake Of Poseidon (OFFICIAL)
Robert Fripp guitars & Mellotron, Michael Giles drums, Peter Giles bass Greg Lake vocals w...
published: 18 Nov 2016
King Crimson - In The Wake Of Poseidon (OFFICIAL)
King Crimson - In The Wake Of Poseidon (OFFICIAL)
- Report rights infringement
- published: 18 Nov 2016
- views: 4797877
Robert Fripp guitars & Mellotron, Michael Giles drums, Peter Giles bass Greg Lake vocals with guests Mel Collins saxes & flute, Keith Tippett piano, Gordon Haskell vocals. Appears on In The Wake of Poseidon (1970)
7:23
King Crimson - 21st Century Schizoid Man (Including "Mirrors")
21ST CENTURY SCHIZOID MAN including MIRRORS
(Fripp, Lake, McDonald, Giles, Sinfield)
Ca...
published: 17 Dec 2020
King Crimson - 21st Century Schizoid Man (Including "Mirrors")
King Crimson - 21st Century Schizoid Man (Including "Mirrors")
- Report rights infringement
- published: 17 Dec 2020
- views: 3113413
21ST CENTURY SCHIZOID MAN including MIRRORS
(Fripp, Lake, McDonald, Giles, Sinfield)
Cat's foot iron claw
Neuro-surgeons scream for more
At paranoia's poison door
Twenty first century schizoid man.
Blood rack barbed wire
Politicians' funeral pyre
Innocents raped with napalm fire
Twenty first century schizoid man.
Death seed blind man's greed
Poets' starving children bleed
Nothing he's got he really needs
Twenty first century schizoid man.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
3:39
King Crimson: Part 1 - Stand Sound Profiles
Everything you'd expect from a main villain stand. Aggressive, bass boosted sounds.
All ...
published: 03 May 2019
King Crimson: Part 1 - Stand Sound Profiles
King Crimson: Part 1 - Stand Sound Profiles
- Report rights infringement
- published: 03 May 2019
- views: 3941288
Everything you'd expect from a main villain stand. Aggressive, bass boosted sounds.
All credit goes to sound director Yoshikazu Iwanami and David Production.
12:31
King Crimson - Starless (OFFICIAL)
Robert Fripp guitar & Mellotron, John Wetton bass & vocals, Bill Bruford, drums and percus...
published: 18 Nov 2016
King Crimson - Starless (OFFICIAL)
King Crimson - Starless (OFFICIAL)
- Report rights infringement
- published: 18 Nov 2016
- views: 6876000
Robert Fripp guitar & Mellotron, John Wetton bass & vocals, Bill Bruford, drums and percussion with guests Mel Collins sax, Robin Miller, oboe. Appears on Red (1974)
10:58
King Crimson - 21st Century Schizoid Man
21st Century Schizoid Man by KIng Crimson. Filmed in Japan December 2015.
An album and D...
published: 07 Jun 2018
King Crimson - 21st Century Schizoid Man
King Crimson - 21st Century Schizoid Man
- Report rights infringement
- published: 07 Jun 2018
- views: 4836780
21st Century Schizoid Man by KIng Crimson. Filmed in Japan December 2015.
An album and DVD from the 2015 tour, Radical Action to Unseat the Hold of Monkey Mind, can be purchased from https://www.dgmlive.com as well as audio downloads from the recent 2016 tour and updates on all things Crimson.
12:23
King Crimson - Starless (Live in Takamatsu, Japan 2015)
Starless by King Crimson. Another taster from the new King Crimson album - ""Radical Actio...
published: 30 Jan 2017
King Crimson - Starless (Live in Takamatsu, Japan 2015)
King Crimson - Starless (Live in Takamatsu, Japan 2015)
- Report rights infringement
- published: 30 Jan 2017
- views: 1794481
Starless by King Crimson. Another taster from the new King Crimson album - ""Radical Action to Unseat the Hold of Monkey Mind".
As those lucky enough to have seen it live will know, the opening chord of this song are often accompanied by an intake of breath. Like an incoming tide of realisation, all the variations on "I never thought I’d hear this live", or "crikey, this is my favourite", "OMG I’ve died and gone to heaven" and a few more sentiments besides.
The complexities behind capturing the seven-headed Crimson on video are described in David Singleton's liner notes :
"It is something of a truism in the history of Crimson that any show that is filmed will not be one when heaven meets earth and the angels descend. The presence of cameras and cameramen iintroduces an intrusive element into the relationship between the artist, the music and the audience. Our solution was to return to the concept of ""BootlegTV"" and prioritise the music and the performance rather than the pictures. We embedded a single cameraman (the long-suffering Trevor Wilkins) on this tour, and he filmed every night with a a series of cameras hidden discreetly on the stage where they would intrude on neither artist nor audience. The compromise is thus in the visuals and not in the music."
The set was recently described by John Kelman in "All about jazz" as ""the definitive live Crimson release from the definitive live Crimson lineup; a landmark recording from a group whose discography is filled with them.
http://vevo.ly/VzICJ0
1:46
King Crimson - 21st Century Schizoid Man (Live at Hyde Park 1969)
A clip of King Crimson's legendary performance at Hyde Park, supporting the Rolling Stones...
published: 23 Dec 2016
King Crimson - 21st Century Schizoid Man (Live at Hyde Park 1969)
King Crimson - 21st Century Schizoid Man (Live at Hyde Park 1969)
- Report rights infringement
- published: 23 Dec 2016
- views: 3900611
A clip of King Crimson's legendary performance at Hyde Park, supporting the Rolling Stones, 1969.
http://vevo.ly/YG0xox
Level 5
Level 5, Level-5, Level Five, or Level V may refer to:
Gradings
Other
- Level-5 Stadium, a stadium in Fukuoka, with naming rights by the Fukuoka game and software company
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Level_5
King Crimson - Epitaph (Including "March For No Re...
King Crimson - The Court Of The Crimson King...
King Crimson - Starless...
King Crimson - In The Wake Of Poseidon (OFFICIAL)...
King Crimson - 21st Century Schizoid Man (Includin...
King Crimson: Part 1 - Stand Sound Profiles...
King Crimson - Starless (OFFICIAL)...
King Crimson - 21st Century Schizoid Man...
King Crimson - Starless (Live in Takamatsu, Japan...
